“It all comes down to feel,” states AL-P. “We’re interested in making people feel like they want to dance, at least a little bit, so it’s all about whatever it takes to get people there.”
Formed in 2005, the pair has been collaborating, on and off, since 1998. Though they went separate routes – Jesse taking a brief break from music, and Al moving to New York where he worked at studios like Sound on Sound and Chung King recording artists as diverse as Jay-Z, Wyclef Jean, and David Clayton Thomas – the friends remained in contact, trading tapes of their individual, unreleased forays into dance music.
This studio success naturally led to Al’s being at the helm early in 2002 when Jesse was looking for fresh production ideas to compliment his band, Death From Above 1979. Jesse and Al worked 15 hours a day in the studio together to complete DFA 79’s “You're A Woman, I'm A Machine”, a red-hot masterpiece that fuses the energy of rock and roll with the oomph of disco that received rave reviews and spawned hit singles like “Romantic Rights,” and “Black History Month.” It also gave rise to Jesse and Al’s resolve to start their own project.
Enter MSTRKRFT, a package of house, hip-hop, grime, punk, and all kinds of electronic experimentation rolled into one. In a little over a year they have developed a cult following of dance fans around the world and have remixed just about everyone including The Kills, Annie and Wolfmother’s track “Woman” for which they have been nominated for a Grammy for Best Remix.
“I love DJing so much,” enthuses JFK. “It’s so emotionally rewarding to see a room full of people dancing. That’s better than any experience I’ve ever had.”
With two feet firmly planted in punk rock’s influential past, and two in dance music’s future, MSTRKRFT are the now of now, wow.
MSTRKRFT's The Looks, was released on Last Gang records in North America and on Modular in Australia and the United Kingdom.
MSTRKRFT recently (December 2, 2007) played along with Ratatat, Jay-Jay Johanson, Claude VonStroke and Björk in the Sonofilia festival in Guadalajara, México.
Word Up
MSTRKRFT Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It's all in your fuckin' fuckin' fuckin'
Do it hard!
The lyrics from MSTRKRFT’s song “Word Up” begin with “Big Tony Stark’s in the motherfuckin’ group hold.” This is likely a reference to Tony Stark, also known as Iron Man, a popular Marvel Comics superhero. The use of his name along with the term “motherfuckin’” suggests that the group is powerful and perhaps even intimidating.
The next line, “It’s all in your fuckin’ fuckin’ fuckin’” is repeated throughout the song and may refer to the idea of taking control or asserting dominance. The repetition of the word “fuckin’” adds emphasis to this idea. The final line, “Do it hard!” further reinforces this concept, suggesting that whatever it is they are doing, they should do it with force and determination.
Overall, the lyrics of “Word Up” convey a sense of power, control, and intensity. The use of profanity and references to well-known cultural icons add to the sense of boldness and even aggression in the song.
Line by Line Meaning
Big Tony Stark's in the motherfuckin' group hold
The musician known as Big Tony Stark is one of the members in this music group.
It's all in your fuckin' fuckin' fuckin'
Your success in life is largely dependent on your own hard work and effort.
Do it hard!
Put forth your maximum effort and strive to achieve your goals with great intensity.
Contributed by Thomas E. Suggest a correction in the comments below.
@saucissecountryboy895
Fist
@10ShunsukeNakamura
FIST OF GOD
TURN DAT SHYT UP
@bilguunnorovangar3612
2023?
@theofficialsaharon
3D FIST
@DubstyleandHardstep
First
@jackonno78
2nd
@Kyoko_
Frist
@serhafiye7046
Just can't rid of that f*cking alarm sound right?