1) Low is a German indu… Read Full Bio ↴There are at least seven artists with this name:
1) Low is a German industrial punk rock band from Berlin.
2) Low is a Danish rapper.
3) Low is a Spanish hip hop artist.
4) low is a doujin artist.
5) Low is an American indie rock/slowcore band from Duluth.
6) Low (White Leaves) is a Japanese artist.
7) Low is a member of CLOSER.
1) Low is a German industrial punk rock band from Berlin.
2) Low is a Danish rapper.
3) Low is a Spanish hip hop artist.
4) low is a doujin artist.
5) Low is a slowcore band formed in Duluth, Minnesota, United States in 1993, by Alan Sparhawk (guitar and vocals), Mimi Parker (drums and vocals) and original bassist John Nichols (bass guitar). Zak Sally replaced Nichols after Low's first album and tour. In 2005, Sally quit the band; Matt Livingston replaced him shortly thereafter. In 2008 Steve Garrington took over on bass creating the current lineup of Sparhawk, Parker and Garrington.
Their music is commonly described as "slowcore," a subgenre characterised by slow tempos and minimalist arrangements. They are one of the earlier bands to adopt and popularize the style, making them considerable contributors to the slowcore movement. (It is worth noting that the band dislikes this label. In an interview Alan Sparhawk says of descriptions of their music: "What's the cheesiest? Slow-core. I hate that word. The most appropriate is anything that uses the word minimal in it, but I don't think anybody's made one up for that") Parker and Sparhawk's striking vocal harmonies represent perhaps the group's most distinctive element.
History
The band formed in the spring of 1993. Sparhawk had been playing in the Duluth, Minnesota, band Zen Identity. That band needed a new bassist, and Nichols was recruited. At that time, Nichols was a senior at Superior Senior High School in nearby Superior, Wisconsin, and bassist in the band Lorenzo's Tractor. Sparhawk was called upon to teach Zen Identity songs to Nichols. During practices, the two started improvising with some very modest, quiet themes. As a joke, they wondered what would happen if they played such quiet music in front of Duluth crowds, which at that point focused around the loud, grunge, "post-punk" sound. Soon, the joke became a serious thought. Sparhawk disbanded Zen Identity, and he and Nichols recruited Sparhawk's wife Mimi Parker to play a very modest drum kit composed of a single cymbal and a single floor tom. She used brushes almost exclusively.
Low's debut album, I Could Live in Hope, was released on Virgin Records' Vernon Yard imprint in 1994. It featured Nichols on bass, though he was replaced by Sally, who joined for the recording of the band's next album Long Division. Long Division and its similar follow-up, 1996's The Curtain Hits the Cast, established the band as critical darlings; extensive touring helped them to develop a highly devoted fan base. "Over the Ocean," a single drawn from The Curtain Hits the Cast, also became something of a hit on college radio.
Low experienced considerable difficulties during their tenure with Vernon Yard, and by the time of their next full-length (1999's Secret Name) they had moved to the influential independent label Kranky. In between, they released several singles and EPs. In 1999, Low joined forces with Dirty Three to record an In The Fishtank session for Konkurrent records. All Music Guide called the six-song disc "some of the best material either unit has produced." Of particular note is the disc's lengthy cover of Neil Young's "Down by the River." 2001 saw the release of Things We Lost in the Fire.
The following year saw the release of the band's final full-length on Kranky, Trust. All three of the band's full-length releases on Kranky featured superstar producers: Secret Name and Things We Lost in the Fire feature the work of "recordist" Steve Albini (best known for producing abrasive noise rock and punk groups), who proved surprisingly sympathetic to capturing the band's strengths; while Trust was recorded with Duluth engineer Eric Swanson and mixed by Tchad Blake.
In April 2003, Peter S. Scholtes of the Twin Cities weekly paper City Pages posted in his weblog that Sally had left Low. The following month, the band posted an update to the news on their website: "We have all had to work through some personal things recently ... After sorting it out, the good news is that Zak is remaining in the band ..." In July 2003, they toured Europe with Radiohead, Sally in tow. Following a successful tour in early 2004 that vividly demonstrated the band's commitment to their fans (Parker was visibly pregnant throughout), the band signaled their intent to continue making music by signing with powerhouse indie label Sub Pop. To fulfill their contract with Kranky, Low released a three-disc rarities compilation on that label in 2004.
Beginning with Secret Name, the band have diversified their sound. The band use subtle electronic music touches to augment their sound, reflective of their tenure with Kranky and their exposure to the Midwest's post-rock scene. Adding a more overt rock element to their aesthetic, the band has used fuzz bass from Things We Lost on the Fire onward, and began using distorted lead guitar on Trust. The band's latest album, The Great Destroyer, nods even further in the direction of rock. Recorded with producer Dave Fridmann and released by Sub Pop in January 2005, The Great Destroyer has received mostly positive reviews; the Village Voice described the record's "comparatively thunderous verve." One notable exception to the critical applause is Pitchfork Media, which rated the album 5.5 out of 10 and panned its lead single "California."
Low cancelled the second leg of their extensive tour in support of The Great Destroyer in late spring of 2005. Sparhawk's informal statement, published on the band's web forum and addressed directly to fans, detailed the personal reasons behind the cancellation. In August 2005, however, Sparhawk announced his return to performance, embarking on a United States tour with fellow slowcore pioneer, former Red House Painters frontman Mark Kozelek. However, in October 2005, Sally announced his resignation. Replacing him is Matt Livingston, a longtime bassist and saxophonist in Duluth's musical scene.
Performance
Low are known for their impressive live performances. Rock club audiences typically watch the band while seated on the floor (due to the difficulty of standing for long periods while listening to such slow and quiet music). During their early career, the band often faced unsympathetic and inattentive audiences in bars and clubs, to which they responded by bucking rock protocol and turning their volume down.
Their shows often feature drastically reinterpreted cover versions of famous songs by the likes of Joy Division and The Smiths, in addition to their own original material. Live, Low shows a sense of humor not necessarily found on their recordings; a tour in early 2004 featured a cover of OutKast's hit song "Hey Ya." At a gig in Los Angeles on Halloween 1998, the band took the stage as a Misfits tribute act, complete with corpse paint and black clothing.
Commercial success
The band's mainstream exposure has been limited: their best-known song is arguably a hymnal version of "The Little Drummer Boy," which was featured in a Gap television ad that depicted a snowball fight in slow-motion to match the song's glacial tempo. A remix of their "Halflight" was featured in the Mothman Prophecies motion picture.
However, because of their minimal overhead expenses (the band makes very little use of professional recording facilities), Low have managed to develop a reasonably comfortable career.
Personal lives
Sparhawk and Parker are married, have two children, and are practicing members of the Mormon faith. (Sparhawk was born into an LDS family in Seattle, and for some time lived in Utah before moving to Minnesota at age nine; he also briefly attended Brigham Young University. Parker is a convert.)
Lyrical references: Christianity and Mormonism
Low are hardly a Christian rock group, however, at least in the usual sense: neither Sally's religious affiliation (or lack thereof) nor Parker and Sparhawk's faith is mentioned in their latest press kit. Low have often toured with other "Christian, not Christian rock" acts such as Pedro the Lion and the Danielson Famile.
However, there are occasional lyrical references (usually subtle and/or indirect) to Parker and Sparhawk's religion. Sometimes these references are traditional Christian themes. The song "If You Were Born Today," on both the live album One More Reason to Forget and on the Christmas album, quietly suggests what might happen if Jesus were born in contemporary times. On Things We Lost in the Fire, the song "Whore" includes Parker's haunting chorus "you will get your reward", while Sparhawk asks "is it so wrong to think there's more?" Disc one of A Lifetime of Temporary Relief includes the song "David & Jude," while disc two includes two versions of "Joan of Arc" and the Spacemen 3 cover "Lord, Can You Hear Me?" Many references draw specifically on themes from the Church of Jesus Christ of Latter-day Saints. These include "Weight of Water" and "Missouri" on Secret Name, whose title itself refers to an LDS naming ritual; this album also contains the song "Lion/Lamb." The Trust track "The Lamb," at least partially concerns the death of Joseph Smith.
The Christmas album's religious content is generally more direct, including in addition to "If you were born today" an original song about the Three Wise Men's subversion of Herod to protect Jesus ("Long way around the sea"), as well as traditionals ("Silent night," "Little drummer boy," the Elvis song "Blue Christmas") and original secular, seasonal songs ("Just Like Christmas," "Taking down the tree," "One special gift,").
Lyrical references: Duluth, Minnesota, and elsewhere
Low lyrics also subtly and indirectly reference geography. Very often, these geographic references center on their home in Duluth, Minnesota. Sparhawk has said that the song "Sea," from I Could Live in Hope, is about Duluth. The lyrics say, "The sea is a long, long way / from me . . . I'd go there if I had the time / but lying here will do just fine." To any Duluthian, this inevitably summons up Lake Superior, the largest of the Great Lakes, at whose western tip Duluth rests. Lake Superior is not salt water, but it is a very, very large body of water, certainly as large as many bodies of water that are called "seas." In fact, Lake Superior is sometimes called "the Inland Sea." The EP Songs for a Dead Pilot, was reportedly dedicated to a pilot who crashed near Duluth in the late 1990s. On Things We Lost in the Fire, the song "Sunflower" may refer to a notorious murder up the North Shore of Lake Superior some time in the late 70s or early 80s. On Trust, cold Minnesota winters emerge in the lyrics, "when we were young / we wanted to die / but the sound of a drum / and the words of a child / brought different light / now no one can tell / the winter was nice... the ground was so hard / the nights were so long / but we suffered the dark / and we wrote all those songs / still i was a fool / i covered my ears / no i would not face the last snowstorm of the year." (These lyrics also of course indulge both Low's repeating, dark, self-destructive / murderous / suicidal theme as well as their theme about having children.)
Other lyrics have referred elsewhere. Secret Name includes the song "Missouri," which may refer to the LDS community's travels westward. Songs for a Dead Pilot's last track is "Hey Chicago," which says "Hey Chicago, I'm leaving." On Trust, the song "Canada," says "you can't take that stuff to Canada," which inescapably suggests advice to people attempting to take drugs across the border from the U.S. to Canada. (As Minnesota sits along the border of Ontario and Manitoba, this can also be seen as a reference to Minnesota.) Songs on The Great Destroyer frequently reference geography. "California," says "Though it breaks your heart / We had to sell the farm / Back to California where it's warm." This possibly refers to Sparhawk's own mother selling the family farm upon which Sparhawk had grown up (compare the lyrics for "Mom says" on The Curtain Hits the Cast: "mom says / a farm's the best place to call home / but I don't know.") "Broadway (so many people)" refers very specifically to the intersection of Broadway and East 4th Street in New York City: "Last night just north of Houston / Broadway so many people / Through your third story window / I see my favorite record store [most likely Other Music on 4th, a noted independent record store]. At a February 2004 show at "Dante's" in Portland, Ore., Sparhawk told the crowd that the song "Walk into the Sea" was about "a guy who used to live here that we got know pretty well. He's gone now..." in what many fans believe was a reference to Academy Award-nominated singer-songwriter Elliott Smith, a long-time Portland resident. Smith had died just months earlier in October 2003. On the Murderer EP is the song, "From Your Place on Sunset," which refers to many locations in the Los Angeles area.
Side projects
Low owns a record label, Chairkickers' Union, which releases material by other musicians such as Rivulets and Haley Bonar, as well as some of their own material. Sparhawk is notably active in Duluth's small but vibrant independent music scene; he operates a recording studio in the town, in a deconsecrated church that naturally provides the lush reverb characteristic of Low's sound. The Chairkickers label offers another outlet for Duluth musicians, as most groups on the label are from that city, or at least from Minnesota and surrounding areas.
Sally has toured as a bassist with Dirty Three, and Sparhawk has devoted considerable time and energy to his Black Eyed Snakes project, a blues-rock revival band quite far removed from the Low aesthetic. Recently Sparhawk has also been seen with a new side project called The Retribution Gospel Choir. Matt Livingston, who became Low's new bassist in late 2005, played in The Retribution Gospel Choir until early 2008 at which time Steve Garrington became the bassist for both this band and Low. On Retribution's first tour (fall 2005), they played the Low song "From Your Place on Sunset." (Similarly, Low and the Black-Eyed Snakes have played some overlapping songs, such as "Lordy".)
6) Low (White Leaves) is a Japanese artist.
7) Low is a member of CLOSER.
Alone
Low Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And get up in my zone
And forget about it all
Sometimes I just need to be alone (Ghost)
In my zone, clearing out my thoughts
So whenever when I'm feeling like gettin' lost
I can take a pause
From the chaos
I need my space or I ain't feelin' right
I just need some time
To get away and refresh my mind
Or I'll go Insane, loc to da brain
Just lookin' for a place where I can ventilate
Get away from it all, I really need a break
Some peace and quiet
What I require
To get me back in the right state of mind
I need to quarantine so give me 60 feet
When I'm by myself, is when I'm feelin' peaceful
Only feel alone when I'm with other people
'Cause nobody really knows or understands my features
Oh, I just need to be alone
And get up in my zone
And forget about it all
I'm a social person, but I have my moments
I need to be alone just so I can focus
'Cause I'm introverted, I'm a different person
That's why I get Ghost when I get disturbed with
Don't need the drama
Got enough problems
For me to deal with in these times of hardship
'Cause I need my space, to elevate my conscious
Tryin' to get away from people that are toxic
'Cause it got me drained, got me feelin' nauseous
Sometimes I feel there's no-one to talk with
Grabbin' my pen writing down my emotions
Letting 'em flow like a Vain splitting open
Get in my zone letting go of my worries
Life is too short to live it in a hurry
Quality time with myself is encouraged
To relax and unwind, because I deserve it
Oh, I just need to be alone
And get up in my zone
And forget about it all
(Zone)
(And forget about it all)
Low's song Alone is an introspective track that explores the theme of needing to be alone to de-stress and detach from the chaos of daily life. The lyrics convey a sense of longing for solitude as a means of finding inner peace and self-awareness. The song starts with the lines "I just need to be alone / And get up in my zone / And forget about it all" indicating the need for seclusion from the external world. The artist emphasizes the importance of solitude for self-improvement, "To get away and refresh my mind / Or I'll go insane, loc to da brain." The lyrics also suggest that sometimes being around people can make one feel lonely as their true nature is not understood by others.
The artist refers to himself as an introverted person who needs time by himself to focus, "I'm a social person, but I have my moments / I need to be alone just so I can focus." The need for isolation is presented as a means to manage anxiety and maintain mental well-being. The lyrics indicate a level of emotional depth, "Grabbin' my pen, writing down my emotions / Letting 'em flow like a vein splitting open." This speaks to the idea that solitude can offer a space for emotional expression and healing.
The song ends on the note that solitude is a positive and empowering state to be in, "Quality time with myself is encouraged / To relax and unwind, because I deserve it." The artist suggests taking time out for self-care and introspection is crucial for mental and emotional well-being.
Line by Line Meaning
Oh, I just need to be alone
The singer desires solitude
And get up in my zone
The singer wants to focus on their inner thoughts and feelings
And forget about it all
The singer wants to escape their daily struggles and worries
Sometimes I just need to be alone (Ghost)
The artist needs to disappear from everyone's sight
In my zone, clearing out my thoughts
The artist wants to remove any distractions and reflect on their feelings
So whenever when I'm feeling like gettin' lost
When the singer faces confusion or turmoil, they want to retreat
I can take a pause
The singer wants to take a break from the chaos of the world
From the chaos
The artist finds the world to be full of noise, confusion, and negativity
Of daily life
The artist finds it difficult to balance daily routines with their inner self
I need my space or I ain't feelin' right
The artist needs freedom and privacy to feel relaxed
I just need some time
The singer desires some leisure time for themselves
To get away and refresh my mind
The artist wants to reboot their thoughts and emotions
Or I'll go Insane, loc to da brain
The singer fears that if they do not take time for themselves, they will go crazy
Just lookin' for a place where I can ventilate
The singer wants an area to release their pent-up emotions
Get away from it all, I really need a break
The singer wants a vacation from their daily responsibilities and commitments
Some peace and quiet
The artist seeks a noiseless and calm environment
What I require
The artist needs space to be at peace
To get me back in the right state of mind
The singer believes that being alone will help them be in the right frame of mind
I need to quarantine so give me 60 feet
The singer wants ample space from others to be alone
When I'm by myself, is when I'm feelin' peaceful
The artist feels peaceful and tranquil when they are alone
Only feel alone when I'm with other people
The artist feels lonely and disconnected when surrounded by others
'Cause nobody really knows or understands my features
The artist feels misunderstood as nobody seems to comprehend their personality
I'm a social person, but I have my moments
The singer is an outgoing person but wants privacy at times
I need to be alone just so I can focus
The artist needs to be alone to concentrate on their priorities
'Cause I'm introverted, I'm a different person
The singer identifies as an introvert and faces trouble socializing
That's why I get Ghost when I get disturbed with
The singer becomes a ghost, i.e., distant and unapproachable when disturbed
Don't need the drama
The singer wants to avoid all negativity and conflicts
Got enough problems
The artist already faces problems and wants to steer clear of any further conflicts
For me to deal with in these times of hardship
The artist is already handling problems and wants solitude to cope with them
'Cause I need my space, to elevate my conscious
The singer desires a peaceful area to enhance their self-awareness
Tryin' to get away from people that are toxic
The singer wants to keep an ample distance from people who have a negative impact on them
'Cause it got me drained, got me feelin' nauseous
The artist feels exhausted and nauseated due to the negative people around them
Sometimes I feel there's no-one to talk with
The artist feels like they have nobody to talk to about their problems
Grabbin' my pen writing down my emotions
The artist finds solace in writing down their thoughts and feelings
Letting 'em flow like a Vain splitting open
The singer wants to release their emotions freely, just like blood flowing from a split-open vein
Get in my zone letting go of my worries
The artist wants to unravel their worries and concerns while being alone
Life is too short to live it in a hurry
The singer believes that people should not be in a haste to lead their lives
Quality time with myself is encouraged
The singer believes that people should spend quality time with themselves
To relax and unwind, because I deserve it
The singer feels that they deserve to relax and unwind after dealing with rough patches in life
(Zone)
The artist wants to be in their comfort zone
(And forget about it all)
The artist wants to cut off from their daily life to feel relaxed
Lyrics © O/B/O DistroKid
Written by: SALVADOR MONTOYA
Lyrics Licensed & Provided by LyricFind