Sequenza I For Flute
Luciano Berio (October 24, 1925 – May 27, 2003) was an Italian composer. He… Read Full Bio ↴Luciano Berio (October 24, 1925 – May 27, 2003) was an Italian composer. He is noted for his experimental work (in particular his 1968 composition Sinfonia for voices and orchestra) and also for his pioneering work in electronic music.
He was born in Oneglia (now Borgo d'Oneglia, a small village 3 km N of Imperia) and he was taught the piano by his father and grandfather, who were both organists. During World War II he was conscripted into the army, but on his first day he injured his hand while learning how a gun worked. He spent time in a military hospital, before fleeing to fight in anti-Nazi groups.
Following the war, Berio studied at the Milan Conservatory under Giulio Cesare Paribeni and Giorgio Federico Ghedini. He was unable to continue studying the piano because of his injured hand, so instead concentrated on composition. In 1947 came the first public performance of one of his works, a suite for piano.
Berio made a living at this time accompanying singing classes, and it was in doing this that he met American mezzo-soprano Cathy Berberian, whom he married shortly after graduating (they divorced in 1964). Berio would write many pieces exploiting her versatile and unique voice.
In 1951, Berio went to the United States to study with Luigi Dallapiccola at Tanglewood, from whom he gained an interest in serialism. He later attended the Internationale Ferienkurse für Neue Musik at Darmstadt, meeting Pierre Boulez, Karlheinz Stockhausen, György Ligeti and Mauricio Kagel there. He became interested in electronic music, co-founding the Studio di Fonologia, an electronic music studio in Milan, with Bruno Maderna in 1955. He invited a number of significant composers to work there, among them Henri Pousseur and John Cage. He also produced an electronic music periodical, Incontri Musicali.
In 1960, Berio returned to Tanglewood, this time as Composer in Residence, and in 1962, on an invitation from Darius Milhaud, took a teaching post at Mills College in Oakland, California. In 1965 he began to teach at the Juilliard School, and there he founded the Juilliard Ensemble, a group dedicated to performances of contemporary music. Also in 1965, he again married, this time to the noted philosopher of science Susan Oyama (they divorced in 1971). His students include Louis Andriessen, Steve Reich, Luca Francesconi and, perhaps most surprisingly, Phil Lesh of the Grateful Dead.
All this time Berio had been steadily composing and building a reputation, winning the Italian Prize in 1966 for Laborintus II. His reputation was cemented when his Sinfonia was premiered in 1968.
In 1972, Berio returned to Italy. From 1974 to 1980 he acted as director of the electro-acoustic division of IRCAM in Paris, and in 1977 he married for the third time with musicologist Talia Pecker. In 1987 he opened Tempo Reale in Florence, a centre similar in intent to IRCAM.
In 1994 he became Distinguished Composer in Residence at Harvard University, remaining there until 2000. He was also active as a conductor and continued to compose to the end of his life. In 2000, he became Presidente and Sovrintendente at the Accademia Nazionale di Santa Cecilia in Rome. Luciano Berio died in 2003 in a hospital in Rome.
He was born in Oneglia (now Borgo d'Oneglia, a small village 3 km N of Imperia) and he was taught the piano by his father and grandfather, who were both organists. During World War II he was conscripted into the army, but on his first day he injured his hand while learning how a gun worked. He spent time in a military hospital, before fleeing to fight in anti-Nazi groups.
Following the war, Berio studied at the Milan Conservatory under Giulio Cesare Paribeni and Giorgio Federico Ghedini. He was unable to continue studying the piano because of his injured hand, so instead concentrated on composition. In 1947 came the first public performance of one of his works, a suite for piano.
Berio made a living at this time accompanying singing classes, and it was in doing this that he met American mezzo-soprano Cathy Berberian, whom he married shortly after graduating (they divorced in 1964). Berio would write many pieces exploiting her versatile and unique voice.
In 1951, Berio went to the United States to study with Luigi Dallapiccola at Tanglewood, from whom he gained an interest in serialism. He later attended the Internationale Ferienkurse für Neue Musik at Darmstadt, meeting Pierre Boulez, Karlheinz Stockhausen, György Ligeti and Mauricio Kagel there. He became interested in electronic music, co-founding the Studio di Fonologia, an electronic music studio in Milan, with Bruno Maderna in 1955. He invited a number of significant composers to work there, among them Henri Pousseur and John Cage. He also produced an electronic music periodical, Incontri Musicali.
In 1960, Berio returned to Tanglewood, this time as Composer in Residence, and in 1962, on an invitation from Darius Milhaud, took a teaching post at Mills College in Oakland, California. In 1965 he began to teach at the Juilliard School, and there he founded the Juilliard Ensemble, a group dedicated to performances of contemporary music. Also in 1965, he again married, this time to the noted philosopher of science Susan Oyama (they divorced in 1971). His students include Louis Andriessen, Steve Reich, Luca Francesconi and, perhaps most surprisingly, Phil Lesh of the Grateful Dead.
All this time Berio had been steadily composing and building a reputation, winning the Italian Prize in 1966 for Laborintus II. His reputation was cemented when his Sinfonia was premiered in 1968.
In 1972, Berio returned to Italy. From 1974 to 1980 he acted as director of the electro-acoustic division of IRCAM in Paris, and in 1977 he married for the third time with musicologist Talia Pecker. In 1987 he opened Tempo Reale in Florence, a centre similar in intent to IRCAM.
In 1994 he became Distinguished Composer in Residence at Harvard University, remaining there until 2000. He was also active as a conductor and continued to compose to the end of his life. In 2000, he became Presidente and Sovrintendente at the Accademia Nazionale di Santa Cecilia in Rome. Luciano Berio died in 2003 in a hospital in Rome.
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Sequenza I For Flute
Luciano Berio Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Astrolight
I randomly found this piece when looking for fun solo pieces to play, and let me just say this is not what I expected it to sound like lmao
Dois Lados
I'm here for 4:49... that was cool! Also the multiphonics in 5:15
Evgenios Anastasiadis
🤪😁
Lucy Klee
As a flute player I say this is a stroke or you try to weird out some monster in a horror movie xD
Regardless, I am glad that this exists
טורו יודה
so good...
Hanurii Lee
I also feel so,
Evgenios Anastasiadis
Thank you very much !!
Nicholas Handahl
Exceptionally good performance
Nome Sev
Luciano Berio - Sequenza per flauto solo
Joshua Singletary
Well that was... interesting