He was also musical director for a large number of musicals and other plays, including ones by Noel Coward. After the war, he concentrated on recording, and eventually gave up live performance altogether. He worked with arranger and composer Ronnie Binge, who developed the "cascading strings" sound (also known as the "Mantovani sound").[citation needed] His records were regulars in stores selling hi-fi stereo equipment, as they were produced and arranged for stereo reproduction. In 1952 Binge ceased to arrange for Mantovani, but his distinctive sound remained.
He recorded for Decca until the mid-1950s, and then London Records. He recorded over 50 albums on that label, many of which were top-40 hits. These included Song from Moulin Rouge and Cara Mia, which reached No. 1 in Britain in 1953 and 1954, respectively. The latter was also Mantovani's first U.S. Top Ten hit.
In the United States, between 1955 and 1972, he released over 40 albums with 27 reaching the Top 40 and 11 the Top Ten. His biggest success was with the album Film Encores, which made it to No. 1 in 1957. Similarly, Mantovani Plays Music From 'Exodus' and Other Great Themes made it to No. 2 in 1961 and sold over one million albums.
In 1959, Mantovani starred in his own syndicated television series, Mantovani, which was produced in England and which aired in the United States. 39 episodes were filmed.[1]
Mantovani made his last recordings in 1975.[citation needed]
[edit] Music style and influences
The cascading strings technique developed by Binge became Mantovani's hallmark in such hits arranged by Binge as "Charmaine". Binge developed this technique to replicate the echo experienced in venues such as cathedrals by arrangement alone, in an echo-free surrounding.
Author Joseph Lanza describes Mantovani's string arrangements as the most "rich and mellifluous" of the emerging light music style during the early 1950s. He stated that Mantovani was a leader in the use of new studio technologies to "create sound tapestries with innumerable strings", and that "the sustained hum of Mantovani's reverberated violins produced a sonic vaporizer foreshadowing the synthesizer harmonics of space music."[2]
In 1958 Mantovani and his family bought a holiday home in Bournemouth in Durley Chine Road, then in 1961 acquired a new property in Burton Road (now part of Poole). He moved, finally, to a new home in Martello Road in Poole.
Since his death at a care home in Tunbridge Wells, Kent, in 1980, his music has enjoyed a minor revival,[citation needed] with much of his catalogue reappearing on CD and an orchestra bearing his name performing concert tours. The saleability of the Mantovani name is underscored by new recordings being made as the Mantovani Orchestra. Unfortunately[neutrality is disputed], a large number of CDs are also available of unauthorized recordings, billed as Mantovani or Mantovani Orchestra.[citation needed] There have also been CDs released under the Mantovani name of recordings made by others while Mantovani was still alive.[citation needed] Thus, consumers of this music are advised to familiarize themselves with the conductor's discography. Material with the London Records logo on it is apt to be genuine Mantovani, while other recordings are less likely to be actual Mantovani recordings.[citation needed]
The continued popularity of Mantovani's music is evident by the number of original albums which are being released, on labels such as Dutton-Vocalion, and by the many compilations available throughout the world. In 2008, as a result of successful, ongoing CD sales, amongst other contributing factors, the Mantovani Orchestra (performing from the original scores) was recreated for a tremendously successful historical tribute concert, sponsored by Bentley Motors, held at the Lighthouse, in Poole, England, on 27 January, conducted by Sam Newgarth, MBE. Much critical acclaim has led to the planning of a second concert, to take place in January 2009, at the same venue. There are four Mantovani websites in honour of the maestro, a written biography by Colin MacKenzie entitled Mantovani - A Lifetime In Music (ISBN 1-905226-19-5). For further information, please visit http://www.hallowquest.com/mantiindex.htm; http://members3.jcom.home.ne.jp/torumonty; http://www.lighthousepoole.co.uk (re. ticket sales for 31 January 2009). A ten CD set 'The Wonderful World of Mantovani' was released in November 2008 in Japan (a link to the website in Japan may be found by visiting www.hallowquest.com/mantiindex.htm), featuring many rare tracks which have never been released on CD before, in a superbly remastered format, and, following the success of the Mantovani Orchestra's 2008 concert, 'More MANTOVANI Magic' took place at Lighthouse in Poole, England, on 31 January 2009, again conducted by maestro Sam Newgarth MBE. The concert was sponsored by Poole Audi, and also with the generous support of Richard Cox.
Three O'Clock In The Morning
Mantovani Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We've danced the whole night through
And daylight soon will be dawning
Just one more waltz with you
That melody so entrancing
Seems to be made for us two
I could just keep on dancing forever dear with you
My heart keeps beating in time
Sounds like an old sweet love tune
Say that there soon will be a honeymoon
It's three o'clock in the morning
We've danced the whole night through
And daylight soon will be dawning
Just one more waltz with you
That melody so entrancing
Seems to be made for us two
I could just keep on dancing forever dear with you
The lyrics of Mantovani's song "Three O'Clock in the Morning" speak of a romantic scene unfolding in the early hours of the morning. The singer and their partner have been dancing all night, and as the daylight draws near, they request just one more waltz with their loved one. The melody of the song is described as entrancing and tailored specifically for the couple. The lyrics suggest a desire to continue dancing with their partner indefinitely, emphasizing the deep connection and joy they feel in each other's presence.
The song evokes a sense of timeless romance, as indicated by the chiming of the three o'clock hour. The sound of the chime aligns with the beating of the singer's heart, emphasizing the harmony of their love. The lyrics also hint at the possibility of a future honeymoon, suggesting that this romantic moment may be the beginning of a lifelong partnership.
Overall, "Three O'Clock in the Morning" showcases the magic and intimacy of a late-night dance, capturing the emotions and desires of two people deeply in love.
Line by Line Meaning
It's three o'clock in the morning
The current time is three o'clock in the morning
We've danced the whole night through
We have been dancing all night long
And daylight soon will be dawning
The sun will rise soon
Just one more waltz with you
Let's have one final dance together
That melody so entrancing
The music is captivating
Seems to be made for us two
It feels like the music was meant for us
I could just keep on dancing forever dear with you
I would love to dance with you endlessly
There goes the three o'clock chime, chiming, rhyming
The clock strikes three, creating a rhythmic sound
My heart keeps beating in time
My heart is synchronized with the rhythm
Sounds like an old sweet love tune
It resembles a nostalgic and romantic song
Say that there soon will be a honeymoon
It suggests that a honeymoon is on the horizon
Lyrics © Wixen Music Publishing, BMG Rights Management, Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: JULIAN ROBLEDO, DOROTHY TERRISS
Lyrics Licensed & Provided by LyricFind
@karolyneszepvolgyi559
Szép ez a videoklip, és csodálatos a zene, köszönettel Klára.
@felixbautista
Yes indeed and again, thank you so much for listening and writing your wonderful comments. take care.