1) [1] a UK hi… Read Full Bio ↴There are three musical projects by the name of Kano --
1) [1] a UK hip hop / grime rapper
2) [2] a classic italo-disco project.
3) [3] a Japanese singer who covers Vocaloid songs.
[1] In his early teens Kano attended Langdon Comprehensive School in East Ham, Newham, where his mother still works. Kano was a promising footballer, representing Chelsea F.C., Junior Hammers and Norwich City by the age of thirteen, but in the end he abandoned his sporting ambitions in favour of a musical career. His cousin Jonathan Fortune plays for Charlton Athletic.
His first track was "Boys Love Girls". Kano first became known on the UK grime scene for his work with his original group, N.A.S.T.Y Crew (Natural Artistic Sounds Touching You). From this springboard he was signed as a solo artist and began work on his debut solo album.
He is signed to 679 Recordings and is a label mate of The Streets. He was also a key member in East London’s N.A.S.T.Y. Crew. However, since being signed to 679 recordings, he has now left N.A.S.T.Y Crew, and took Demon and Ghetto with him.
Home Sweet Home was a great critical success, from across the British press, most notably The Independent and The Observer, two creditable UK based newspapers. Many artists in the UK and US have expressed positive views of the album, including Busta Rhymes, Nas, RZA, Jay-Z, Andre 3000 and Chuck D of Public Enemy.
Towards the end of 2005, Kano also released a mixtape, Beats & Bars, which is currently only available at his concerts.
London Town was released on September 10, 2007, which included hit single, "This Is The Girl", featuring Craig David. London Town includes tracks featuring Gorillaz member Damon Albarn formerly of Blur, Kate Nash, Craig David, Vybz Kartel and Leo The Lion.
Kano is also releasing a special Deluxe Limited Edition that includes a DVD featuring a interview with Kano, This Is The Girl video and acoustic studio footage with Craig David.
Kano has now left 679 recordings.
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[2] Kano was a post-disco music project formed in 1979 by Italian-based producers/musicians Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto. They were early producers of a style of Italian dance music called Italo-disco, a blend of 1970s disco and funk with the addition of synthesizers.
Kano's sound was first heard on radio stations and in dance clubs around the world with their debut hit single, 1980's "I'm Ready", from their self-titled debut album (which also included the minor hits, "It's a War" and the instrumental track "Cosmic Voyager"). The b-side of "I'm Ready", "Holly Dolly" used the same essential production elements. "I'm Ready" also peaked at #21 on the Black Singles chart. "It's a War" was also a big hit on the Hot Dance Music/Club Play chart in the U.S., reaching #2 for five weeks.
The project went on to record two other albums, including 1981's "New York Cake" (which included the minor hits "Don't Try to Stop Me", and "Can't Hold Back") and 1983's "Another Life" (including the title track and "I Need Love") which introduced West Indian-born singer Glen White. Their last song was 1985's "This Is the Night".
"I'm Ready" was later used as a sample on a few songs, such as Gigolo Tony's 1986 hit "Hokie Pokie" and Rofo's 1987 hit "Flashlight In A Disconight". The most well-known use of it as a sample is on Tag Team's 1993 hit, "Whoomp! (There It Is)". "Another Life" was remixed by Master Blaster featuring in their 2003 album "We Love Italo Disco". "Another Life" was also sampled in the 2005 track "Discopolis" by Lifelike & Kris Menace. "Ikeya Seki" was sampled by the French electro house artist Kavinsky for his track "Grand Canyon", which appeared on his 2007 EP, 1986.
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[3]Romanized name of the utaite 鹿乃, for a full biography, check that page.
My Sound
Kano Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
My sound's the real deal
Hold tight the ends, East Ham, Plaistow, Stratford
Canning Town, stand up, ayy!
Hold tight the ends got to fill the city
Got the whole ends and Richard with me
Man like Goose and my nigga Sticky
Man can't call me no pickaninny
Big magnum cost a pretty penny
Couple LPs and a couple Diddys
Couple Liv Popes and a couple Iggys
All-white dance get shutdown
Ragga, them pedals just touch down
Gyal come with you, they're with us now
Boogie got jungle on lock now
I don't cut shapes, I just cut riddim
If it ain't Vybez, I ain't fucking with it
Rudeboys don't response for no dissing
Catch up inna big is a man's schism
Man have got the rum-pu-pu-pum-pum
Mek a boy run like he stole something
Run up on me, that's a madness
Rum-pu-pu-pum-pum
Hold tight the mandem on lockdown
God bless and keep your 'ead up now
Wifey was real, she did hold out
Dozen roses up her nose now
My sound's the realest, we know
Shut down dance wherever we go
And we keep a big ting for those haters
And it goes po-po-po-po-po-po
My sound's the realest, we know
Shut down dance wherever we go
And we keep a big ting for those haters
And it goes po-po-po-po-po-po
Corned beef and rice, it was real then
Please buss a shot for your real friend
Man like Fab and my nigga Smithy
Got the whole ends and Richard with me
Man just might fly up Manny
Link up the mandem are many
Got a couple bruddas up country
Hold tight Kygo and Jus D
My sound's the realest, we know
Shut down dance wherever we go
And we keep a big ting for those haters
And it goes po-po-po-po-po-po
My sound's the realest, we know
Shut down dance wherever we go
And we keep a big ting for those pagans
And it goes (po-po-po-po-po-po)
Dem boy some haters
Hating for real
Those boys some haters
So we keep a big ting for those pagans
And it goes (everybody dead now)
We either whine gyal or we stan' up
But badman don't MC Hammer
Made in the manor where the guns dem clap up
Don't need no Santa fi boy get wrap up
Must big up Marlene and Big Pat up
RIP Auntie Vicky, true champion
Down by the River Thames, old Hammond
Mum played Beres and she played Daddy
They scream no black role models on these streets
But man model Roleys out on these streets
Tryna push a roller out on these streets
Tryna get a Rover out on these deets
Paid my dues, then get no receipt
This the motherfucking thanks I get from this scene?
Ten years deep, a thousand 16s
And man a headline but didn't receive
Let me bloodclart live, spit my bloodclart shit
I'm a forefather, that's my bloodclart kids
Tell a hater it is what it bloodclart is
Then tell a real sound man to bring back my ting
My sound's the realest, we know
Shut down dance wherever we go
And we keep the big sitting for those haters
And it goes po-po-po-po-po-po
My sound's the realest, we know
Shut down dance wherever we go
And we keep a big ting for those haters
And it goes po-po-po-po-po-po
My sound's the realest
My sound's the real
My end's the realest
My mandem real
In Kano's song "My Sound," the lyrics reflect a sense of pride in the artist's roots and his unique style. The song celebrates the authenticity of Kano's sound and his connection to his East London neighborhood. The opening lines, "My sound's the realest, My sound's the real deal, Hold tight the ends, East Ham, Plaistow, Stratford, Canning Town, stand up," establish his strong affiliation with these areas and the people who reside there.
Throughout the song, Kano acknowledges the support and camaraderie he receives from his friends and associates. He mentions individuals like Richard, Goose, Sticky, Ashmond, and others who are part of his inner circle. The lyrics also touch upon material possessions such as a Richard Mille watch, a magnum champagne, LP records, and expensive cars, which serve as status symbols.
Kano emphasizes his dedication to his music and his refusal to compromise on his artistic choices. He highlights his preference for certain genres like Vybez and Jungle and dismisses any music that does not align with his tastes. He also addresses the ups and downs of his career, expressing frustration at the lack of recognition he feels he deserves, despite his longevity in the industry.
Overall, "My Sound" showcases Kano's pride in his community, his commitment to his craft, and his determination to stay true to himself despite the challenges he faces.
Line by Line Meaning
My sound's the realest
My style of music is the most authentic and genuine
Hold tight the ends, East Ham, Plaistow, Stratford
Acknowledge and pay respect to the areas of East Ham, Plaistow, and Stratford
Canning Town, stand up, ayy!
Show support and pride for Canning Town
Hold tight the ends got to fill the city
Respect to my neighborhood for representing and influencing the entire city
Got the whole ends and Richard with me
I am accompanied by many people from my neighborhood, including Richard
Man like Goose and my nigga Sticky
I have close friends named Goose and Sticky
Ashmond just got the Richard Mille
Ashmond recently purchased a Richard Mille watch
Man can't call me no pickaninny
Nobody can disrespect me or insult me
Big magnum cost a pretty penny
My gun, a magnum, is expensive and valuable
Couple LPs and a couple Diddys
I own a few luxury LP records and expensive cigars (Diddys)
Couple Liv Popes and a couple Iggys
I have a few Liv magazines and expensive sports cars (Iggys)
All-white dance get shutdown
When I perform at a dance party, it becomes a huge success and dominates
Ragga, them pedals just touch down
Ragga, a genre of music, has recently gained popularity
Gyal come with you, they're with us now
Girls who were previously with you are now with our group
Boogie got jungle on lock now
Boogie now dominates the jungle music scene
I don't cut shapes, I just cut riddim
I don't dance fancy, I focus on creating the perfect rhythm
If it ain't Vybez, I ain't fucking with it
If the music doesn't have a specific vibe and energy, I'm not interested
Rudeboys don't response for no dissing
Rudeboys do not tolerate disrespect or insults
Catch up inna big is a man's schism
Engaging in a fight with a big man is a dangerous situation
Man have got the rum-pu-pu-pum-pum
I possess a powerful and intimidating presence
Mek a boy run like he stole something
Make a boy run away as if he has stolen something
Run up on me, that's a madness
Approaching me aggressively would result in chaos
Hold tight the mandem on lockdown
Show support and solidarity for the guys in lockdown
God bless and keep your 'ead up now
May God bless and protect you, stay strong
Wifey was real, she did hold out
My partner was loyal and stayed committed
Dozen roses up her nose now
She is now addicted to drugs
And we keep a big ting for those haters
We are prepared with a powerful weapon for those who dislike us
And it goes po-po-po-po-po-po
We use the weapon to intimidate and silence the haters
Corned beef and rice, it was real then
Corned beef and rice used to be a genuine and affordable meal
Please buss a shot for your real friend
Raise a glass in honor of your true friend
Man like Fab and my nigga Smithy
I have close friends named Fab and Smithy
Got a couple bruddas up country
I have a few friends in other parts of the country
Hold tight Kygo and Jus D
Show appreciation for Kygo and Jus D
Dem boy some haters
Those guys are a bunch of haters
Hating for real
They genuinely dislike and envy us
Those boys some haters
Those guys are a bunch of haters
So we keep a big ting for those pagans
We are prepared with a powerful weapon for our enemies
And it goes (po-po-po-po-po-po)
We use the weapon to intimidate and silence the pagans
We either whine gyal or we stan' up
We either dance with girls or stand confidently
But badman don't MC Hammer
I act tough, but I don't dance like MC Hammer
Made in the manor where the guns dem clap up
I come from a neighborhood where guns are frequently fired
Don't need no Santa fi boy get wrap up
I don't need any Christmas presents to harm someone
Must big up Marlene and Big Pat up
I want to give recognition and respect to Marlene and Big Pat
RIP Auntie Vicky, true champion
Rest in peace to Auntie Vicky, a truly amazing person
Down by the River Thames, old Hammond
In the area near the River Thames, an old Hammond organ is played
Mum played Beres and she played Daddy
My mom used to listen to Beres Hammond and Daddy U-Roy
They scream no black role models on these streets
People complain that there are no positive black role models in our community
But man model Roleys out on these streets
But I wear and display expensive Rolex watches in our neighborhood
Tryna push a roller out on these streets
I'm trying to own and show off a luxury car (Rolls Royce) in our community
Tryna get a Rover out on these deets
Trying to obtain a Range Rover and showcase it in our neighborhood
Paid my dues, then get no receipt
I worked hard and made significant contributions but received no appreciation or validation
This the motherfucking thanks I get from this scene?
Is this the appreciation I receive from the music industry?
Ten years deep, a thousand 16s
After ten years in the industry, I have written and performed numerous compelling verses
And man a headline but didn't receive
Despite being a headliner, I didn't receive the recognition or rewards I deserve
Let me bloodclart live, spit my bloodclart shit
Allow me to express myself freely and passionately
I'm a forefather, that's my bloodclart kids
I am a respected and influential figure, and these are my children
Tell a hater it is what it bloodclart is
Inform the haters that things are the way they are, and there's nothing they can do about it
Then tell a real sound man to bring back my ting
After that, request a talented DJ or music producer to bring back my original sound
My end's the realest
My neighborhood is the most genuine
My mandem real
My close friends are authentic and true
Lyrics © BMG Rights Management, Downtown Music Publishing
Written by: Kane Robinson
Lyrics Licensed & Provided by LyricFind