Lonesome Shack Blues
Memphis Minnie (born Lizzie Douglas in Algiers, Louisiana, June 3, 1897 – A… Read Full Bio ↴Memphis Minnie (born Lizzie Douglas in Algiers, Louisiana, June 3, 1897 – August 6, 1973) was an American blues guitarist, singer, and songwriter from the late 1920s to the 1950s, one of the most influential country blues musicians to have ever recorded.
Lizzie Douglas was born on June 3, 1897 in Algiers, Louisiana. She was the eldest from her 13 other siblings. Her parents Abe and Gertrude Douglas nicknamed her the Kid during her early childhood. At the age of 7 she and her family moved to Walls, Mississippi, which was just south of Memphis. The following year after she moved, she received her first guitar for Christmas. She began to practice and learn how to play both the banjo and the guitar and it was seen that she had a great talent as a musician. When she first began performing she did not use her first name Lizzie, but played under the name Kid Douglas. When she was 13 years old she ran away from her home to live on Beale Street in Memphis, Tennessee. She would play on street corners for most of her teenage years and would eventually go home when she ran out of money. She began to get noticed singing and playing guitar on the street corners. This brought an opportunity for her to tour, travel, and play with the Ringling Brothers Circus. Eventually she came back to Beale Street and got consumed in the blues scene. At the time, women, whiskey, and cocaine were high in demand with the people and places she would be around. She made her money by playing guitar, singing, and prostitution, which was not uncommon at the time. Most of the female performers were prostitutes because of financial desperation. It was said “She received $12 for her services-an outrageous fee for the time.” (Memphis Minnie Biography,1). She was known as a woman that was very strong and that could take care of herself.
She had been married three times in her life; first with Will Weldon sometime in the 1920s, then Joe McCoy (1929–1934), and finally to Earnest Lawlars (a.k.a. Little Son Joe), in 1939. She and McCoy would perform together during their marriage. During this time, a talent scout from Columbia Records discovered her. When she and McCoy went to record in New York, she decided to change her name to Memphis Minnie. During the next few years she and McCoy released many singles and duets. She released the song “Bumble Bee” in 1930, which ended up being one of her favorite songs, and led her to a recording contract with the label Vocalion. Under this label, they continued to produce recording for two years, one of them being “I’m Talking About You”, which was one of her more popular songs. They soon decided to leave Vocalion and move to Chicago. She and McCoy introduced country blues to the urban environment and became very well known.
Memphis Minnie continued to have success throughout the years recording under many different labels like Decca Records and Chess Records. Some believe her fame was the reason for her divorce with McCoy due to jealousy and resentment towards her. She remarried after to Earnest Lawlars (a.k.a. Little Son Joe) and began recording material with him. She became very well known in the blues industry and ended up being one of the most famous blues performers of all time, competing with both men and women.
She continued to record throughout the 50’s, but her health began to become a problem for her. She retired from her musical career and ended up going back to Memphis. “Periodically, she would appear on Memphis radio stations to encourage young blues musicians. As the Garons wrote in Women With Guitar, 'She never laid her guitar down, until she could literally no longer pick it up.'” She suffered a stroke in 1960, which caused her to be bound by wheelchair. The following year her husband, Earnest “Little Son Joe” Lawlars died. She had another stroke a short while after and eventually ended up in the Jell Nursing Home. She could no longer survive on her social security income so magazines wrote about her and readers sent her money for assistance. On August 6, 1973 she died of a stroke. She was buried in an unmarked grave at the New Hope Cemetery in Memphis. A headstone paid for by Bonnie Raitt was erected by the Mt. Zion Memorial Fund on October 13, 1996 with 35 family members in attendance including her sister, numerous nieces (including Laverne Baker) and nephews. Her headstone is marked:
Lizzie "Kid" Douglas Lawlers
aka Memphis Minnie
The inscription on the back of her gravestone reads:
"The hundreds of sides Minnie recorded are the perfect material to teach us about the blues. For the blues are at once general, and particular, speaking for millions, but in a highly singular, individual voice. Listening to Minnie's songs we hear her fantasies, her dreams, her desires, but we will hear them as if they were our own."
After her death some of her old work began to surface and some of her songs were featured on blues compilations. She was one of the first 20 blues artists that were inducted in the Blues Hall of Fame.
Lizzie Douglas was born on June 3, 1897 in Algiers, Louisiana. She was the eldest from her 13 other siblings. Her parents Abe and Gertrude Douglas nicknamed her the Kid during her early childhood. At the age of 7 she and her family moved to Walls, Mississippi, which was just south of Memphis. The following year after she moved, she received her first guitar for Christmas. She began to practice and learn how to play both the banjo and the guitar and it was seen that she had a great talent as a musician. When she first began performing she did not use her first name Lizzie, but played under the name Kid Douglas. When she was 13 years old she ran away from her home to live on Beale Street in Memphis, Tennessee. She would play on street corners for most of her teenage years and would eventually go home when she ran out of money. She began to get noticed singing and playing guitar on the street corners. This brought an opportunity for her to tour, travel, and play with the Ringling Brothers Circus. Eventually she came back to Beale Street and got consumed in the blues scene. At the time, women, whiskey, and cocaine were high in demand with the people and places she would be around. She made her money by playing guitar, singing, and prostitution, which was not uncommon at the time. Most of the female performers were prostitutes because of financial desperation. It was said “She received $12 for her services-an outrageous fee for the time.” (Memphis Minnie Biography,1). She was known as a woman that was very strong and that could take care of herself.
She had been married three times in her life; first with Will Weldon sometime in the 1920s, then Joe McCoy (1929–1934), and finally to Earnest Lawlars (a.k.a. Little Son Joe), in 1939. She and McCoy would perform together during their marriage. During this time, a talent scout from Columbia Records discovered her. When she and McCoy went to record in New York, she decided to change her name to Memphis Minnie. During the next few years she and McCoy released many singles and duets. She released the song “Bumble Bee” in 1930, which ended up being one of her favorite songs, and led her to a recording contract with the label Vocalion. Under this label, they continued to produce recording for two years, one of them being “I’m Talking About You”, which was one of her more popular songs. They soon decided to leave Vocalion and move to Chicago. She and McCoy introduced country blues to the urban environment and became very well known.
Memphis Minnie continued to have success throughout the years recording under many different labels like Decca Records and Chess Records. Some believe her fame was the reason for her divorce with McCoy due to jealousy and resentment towards her. She remarried after to Earnest Lawlars (a.k.a. Little Son Joe) and began recording material with him. She became very well known in the blues industry and ended up being one of the most famous blues performers of all time, competing with both men and women.
She continued to record throughout the 50’s, but her health began to become a problem for her. She retired from her musical career and ended up going back to Memphis. “Periodically, she would appear on Memphis radio stations to encourage young blues musicians. As the Garons wrote in Women With Guitar, 'She never laid her guitar down, until she could literally no longer pick it up.'” She suffered a stroke in 1960, which caused her to be bound by wheelchair. The following year her husband, Earnest “Little Son Joe” Lawlars died. She had another stroke a short while after and eventually ended up in the Jell Nursing Home. She could no longer survive on her social security income so magazines wrote about her and readers sent her money for assistance. On August 6, 1973 she died of a stroke. She was buried in an unmarked grave at the New Hope Cemetery in Memphis. A headstone paid for by Bonnie Raitt was erected by the Mt. Zion Memorial Fund on October 13, 1996 with 35 family members in attendance including her sister, numerous nieces (including Laverne Baker) and nephews. Her headstone is marked:
Lizzie "Kid" Douglas Lawlers
aka Memphis Minnie
The inscription on the back of her gravestone reads:
"The hundreds of sides Minnie recorded are the perfect material to teach us about the blues. For the blues are at once general, and particular, speaking for millions, but in a highly singular, individual voice. Listening to Minnie's songs we hear her fantasies, her dreams, her desires, but we will hear them as if they were our own."
After her death some of her old work began to surface and some of her songs were featured on blues compilations. She was one of the first 20 blues artists that were inducted in the Blues Hall of Fame.
Lonesome Shack Blues
Memphis Minnie Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Out across the hill, I built a lonesome shack
Out across the hill, I built a lonesome shack
So when my good man quit me, I won't have to beg him back
In the southeast corner, that's where I'll put my cool iron bed
In the southeast corner, that's where I'll put my cool iron bed
So when he puts me out, have some place to lay my head
Found my groceries and my stove, where they are selling cheap
Found my groceries and my stove, where they are selling cheap
So when he stops feeding me, have some place to cook and eat
"All right, play for me now"
Time I get me a sweetheart, and a jellyroll machine
Time I get me a sweetheart, and a jellyroll machine
So when we part, be hard to find a ____ bean
Out across the hill, I built a lonesome shack
So when my good man quit me, I won't have to beg him back
In the southeast corner, that's where I'll put my cool iron bed
In the southeast corner, that's where I'll put my cool iron bed
So when he puts me out, have some place to lay my head
Found my groceries and my stove, where they are selling cheap
So when he stops feeding me, have some place to cook and eat
"All right, play for me now"
Time I get me a sweetheart, and a jellyroll machine
Time I get me a sweetheart, and a jellyroll machine
So when we part, be hard to find a ____ bean
The opening lines of Memphis Minnie's song 'Lonesome Shack Blues' suggest an empowered woman who has been left and has not only decided to face her loneliness but also to embrace it. The act of building her lonely shack is her way of taking control and not waiting for her good man to come back. She has made a physical place that she can rely upon rather than the emotional ambiguity of being dependent upon a partner who has left her. As the song progresses, the woman sings of items and food she has found cheaply, which she can use in her new home, where she has positioned her 'cool iron bed,' put groceries and a stove for cooking food. Her preparation illustrates that she is now self-sufficient and that she has what she needs if her good man decides not to come back.
Line by Line Meaning
Out across the hill, I built a lonesome shack
I built a lonely, isolated dwelling on the hill so if my partner leaves me, I will not have to go back to him.
In the southeast corner, that's where I'll put my cool iron bed
I will put an iron bed in the southeast corner due to the fact that I will need a place to sleep when he puts me out.
Found my groceries and my stove, where they are selling cheap
I purchased my groceries and stove where the prices are cheap as I don't want to starve when he stops feeding me.
"All right, play for me now"
I want you to play music for me now.
Time I get me a sweetheart, and a jellyroll machine
I need to find myself a lover and a machine that makes jelly rolls to make it hard to forget me.
Writer(s): kansas joe mccoy, memphis minnie
Contributed by Josiah Y. Suggest a correction in the comments below.
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found