Masoud Fouladi Moghaddam born on 22th of May 1985 in Bandar-e Anzali.
Read Full Bio ↴Masoud Fouladi Moghaddam born on 22th of May 1985 in Bandar-e Anzali.

Few producers sign their first track to the mighty Flashover Recordings, but then again Masoud Fuladi isn’t just any producer. In 2009, his collaboration with two of the industry’s most prolific vocalists, sisters Jaren and Josie resulted in ‘Leave It All Behind’, an emotional gem which soon catapulted Masoud to the forefront of the global trance scene. Within weeks the track had received support from some of the world’s most high profile DJs, including Armin van Buuren and Ferry Corsten. As one might expect, it also had a stellar remix package to benefit such an inspired Original Mix. Jorn van Deynhoven and US producers Amurai and Tritonal all worked their production magic for the eagerly awaited final release package. The result was one of 2009’s most memorable vocal tracks.

Not one to rest on his laurels, Masoud has followed up this initial success with subsequent hits, proving that he is one of trance’s most consistent new producers. So what is it about this Iranian talent that has trance fans across the world standing up to take notice? His skill in creating spine-tingling vocal trance collaborations is enviable, but there is much more to Masoud Fuladi than the ability to faultlessly process a vocal. Crisp progressive beats with uplifting elements and subtle Middle Eastern melodies combine to create some of the freshest productions to grace radio playlists in recent years. Perhaps Jaren summed up his sound best when she described it as, “a cinematic listening experience”.

In the two short years since his first release, Masoud has racked up some of Electronic Dance Music’s most sought after accolades. His collaboration with LA based vocalist Laurie resulted in ‘Blinded’, a sultry summertime anthem which received a remix from Sebastian Brandt. The remix achieved the coveted “Tune of the Week” award on Armin van Buuren’s ‘A State of Trance’ radioshow and also scooped the #1 position in the May round-up of “Corsten’s Countdown”, hosted by the hugely popular Ferry Corsten.

Further evidence of Masoud’s awe-inspiring assault on the EDM industry is his inclusion on the “Trance Nation” compilation of 2010. The compilation, which was mixed by Andy Moor and released on the world’s largest dance music label, Ministry of Sound, brought the Masoud sound to a wider audience than ever before. Aside from its inclusion on “Trance Nation”, the Masoud remix of ‘DJ Eco – Staring At The Sea’ remained in the Beatport Top 100 chart for a number of weeks and also saw support from trance heavyweights, Above & Beyond and many, many more.

Turning now to 2011, his latest production, “Here We Go Now”, a vocal collaboration with Hannah Ray was included on Andy Moor’s exclusive “Breaking the Silence Vol. 2” compilation, released in March. The single will be paired with the instrumental track “Skyward” and is due for a full release on the AVA sub label of Armada Music in the coming months. Further cementing his role as one of trance’s most exciting new remixers, Masoud has also added some lush Middle Eastern charm to “Arlanda”, the latest offering from Armada regulars Sophie Sugar and Tom Colontonio. From compilations, to singles and remixes on Armada music – it looks like 2011 will be the year Masoud Fuladi really makes himself heard.

Here We Go
Masoud Lyrics

We have lyrics for these tracks by Masoud:

Best Days Pull me into the storm I'm never gonna give you up My…
Fix The Broken Sometimes It gets to be too much And I Feel I′m being crushe…
Leave It All Behind Stop, leave your troubles at the door Don't walk into my…
Leave It All Behind (Tritonal Air Up There Mix) Stop, leave your troubles at the door Don't walk into my…

No More Paper-thin walls between us I have silenced every sound you …

The lyrics are frequently found in the comments by searching or by filtering for lyric videos

TRACKS

Genre not found

Artist not found

Album not found

Search results not found

Song not found

11y

Well, there are only 12 notes in Western music, and if we assume all chords consist of 3 notes (which they don't, but for simplicity's sake let's say they do), that means there are 220 chord combinations minimum. Using this, if we assume a song uses 3 chords only, then that means there are 1750540 progressions possible out of the 220 available. This is strictly mathematical and doesn't account for being in key or scale. Someone please correct me if I missed something.

@OneForTheDollyBirds

Sentence to modify this comment, which was repeatedly getting censored. Not exactly sure, but I have a hunch that it's many more than that. Here's my take: Considering just three-note harmony, there are about six possible chord types (maj, min, aug, dim, sus4, sus2). Further, while chord inversions don't count (because they will turn out to be superfluous), we could still have three-note constructs like maj7(no3), maj7(no5), majb5 (not to be confused with the four-note min7b5), 7(no3), 7(no5), and min7(no5). So, we can build any of these twelve (total) constructs on any of twelve different notes for a total of 144 possible chords. Now, combinatorially speaking, the number of ways to choose 3 from 144 is 487,344; but--here's where it gets interesting--the number of ways to choose 5 from 144 is 481,008,528. See where this is heading?

@OneForTheDollyBirds

But get this: I'm speaking here only of combinations--not permutations, which would increase the number to something only scientific notation could handle. That's where it gets downright scary. I would venture to say that we'll never run out of music to write, especially when you consider what we can do with the addition of melodies (and harmonic rhythm!) to all of those possible progressions. Oh, and what about 7th chords?! Adding 7th chords, there are about two dozen possible chord types, which pretty much DOUBLES everything I've already said. Scary. By the way, it can be argued that key really doesn't matter; but, with so many direct modulations involved, much of this music would be quite an evolution from what we are accustomed to. Music does evolve, though. . . .

bah bah agha masoud

@paulaperry7775

11y

NICE TRACK! :)

@TIER722

13y

Bien!! :D

@kristincardin7748

❄️

@ravestradamus

13y↑1

in 4 more

@r1coshet

13y

sometimes sounds like arty but it really really good tune!

@vloepkleedje

12y↑1

This could have 100.000.000 views if it wasn't for social pressure that keeps crappy pop "artists" on top of it all...

@ChristianIglesias1984

12y

What you did there. I see it.

@FortunOfficial

11y

Well since there's a discussion here about it: This is also the same chord progression as in /watch?v=1_fH9TTVdGo I also use this progression in one of my tracks since I really like it :)