151
Martha Hill Lyrics

These lyrics tell a story of a complicated and conflicted relationship. The singer expresses a sense of loneliness and feeling separate from others, as they were "made to walk alone." They twist themselves to fit into their partner's life, acknowledging that they are difficult but still desire to be with them. The line "I like you in my way" suggests that the singer wants the relationship on their terms.

The lyrics mention the act of the partner kissing other men, and although the singer feels sorry for them, they still send them away because they view themselves as superior. The reference to "151" could symbolize a place or a state of mind where the singer hopes to find solace or escape from their complicated emotions.

The singer questions if their partner will include them in their life if they remain silent. They express a desire for the nights they spend together to extend and prolong, perhaps suggesting a fear of losing the connection or the moments they share. The phrase "ocean eyes, you're the one" implies that the partner has a captivating and irresistible quality that draws the singer in.

The lyrics then shift to introspection and self-reflection. The singer admits to having dreams but choosing to keep them realistic. They knock on the door of opportunity, but ultimately retreat. The partner is portrayed as someone who steals the singer's heart and makes them feel preserved or trapped. Despite cutting their hair, which often represents a change or transformation, the singer still feels the same and remains unaffected by the partner's mind games.

The lyrics allude to the vulnerability of the singer, highlighting the fear of being forgotten or abandoned once the partner is satisfied. Again, the desire to return to "151" is expressed, indicating a longing for the sense of security or escape that it represents. The lyric "leave part of me with you when I'm gone" suggests that the partner will always have a lasting impact on the singer, even after they part ways.

In the final verses, the lyrics take a darker turn. The house is described as being full of strangers, some of whom are dead, while others are ghosts that live inside the singer's head. This imagery hints at a sense of isolation, possibly caused by unresolved past relationships or haunting memories. The streets are portrayed as dangerous, with some pretending to be something they are not. The line "live in fear of dying, you're already dead" suggests that the singer perceives a lack of authenticity or true life in those around them.

Overall, these lyrics explore themes of longing, vulnerability, and the complexities of relationships. The singer's inner conflicts and desire to find solace are intertwined with introspection and a realization that the partner holds a significant place in their life, even if it's not always healthy or sustainable.