Perhaps the most underrated singer/songwriter of the past 12 years, Matthew Ryan arrived on the music scene in 1997 with Mayday. A combination of influences from Tom Waits, Waterboys and Bruce Springsteen can all be heard here, but the sound and songwriting are Matthew Ryan's alone.
After being dropped by Interscope Records Ryan started working on demo material with David Henry. The material was stark and bare, Concussion was recorded and mixed in 8 days with Richard McLaurin. It was released in 2001 on Nashville, Tennessee label WaxySilver and features a duet with Lucinda Williams. Ryan was asked by actor/director Edward Burns to contribute a song to his film Ash Wednesday. "Be Thou My Vision" was used on the closing credits of Edward Burns’ film. Ryan opened tours for Kasey Chambers and Lucinda Williams for much of 2001, along with his own headlining shows.
2002 was a quiet period for Ryan, eventually releasing two collections of Stereo-Pak demo recordings, Dissent from the Living Room and Hopeless to Hopeful. These were made available on CDR through Ryan’s website.
Ryan started recording again on February 2003, Regret Over the Wires was released in late 2003 by Hybrid Recordings. In April, Concussion was released in the UK and Europe through One Little Indian Records. This included a UK tour with label mate Jeff Klein. On September 9, 2003, One Little Indian Records also released Happiness in the UK and Europe only, a collection of songs taken from Ryan’s self-distributed collections Dissent from the Living Room and Hopeless to Hopeful. Ryan made another self-distributed release in December entitled These Are Field Recordings, a two-disc collection of live recordings and early tracks.
Matthew Ryan approached Neilson Hubbard in 2004 about a collaboration, which could result in an interesting self-distributed release for fans. The collaboration was much more successful than expected and Strays Don't Sleep was formed with Neilson Hubbard, Brian Bequette, Billy Mercer and Steve Latanation.
In the Autumn 2005 Strays Don't Sleep's debut self-titled album was released in the UK on One Little Indian Records. The release includes a DVD of short films that were directed and shot by professional filmmakers and friends, including Gorman Bechard, The Barnes Brothers, Martin Glenn, Matt Boyd and Jared Johnson. Matthew Ryan and Neilson Hubbard also directed three of the short films with the help of Nashville film student, Matt Riddlehoover. A 5.1 surround sound mix of the entire record and films, by Paul PDub Walton of Björk and Sneaker Pimps fame, is available on the DVD.
Strays Don't Sleep was released to great reviews from Time Out, Uncut, The Sunday Express and The Times. The success helped secure a US release, which was helped further by a placement in the hit CW (former WB) drama One Tree Hill. "For Blue Skies", a song concerning the sentencing of Matthew Ryan’s brother to 30 years in prison, was made available on the One Tree Hill Soundtracks. Strays Don't Sleep toured the UK with Josh Rouse to support the album. Strays Don't Sleep was officially disbanded mid-2006. Their Music Video DVD Album "Strays Don't Sleep" with each song presented by a different director, won the top Award - The Grand Remi for Best Music Video - at the 2006 WorldFest-Houston International Film Festival in April 2006. The group performed in person at the Remi Awards Gala dinner for 500 international filmmakers to a standing ovation. They disbanded shortly after this remarkable performance.
In 2006 Ryan completed recording for another solo album called From a Late Night High Rise. It's a collection of songs inspired by the death of a friend and the sentencing of Ryan’s brother to 30 years in prison. The album feature band members from Strays Don’t Sleep and was self-produced with Neilson Hubbard. From a Late Night High Rise was released on December 5, 2006 through 2minutes59 and iTunes, and Ryan embarked on a US tour with Tim Easton in February 2007. From a Late Night High Rise was met with the strongest wave of critical support Ryan has received to date. It was praised as "A must-hear, have-to-own epic of an album that should be required listening for every songwriter—and music lover—in the world."
Irrelevant
Matthew Ryan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And that's the light up in the hall
And it's shining on the back of my head
And I'm concentrating hard
On the cigarette, to the ashtray
From the ashtray back to my lips
I rub my three day beard
And give that thousand yard stare
As I recall all the time and the money we spent
Before I became irrelevant
So the straw dog threw rock salt
And the precious girl took a bow and walked
As I ran my finger over the screen door
Yeah, every kiss has reeked of betrayal
Since my heroine jumped the guardrail
And decided who she wanted to be once more
Now, every night I'm paralyzed
By the fear of rope burns and morning light
And the smell of wet cement
Since I became irrelevant
Now, memory's just a flash flood
A thick and black sticky mud
And heartache it's like a breaking bone
It was always twelve hours on a missionary line
You think I would've spared some time
But I didn't, I never went home
Now, it occurs to me like blinds undrawn
Or a bullet from a shotgun
That she knew long ago, oh, what it meant
To feel irrelevant
Now, I'm always smilin', cryin'
And hidin' my intent
Since I became irrelevant
In "Irrelevant," Matthew Ryan artistically presents a vivid imagery of desolation, heartbreak, and hopelessness. The song is about a man living in an empty house, reminiscing about his past relationship, which is now over. The only light illuminating the house is coming from the hall, and its beam beams down onto the back of the singer's head, making him realize that he is all alone in a dark, empty world.
He reflects on his past relationship with a woman he refers to as his "heroine." The relationship gradually failed because of betrayal, and the singer couldn't handle it. The pain and the heartache of losing his heroine has impacted him so deeply that he now feels irrelevant. He's living in a dead-end life and fumbling through each day. He can only ruminate over the good times they had and the money they spent together before his irrelevance.
The lyrics are so powerful that it's impossible not to feel the depth of the singer's sadness, loneliness, and disappointment. Ryan repeats the word "irrelevant" throughout the song, emphasizing the feeling of hopelessness that the singer experiences. It's evident that Ryan has painstakingly put thoughts into the lyrics of the song to invoke deep emotions in the listener.
Line by Line Meaning
There's only one light on in the house
The house is dark and lonely, with only one light shining
And that's the light up in the hall
The only light in the house is coming from the hallway
And it's shining on the back of my head
The light is illuminating the singer's head and his thoughts
And I'm concentrating hard
The artist is trying to focus on something
On the cigarette, to the ashtray
He is paying close attention to the cigarette burning and the ashes falling into the ashtray
From the ashtray back to my lips
He is also focused on the cigarette going from the ashtray back to his lips
So I lean up from my easy chair
He sits up from his relaxed position in the easy chair
I rub my three day beard
He rubs his facial hair, which has not been shaved in three days
And give that thousand yard stare
He has a distant look in his eyes, like he's staring off into the distance
As I recall all the time and the money we spent
He is reminiscing about the time and money he spent on something or someone
Before I became irrelevant
All the time and money he spent before becoming irrelevant seems like a waste
So the straw dog threw rock salt
Something or someone unexpectedly hurt him
And the precious girl took a bow and walked
A girl he cared about left him and moved on
As I ran my finger over the screen door
He touches the screen door, perhaps symbolizing that he's trapped
Yeah, every kiss has reeked of betrayal
Every romantic gesture or relationship has ended in disappointment or betrayal
Since my heroine jumped the guardrail
Since the person he loved ran away or left, abandoning him
And decided who she wanted to be once more
The person he loved has found a new sense of identity and purpose without him
Now, every night I'm paralyzed
He feels stuck in this state of pain and confusion every night
By the fear of rope burns and morning light
He's scared of physical and emotional pain, as well as the light of day
And the smell of wet cement
Perhaps a reference to some kind of traumatic experience
Since I became irrelevant
All of these negative feelings and experiences came after he became irrelevant
Now, memory's just a flash flood
Memories come back to him suddenly and powerfully, like a flash flood
A thick and black sticky mud
Those memories can be difficult to navigate through, like a thick and sticky mud
And heartache it's like a breaking bone
Emotional pain can be just as physically intense as a broken bone
It was always twelve hours on a missionary line
He was always busy with work or some other obligation, and never made time for himself or his loved ones
You think I would've spared some time
In hindsight, he realizes he should have made more time for the people who mattered to him
But I didn't, I never went home
He says he never returned home, maybe because of his busy schedule or because he felt unwelcome there
Now, it occurs to me like blinds undrawn
A realization suddenly comes to him
Or a bullet from a shotgun
It's a powerful realization, like a bullet from a shotgun
That she knew long ago, oh, what it meant
The person he loved knew a long time ago that she didn't need him to be happy
To feel irrelevant
She recognized that she didn't need him in her life, and she made the choice to move on
Now, I'm always smilin', cryin'
He's conflicted and doesn't know how to process his emotions
And hidin' my intent
He tries to keep his true feelings hidden from others
Since I became irrelevant
All of these complex emotional struggles started when he became irrelevant
Lyrics © Universal Music Publishing Group
Written by: RYAN CHRISTOPHER WEBB
Lyrics Licensed & Provided by LyricFind
Mark Hindmarch
Love this song,play it over and over.
TheMulrich
Fantastic artist and songwriter. Great live sound as well.
Karin
Incredible lyrics & voice!!
Nirmita Sarma
Thanks for capturing the essential feel of all who feel irrelevant in their own skin...love this song and hats off to this artist!
Ncl
It's because of Matthew Ryan that I begon to listen to this kind of music and I love him for that, so I would like to thank you Matthew Ryan because of you, I find myself... ^^
Samuel Balbino
Simplesmente, magnifica canção!
Simon House
Amazing song--music and lyrics, got have it once in a while.
P C
Masterful songwriting.
The Irish Twins
perfect!!!
KarlHungus99
I know exactly how he feels.