The band released their second studio album on February 24, 2009 entitled Masterpiece Theatre.
It takes some real cojones to include the word 'Masterpiece' in your album title, but Josh Ramsay isn't too worried. "I suppose I could be digging myself into a hole calling the record Masterpiece Theatre," he chuckles, "but it's tongue-in-cheek. And I'm not the kind of person that people would assume as being an egomaniac. I hope not, anyway."
Given his feverish imagination and comprehensive musical gifts, Ramsay could probably get away with a little egomania. And with the release of Masterpiece Theatre, the frontman of Vancouver's Marianas Trench makes a iron-clad case for a prodigious set of talents - both his own and those of his bandmates, guitarist Matt Webb, bassist Mike Ayley, and drummer Ian Casselman.
Marianas Trench had already elevated itself above the rest of the pack with a 2006 debut, Fix Me, that showcased a knack for colouring outside the lines of factory-issue millenial punk, shrewdly-built pop, and super-adrenalized modern rock. The single and in particular the video "Shake Tramp" was enough to demonstrate these qualities, coupled with Ramsay's uninhibited urge to be the complete song-and-dance man.
But with both the industry and the fans beating down the door for a quick second album, the Trench decided to put on the brakes. "All of a sudden you have six months to do your next record," Ramsay sighs. "So I really had to just put my foot down and say, 'No, I need the time to do this.' I was not interested in putting something out for the sake of putting something out."
Two years later, Marianas Trench has re-emerged with Masterpiece Theatre. And not surprisingly, it's a work of soaring ambition and decisive technical prowess – that easily might not have happened. "It's one thing when you're Chad Kroeger and you just finished writing 'How You Remind Me'," Ramsay states. "I didn't have some mega-platinum song to back up my argument with, so I was lucky that the band and the label trusted me enough to do it."
By "it", Ramsay means he was allowed to indulge a high-concept fantasy for the band's sophomore album, which is built, for starters, around a song called "Masterpiece Theatre". Adopting Brian Wilson's notion of the 'pocket symphony' and then running with it, the three distinct versions of “Masterpiece Theatre” dotted across the record feature an almost perfect balance between the vocal theatrics of Queen and the more hymnal qualities of the Beach Boys.
By the time “Masterpiece Theatre” is reprised for a final, climactic time, every other song on the album is quoted and incorporated into an intricately constructed dramatic revue that swings from pristine pop, to propulsive riff rock, to quasi-doo wop, to robotic new wave, and finally into a wholly satisfying thematic payoff.
"You know in the climax of a musical, there's always that medley at the end, and I thought that would be cool on a rock record," explains Ramsay, "but it turned out to be a lot harder than I thought it would be. I wrote it in the studio as we recorded it, and it took about three weeks."
After a beat, he adds, "But really it took me two years because it draws from all the songs on the whole album."
Bassist Mike Ayley readily admits, "I don't think any of the three ‘Masterpiece Theatre’ songs could have gone on Fix Me had they been written at the time. ‘Masterpiece’ 2 and 3 in particular are amazing songs that really explore the potential of Josh's writing. You really have to hear them to get it. It's like trying to explain ‘Bohemian Rhapsody’ to somebody who has only heard Kanye West and Katy Perry."
Ramsay agrees. "I really wanted to have a 'Good Vibrations'/'Bohemian Rhapsody’ style song on the first record,” he says, “but I don't think I was a mature enough writer to have written it yet, and I still feel like I was in over-my-head when we did this one, and I just barely made it."
Ramsay is unnecessarily modest; the whole of Masterpiece Theatre demonstrates a startling compositional maturity compared to the Marianas Trench of two years ago.
"Beside You" is a panoramic exercise in big emotions, with a dash of the Dream Academy's "Life In a Northern Town”. "Acadia" begins with a clipped, bright acoustic guitar, and blossoms into something like the Who reconsidered by U2, reimagined for the net generation. In the crunchy "All to Myself", the power ballad "Lover Dearest", and the strident "Good to You" (in which he duets with Kate Voegele), Ramsay pulls out the kind of honeyed vocals more attuned to modern RnB than white, adolescent rock.
"I always had that aspect in my voice but the first record just didn't have songs that were conducive to me singing that way," he states. "I think it's from growing up listening to a lot of Michael Jackson. With these songs, it made sense to stretch out a little more."
On "Cross My Heart" and "Celebrity Status", the band conjures up a kind of perfect pop crossover. Producer Dave 'Rave' Ogilvie was responsible for the latter track, which cops a move he used on Marilyn Manson's "Beautiful People" with three drummers (Casselman, Ramsay and Shane Wilson) playing at once - much to Ramsay's delight. "He's just worked with so many great artists which makes his well of tricks and ideas so vast," he says.
True to Ramsay's quest for "more diversity on this album" - not to mention the indulgence of his record label - Rave was just one of four prominent guest producers eventually roped into Masterpiece Theatre. Their collective resume includes Nine Inch Nails, Sum 41, Iggy Pop, Avril Lavigne, and Hedley among others.
"I feel really fortunate to have worked with all those guys," Ramsay says, "coz they all bring really unique things. Dave Genn and I have a really good working relationship with each other, and he has such a unique style with arrangement and stuff. Greig Nori was a really pleasant surprise. As far as I can tell, he wanted to work with us because he liked our video. The whole time he was just trying to get me to dance around like an idiot. And Raine Maida, man? Raine's a trip!"
Bassist Ayley also credits Maida for encouraging the band to “find a personality-identity that wasn't as evident when we started the production process," while also praising Ramsay for his production efforts. Ramsay took charge of four songs on the finished record. “Josh is really about capturing the emotion and power which isn't surprising considering all the feeling in the writing,” he says.
Oddly enough, Ramsay also wanted Disney's in-house genius Alan (Little Mermaid) Mencken to twiddle the knobs for the climactic version of "Masterpiece Theatre", but admits, "it's a pretty tall order to get an Academy Award winner to come and work on your record."
Still, the album is certainly not diminished by the few things Ramsay didn't get. And once the world gets a load of this Masterpiece, Mencken, Pharrell Williams, Phil Spector... you name it. They'll probably be lining up.
masterpiece
Marianas Trench Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Clever words and phrases only stain
I remain so lost and buried under everything I need
When all I want it you
I've been here so very long
And every word is calculated
Never questioned or debated
I could wreck it I had to
But I'm the wreck so what would that do?
My masterpiece will fall apart
It was over before the start
If I burn out and slip away
If this is just a part I portray
If this is just a part I portray
You're beautiful, can I hide in you awhile?
If this is just a part I portray
If this is just a part I portray
They keep mostly to themselves
Don't make a sound incase they hear you
It only hurts me to be near you
Keep those tired eyes closed
Careful, follow my instruction
And I will show you self-destruction
This masterpiece is only mine
Entirely guilty by design
If I burn out and slip away
If this is just a part I portray
If this is just a part I portray
You're beautiful, can I hide in you awhile?
If this is just a part I portray
Can I hide in you awhile?
I just can't let it, let it out
I just can't let it out
I just can't let it, let it out
I just can't let it out
I just can't let it, let it out
I just can't let it out
I just can't let it, let it out
I just can't let it out
If this is just a part I portray
You're beautiful, can I hide in you a while?
You're beautiful
If this is just a part I portray
If this is just a part I portray
I don't know how it got this way
“Masterpiece” by Marianas Trench is a song about the pressure of maintaining an image or persona and the fear of potentially losing it. The song starts with the realization that the façade the singer has put up is beginning to falter. The use of “clever words and phrases” to create a persona comes at the expense of the singer's true self, which is now lost and buried under everything they think they need. However, there is still a longing for someone to see through the façade and connect with the person beneath.
As the song progresses, we see that the persona the singer has created is “entirely guilty by design”. It has been calculated and rehearsed to the point where it has become a “masterpiece”. But, the cost of maintaining this façade is high, and the singer realizes that they are on the brink of burning out and slipping away. They do not know how to let it out without destroying the façade they have created.
The final plea for hiding in someone else creates a sense of desperation for the singer. They need someone to be there for them, but they are still afraid of losing the persona they have created. The song is a poignant reflection on the struggle of maintaining an image, and the fear of what might happen if that image is lost.
Line by Line Meaning
First it comes on quiet, creeping slow
The singer's problems start off small and seem insignificant at first.
Clever words and phrases only stain
The singer's attempts to hide their issues with words and language are only making things worse.
I remain so lost and buried under everything I need
The singer is weighed down by their own insecurities and desires.
When all I want it you
The artist's only real desire is to be with the person they love.
I've been here so very long
The artist has been struggling with their problems for a long time.
And every word is calculated
The singer is careful about what they say and how they say it, trying to protect themselves.
Never questioned or debated
The singer doesn't question their own behavior or try to change it.
All these practiced poses
The artist's attempts to hide their issues have become habitual and ingrained.
I could wreck it I had to
The artist knows they could change, but they are afraid to try.
But I'm the wreck so what would that do?
The artist feels like they are already a wreck, and changing now wouldn't make a difference.
My masterpiece will fall apart
The image of themselves that the singer has created will eventually crumble.
It was over before the start
The artist's problems began before they even realized it.
They keep mostly to themselves
The singer tries to keep their struggles hidden from others.
Don't make a sound incase they hear you
The singer is afraid that other people will find out about their problems and judge them for it.
It only hurts me to be near you
The singer is in love with someone, but being near them only makes their own struggles worse.
Keep those tired eyes closed
The artist is exhausted from trying to hide their true self from others.
Careful, follow my instruction
The artist is trying to control the situation and keep their problems in check.
And I will show you self-destruction
The singer is afraid that their attempts to hide their problems will eventually lead to their own downfall.
This masterpiece is only mine
The image of themselves that the singer has created is their own creation.
Entirely guilty by design
The artist knows that their problems are of their own making.
I just can't let it, let it out
The artist feels like they can't reveal their true self to others.
If this is just a part I portray
The artist wonders if the image of themselves they have created is just an act.
You're beautiful, can I hide in you awhile?
The singer wants to be close to the person they love and find comfort in their presence.
I don't know how it got this way
The artist is confused and unsure about how their problems started or why they haven't been able to fix them.
Lyrics © O/B/O APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
Danielle Fallis
I may have discovered Masterpiece Theater III from The Five Giants warriors map but I’ve fallen in love with this song just by itself too. It has so many emotions and intensities in it. It’s amazing
AtomicToast
Yesss same
Wren X
ikr!
The American YouTuber
Ayyyyy
Insert Name Here
WC gang
Sasala
Aye, so did I! It’s now my new favorite set of long songs. WC friends gather round now.
Lindsay Sawyer
I love how this tells a story. It's amazing how each piece molds perfectly into the next part creating an amazing longer song, yet they're all complete sounding as well separate.
Honestly an incredible composition.
Alex G
It's using their songs lyrics too so the whole album creates that story. Uniquely beautiful.
Katia-Renae Purnell
This is why I ADORE this band. Their albums
-Masterpiece Theater, Ever After, Phantoms-all tell a story from start to finish and it's the most clever and beautiful thing that's ever been created.Crimson Jordan
I can never listen to this without shedding at least a single tear. These guys music kept me alive when I was a teenager. Going back and listening to this as an adult is just so surreal because I never thought I would make it this far.