Exclaim! praises: "Andrews, the ‘alternative Phil Spector’, and brainchild behind the much heralded group Failure, who arguably are the genesis of the chromatic processed guitar sound (currently perpetuated by former member Troy Van Leeuwen, who took it to A Perfect Circle and Queens of the Stone Age), and whom also earned accolades worldwide and gained great support by the likes of other left-field dark rockers such as Tool."
Since producing and mixing Fantastic Planet, a new career opened up for Ken, as bands and artists found themselves drawn to his aural sensibilities. Easily segueing into his second calling as a producer/mixer, Ken has worked for numerous acts—including Beck, Pete Yorn, Tenacious D, A Perfect Circle, Jimmy Eat World, Mae, and Blink-182.
In 2000, Ken continued as a recording artist with his first solo project, ON (Epic Records), and later with the band Year of the Rabbit (Elektra). “I enjoy making records. Whether I’m helping other artists enhance their vision as a producer or mixer, or writing and recording my own stuff as an artist; I find both worlds to benefit each other, as I invariably pick up skills and techniques from the artists I produce and vice versa. I find wearing both hats equally satisfying creatively.”
Now, Ken returns to the scene with his first solo release as Ken Andrews. “I’m very excited about this album [Secrets of the Lost Satellite]. I’ve had the opportunity to ask various people I’ve worked with over the years to come in and collaborate with me this time. I brought in two of my oldest musical cohorts, Justin Meldal-Johnsen (Beck, IMA Robot) and Jordon Zadorozny (Blinker the Star, Abbey) to co-produce the new album with me. Justin’s accomplished career as a top L.A. studio bassist (Tori Amos, Air, Garbage, The Mars Volta) and his experience as Beck’s live musical director and bassist has prepared him well for the tasks of producer. His main concept for this record, and the driving force as to why this album is decidedly different from my previous solo work, was to bring in a live band to overdub as a unit, on top of my fairly finished and detailed demos. The band consisted mostly of Beck’s current live group, whom I had met when I was hired by Beck to contribute to the Nacho Libre Soundtrack (Brian Lebarton, Matt Mahaffey, Matt Sherrod, and Justin Stanley). We all got together for a two-day recording session, which was one of the most exciting of my life. These guys are so tuned in to each other. Listening to them come up with ideas, and in some cases completely transforming my songs—was a huge rush for me. While the basic structures and all the vocals stayed the same, the songs became injected with a live, undulating quality, that enhanced the basic feel I was going for, but took it far beyond what I thought was possible.”
“The creative process has been very liberating and free flowing. I finally have taken the pressure off of myself, in terms of playing most of the instruments, and really used my skills as the songwriter and overall auteur of the album to my advantage,” he explains.
“Write Your Story”, a track Ken co-wrote with Jordon Zadorozny, strays from what is heard on past Failure, ON, and Rabbit releases. Somewhere in the musical vein of Air and The Doves, the dreamy undertones of the song echo alongside luxuriant vocals.
“Jordon and I have worked together a lot in the past, except with the underlying roles reversed (I was producing him in the past). We both, play, sing, engineer, and produce, so we tend to get into the nitty-gritty of things real quick. Jordon is one of the very few people I’m completely comfortable writing with for my own album. He and I share a writing sensibility that we don’t talk about, it just happens. Plus, he completely understands my musical history and what I was trying to achieve on this album. His role was primarily co-producer, but he played quite a few instruments on various songs, and he co-wrote probably my favorite song on the album, “Write Your Story.”
“Secret Things”, one of the album’s standout tracks, combines tripped-out strings with a synth-bass groove creating a demanding, viscerally appeal. Live instruments (drums, piano, and guitar) mingle with electronic elements. Strong, hooky vocals keep the song on course. “In Your Way”, another stylistically dynamic track pulls the listener into an eerie, enticing space/dream world.
Secrets of the Lost Satellite is expected in stores on March 13, 2007 courtesy of Dinosaur Fight Records. “I think people are going to hear things that they are used to hearing from me on this album, but they are also going to hear things that I haven’t really done in the past,” explains Ken.
A three-week promotional headline tour is slated to coincide with the anticipated release. This tour will be Ken’s first return to the live scene since touring with Year of the Rabbit in 2003.
In Your Way
Ken Andrews Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
They said I would never get to sleep again.
I said
World, why you gotta go away?
But I said
World, why you gonna fade away?
Satellite, with your lens focused on
I'm in your way.
Sleeping sound, breathing from my mouth again.
Warning sounds are never gonna make it end.
But I said
World, why you gotta make me pay?
And I said
World, why you gonna fade away?
Satellite, with your lens focused on
Everything, and anyone is in your way.
I'm in your way.
Gonna break you down
Fade away
Gonna break you down
Make you pay
Satellite, with your lens focused on
Everything, and anyone is in your way.
I'm in your way.
Ken Andrews's "In Your Way" is a powerful and emotionally charged song that tackles the themes of feeling trapped and suffocated, unable to escape or break free from the constraints of the world. The first verse starts with the singer admitting to being in a state of confusion and disorientation as he wakes up only to fall back again, unable to sleep. The line "They said I would never get to sleep again" suggests that the singer is facing a difficult and incurable medical condition that prevents him from finding rest and peace. The chorus reflects the singer's frustration and helplessness at the world's indifference towards his suffering; he questions why the world has to go away and why it has to fade away. The world represents a source of comfort and hope for the singer, and its disappearance leaves him feeling lost and alone.
The second verse delves deeper into the singer's sense of isolation and dread. He feels like he's being watched and scrutinized by an omnipresent entity, portrayed by the satellite with its lens focused on everything and everyone in its way. The singer identifies himself as being in the way, meaning that he's obstructing the satellite's view, and by extension, the world's view of reality. The third and final verse takes a more defiant and aggressive tone, with the singer taking it upon himself to break down the satellite and make it pay for its intrusion. The repeated line "I'm in your way" suggests that the singer is unwilling to be pushed aside and will fight tooth and nail against anything that tries to oppress or control him.
Line by Line Meaning
I got up, then I fell back again.
I tried to move forward but ended up failing and going back to where I started.
They said I would never get to sleep again.
People doubted my ability to relax and rest.
I said World, why you gotta go away?
Questioning why the world appears to be leaving or disappearing.
But I said World, why you gonna fade away?
Repeating the question of why things seem to be disappearing from view or existence.
Satellite, with your lens focused on Everything, and anyone is in your way.
A figurative reference to how surveillance is monitoring and interfering with people's lives.
I'm in your way.
The singer perceives themselves as an obstacle to what is being observed and controlled.
Sleeping sound, breathing from my mouth again.
The act of peacefully sleeping and breathing naturally.
Warning sounds are never gonna make it end.
Alerts and signals will not bring an end to the situation at hand.
But I said World, why you gotta make me pay?
Expressing frustration at the world's consequences and punishments for actions.
And I said World, why you gonna fade away?
Repeating the question of why things are disappearing and not being sustained.
Gonna break you down Fade away Gonna break you down Make you pay
Possible interpretation of the singer's desire to retaliate against those in power who cause harm or difficulty.
Satellite, with your lens focused on Everything, and anyone is in your way.
Rephrasing of the previous verse to signify the pervasiveness of surveillance and control in modern society.
I'm in your way.
Repeating the idea that the singer perceives themselves as an obstruction or unwanted presence.
Contributed by Kylie L. Suggest a correction in the comments below.
Eder
This song is amazing!! I'm glad brought this up randomly.
Corinne Reynolds
i am in love with this brilliant album...unreal...im glad i stumbled on it...my life has reached a new high as i am in utter and complete LOVE
Dave Peilt
Ken Andrews touches and it rocks
TheSlackers93
ken andrews one of the best ever!!
Andrew Newton
Ken Andrews ROCKS
ChevyHerron
well apparently this guy is in someone's way
Adam Rojo
Check out Failure, Ken's previous band. Also Autolux, Greg of Failures new band.
Jake
And Year of the Rabbit,and ON
Mike Reseigh
I am like 113