Once the frontwoman of UK band Blue Zone, which saw modest success with their single "Jackie", she became a major international star beginning with her guest vocal stint on Coldcut's record People Hold On.
Stansfield is probably best known for her first UK #1 single, All Around the World (1989), which also peaked at #3 in the U.S. Billboard Hot 100 the following year. Other worldwide hits from her debut solo album Affection include This is the Right Time (featuring a house music-styled production by Coldcut with Mark Saunders), Live Together, What Did I Do To You? and You Can't Deny It. "All Around the World" was the second song by a white female soloist to hit #1 on the Billboard R&B chart (the first being "Ooo La La La" by Teena Marie in 1988). "You Can't Deny It" also topped that chart. Affection went platinum in the U.S., and sold a total of five million copies worldwide.
In 1990, Stansfield was among a handful of high-profile artists to participate in the Red Hot + Blue charity album, which honored the songwriting career of Cole Porter, and benefitted AIDS research at a time when funding from government agencies was insufficient for those in need. She was given the chance to show her swing and jazz chops on the song "Down in the Depths" (video), which was one of a few throwback renditions to appear on the album. This likely won her the female lead in the independent film Swing (1999), for which soundtrack she also performed most of the songs. Thus began an illustrious and respected tradition of Stansfield offering jazz and torch songs to outside projects (she also sang I've Got the World on a String in the original movie soundtrack of 2003's Mona Lisa Smile).
In 1992, Stansfield won a BRIT Award as best British female solo artist. Her second album Real Love did not quite live up to the success of Affection, despite selling very well. However, it did spawn four Top 40 singles on the European charts: Change, All Woman, Time to Make You Mine and Set Your Loving Free. "Change" has since become one of her signature classics, and still receives regular air-play to this day. "All Woman" became Stansfield's third #1 single on the Billboard R&B chart, and due to the success of that song, the album went gold in the U.S. Filled with pathos and emotion, it is "kitchen sink soul", from the viewpoint of a woman taken for granted. Like "All Around the World", many critics initially believed that it had been performed by a black singer.
Stansfield continued recording disco-influenced soul throughout the 1990s. Her third album So Natural (1993) spawned three Top 40 European singles including the title track So Natural, In All the Right Places and Little Bit of Heaven, but the album was never released in the U.S. She had continued success throughout Europe, but her popularity in America had diminished.
sidenote: "In All The Right Places" was featured on the soundtrack of the movie Indecent Proposal (1993), for which Stansfield was shortlisted as the lead that eventually went to Demi Moore. You can catch her talking about it in this YouTube interview clip (@ 1:30).
Her self-titled fourth album Lisa Stansfield (1997) was a hit in Europe with two Top Ten singles - People Hold On (Dirty Rotten Scoundrels Mix) (a re-released dance mix by The Dirty Rotten Scoundrels) and The Real Thing, and the Top 40 track Never, Never Gonna Give You Up (a remake of the late Barry White's 1973 hit). Upon being released in the U.S., the album scored some mainstream attention, but fared much better in the dance clubs where remixes were very successful; an astonishing four singles - "Never, Never Gonna Give You Up", Never Gonna Fall, I'm Leavin', and "People Hold On" reached #1 on the Hot Dance Club Play chart. It charted modestly, peaking at #30 Top R&B/Hip-Hop Albums and #55 on the Billboard 200. Subsequently, The Remix Album was released due to revived interest in Stansfield within the dance community. The music video for "Never, Never Gonna Give You Up" (video) was an eye-catcher featuring her strolling nude down a city street, acquiring a few items of clothing along the way. VH1 featured the clip and even gave it the Pop-Up Video treatment. During the promotion for the single, Stansfield appeared on the RuPaul Show, but inexplicably, did not sing the song (or any others, for that matter).
Her 2001 album Face Up was less successful, barely charting through a lack of publicity, but featured the singles Let's Just Call It Love and 8-3-1, which found her experimenting with newer styles of R&B such as 2-step while continuing with her established sound. Stansfield's husband, Ian Devaney, delivered an arrangement for the ballad How Could You?, which displayed his love of Burt Bacharach's legacy. Only one single was officially released in the UK.
Following the release of Face Up, a 2-CD greatest hits collection titled Biography: The Greatest Hits was released in 2003, which sold well in the UK and Europe. Stansfield then parted ways with Arista/BMG, ending an 18-year association with the label.
Stansfield signed with ZTT Records from the UK, and her 2004 release The Moment was produced by Trevor Horn, well-known for his work with Seal, Grace Jones, and Frankie Goes to Hollywood, among others. The album was distributed in Europe by Edel, featuring the singles Treat Me Like a Woman (released as a double A-side with Easier) and If I Hadn't Got You, a song written by Chris Braide with ex-Squeeze songwriter Chris Difford. The album found her exploring more pop-oriented material, and focusing on lush ballads.
Despite this, as with her previous release, the album and supporting singles were not a success. At the time of the project's release, ZTT was directing large amounts of its resources into re-marketing its back catalogue, and producing the Trevor Horn concert for The Prince's Trust and its accompanying double CD Produced by Trevor Horn. The release of "Treat Me Like a Woman" was twice delayed, and the label eventually paired it with "Easier". While ZTT did erect a billboard to advertise the album in Stansfield's home area of Greater Manchester, print advertising and in-store displays were reportedly absent. Later that year ZTT dropped her from their label.
Stansfield's talents also extended into acting; she starred in the 1999 film Swing with actor Hugo Speer, and recorded covers of swing classics and a few original songs written in the style for the soundtrack. She later appeared on a London stage in The Vagina Monologues. In 2006, she guest-starred in the series Goldplated. In 2007, she starred in an episode of Marple: Ordeal by Innocence, and later joined the cast of The Edge of Love.
On June 2012, Lisa told the UK newspaper, The Sunday Mirror that she's working on her seventh studio album, her first in nine years, and that it is going to be released in spring 2013. Lisa announced in November 2012 that the album will be titled 'Seven'.
Official website: http://www.lisa-stansfield.com
Just to Keep You Satisfied
Lisa Stansfield Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
God is my friend
Jesus is my friend
He made this world for us to live in, and gave us everything
And all he asks of us is we give each other love.
Oh ya
Don't go and talk about my father
Cause God is my friend
He loves us whether or not we know it
Just loves us, oh ya
And He'll forgive all our sins
Forgive all our sins
And all He asks of us, is we give each other love.
Oh ya
Love your mother, she bore you
Love your father, he works for you
Love your sister, she's good to you
Love your brother, your brother
Don't go and talk about my father, He's good to us,
God is my friend
Jesus is my friend
For when we call in Him for mercy, Mercy Father
He'll be merciful, my friend
Oh, yes He will
All he asks of us, I know, is we give each other love,
Oh ya
The lyrics to Lisa Stansfield's song Just to Keep You Satisfied are about the unconditional love and forgiveness that God and Jesus offer. The singer asks others not to talk negatively about her father because he is a friend of God and Jesus, who gave us the world to live in and everything we need. They only ask us to love each other and forgive one another's sins. The song encourages us to love our family - mother, father, sister, and brother, because they are good to us.
The song's message is one of compassion, love, and forgiveness, in line with the teachings of Christianity. The artist is reminding us that no matter what we face in life, God and Jesus are our friends who will always be there for us. The song highlights the importance of family and how we should cherish and love those closest to us.
Line by Line Meaning
Oh don't go and talk about my father
Please don't speak negatively about my father
God is my friend
I have a close relationship with God
Jesus is my friend
I am also close to Jesus
He made this world for us to live in, and gave us everything
God created the world for us and has provided for all our needs
And all he asks of us is we give each other love.
God desires us to love one another
Oh ya
An expression of agreement or affirmation
He loves us whether or not we know it
God's love for us is unconditional and doesn't depend on our knowledge or awareness of it
Just loves us, oh ya
God's love is simple and pure
And He'll forgive all our sins
God will forgive all our wrongdoings and mistakes
Love your mother, she bore you
Show affection to your mother who gave birth to you
Love your father, he works for you
Be grateful for your father who works hard for you
Love your sister, she's good to you
Appreciate your sister who is kind and helpful to you
Love your brother, your brother
Also love your brother the same way you love your sister
Don't go and talk about my father, He's good to us,
Again, please refrain from speaking negatively about my father because he is kind to us
For when we call in Him for mercy, Mercy Father
When we ask God for mercy, he shows us compassion
He'll be merciful, my friend
God is a merciful and compassionate friend
All he asks of us, I know, is we give each other love,
Once again, God desires us to love one another
Oh ya
An expression of agreement or affirmation
Lyrics © Sony/ATV Music Publishing LLC
Written by: ANNA GAYE, MARVIN GAYE, ELGIE ROUSSEAU STOVER
Lyrics Licensed & Provided by LyricFind