Method Man (born Clifford Smith, 2 March 1971 in Hempstead, Long Island, Ne… Read Full Bio ↴Method Man (born Clifford Smith, 2 March 1971 in Hempstead, Long Island, New York) is an American rapper and member of the hip-hop collective, Wu-Tang Clan. He is also well-known for his work both as a solo artist and with frequent collaborator Redman, as well as for recent forays into acting.
Method Man spent a childhood split between separated parents in Long Island and Staten Island, and in an apparent precursor to his career in hip hop was introduced both to playing drums and to poetry by his father. Not only was Method interested in music, he was also fascinated by comic books and particularly Ghost Rider, a fascination which manifested itself years later in several of his many rap aliases. His pre-hip hop adult life was mostly split between drug dealing and low-paid jobs (including a stint working at the Statue of Liberty, along with future Wu-Tang colleague U-God). After becoming well known on the streets for his rhyming abilities, he joined with 8 friends to form the Wu-Tang Clan in the early 1992.
Since the Wu-Tang Clan's ascendancy to hip hop stardom, Method Man has always been one of the most visible members of the collective. He was one of only two of the group to get a solo song on the group's debut album Enter the Wu-Tang: 36 Chambers and he was the first to release a solo album under the Clan's unusual contract which allows its members to release albums under any record label (Method chose to sign with legendary rap label Def Jam). Method Man's solo debut, Tical (1994) was critically acclaimed and extremely popular, entering the American charts at #4 and eventually selling in excess of one million copies.
He soon collaborated with Mary J. Blige and Redman with a series of hit singles, one of which (the Blige duet "I'll Be There For You/You're All I Need To Get By") won a Grammy, before recording the second Wu-Tang album, Wu-Tang Forever.
His second solo album was Tical 2000: Judgement Day (1998), which was heavily influenced by the apocalypse theories surrounding the forthcoming end of the millennium, and which featured a vast amount of guest appearances, from his fellow Clansmen to Lisa "Left Eye" Lopes, D'Angelo, Chris Rock, Mobb Deep, Redman and even Donald Trump. The album sold even better than his first, though reviews were mixed and its long running time and the abundance of between-song comedy skits were criticised by many.
Method Man then toured with Jay-Z and recorded Blackout! with Redman, a light-hearted, fun record with an EPMD-evoking emphasis on funky beats and the mischievous wit and cool flows of the two MCs.
In the twenty-first century, Method Man forged a successful career in acting. As well as his 1998 appearance in the film Belly along with fellow rappers Nas and DMX, Method has also appeared in 187 Oz, How High (a stoner film with Redman), The Wire, My Baby's Daddy, Garden State and Soul Plane, while continuing to record with the Wu-Tang Clan. He also co-starred with Redman in his own Fox sitcom called Method & Red, however after only a short time on the air the show was put on hiatus and never returned. Method Man later complained in the press about Fox's influence on the show's style, claiming that "there's been too much compromise on our side and not enough on their side" and bemoaning the network's decision to add a laugh track.
In 2004, Meth released his third album Tical 0: The Prequel, which spawned a successful single in "What's Happenin" with Busta Rhymes, but was poorly received both by critics and fans. There was trouble even before the album's release when Method apparently complained to the press about excessive interference from Def Jam over the album's beats (Meth supposedly desired more input from Wu-Tang leader RZA). On its release, many fans and critics were taken aback by its strong "mainstream" or "commercial" sound, highlighted by the guest appearances of pop-rap stars of the time Missy Elliot, P. Diddy and Ludacris. However, the album sold reasonably well, selling more than any of the other Wu-Tang solo projects released at around the same time. There was good news in early 2005 for fans who were disappointed with The Prequel as Method Man announced that a new RZA-produced album would be released later in the year. The album ultimately never materialized in 2005, though RZA and Meth continue to work on the album and are now aiming for a mid-2006 release date.
Aliases
Big John Stud
The Ghost Rider (from the comic Ghost Rider)
Hot Nickelz
Hot Nixon
Iron Lung
John-John
Johnny Blaze (from the comic Ghost Rider)
Johnny Dangerous
John-John Blaizini
Methtical (Meth-tical)
Meth
Mr. Meth
MZA ("The Mizza")
The Panty Raider
Shakwon (5% Nation "righteous name")
Tical
Ticallion Stallion
Albums
1994 Tical (Platinum)
1998 Tical 2000: Judgement Day (Platinum)
1999 Blackout! (with Redman) (Platinum)
2004 Tical 0: The Prequel
2006 4:21 The Day After
2009 Blackout! 2 (with Redman)
Singles and EPs
1994 "Bring The Pain"
1995 "I'll Be There For You/You're All I Need To Get By" (with Mary J. Blige)
1995 "Release Yo' Delf"
1998 "Break Ups 2 Make Ups"
1998 "Judgement Day"'
1998 "Grand Finale" (with DMX, Nas & Ja Rule)
1999 "Tear It Off" (Method Man & Redman)
1999 "Da Rockwilder" (Method Man & Redman)
1999 "Y.O.U." (Method Man & Redman)
2004 "What's Happenin" (with Busta Rhymes)
2005 "The Show"
Appears On
1993 Enter the Wu-Tang: 36 Chambers (album by the Wu-Tang Clan)
1994 "The What" (from the The Notorious B.I.G. album Ready to Die)
1995 "Dirty Dancin" (from the Ol' Dirty Bastard album Return To The 36 Chambers: The Dirty Version)
1995 "Got The Flava" (from the Showbiz & AG album Goodfellas)
1995 "Wu-Gambinos" & "Ice Cream" (from the Raekwon album Only Built 4 Cuban Linx)
1995 "Living In The World Today", "Shadowboxin" & "Gold" (from the GZA album Liquid Swords)
1995 "The Riddler" (from the Batman Forever Soundtrack)
1996 "Box In Hand" (from the Ghostface Killah album Ironman)
1996 "Box In Hand (Remix)" (Ghostface Killah single)
1996 "Got My Mind Made Up" (from the 2Pac album All Eyez On Me)
1996 "Do What Ya Feel" (from the Redman album Muddy Waters)
1996 "Extortion" (from the Mobb Deep album Hell On Earth)
1996 "Hit 'Em High" (from the Space Jam soundtrack)
1997 Wu-Tang Forever (album by the Wu-Tang Clan)
1997 "Milk The Cow", "Supa Ninjaz" & "Dart Throwing" (from the Cappadonna album The Pillage)
1997 "Next Up" & "Collaboration 98" (from the Sunz Of Man album The Last Shall Be First)
1997 "4,3,2,1" (from the LL Cool J album Phenonemon)
1998 "Well All Rite Cha" (from the Redman album Doc's Da Name 2000)
1998 "Pussy Pop" (from the Xzibit album 40 Dayz & 40 Nightz)
1998 "Whatcha Gonna Do" (from the Jayo Felony album Whatcha Gonna Do)
1998 "The Worst" (from the Onyx album Shut 'Em Down)
1999 "Rumble" (from the U-God album The Golden Arms Redemption)
1999 "Am I My Brother's Keeper" (from the Shyheim album Manchild)
1999 "Fuck Them" (from the Raekwon album Immobilarity)
1999 "Left & Right" (from the D'Angelo album Voodoo)
1999 "Stringplay" (from the GZA album Beneath The Surface)
1999 "N 2 Gether Now" (from the Limp Bizkit album Significant Other)
1999 "Half Man Half Amazin" (from the Pete Rock album Soul Survivor)
1999 "Three Amigos (If It's On)" (from the Popa Wu album Visions Of The Tenth Chamber)
1999 "NYC Everything" (from the RZA album Bobby Digital In Stereo)
1999 "Simon Says (Remix)" (from the Pharoahe Monch album Internal Affairs)
2000 "Buck 50" (from the Ghostface Killah album Supreme Clientele)
2000 "Fuhgidabowdit" (from the LL Cool J album G.O.A.T.)
2000 "Rollin' (Urban Assault Vehicle)" (from the Limp Bizkit album Chocolate Starfish and the Hot Dog Flavored Water)
2000 The W (album by the Wu-Tang Clan)
2000 "Ghetto Celebrity" (from the album In The Mode by Roni Size & Reprazent
2001 "La Rhumba" & "Glocko Pop" (from the RZA album Digital Bullet)
2001 "Enjoy Da Ride" (from the Redman album Malpractice)
2001 "Dog In Heat" (from the Missy Elliott album Miss E...So Addictive)
2001 "Party & Bullshit" (from the Rush Hour 2 soundtrack)
2001 Iron Flag (album by the Wu-Tang Clan)
2001 "Red Meth And Bee" (from the Cypress Hill album Stoned Raiders)
2002 "Flowers" (from the Ghostface Killah album Bulletproof Wallets)
2003 "Respect Mine" (from the Mathematics album Love, Hell Or Right)
2003 "Love @ 1st Sight" (from the Mary J. Blige album Love & Life)
2003 "We Pop (Remix)" (RZA single)
2003 "Bring The Pain" (from the Missy Elliott album This Is Not A Test!)
2003 "Ice Cream Part 2" (from the Raekwon album Lex Diamonds Story)
2003 "Noble Art" (from the IAM album Revoir Un Printemps)
2003 "Rock 'N' Roll" (from the Naughty By Nature album Icons)
2004 "Secret Rivals" (from the Masta Killa album No Said Date)
2004 "The Drummer" (from the Theodore Unit album 718)
2004 Disciples of the 36 Chambers: Chapter 1 (album by the Wu-Tang Clan)
2005 "Head Rush", "John 3:16" & "Spot Lite" (from the Mathematics album The Problem)
2005 "All My Niggas", "Shoot On Sight (S.O S.)" & "Street Education" (from the Streetlife album Street Education)
2005 "High Rollers" (from the Proof album Searching for Jerry Garcia)
2005 "Still On It" (from the Ashanti album Collectables by Ashanti)
2006 "9 Milli Bros." (from the Ghostface Killah album Fishscale)
Method Man spent a childhood split between separated parents in Long Island and Staten Island, and in an apparent precursor to his career in hip hop was introduced both to playing drums and to poetry by his father. Not only was Method interested in music, he was also fascinated by comic books and particularly Ghost Rider, a fascination which manifested itself years later in several of his many rap aliases. His pre-hip hop adult life was mostly split between drug dealing and low-paid jobs (including a stint working at the Statue of Liberty, along with future Wu-Tang colleague U-God). After becoming well known on the streets for his rhyming abilities, he joined with 8 friends to form the Wu-Tang Clan in the early 1992.
Since the Wu-Tang Clan's ascendancy to hip hop stardom, Method Man has always been one of the most visible members of the collective. He was one of only two of the group to get a solo song on the group's debut album Enter the Wu-Tang: 36 Chambers and he was the first to release a solo album under the Clan's unusual contract which allows its members to release albums under any record label (Method chose to sign with legendary rap label Def Jam). Method Man's solo debut, Tical (1994) was critically acclaimed and extremely popular, entering the American charts at #4 and eventually selling in excess of one million copies.
He soon collaborated with Mary J. Blige and Redman with a series of hit singles, one of which (the Blige duet "I'll Be There For You/You're All I Need To Get By") won a Grammy, before recording the second Wu-Tang album, Wu-Tang Forever.
His second solo album was Tical 2000: Judgement Day (1998), which was heavily influenced by the apocalypse theories surrounding the forthcoming end of the millennium, and which featured a vast amount of guest appearances, from his fellow Clansmen to Lisa "Left Eye" Lopes, D'Angelo, Chris Rock, Mobb Deep, Redman and even Donald Trump. The album sold even better than his first, though reviews were mixed and its long running time and the abundance of between-song comedy skits were criticised by many.
Method Man then toured with Jay-Z and recorded Blackout! with Redman, a light-hearted, fun record with an EPMD-evoking emphasis on funky beats and the mischievous wit and cool flows of the two MCs.
In the twenty-first century, Method Man forged a successful career in acting. As well as his 1998 appearance in the film Belly along with fellow rappers Nas and DMX, Method has also appeared in 187 Oz, How High (a stoner film with Redman), The Wire, My Baby's Daddy, Garden State and Soul Plane, while continuing to record with the Wu-Tang Clan. He also co-starred with Redman in his own Fox sitcom called Method & Red, however after only a short time on the air the show was put on hiatus and never returned. Method Man later complained in the press about Fox's influence on the show's style, claiming that "there's been too much compromise on our side and not enough on their side" and bemoaning the network's decision to add a laugh track.
In 2004, Meth released his third album Tical 0: The Prequel, which spawned a successful single in "What's Happenin" with Busta Rhymes, but was poorly received both by critics and fans. There was trouble even before the album's release when Method apparently complained to the press about excessive interference from Def Jam over the album's beats (Meth supposedly desired more input from Wu-Tang leader RZA). On its release, many fans and critics were taken aback by its strong "mainstream" or "commercial" sound, highlighted by the guest appearances of pop-rap stars of the time Missy Elliot, P. Diddy and Ludacris. However, the album sold reasonably well, selling more than any of the other Wu-Tang solo projects released at around the same time. There was good news in early 2005 for fans who were disappointed with The Prequel as Method Man announced that a new RZA-produced album would be released later in the year. The album ultimately never materialized in 2005, though RZA and Meth continue to work on the album and are now aiming for a mid-2006 release date.
Aliases
Big John Stud
The Ghost Rider (from the comic Ghost Rider)
Hot Nickelz
Hot Nixon
Iron Lung
John-John
Johnny Blaze (from the comic Ghost Rider)
Johnny Dangerous
John-John Blaizini
Methtical (Meth-tical)
Meth
Mr. Meth
MZA ("The Mizza")
The Panty Raider
Shakwon (5% Nation "righteous name")
Tical
Ticallion Stallion
Albums
1994 Tical (Platinum)
1998 Tical 2000: Judgement Day (Platinum)
1999 Blackout! (with Redman) (Platinum)
2004 Tical 0: The Prequel
2006 4:21 The Day After
2009 Blackout! 2 (with Redman)
Singles and EPs
1994 "Bring The Pain"
1995 "I'll Be There For You/You're All I Need To Get By" (with Mary J. Blige)
1995 "Release Yo' Delf"
1998 "Break Ups 2 Make Ups"
1998 "Judgement Day"'
1998 "Grand Finale" (with DMX, Nas & Ja Rule)
1999 "Tear It Off" (Method Man & Redman)
1999 "Da Rockwilder" (Method Man & Redman)
1999 "Y.O.U." (Method Man & Redman)
2004 "What's Happenin" (with Busta Rhymes)
2005 "The Show"
Appears On
1993 Enter the Wu-Tang: 36 Chambers (album by the Wu-Tang Clan)
1994 "The What" (from the The Notorious B.I.G. album Ready to Die)
1995 "Dirty Dancin" (from the Ol' Dirty Bastard album Return To The 36 Chambers: The Dirty Version)
1995 "Got The Flava" (from the Showbiz & AG album Goodfellas)
1995 "Wu-Gambinos" & "Ice Cream" (from the Raekwon album Only Built 4 Cuban Linx)
1995 "Living In The World Today", "Shadowboxin" & "Gold" (from the GZA album Liquid Swords)
1995 "The Riddler" (from the Batman Forever Soundtrack)
1996 "Box In Hand" (from the Ghostface Killah album Ironman)
1996 "Box In Hand (Remix)" (Ghostface Killah single)
1996 "Got My Mind Made Up" (from the 2Pac album All Eyez On Me)
1996 "Do What Ya Feel" (from the Redman album Muddy Waters)
1996 "Extortion" (from the Mobb Deep album Hell On Earth)
1996 "Hit 'Em High" (from the Space Jam soundtrack)
1997 Wu-Tang Forever (album by the Wu-Tang Clan)
1997 "Milk The Cow", "Supa Ninjaz" & "Dart Throwing" (from the Cappadonna album The Pillage)
1997 "Next Up" & "Collaboration 98" (from the Sunz Of Man album The Last Shall Be First)
1997 "4,3,2,1" (from the LL Cool J album Phenonemon)
1998 "Well All Rite Cha" (from the Redman album Doc's Da Name 2000)
1998 "Pussy Pop" (from the Xzibit album 40 Dayz & 40 Nightz)
1998 "Whatcha Gonna Do" (from the Jayo Felony album Whatcha Gonna Do)
1998 "The Worst" (from the Onyx album Shut 'Em Down)
1999 "Rumble" (from the U-God album The Golden Arms Redemption)
1999 "Am I My Brother's Keeper" (from the Shyheim album Manchild)
1999 "Fuck Them" (from the Raekwon album Immobilarity)
1999 "Left & Right" (from the D'Angelo album Voodoo)
1999 "Stringplay" (from the GZA album Beneath The Surface)
1999 "N 2 Gether Now" (from the Limp Bizkit album Significant Other)
1999 "Half Man Half Amazin" (from the Pete Rock album Soul Survivor)
1999 "Three Amigos (If It's On)" (from the Popa Wu album Visions Of The Tenth Chamber)
1999 "NYC Everything" (from the RZA album Bobby Digital In Stereo)
1999 "Simon Says (Remix)" (from the Pharoahe Monch album Internal Affairs)
2000 "Buck 50" (from the Ghostface Killah album Supreme Clientele)
2000 "Fuhgidabowdit" (from the LL Cool J album G.O.A.T.)
2000 "Rollin' (Urban Assault Vehicle)" (from the Limp Bizkit album Chocolate Starfish and the Hot Dog Flavored Water)
2000 The W (album by the Wu-Tang Clan)
2000 "Ghetto Celebrity" (from the album In The Mode by Roni Size & Reprazent
2001 "La Rhumba" & "Glocko Pop" (from the RZA album Digital Bullet)
2001 "Enjoy Da Ride" (from the Redman album Malpractice)
2001 "Dog In Heat" (from the Missy Elliott album Miss E...So Addictive)
2001 "Party & Bullshit" (from the Rush Hour 2 soundtrack)
2001 Iron Flag (album by the Wu-Tang Clan)
2001 "Red Meth And Bee" (from the Cypress Hill album Stoned Raiders)
2002 "Flowers" (from the Ghostface Killah album Bulletproof Wallets)
2003 "Respect Mine" (from the Mathematics album Love, Hell Or Right)
2003 "Love @ 1st Sight" (from the Mary J. Blige album Love & Life)
2003 "We Pop (Remix)" (RZA single)
2003 "Bring The Pain" (from the Missy Elliott album This Is Not A Test!)
2003 "Ice Cream Part 2" (from the Raekwon album Lex Diamonds Story)
2003 "Noble Art" (from the IAM album Revoir Un Printemps)
2003 "Rock 'N' Roll" (from the Naughty By Nature album Icons)
2004 "Secret Rivals" (from the Masta Killa album No Said Date)
2004 "The Drummer" (from the Theodore Unit album 718)
2004 Disciples of the 36 Chambers: Chapter 1 (album by the Wu-Tang Clan)
2005 "Head Rush", "John 3:16" & "Spot Lite" (from the Mathematics album The Problem)
2005 "All My Niggas", "Shoot On Sight (S.O S.)" & "Street Education" (from the Streetlife album Street Education)
2005 "High Rollers" (from the Proof album Searching for Jerry Garcia)
2005 "Still On It" (from the Ashanti album Collectables by Ashanti)
2006 "9 Milli Bros." (from the Ghostface Killah album Fishscale)
Is It Me
Method Man Lyrics
Jump to: Overall Meaning ↴
Uh, yeah, y'all, guess who is back?
Probably sold ya momma crack
Yeah, yeah, Scott Storch (return of the great)
Mr. M-E-F (aww shit) know what I said
Black people don't use the T-H, yo (got it fucked up now)
Yo, yo
Guess who back though, crack dough, yes, eyes is hat low
Stash 'dro, pimp on the side, you know how that go
Rap flow, major, taste the flavor, all natural high
Y'all gotta love it when the track go (track go)
Ask Def Jam what's hot, three letters, M-E-F Man
Been stopped, that's off top, young, fresh to death
And you're not, no matter what the job, I'm the best man
Rap C.E.O. minus the yes-man (yes-man)
I know that's right, so act right, Staten on the map
Like fuck y'all, get stuck, y'all and have a bad night
As I brush off my shoulder, that's right
My nigga Scott Storch keep bringing it back like (back like)
Oh boy, dig it, I talk about it and I live it
Been there, did it, shitted and wiped my ass with it
These critics saw the train for brains and must of missed it
If they ain't got the shit, they'll never get it (never get it)
Is it me, or is it these, niggas in it for cheese
Is it me, all my enemies, hating on Killa Beez
Is it me, or is it me, that ain't feeling M.C.'s
With the top down, wheeling the V, feeling the breeze
Is it me, or is it these, niggas spitting the same
Is it me, all my enemies, throwing shit in the game
Is it me, or the industry that really got to change
Once again, it's Wu-Tang, in case y'all forgot the name
I spit germ, early bird gets worm, now
Now that it's his turn, clowns don't get turns, now
Fuck with a chick perm, when she get hot, you get burned
You see I'm not kidding, knowing these kids learn (kids learn)
That I'm that dude, ahh-choo, and allergic to wack juice
Blast if I have to, and y'all don't give me no hassle
Who rep Rotten Apple to death and get natural
Make hard beats pound like the track do (track do)
If you ask me, this raspy voice nigga is nasty
Khaki's hanging off of his ass, eyes is glassy
That's fucked, that's us, niggas know where to catch me
At 1-800 GET-AT-ME (get at me)
My, flow's, no holds barred, Holy Jihad
It's the head nigga in charge, Meth, back on the job
Like back in the days, back when the game was hard
And when they reminiscenced over Wu, my God
Is it me, or is it these, niggas in it for cheese
Is it me, all my enemies, hating on Killa Beez
Is it me, or is it me, that ain't feeling M.C.'s
With the top down, wheeling the V, feeling the breeze
Is it me, or is it these, niggas spitting the same
Is it me, all my enemies, throwing shit in the game
Is it me, or the industry that really got to change
Once again, it's Wu-Tang, in case y'all forgot the name
Until these rap niggas stepped up, checked up, man this game is messed up
Next up, you know what it is, don't get it f'd up
Meth, what? F.Y.I., you need a heads up
And I don't mean to beat you in the head, but (head, but)
When you spit that, forget that, I eat these niggas food
And the shit wrapped, where Cliff at? Tell 'em Mr. Meth got his shit back
The gift back, sign, sealed, delivered and gift wrapped
And when you hear that click-click (click-click)
That's real talk, some niggas will talk to the cops
Get killed off, man how did you get caught with all the rocks
And still walk, no matter what you mix with a pig
You still pork, and money is still forced (still forced)
Yeah, that was right on cue, new and improved
All these dudes try'na walk in my shoes, doing my moves
But that's cool, 'cause I'ma make it do what it do
With this W, like I can I get a "suu" motherfuckers?
Is it me, or is it these, niggas in it for cheese
Is it me, all my enemies, hating on Killa Beez
Is it me, or is it me, that ain't feeling M.C.'s
With the top down, wheeling the V, feeling the breeze
Is it me, or is it these, niggas spitting the same
Is it me, all my enemies, throwing shit in the game
Is it me, or the industry that really got to change
Once again, it's Wu-Tang, in case y'all forgot the name
W-T-are-B
Wu-Tang Radio, bitch!
Probably sold ya momma crack
Yeah, yeah, Scott Storch (return of the great)
Mr. M-E-F (aww shit) know what I said
Black people don't use the T-H, yo (got it fucked up now)
Yo, yo
Guess who back though, crack dough, yes, eyes is hat low
Rap flow, major, taste the flavor, all natural high
Y'all gotta love it when the track go (track go)
Ask Def Jam what's hot, three letters, M-E-F Man
Been stopped, that's off top, young, fresh to death
And you're not, no matter what the job, I'm the best man
Rap C.E.O. minus the yes-man (yes-man)
I know that's right, so act right, Staten on the map
Like fuck y'all, get stuck, y'all and have a bad night
As I brush off my shoulder, that's right
My nigga Scott Storch keep bringing it back like (back like)
Oh boy, dig it, I talk about it and I live it
Been there, did it, shitted and wiped my ass with it
These critics saw the train for brains and must of missed it
If they ain't got the shit, they'll never get it (never get it)
Is it me, or is it these, niggas in it for cheese
Is it me, all my enemies, hating on Killa Beez
Is it me, or is it me, that ain't feeling M.C.'s
With the top down, wheeling the V, feeling the breeze
Is it me, or is it these, niggas spitting the same
Is it me, all my enemies, throwing shit in the game
Is it me, or the industry that really got to change
Once again, it's Wu-Tang, in case y'all forgot the name
I spit germ, early bird gets worm, now
Now that it's his turn, clowns don't get turns, now
Fuck with a chick perm, when she get hot, you get burned
You see I'm not kidding, knowing these kids learn (kids learn)
That I'm that dude, ahh-choo, and allergic to wack juice
Blast if I have to, and y'all don't give me no hassle
Who rep Rotten Apple to death and get natural
Make hard beats pound like the track do (track do)
If you ask me, this raspy voice nigga is nasty
Khaki's hanging off of his ass, eyes is glassy
That's fucked, that's us, niggas know where to catch me
At 1-800 GET-AT-ME (get at me)
My, flow's, no holds barred, Holy Jihad
It's the head nigga in charge, Meth, back on the job
Like back in the days, back when the game was hard
And when they reminiscenced over Wu, my God
Is it me, or is it these, niggas in it for cheese
Is it me, all my enemies, hating on Killa Beez
Is it me, or is it me, that ain't feeling M.C.'s
With the top down, wheeling the V, feeling the breeze
Is it me, or is it these, niggas spitting the same
Is it me, all my enemies, throwing shit in the game
Is it me, or the industry that really got to change
Once again, it's Wu-Tang, in case y'all forgot the name
Until these rap niggas stepped up, checked up, man this game is messed up
Next up, you know what it is, don't get it f'd up
Meth, what? F.Y.I., you need a heads up
And I don't mean to beat you in the head, but (head, but)
When you spit that, forget that, I eat these niggas food
And the shit wrapped, where Cliff at? Tell 'em Mr. Meth got his shit back
The gift back, sign, sealed, delivered and gift wrapped
And when you hear that click-click (click-click)
That's real talk, some niggas will talk to the cops
Get killed off, man how did you get caught with all the rocks
And still walk, no matter what you mix with a pig
You still pork, and money is still forced (still forced)
Yeah, that was right on cue, new and improved
All these dudes try'na walk in my shoes, doing my moves
But that's cool, 'cause I'ma make it do what it do
With this W, like I can I get a "suu" motherfuckers?
Is it me, or is it these, niggas in it for cheese
Is it me, all my enemies, hating on Killa Beez
Is it me, or is it me, that ain't feeling M.C.'s
With the top down, wheeling the V, feeling the breeze
Is it me, or is it these, niggas spitting the same
Is it me, all my enemies, throwing shit in the game
Is it me, or the industry that really got to change
Once again, it's Wu-Tang, in case y'all forgot the name
W-T-are-B
Wu-Tang Radio, bitch!
In "Is It Me" by Method Man, the artist reaffirms his position in the rap game and questions the authenticity of his peers. The track opens with Method Man acknowledging his absence from the industry and reintroducing himself. He boasts about his versatility, taste, and natural high, inviting listeners to appreciate the quality of his music. Method Man addresses the use of the letter "H" in Black slang, implying that those outside of the culture misconstrue it. He then goes on to take aim at those in the industry who prioritize profit over creativity and those who attempt to impersonate his style, questioning their authenticity. Throughout the song, the rapper asserts his dominance in the rap game and the relevance of his career.
One notable aspect of "Is It Me" is the production by Scott Storch, which features a sample of Billy Squier's "The Big Beat." The beat has since become one of the most recognizable and commonly used samples in hip-hop, with several other artists sampling it in their tracks. Additionally, the lyrics in "Is It Me" are a commentary on the state of the rap game in the mid-2000s and reveal Method Man's frustration with the industry. The song was released as a single from his album "4:21... The Day After," which debuted at #2 on the Billboard 200 chart.
Lyrics © Universal Music Publishing Group, RESERVOIR MEDIA MANAGEMENT INC
Written by: Clifford Smith, Scott Spencer Storch
Lyrics Licensed & Provided by LyricFind
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