Louisa Jo Killen (né Louis Killen) w… Read Full Bio ↴(10 January 1934 – 9 August 2013)
Louisa Jo Killen (né Louis Killen) was one of the most widely influential musicians of the folk revival and a key voice of English traditional song. She was a hard-core, unadulterated folksinger whose passionate delivery was matched by a deep and wide-ranging knowledge of the songs and the working people who made them.
Born and raised in the heart of the industrial North East of England, she came early to a love of folk music. Nurtured by a singing family whose tastes ran from liturgical music to cowboy songs, Irish ballads, grand opera, blues, jazz, classical and local Music Hall, the dominant music in her life has been the folk music of the British Isles. Killen's family background is predominantly Irish: her paternal great-grandfather brought the family from County Mayo to the banks of the River Tyne in 1852. Her grandfather married a Scotswoman and her father an Irishwoman.
Though her ancestry is largely Celtic, being a native Tynesider strongly affected her approach to music. Tyneside is an area that absorbs other cultures and converts them into its own - even after thirty-five years living in the USA, Killen's speaking accent still denoted her roots. The mixture of Irish, Scots and English living in the coal-mining and industrial region known to the ancients as Northumbria set it apart from the rest of England, pulling into it the musical traditions of all three countries while maintaining its own distinct musical style. Killen drew on all four traditions to bring a wide range of folk music to her audiences. To these four is added the Anglo-American tradition of deep-water shantying and sailor ballads common to both nations. Louisa Jo's first-hand experience working aboard brigs, brigantines, schooners and sloops in the late '60s and early '70s put her in the forefront of the current revival of maritime music on both sides of the Atlantic.
In a career spanning over forty years, with more than thirty-five albums/CDs to her credit, Killen's influence as a performer, teacher and inspiration to others was unparalleled. Over forty recordings spanning most of the latter part of the 20th Century. Louisa Jo was a living folk legend.
http://en.wikipedia.org/wiki/Louis_Killen
http://www.theguardian.com/music/2013/aug/19/louis-killen
Keep Your Feet Still Geordie Hinny
Louis Killen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
In a little boardin' hoos that's doon the shore,
But before they'd been an hour asleep a kick from Geordie's foot
Made Bob wakin' up and roar instead of snore
Keep your feet still Geordie hinny let's be happy through the neet
For we may not be sae happy through the day
Oh give us that bit comfort, keep your feet still Geordie lad,
Now A dreamt there was a dance was held and Mary Clark was there
A thowt we traipsed quite lightly roond the floor,
I pressed hor heavin' breest to mine whilst walzin' roon that room
That's more than A dare ever dee afor.
Keep your feet still Geordie hinny let's be happy through the neet
For we may not be sae happy through the day
Oh give us that bit comfort, keep your feet still Geordie lad,
And divn't drive me bonny dreams away
Yer kna the lad she gans wi', they call him Jimmy Green,
And he thowt he'd try to spoil wor bit o' fun
A dremt I nailed him heavy and blacked the big fool's eye,
It I'd slept it's hard to tell what I'd a done.
Keep your feet still Geordie hinny let's be happy through the neet
For we may not be sae happy through the day
Oh give us that bit comfort, keep your feet still Geordie lad,
And divn't drive me bonny dreams away
Now A thowt A set her hame that night content we went alang
An' A kissed her lips a hundred times or mare
And I wished the road wud never end so happy like was A
A cud've walked a thoosand miles wi' Mary there.
Keep your feet still Geordie hinny let's be happy through the neet
For we may not be sae happy through the day
Oh give us that bit comfort, keep your feet still Geordie lad,
And divn't drive me bonny dreams away
I dreamt Jim Green had left the town and left his luv to me
An' A thowt the hoos was furnished wi' the best
And a dreamt A'd just left the church wi' Mary by me side
When your clumsy feet completely spoiled the rest.
Keep your feet still Geordie hinny let's be happy through the neet
For we may not be sae happy through the day
Oh give us that bit comfort, keep your feet still Geordie lad,
And divn't drive me bonny dreams away
The lyrics of Louis Killen's song Keep Your Feet Still Geordie Hinny tell the story of two men named Geordie and Bob Johnson who share a boarding house. One night, Geordie's restlessness causes Bob to wake up and complain about it. Geordie then begins to recount a dream he had about attending a dance with a woman named Mary Clark. He describes how he danced with her and how much he is enjoying himself. However, the dream is interrupted when he imagines getting into a fight with Mary's boyfriend, Jimmy Green, and then losing Mary's affection due to Geordie's clumsiness. The chorus of the song repeats the phrase "keep your feet still Geordie hinny" which is a plea for Geordie to stop fidgeting and let Bob sleep.
Line by Line Meaning
Wor Geordie and Bob Johnson both lay in bed one night
Two men named Geordie and Bob Johnson were in bed one night
In a little boardin' hoos that's doon the shore,
The two men were staying in a small boarding house near the shore
But before they'd been an hour asleep a kick from Geordie's foot
Geordie kicked in bed before they had slept an hour
Made Bob wakin' up and roar instead of snore
This woke Bob up and he began to yell instead of continuing to snore
Oh give us that bit comfort, keep your feet still Geordie lad,
Bob asks Geordie to keep his feet still so they can sleep peacefully
And divn't drive me bonny dreams away
He wants to keep his happy dreams undisturbed by Geordie's movement
A dreamt there was a dance was held and Mary Clark was there
Bob starts to describe a dream he had where he attended a dance party with a woman named Mary Clark
A thowt we traipsed quite lightly roond the floor,
He recalls dancing lightly around the floor with her
I pressed hor heavin' breest to mine whilst walzin' roon that room
During the dance, he held her close and pressed her chest to his
That's more than A dare ever dee afor.
This was something new and daring for him
Yer kna the lad she gans wi', they call him Jimmy Green,
Bob knows the man Mary Clark is dating, named Jimmy Green
And he thowt he'd try to spoil wor bit o' fun
Bob thinks Jimmy was trying to ruin their fun
A dremt I nailed him heavy and blacked the big fool's eye,
In another dream, Bob hit and blackened Jimmy's eye
It I'd slept it's hard to tell what I'd a done.
If he hadn't woken up, he doesn't know what he would have done to Jimmy in the dream
Now A thowt A set her hame that night content we went alang,
Bob then recalls another dream where he took Mary home and they were both happy
An' A kissed her lips a hundred times or mare
In the dream, he kissed her lips many times
And I wished the road wud never end so happy like was A
He wished the happy moment on the way home would never end
A cud've walked a thoosand miles wi' Mary there.
He would have been happy to walk a thousand miles with Mary
I dreamt Jim Green had left the town and left his luv to me
In his final dream, Bob imagined that Jimmy had left town and Mary was now in love with him
An' A thowt the hoos was furnished wi' the best
He then imagined that they were living in a well-furnished house
And a dreamt A'd just left the church wi' Mary by me side
Bob's dream then went on to imagine the couple getting married and leaving the church together
When your clumsy feet completely spoiled the rest.
Unfortunately, Geordie's movement in bed ruined the pleasant dream for Bob
Keep your feet still Geordie hinny let's be happy through the neet
Bob repeats his wish for Geordie to keep his feet still so they can have a peaceful night's sleep
For we may not be sae happy through the day
He notes that they may not have such happy experiences during the day
Writer(s): handle john
Contributed by Dylan V. Suggest a correction in the comments below.
Dave Howe
Think am gonna have to purchase this CD again, it's starting to wear due to constant play in the truck, I can honestly say I've never found a more toe tapping version of this song, even wor lass has took to singing it, albeit in her brummie accent heh heh
BlaydonAces
Thanks for the nice comment Dave. Glad you like it. Best wishes. Roly
Ferdinand Forester
Newcastle and it's people make it the friendliest place I have ever visited
BlaydonAces
@Ferdinand Forester Hello Ferdinand. I'm glad you had such a positive experience here. It's a special place for sure and made so by its people and their unique dialect. Best wishes. Roly.
Al Campbell
Really brings back memories.
BlaydonAces
Thanks Al. Best wishes. Roly
CHINA COAST JAZZMEN HONG KONG
One from the CD of Dad that I put out. Stan Wilde & The Wild Cats play this song at Coxhoe Jazz Club in 1950. I should maybe do this song at Neds ? Over 45.000 hits excellent.
BlaydonAces
Yes why not, it makes a good jazz theme or maybe part of a bright swing medley.
Jon Shepherd
Think I'll get the CD. Wonderful video with wonderful music. Hope you do n't mind if I share.
BlaydonAces
Thanks Jon. I don't mind sharing.
Best wishes
Roly