Martha and the Vandellas were one of the most successful groups in the Moto… Read Full Bio ↴Martha and the Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to 1972, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves and the Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave", "Jimmy Mack", "I'm Ready For Love", "My Baby Loves Me", "Nowhere to Run", and, their signature song, "Dancing in the Street".
The group had its origins in Detroit, Michigan in 1957, and had initially gone by the name The Del-Phis. It originally was a quartet comprising childhood friends Martha Reeves, Rosalind Ashford, Annette Beard, and original lead singer Gloria Williams. Williams left after a failed single on the Checkmate label, leaving the quartet as a trio. They changed their name to The Vells signing a deal with Motown's Mel-o-dy label, and singing background for established Motown performers such as Mary Wells and Marvin Gaye before signing a new deal with Motown's Gordy label on September 21, 1962, after which the group changed its name to Martha and the Vandellas.
In 1964, the Vandellas' lineup changed with Betty Kelly replacing Annette Beard (now Beard-Sterling). In 1967, Kelly was fired and was replaced by Martha's younger sister, Sandra "Lois" Reeves. In 1969, Ashford was also fired and replaced by Sandra Tilley. It was right about this time that the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. The lineup of the Reeves sisters and Tilley continued after Martha's return from an institution after suffering a nervous breakdown. The group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972.
The story of the group did not end completely with their split-up in 1972, however. While Tilley and Williams (both now deceased) eventually retired, the others continued with their individual career pursuits: Lois sang with the group Quiet Elegance and also sang background for Al Green; Reeves reunited with original Vandellas Ashford and Beard-Sterling for a 1978 benefit concert in Los Angeles; and in 1983, Reeves performed solo at Motown 25, which partly helped her and the Vandellas gain a new audience. In particular, Reeves herself is still known to sing with her sisters Lois and Delphine, often performing as a solo artist under the bill, "Martha Reeves of Martha Reeves and the Vandellas", and still performs all over the world.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves and the Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave", "Jimmy Mack", "I'm Ready For Love", "My Baby Loves Me", "Nowhere to Run", and, their signature song, "Dancing in the Street".
The group had its origins in Detroit, Michigan in 1957, and had initially gone by the name The Del-Phis. It originally was a quartet comprising childhood friends Martha Reeves, Rosalind Ashford, Annette Beard, and original lead singer Gloria Williams. Williams left after a failed single on the Checkmate label, leaving the quartet as a trio. They changed their name to The Vells signing a deal with Motown's Mel-o-dy label, and singing background for established Motown performers such as Mary Wells and Marvin Gaye before signing a new deal with Motown's Gordy label on September 21, 1962, after which the group changed its name to Martha and the Vandellas.
In 1964, the Vandellas' lineup changed with Betty Kelly replacing Annette Beard (now Beard-Sterling). In 1967, Kelly was fired and was replaced by Martha's younger sister, Sandra "Lois" Reeves. In 1969, Ashford was also fired and replaced by Sandra Tilley. It was right about this time that the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. The lineup of the Reeves sisters and Tilley continued after Martha's return from an institution after suffering a nervous breakdown. The group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972.
The story of the group did not end completely with their split-up in 1972, however. While Tilley and Williams (both now deceased) eventually retired, the others continued with their individual career pursuits: Lois sang with the group Quiet Elegance and also sang background for Al Green; Reeves reunited with original Vandellas Ashford and Beard-Sterling for a 1978 benefit concert in Los Angeles; and in 1983, Reeves performed solo at Motown 25, which partly helped her and the Vandellas gain a new audience. In particular, Reeves herself is still known to sing with her sisters Lois and Delphine, often performing as a solo artist under the bill, "Martha Reeves of Martha Reeves and the Vandellas", and still performs all over the world.
In And Out Of Love
Martha and the Vandellas Lyrics
Think of your fellow man, lend him a helping hand
Put a little love in your heart
You see, it's getting late, oh, please don't hesitate
Put a little love in your heart
And the world (the world) will be a better place
And the world (the world) will be a better place
For you (for you) and me (and me)
You just wait (just wait) and see
Another day goes by, still all the children cry
Put a little love in your heart
Oh, if you want the world to know, we won't let hatred grow
Just put a little love in your heart
And the world (the world) will be a better place
And the world (the world) will be a better place
For you (for you) and me (and me)
You just wait (just wait) and see
Take a good look around and if you're lookin' down
Just put a little love in your heart (come put it in your heart)
I hope when you decide kindness will be your guide
Put a little love in your heart
And the world (the world) will be a better place
Yes, the world (the world) will be a better place
For you (for you) and me (and me)
Why don't you just wait (just wait) just wait and see, come on now
(Put a little love in your heart)
It won't hurt, no no
(Put a little love in your heart)
Ain't no harm now
(Put a little love in your heart)
Say something nice to your neighbor this morning
(Put a little love in your heart)
Tell your children you love them this morning, come one
(Put a little love in your heart)
Put a little love in your heart, oh yeah
Put a little love in your heart
You see, it's getting late, oh, please don't hesitate
Put a little love in your heart
And the world (the world) will be a better place
And the world (the world) will be a better place
For you (for you) and me (and me)
You just wait (just wait) and see
Put a little love in your heart
Oh, if you want the world to know, we won't let hatred grow
Just put a little love in your heart
And the world (the world) will be a better place
And the world (the world) will be a better place
For you (for you) and me (and me)
You just wait (just wait) and see
Take a good look around and if you're lookin' down
Just put a little love in your heart (come put it in your heart)
I hope when you decide kindness will be your guide
Put a little love in your heart
And the world (the world) will be a better place
Yes, the world (the world) will be a better place
For you (for you) and me (and me)
Why don't you just wait (just wait) just wait and see, come on now
(Put a little love in your heart)
It won't hurt, no no
(Put a little love in your heart)
Ain't no harm now
(Put a little love in your heart)
Say something nice to your neighbor this morning
(Put a little love in your heart)
Tell your children you love them this morning, come one
(Put a little love in your heart)
Put a little love in your heart, oh yeah
Lyrics © Sony/ATV Music Publishing LLC
Written by: Jackie DeShannon, Jimmy Holiday, Randy Myers
Lyrics Licensed & Provided by LyricFind
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Dwayne S. Jones
I have always loved this song since a child and it still sounds great to this day. Thinking of you mom always Love you.
altanett
We had some good sounds back in the 60’s. So glad I came up in that era. The songs had substance. Thank you Motown! ❤️
Bridgett Garvin
Wow, my mom use to play this ALL THE TIME. I can't believe i found it. This is FOR YOU MOM.
RIS❤❤❤❤❤
Daryl Taylor
Martha Reeves one of my all-time favorite singers
Valerie Johnson
I've looked for this song for years just found it in 2019. My mom's neighbor would play this and cry.
ARCENIA Crout
I LOVE this song!
Christine Taylor
Beautiful track we should not forget. Get it played!. Gem. HX
Wayne Brasler
Among her best records ever and Motown did almost nothing to promote it. This was to have been followed by the hypnotic "No One There" and that even didn't BECOME a single. Then she did another fabulous record, "I Won't Be the Fool I Was Before" and THAT didn't get released. When it finally came out on an album it was in mono, and it was the stereo version that was the killer. Motown had no shame with some of its greatest artists.
Humboldt Bear
'No One There' was a single in the UK.
robert
I love diana, but berry gordy was blinded by love. martha never got the respect she deserved at Motown. or the stardom.