Musical career:
Savas' career began with the recording Warum rappst du? ("Why do you rap?"). He gained attention with controversial lyrics in songs like Schwule Rapper ("Gay Rappers"), LMS (Lutsch mein' Schwanz, "Suck my dick"), and Pimplegioneah. Initially Savas rapped in English in groups like the Basic Elements. He became more successful in bands such as M.O.R. und Westberlin Maskulin together with the underground-rapper Taktloss. In 2001 he left his recording firm Put Da Needle To Da Records and the group M.O.R. itself because of personal and artistic differences.
In 2002 he released his first solo album Der beste Tag meines Lebens (The best day of my life) with his own recording company begun in the same year, Optik Records. He worked with many German and international artists including Azad, Curse, Moses Pelham, Samy Deluxe, RZA, J-Luv, Lumidee, Bligg, Jadakiss, Xavier Naidoo, and Smut Peddlers.
With his recording firm, he sought to build up and promote a number of artists, including for example Eko Fresh whom he discovered. Currently the following artists are under contract: DJ Nicon, Melbeatz, Ercandize, Caput, and Amar. The contract with the rapper SD ended because of musical differences and he left followed by his friend Spontan. At the moment Savas' little brother Sinan is also under contract.
At the end of 2004, Eko Fresh released the song Die Abrechnung in which he dissed Kool Savas. In February 2005, Kool Savas answered with the track Das Urteil ("The judgement"). The track was available for free download on the hip hop website Mzee.com and was accompanied by a video clip that was voted twenty times for first place on the MTV TRL charts.
In March 2005 he participated in an advertising campaign for the animals rights organization PETA in which he spoke against the consumption of meat.
Private life:
As a baby Savas returned to Turkey with his family at one years old. His father was arrested for political activities, forcing his mother to return to Aachen. In 1987 the reunited family moved to Berlin where Savas first came in contact with rap music. In 1997, he acted in the film Geschwister – Kardesler in the role of Ahmed.
He lives with his long-time girlfriend Melbeatz (Melanie) in Heidelberg. The relationship is also one of artistic and business collaboration as she makes many of his beats. They also are both vegetarians. At the end of 2004, there was a rumor that they were no longer together. Savas responded in the song Was hab' ich dir angetan? (What did I do to you?) on the album ONE.
Brainwash 3 feat. KAAS und Moe Mitchell
Kool Savas Lyrics
Jump to: Overall Meaning ↴
Optik Scientology
Wir ficken, ficken, ficken dein' Kopf
00-Rap, ich begann mit dem
Job wie Sean Connery
Ein Rapper mehr oder weniger hier
Als ob das 'ne Rolle spielt
Das Top Team mein Gott
Sind die überdurchschnittlich beliebt und
So stoppt diese Euphorie
Wenn ihr wisst, wie, wenn nicht
Schmeißt euch einfach doch noch 'n Dolormin
Egal, wie viel Runden, wir
Besiegen euch am Ende
Wie Rocky Apollo Creed
S Adonis, komisch, ich hab noch nie gemodelt
Wieso lieben mich die Bitches
Dann? Brainwash Optik Scientology
Hab Hoes und spül MCs das Klo runter
Dieser Stil ist Rebellion
Flow: Kunta Kinte, Reimschema: himmlisch
Image: unverwundbar
Schreib den Titel dieses Tracks
In bunter Tinte, untereinander
Sie können uns nicht unterwandern
Wir sind 'ne Familie wie die Simpsons
Frontet das geht ins Auge wie Linsen, Onkel
Essah kommt, prompt springen diese Rapper in
'ne Rolle wie Prinzen
Sie waschen Geld, wir waschen Hirne
Ihr Vögel keine wirkliche Hürde
Mein Flow hat übernatürliche Wirkung
Unantastbar wie die menschliche Würde
Optik Scientology, Optik Scientology
Optik Scientology
Wir ficken, ficken, ficken dein' Kopf
Kaas steht in einem grauen Anzug
Hinter einer dunkelhaarigen Frau
Sie sitzt auf einer kunterbunt farbigen Couch
Sie hat skurille Motive auf ihrer Haut
Tätowiert auf ihrem Hintern und Bauch
Auf den Brüsten und Oberschenkeln auch
Neben ihr liegen Schädel von toten Tieren aus
Kaas erkennt den Orang-Utan und den
Hirsch dank dem Geweih
Den Rest der Viecher kriegt er nicht raus
Der eine könnt 'n Hund
Der andere muss 'n fieses Monster sein
Die Schleife in ihrem Haar sieht
Aus wie eine fette Frau
Die auf dem Rücken liegend, ihre bleiche Haut
Durch Sonne rosa färbt wie eine Sau
Nach was riecht es in diesem Raum?
Nach einer Mischung aus süßem
Parfüm und Dachboden
Im Fenster sieht man einen Baum
Seine Äste wippen ab und auf
Bedrohlich, als ob sich etwas zusammenbraut
Eine Oma schaukelt glücklich vorm Haus
Ein Mann im Kinderwagen reißt
Puppen die Köpfe aus ich schrecke auf
Doch es war alles alles
Nur ein mittelmäßiger Traum
Optik Scientology, Optik Scientology
Optik Scientology
Wir ficken, ficken, ficken dein' Kopf
I brainwash motherfuckers like Harry Houdini
I fuck these bitches like Christina
I gotta have me a gini niggas believe me
Because of the fact they see me on TV
It's easy to stack up my paper
Some say that I'm greedy
I raise up my pinky 'n' let it
Glow like the finger from ET
These niggas cheesy and stinky, but me
I am just easy see me in 3D
I'm pretty 'n' weedy you shitty
On CD it's creepy your shit is boring
It just making me sleepy your weedy is seedy
I look in your eyes 'n' I see pipi
Come through my city with CV
And you will find me with sleezy
Greasy bitches with hanging out titties
'n' I will give you a really
Good job, it ain't hard
You just need to be kinky
Or you just stay desperate like a
Housewife 'n' bitchy like edy
Nigga I'm Biggie if it comes
To certified Henny or Remy
The Jacky or Jimmy or Johnnie
Man, I'm so sorry, so sorry
But I'm just too drunk 'n' pissy, man
I'm so fucking horny
Optik Scientology, Optik Scientology
Optik Scientology
Wir ficken, ficken, ficken dein' Kopf
The lyrics in the song "Brainwash 3" by Kool Savas featuring KAAS und Moe Mitchell convey a theme of manipulation, power, and control. The repeated phrase "Optik Scientology" suggests a visual or superficial influence akin to the controversial religious group, implying that they are effectively shaping and controlling perceptions or beliefs. The repetition of "Wir ficken, ficken, ficken dein' Kopf" (We fuck, fuck, fuck your head) further emphasizes the idea of forcefully altering or dominating someone's thoughts or mindset.
Kool Savas introduces his verse by likening himself to a legendary figure, Sean Connery, in the rap game. He dismisses the idea of there being one more or one less rapper, asserting the dominance of his team and their unorthodox style. The mention of Dolormin, a pain reliever, suggests a dismissive attitude towards their competition and their ability to handle challenges. The comparison to Rocky defeating Apollo Creed reflects a triumphant and unbeatable mindset, emphasizing their prowess and ability to come out on top.
KAAS enters the scene in a vivid imagery of a gray suit and a woman with eccentric tattoos on a colorful couch surrounded by skulls of dead animals. The intricate descriptions paint a surreal picture, capturing the confusion and disorientation that can come with being subjected to manipulation and mind control. The dream-like sequence with a waving tree and ominous undertones adds to the unsettling atmosphere, showcasing the power of suggestion and illusion.
Moe Mitchell's verse continues the theme of manipulation and control, as he boasts about his ability to brainwash others like a magician and dominate in various aspects of his life, from relationships to his career. The references to pop culture figures like Harry Houdini and Christina Aguilera add layers to his persona, as he exudes confidence and power in his words. The imagery of greed, flashy lifestyle, and frivolity contrasts with the darker undertones of control and manipulation, creating a complex and multifaceted narrative.
Overall, the lyrics of "Brainwash 3" delve into the themes of influence, power, and manipulation in the music industry and beyond. The use of vivid imagery, metaphors, and wordplay creates a rich tapestry of ideas and emotions, conveying a sense of control and dominance that permeates throughout the song. From the confident assertions of Kool Savas to the surreal scenes described by KAAS and the braggadocious swagger of Moe Mitchell, the lyrics explore the complexities of navigating a world where perception and reality often intertwine.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
lakaii100
2023 Ballert immer noch wie beim Release 🧨
Kaisair LC
Ein Mann mit geschmack findet man nicht immer 😢
André Schmidt
Das 🎉
André Schmidt
@Kaisair LC einen Mann
Jeremias Lippelt
Jz noch mehr
Vito N
Unsere Musik
Jo Be
Das Lied wird auch in 20 Jahren immer noch ballern!
Ein wahres Meisterwerk deutscher Musikgeschichte.
Joeyrealtalk
Ja digga das stimmt
Salvatore Di Tella
is ja schon fast 20 jahre alt
razor kkill
ist schon 13 jahre her bro :) und ich liebe es immer noch 📖