On September 19, 2006, Matt released his third studio album, Everything In Between.
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An excerpt from the Matt Wertz facebook fan page (as of 12/17/09)
Hi. My name is Matt Wertz, and this is my bio. Usually these aren’t written by the artist, at least at this level- but as I was trying to decide who could tell my story the best, I felt like that person was me. So, I’d like to be the one to tell you where I come from, why I write music, what I’ve seen happen along the way, and where I see things going according to my finite vision.
I’m from Liberty, Missouri, but have called Nashville, Tennessee, home for the last seven years. It seems fitting that I would be writing my own biography on the cusp of my first major label release, just as I did eight years ago before releasing my first independent album. This time, though, I’m not trying to play it off like I didn’t write it.
I grew up in a home where I was encouraged to explore and dive into whatever grabbed my attention. Sports? Sure. Art? You bet. Girls? Yep. Music? Obviously. There was no expectation other than to do my best “and let God do the rest,” as my Mom always says. With that kind of freedom end encouragement, I did just that—I played sports for the fun of them, made art because I loved to create, and eventually, I wrote and performed music… because I had to.
My love for visual art led me eight hours from home to the University of Illinois, where I studied Industrial Design. As a result of that experience, music became my respite—my escape from the responsibility of class work. Dorm life served to provide a small, built–in audience who graciously embraced my first attempts at songwriting. Before I knew it, I was recording versions of those songs on my roommate’s computer and burning copies for my new cohabiting fans. Eventually I started playing concerts outside the walls of Scott Hall and made the leap to register my name as a dot-com. That may not seem like a big deal today, but at the time, those were the early, shaky steps I took toward a full-fledged career in the music industry.
Early on, I was shown many graces—like a loan from my parents to pay for the first 1,000 copies of my debut record, Somedays (2001). To assuage their fear that I was throwing my life away, I democratically assured them that I’d get a job after the summer was over. Needless to say, that never happened.
What did happen was that my summer burst at the seams with bookings at camps for high schoolers… which spilled over into a fall schedule of touring their hometowns… which set up a spring full of shows at colleges… followed by more summer camps. Rinse, wash, repeat—and you have the first few years of my career.
The days between then and now have been a series of “baby steps” that have somehow afforded me success as an independent artist. All these things really kicked into gear after the release of Twenty Three Places (2003), the first record I recorded with producer and friend, Ed Cash. The album featured some of the songs that set the tone for the rest of my career—“Everything’s Right,” “Marianne,” “Red Meets Blue,” and “Counting to 100”— songs that are still staples in my set today.
On the heels of the Twenty Three Places release, people started taking notice. Creative Artists Agency got involved booking my shows. Nettwerk took over my management. And a bunch of record labels started knocking down my door. But none of them felt like a good fit. So what did I do? I did what I’d always done: I recorded another record on my own and kept touring.
Ed and I began working on Everything in Between in February 2005, hitting the studio sporadically whenever I had breaks from the road. “The Way I Feel” was the first song we approached and it provided the compass for the record, ushering in an energy and musical depth that redirected my career to a new level. The tone of the record was my musical response to what I learned playing hundreds of clubs a year—I realized the need for up-tempo, lively songs to get the room going. The album also meant a lot to me personally—it was written and recorded during my first dating relationship since college, and much of the album followed the progress of the relationship. “5:19” was written on July 7, 2005, at 5:19 p.m., while I waited for the phone call that would inevitably be the end of that relationship.
Everything in Between was the first record I released with any kind of organized push behind it. We came out of the gates strong, charting high on the iTunes pop charts and filming a video for the song “Carolina.” Some of the songs landed in unexpected places—on TV’s “Brothers and Sisters” and in theaters via movies like My Super Ex-Girlfriend.
Since the start of my career, I’ve sold around 75,000 albums, played shows with Ben Folds, Jamie Cullum, and One Republic, as well as headlined sold-out clubs around the country. This was all done, mind you, as an independent artist. Over time, momentum built and more labels took notice, including Universal Republic. Finally I encountered a label that felt right, a label that could pull the trigger, a label that understood where I was coming from. And so, I signed.
The record that will be released on Universal Republic is called Under Summer Sun and it is a combination of my favorite songs from my first few independent releases, like “5:19” and “Everything’s Right,” as well as four new songs. Among the new tracks are “Waiting,” an introspective bedroom song that deals with the fear that I’m “growing old but not quite growing up,” and “Summer Sun,” my best effort at a nostalgic summer love song in the vein of Stevie Wonder musically and Don Henley emotionally. And the rest of the songs will strike a chord with anyone who enjoys soulful, carefree, singer-songwriter pop music.
How do I know? Because these songs emanate from the pages of my life, and I’ve seen first-hand the way that people have connected with them from their own experiences. In eight years of touring through hundreds of venues, playing three albums’ worth of songs for thousands of listeners, that connection is what fuels my passion. Ultimately, the thing that you and I have here—between the words and the chords and the lights and the beats—that is the thing that encourages me to keep singing.
Heartbreaker
Matt Wertz Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
What ya wanna do about this thing?
Be careful with that game you're tryin to bring
I'm trying so hard just to ignore
But all of my thoughts just seem to form around you
And the subtleties you start to sling
Like, "I don't care about the songs you sing"
And now I can't take this any more
Heartbreaker, it just feels like somethings going on
Heartbreaker, it just feels like somethings going on
Baby!
I'm not like the other guys you see
You need to handle me so gently
I'm putting my heart out on the line
To see if the same thing's on your mind
Heartbreaker, it just feels like somethings going on
Heartbreaker, it just feels like somethings going on
(Heartbreaker)
Heartbreaker, it just feels like somethings going on
Heartbreaker, it just feels like somethings going on
You broke my heart, you broke my mind
GIrl, you done broke me down inside.
You broke my name, you broke my will
I can't believe I love you still.
Can't go back
Can't move on
Any other girl I'd be long gone
Don't know what to do
Can't get over you...
Heartbreaker!
In Matt Wertz's song Heartbreaker, the lyrics express the faltering emotions of a person who is attracted to someone playing a mental game with them. The lyrics begin with a warning to the other person, cautioning them to be careful with the games they are playing. The person's emotions and thoughts revolve around the other person, and they are finding it increasingly difficult to ignore them. The other person starts making subtle comments that suggest they do not care about the first person's passion for music, and this further complicates the situation. However, despite the person's warning to them, the other person's actions continue, and the first person finds themselves unable to withstand it any longer. They are hurt and feel broken, yet they find it challenging to move on from the other person.
The song Heartbreaker highlights the complexities of being in a relationship where one person seems to hold all the power. The singer is drawn to their partner, despite knowing that the other person is toying with their emotions. The song's lyrics express the conflicting feelings that arise in such a situation, making it difficult to determine what to do next. The singer feels stuck, unable to move forward and unable to let go of their feelings for the other person.
Line by Line Meaning
Hey!
Opening line to grab the listener's attention
What ya wanna do about this thing?
Asking the other person what they want to do with their relationship
Be careful with that game you're tryin to bring
Warning the other person to be careful with their emotions
I'm trying so hard just to ignore
The singer is trying to ignore their feelings for the other person
But all of my thoughts just seem to form around you
Despite trying to ignore their feelings, the other person is constantly on their mind
And the subtleties you start to sling
The other person is sending mixed signals to the singer
Like, "I don't care about the songs you sing"
The other person doesn't value or appreciate the singer's talents
And now I can't take this any more
The singer is at their breaking point with the situation
But I've never seen your type before
Despite everything, the singer is intrigued by the other person
Baby!
A term of endearment for the other person
I'm not like the other guys you see
The singer believes they are different from other guys the other person has encountered
You need to handle me so gently
The singer is asking the other person to treat them with kindness and care
I'm putting my heart out on the line
The singer is being vulnerable and open with their feelings
To see if the same thing's on your mind
The singer wants to know if the other person feels the same way
You broke my heart, you broke my mind
The other person hurt the singer emotionally
GIrl, you done broke me down inside.
Emphasizing how deeply the singer was hurt
You broke my name, you broke my will
The other person not only hurt the singer emotionally but also impacted their reputation and confidence
I can't believe I love you still.
Despite everything, the singer still loves the other person
Can't go back
The singer can't change what has already happened
Can't move on
The singer is struggling to move on from the other person
Any other girl I'd be long gone
The singer would have moved on if it was any other girl
Don't know what to do
The singer is at a loss for what to do about their feelings
Can't get over you...
The singer is having a difficult time getting over the other person
Heartbreaker!
The other person is a heartbreaker who has caused the singer a lot of pain
Lyrics © O/B/O APRA AMCOS
Written by: WATT MICHAEL DAVID
Lyrics Licensed & Provided by LyricFind