The Around My Way (Freedom Ain't Free) Songfacts reports that Fiasco’s first single off his fourth studio album, Lupe Fiasco's Food & Liquor II: The Great American Rap Album Pt. 1 debuted on May 21, 2012. On "Around My Way (Freedom Ain't Free)," he spits rhymes about aspects of modern American life he doesn’t like such as "Suicide bombers and prosperity gospels, emaciated models, with cocaine and blood pouring out their nostrils” as well as socio-political problems in Ghana and the invasion of Iraq.
Lupe released his fifth studio album Tetsuo & Youth on January 20, 2015.
Lupe's 8th Studio Album DRILL MUSIC IN ZION was released on June 23rd 2022
Lupe has previously been on label Epic with his group Da Pak and then signed a solo deal with Arista. His years at Arista only led to the 2003 promo single "Pop Pop" as well as guest appearances on singles from Tha' Rayne (2002's "Kiss Me" and 2003's "Didn't You Know") and K Fox (2003's "This Life"), then Arista folded in 2004 and Lupe was signed to Atlantic Records.
MS. MURAL
Lupe Fiasco Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Said the patron to the painter, the painter said, "The blues"
Do you act off intuition or languish and peruse?
More like tap into tradition from the angle of my mood
He looked back at his canvas while strangling a tube
A master of the palette, all sanguine and cool
The music mostly jazz, the jazz mostly old
Punctured by some punk and some old smoky soul
Just a cover and a back that you open and you close
"Where are all the pages?" The painter said "Defanged
I ripped 'em all out and made some paper planes
Fish grease absorbers and some origami cranes"
Poured himself a drink and then poured it down the drain
Looked at the empty canvas, said I think I have a name
I'll call it "Gasoline Pouring on the Flames", hah, hah
I appreciate the visit, this isn't normally allowed
Do you consider yourself wild or conforming to a style?
The patron pointed at a pile, "Are those rejections or mistakes?"
The painter said, "That is not for question or debate"
Most of what we know as art is the projection of a faith
A product of a Pontiff for the election of a saint
A gift from the red for the digestion of the can't
A visual garnish for the confessions of the frank
Displays of physical carnage makes connections to the ranks
Goes over very well with South Americans and Yanks
Not to sound shamanistic but there's medicine in paint
It gets kinetic if you let it, there's a fetish in its strength
Martyrdom will call, Russian roulette is in the flanks
And most would pull the trigger if the weapons full of blanks
But when there's a pool of sharks and you step into the tank
That's the pool of art that got 'em headed to the plank
But they fell for the deceptiveness of the secularists complaint
The upheaval of the cathedral into the edifice of bank
That pile over there is just the evidence of angst
The failed revival of a perfectionist when his efforts have just sank
A selection of the waste that lacks direction or a base
You lose all of the plots for the affections of a race
Man does not become superior 'cause you connect him to a cape
Nor does become inferior because you connect him to a ape
I never wanted my life to be a collection of some dates
And holiday my days away and intellectually sedate
It's not really a beef but conceptually it's steak
Like do genitals and gender roles successfully conflate?
The current art world is just competitively opaque
It never ceases to amaze, my mouth is medically agape
One day its raising up the brand, the next it's shredding it to flakes
And the velocity of trends is what referees the pace
Professionally accept what ethically I hate
So in all of my work you see this wrestling with faith
Deceiving in the brushstrokes how aggressively I strafe
Less like putting on some makeup, more like severing a face
"Wow", said the patron with a smile
That's the most interesting diatribe I've heard in a while
How you articulated the nature and put it all on trial
Took it up to heaven then put it on the ground
The painter asked the patron, "Can you stand up on the pile?
I've had a flash of inspiration, my creativeness aroused"
The model took its place, the painter grabbed a lighter
Doused the shit in gasoline and set it all on fire
We got through the heart's of stone
And scars for bones
When your heart's unknown
In the arc of Joan, yeah
The lyrics of Lupe Fiasco's song "MS. MURAL" delve into the artistic process and the complexities of the art world. The opening line, "If you had to paint the gutter, which color would you choose?", serves as a metaphor for the choice between embracing the harsh realities of life or finding solace in artistic expression. The painter responds by saying he would choose the blues, indicating his inclination to tap into tradition and convey emotions through his work.
The conversation between the patron and the painter reveals the painter's deep understanding of art as a form of projection and faith. The rejection and mistakes piled up represent the challenges and setbacks that artists face, but the painter defends the importance of art as a means of expression and healing. He suggests that art has the power to provide a sense of identity, as well as serve as a visual garnish for confessions and connections to different cultures.
The final part of the song sees the painter setting his creation ablaze, symbolizing his desire to break free from the constraints and expectations of the art world. This act of destruction represents his refusal to conform or compromise his artistic vision. The lyrics also touch on themes of faith, the commodification of art, and the constant flux of trends in the industry.
Overall, "MS. MURAL" is a thought-provoking commentary on the artist's struggle to navigate between personal expression and the demands of the art world, showcasing Lupe Fiasco's lyrical prowess and ability to dissect complex subjects.
Line by Line Meaning
If you had to paint the gutter, which color would you choose?
If you had to depict the hardships of life, what perspective would you choose?
Said the patron to the painter, the painter said, 'The blues'
The patron asked for the painter's emotional response, and the painter replied with feelings of sadness
Do you act off intuition or languish and peruse?
Do you act based on instinct or do you spend time contemplating your choices?
More like tap into tradition from the angle of my mood
I draw inspiration from artistic traditions but approach them from my own unique perspective
He looked back at his canvas while strangling a tube
The painter observed his artwork while gripping a tube of paint
A master of the palette, all sanguine and cool
A skilled artist who exudes confidence and composure
The music mostly jazz, the jazz mostly old
The preferred music genre is mostly old jazz
Punctured by some punk and some old smoky soul
Occasionally disrupted by punk music and soulful melodies
An atlas on the trunk from the land of broken goals
A representation of shattered ambitions rests on the artist's chest
Just a cover and a back that you open and you close
Just a superficial facade that can be revealed or hidden
'Where are all the pages?' The painter said 'Defanged'
'Where are all the meaningful elements?' The painter responded, 'They have been stripped away'
I ripped 'em all out and made some paper planes
I discarded them and turned them into playful paper airplanes
Fish grease absorbers and some origami cranes
Absorbing the stains of everyday life and finding solace in delicate origami creations
Poured himself a drink and then poured it down the drain
He poured a drink, only to symbolically discard it
Looked at the empty canvas, said I think I have a name
Contemplating the artwork, he named it 'Gasoline Pouring on the Flames'
Do you consider yourself wild or conforming to a style?
Do you see yourself as unconventional or adhering to a particular artistic style?
The patron pointed at a pile, 'Are those rejections or mistakes?'
The patron inquired about a pile of discarded artworks, questioning if they were rejected or flawed
The painter said, 'That is not for question or debate'
The painter refused to engage in discussions about the value or flaws of the artworks
Most of what we know as art is the projection of a faith
Art is often a reflection of an artist's beliefs and convictions
A product of a Pontiff for the election of a saint
Art is a creation of authority figures to glorify a chosen individual
A gift from the red for the digestion of the can't
Art is a gift from passion to help overcome obstacles
A visual garnish for the confessions of the frank
Art serves as a decorative element for honest expressions
Displays of physical carnage makes connections to the ranks
Art that portrays violence resonates with various groups of people
Goes over very well with South Americans and Yanks
Such art receives great reception among South Americans and Americans
Not to sound shamanistic but there's medicine in paint
Although it may sound mystical, there is healing power in painting
It gets kinetic if you let it, there's a fetish in its strength
Painting becomes alive and captivating when fully embraced, holding an addictive allure
Martyrdom will call, Russian roulette is in the flanks
The pursuit of art can involve sacrifice and unpredictable risks
And most would pull the trigger if the weapons full of blanks
Many artists would take risks even if the outcome is uncertain
But when there's a pool of sharks and you step into the tank
When faced with fierce competition, artists still venture bravely
That's the pool of art that got 'em headed to the plank
It is within the realm of art that artists face potential failure
But they fell for the deceptiveness of the secularists complaint
Artists succumbed to the illusions presented by critics focused on worldly matters
The upheaval of the cathedral into the edifice of bank
The transformation of art's spiritual importance into a profit-driven industry
That pile over there is just the evidence of angst
The artworks in that pile are merely manifestations of frustration
The failed revival of a perfectionist when his efforts have just sank
The unsuccessful attempt of a perfectionist when their hard work falls short
A selection of the waste that lacks direction or a base
A collection of discarded artworks lacking purpose or foundation
You lose all of the plots for the affections of a race
One loses all sense of direction and purpose when seeking validation from others
Man does not become superior 'cause you connect him to a cape
One's worth does not increase just because they are associated with symbols of power
Nor does become inferior because you connect him to a ape
Likewise, one does not become inferior by associating them with their primal origins
I never wanted my life to be a collection of some dates
I never desired my existence to be reduced to a series of insignificant moments
And holiday my days away and intellectually sedate
Nor did I wish to waste my life in idleness and mental passivity
It's not really a beef but conceptually it's steak
It may not be an actual conflict, but it holds significant conceptual weight
Like do genitals and gender roles successfully conflate?
Can we effectively blend the concept of biological sex with societal gender roles?
The current art world is just competitively opaque
The present art industry is full of fierce competition and obscured motivations
It never ceases to amaze, my mouth is medically agape
It continually astounds me, to the point where my jaw drops in disbelief
One day it's raising up the brand, the next it's shredding it to flakes
One day it promotes an artist, the next it mercilessly criticizes and dismisses them
And the velocity of trends is what referees the pace
The rapidity of trends dictates the speed at which art and artists are judged
Professionally accept what ethically I hate
As an artist, I often compromise and accept things I morally despise for the sake of my career
So in all of my work you see this wrestling with faith
Through my artworks, you witness my struggle and questioning of faith
Deceiving in the brushstrokes how aggressively I strafe
I deliberately mislead through my brushwork, attacking with a forceful technique
Less like putting on some makeup, more like severing a face
It's not a superficial disguise, but rather a brutal and profound transformation
'Wow', said the patron with a smile
Impressed, the patron expressed surprise with a smile
That's the most interesting diatribe I've heard in a while
It's the most captivating, thought-provoking speech I've encountered recently
How you articulated the nature and put it all on trial
Your ability to eloquently express the essence and subject it to scrutiny
Took it up to heaven then put it on the ground
You examined it from a higher perspective and then made it relatable to everyday life
The painter asked the patron, 'Can you stand up on the pile?'
The painter invited the patron to elevate their viewpoint by standing on the pile of discarded artworks
I've had a flash of inspiration, my creativeness aroused
I suddenly experienced a surge of inspiration, igniting my creativity
The model took its place, the painter grabbed a lighter
The subject assumed their position, and the painter acquired a lighter
Doused the shit in gasoline and set it all on fire
He covered the artwork in gasoline and ignited it, turning it into ashes
We got through the heart's of stone
We managed to penetrate through emotionally hardened individuals
And scars for bones
People carry emotional wounds that shape their identities
When your heart's unknown
When one's innermost feelings remain a mystery
In the arc of Joan, yeah
In a narrative similar to Joan of Arc's story, yeah
Lyrics © Universal Music Publishing Group
Written by: Wasalu Jaco
Lyrics Licensed & Provided by LyricFind