On September 19, 2006, Matt released his third studio album, Everything In Between.
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An excerpt from the Matt Wertz facebook fan page (as of 12/17/09)
Hi. My name is Matt Wertz, and this is my bio. Usually these aren’t written by the artist, at least at this level- but as I was trying to decide who could tell my story the best, I felt like that person was me. So, I’d like to be the one to tell you where I come from, why I write music, what I’ve seen happen along the way, and where I see things going according to my finite vision.
I’m from Liberty, Missouri, but have called Nashville, Tennessee, home for the last seven years. It seems fitting that I would be writing my own biography on the cusp of my first major label release, just as I did eight years ago before releasing my first independent album. This time, though, I’m not trying to play it off like I didn’t write it.
I grew up in a home where I was encouraged to explore and dive into whatever grabbed my attention. Sports? Sure. Art? You bet. Girls? Yep. Music? Obviously. There was no expectation other than to do my best “and let God do the rest,” as my Mom always says. With that kind of freedom end encouragement, I did just that—I played sports for the fun of them, made art because I loved to create, and eventually, I wrote and performed music… because I had to.
My love for visual art led me eight hours from home to the University of Illinois, where I studied Industrial Design. As a result of that experience, music became my respite—my escape from the responsibility of class work. Dorm life served to provide a small, built–in audience who graciously embraced my first attempts at songwriting. Before I knew it, I was recording versions of those songs on my roommate’s computer and burning copies for my new cohabiting fans. Eventually I started playing concerts outside the walls of Scott Hall and made the leap to register my name as a dot-com. That may not seem like a big deal today, but at the time, those were the early, shaky steps I took toward a full-fledged career in the music industry.
Early on, I was shown many graces—like a loan from my parents to pay for the first 1,000 copies of my debut record, Somedays (2001). To assuage their fear that I was throwing my life away, I democratically assured them that I’d get a job after the summer was over. Needless to say, that never happened.
What did happen was that my summer burst at the seams with bookings at camps for high schoolers… which spilled over into a fall schedule of touring their hometowns… which set up a spring full of shows at colleges… followed by more summer camps. Rinse, wash, repeat—and you have the first few years of my career.
The days between then and now have been a series of “baby steps” that have somehow afforded me success as an independent artist. All these things really kicked into gear after the release of Twenty Three Places (2003), the first record I recorded with producer and friend, Ed Cash. The album featured some of the songs that set the tone for the rest of my career—“Everything’s Right,” “Marianne,” “Red Meets Blue,” and “Counting to 100”— songs that are still staples in my set today.
On the heels of the Twenty Three Places release, people started taking notice. Creative Artists Agency got involved booking my shows. Nettwerk took over my management. And a bunch of record labels started knocking down my door. But none of them felt like a good fit. So what did I do? I did what I’d always done: I recorded another record on my own and kept touring.
Ed and I began working on Everything in Between in February 2005, hitting the studio sporadically whenever I had breaks from the road. “The Way I Feel” was the first song we approached and it provided the compass for the record, ushering in an energy and musical depth that redirected my career to a new level. The tone of the record was my musical response to what I learned playing hundreds of clubs a year—I realized the need for up-tempo, lively songs to get the room going. The album also meant a lot to me personally—it was written and recorded during my first dating relationship since college, and much of the album followed the progress of the relationship. “5:19” was written on July 7, 2005, at 5:19 p.m., while I waited for the phone call that would inevitably be the end of that relationship.
Everything in Between was the first record I released with any kind of organized push behind it. We came out of the gates strong, charting high on the iTunes pop charts and filming a video for the song “Carolina.” Some of the songs landed in unexpected places—on TV’s “Brothers and Sisters” and in theaters via movies like My Super Ex-Girlfriend.
Since the start of my career, I’ve sold around 75,000 albums, played shows with Ben Folds, Jamie Cullum, and One Republic, as well as headlined sold-out clubs around the country. This was all done, mind you, as an independent artist. Over time, momentum built and more labels took notice, including Universal Republic. Finally I encountered a label that felt right, a label that could pull the trigger, a label that understood where I was coming from. And so, I signed.
The record that will be released on Universal Republic is called Under Summer Sun and it is a combination of my favorite songs from my first few independent releases, like “5:19” and “Everything’s Right,” as well as four new songs. Among the new tracks are “Waiting,” an introspective bedroom song that deals with the fear that I’m “growing old but not quite growing up,” and “Summer Sun,” my best effort at a nostalgic summer love song in the vein of Stevie Wonder musically and Don Henley emotionally. And the rest of the songs will strike a chord with anyone who enjoys soulful, carefree, singer-songwriter pop music.
How do I know? Because these songs emanate from the pages of my life, and I’ve seen first-hand the way that people have connected with them from their own experiences. In eight years of touring through hundreds of venues, playing three albums’ worth of songs for thousands of listeners, that connection is what fuels my passion. Ultimately, the thing that you and I have here—between the words and the chords and the lights and the beats—that is the thing that encourages me to keep singing.
CAROLINA
Matt Wertz Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Everything, ordinary
You're unlike anything I've seen
Is this how I really feel?
Or just another heart to steal
To fuel the song that's underneath
Carolina, you will have to forgive me
Forgive me
I pass another day wasting
Thoughts on what's ahead asking
What if, and why not, and who's to say?
When all I really know of you
Is you're just as lonely too
'Cause desperate hearts are hearts that need someone, and
Carolina, you will have to forgive me
Carolina, this is just my tendency
Forgive me
I'm careless sometimes
And I'm sure that you'll find
That's now how
I want to live my life
I wanna to be sure
But don't know how to
How hard I try
Carolina, you will have to forgive me
Yeah, yeah
Carolina, this is just my tendency
Carolina, you will have to forgive me
Carolina, this is just my tendency
Carolina
Carolina, yeah
Carolina
Carlonia
The lyrics to Matt Wertz's song "Carolina" explore the singer's feelings of uncertainty and vulnerability as he contemplates his connection to an unfamiliar love interest. The song begins in Tennessee, in the dead of winter, where everything seems ordinary except for Carolina, whom the singer describes as unlike anything he's seen before. He questions whether this connection is real or simply a fleeting infatuation, one that he might use to fuel his creativity and write another song, a common tendency for musicians. The chorus features the singer asking for forgiveness, acknowledging that his carelessness, uncertainty, and tendency to be flighty in love might hurt Carolina.
As the song progresses, the singer admits that he spends his days thinking about what's ahead, constantly questioning his future, and reflecting on his past experiences. He realizes that just like him, Carolina is also lonely, and he understands that desperate hearts need someone to love. However, he's unsure if he's capable of providing the love and stability that she deserves.
The song's gentle, slow melody and soulful vocal delivery add to its introspective lyrics. Wertz's vulnerability and uncertainty regarding love make the song relatable for anyone who has questioned their ability to love and be loved.
Line by Line Meaning
Tennessee, January
This song begins in January, in the state of Tennessee
Everything, ordinary
The things around me seem average and normal
You're unlike anything I've seen
You, Carolina, are different and unique
Is this how I really feel?
I am questioning my emotions towards you
Or just another heart to steal
Am I just using you for inspiration?
To fuel the song that's underneath
Am I channeling my feelings into my music?
Carolina, you will have to forgive me
I'm asking for your forgiveness, Carolina
Carolina, this is just my tendency
My tendency is to use my experiences for my music
I pass another day wasting
I spend each day without a particular purpose
Thoughts on what's ahead asking
I wonder what the future holds
What if, and why not, and who's to say?
I contemplate different possibilities and outcomes
When all I really know of you
Despite this, I barely know you
Is you're just as lonely too
I sense that you are also feeling lonely
'Cause desperate hearts are hearts that need someone, and
We both have a natural desire for companionship
I'm careless sometimes
I can be thoughtless at times
And I'm sure that you'll find
You may notice this about me
That's not how I want to live my life
I don't want to be thoughtless forever
I wanna to be sure
I want to have certainty in my decisions
But don't know how to
Unfortunately, I don't know how to do this
How hard I try
Despite my efforts
Carolina, you will have to forgive me
Once again, I am asking for your forgiveness
Carolina, this is just my tendency
My tendency is to be careless, but I want to overcome it
Carolina
Your name appears several times throughout the song
Lyrics © WORDS & MUSIC A DIV OF BIG DEAL MUSIC LLC
Written by: AMY FRANZ, HAYLEY MCKEE
Lyrics Licensed & Provided by LyricFind