Mick Gordon (born 9 July 1985) is an Australian composer and sound designer… Read Full Bio ↴Mick Gordon (born 9 July 1985) is an Australian composer and sound designer whose compositions aim to transcend the perceptual boundary between music and its context. Mick’s work considers the role of music as a translation of the world in which it exists rather than a simple accompaniment. Through creativity, interpretation and collaboration he develops a meaningful exchange between the visual world and music culminating in the authorship of a unified original work of art.
Mick utilises a broad range of modern musical sound design and traditional composition techniques in order to be unconstrained by any singular genre. His music is inspired by the connection between the audience and the experience and seeks to overcome the separation between music and the world in which it exists.
Recently, Mick scored the video game DOOM - the return of id Software’s seminal first-person shooter. To illustrate the game’s portrayal of Hell and its insidious power he explored the role of energy in sound production and how the physical properties of analogue equipment can be imparted onto digital sources.
His award-winning interactive score for Microsoft’s reboot of KILLER INSTINCT featured a myriad of performers from around the globe. Mick collaborated with a viking choir in Sweden, representatives of the Nez Perce tribe in Idaho and numerous other performers, vocalists, lyricists and translators to produce its Amazon best-selling soundtrack.
Mick’s score for the video game, WOLFENSTEIN: THE NEW ORDER interweaves modern musical sound design techniques with 1960s style record production. He synthesised field recordings and transformed them into new physically playable instruments to create unique musical palettes. The score explores the role of distortion as a modern musical device. The process of overdriving various pieces of analogue equipment into extremes to create tension was used to represent the game’s chaotic villain, Deathshead. Additionally, to musically represent the rebellious plight of the heroes against their oppressors, Mick utilised vintage instruments, microphones and recording equipment to create music inspired by protest and freedom movement songs of the 1960s.
Mick Gordon is represented by the Gorfaine Schwartz agency.
Mick utilises a broad range of modern musical sound design and traditional composition techniques in order to be unconstrained by any singular genre. His music is inspired by the connection between the audience and the experience and seeks to overcome the separation between music and the world in which it exists.
Recently, Mick scored the video game DOOM - the return of id Software’s seminal first-person shooter. To illustrate the game’s portrayal of Hell and its insidious power he explored the role of energy in sound production and how the physical properties of analogue equipment can be imparted onto digital sources.
His award-winning interactive score for Microsoft’s reboot of KILLER INSTINCT featured a myriad of performers from around the globe. Mick collaborated with a viking choir in Sweden, representatives of the Nez Perce tribe in Idaho and numerous other performers, vocalists, lyricists and translators to produce its Amazon best-selling soundtrack.
Mick’s score for the video game, WOLFENSTEIN: THE NEW ORDER interweaves modern musical sound design techniques with 1960s style record production. He synthesised field recordings and transformed them into new physically playable instruments to create unique musical palettes. The score explores the role of distortion as a modern musical device. The process of overdriving various pieces of analogue equipment into extremes to create tension was used to represent the game’s chaotic villain, Deathshead. Additionally, to musically represent the rebellious plight of the heroes against their oppressors, Mick utilised vintage instruments, microphones and recording equipment to create music inspired by protest and freedom movement songs of the 1960s.
Mick Gordon is represented by the Gorfaine Schwartz agency.
Authorization; Olivia Pierce
Mick Gordon Lyrics
We have lyrics for these tracks by Mick Gordon:
A Fridge Called Nora Баю-баюшки-баю, не ложися на краю Придет серенький волчок и …
I'm Back I use to be the flashiest star Chilling with cash and…
I. Dogma In the first age, in the first battle, when the…
III. Dakhma They knew he would come, as he always had, as…
Im Back I use to be the flashiest star Chilling with cash and…
Polemos Μάχη, Πόλεμος, Νίκη, Πόνος Δίκη, Πόλεμος, τρόμος παντού Μάχη…
The Void I swallow all your data I'm the ghost in the machine You…
Touch Me and I'll Break Your Face Woo, come on, yeah! Come and get it. Woo, yeah! Yeah come on…
Warlord Kung och Furste (King and Prince) Krigare (Warrior) Kejsare …
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Deranged Crouton
I'm now kinda wish we got scenes like this in doom eternal where there's intense music as we see a villian perform an action that we'd recognize as a shocking event.
Protium Power
Doom Eternal working was shit as far as I know Mick saying it, he was given no context for music, limited time and poorly communicated. So we don't have these for Eternal I guess.
B•H•L STUDIOS
Honestly don’t love doom eternal, probably cause it didn’t include a lot of neat and atmospheric stuff like this.
Shaishav Pathak
Um how about when the Khan Maykr awakens the Icon?
Viper 56 TL
@Alessio Minervini song name?
Gregtronica
really weird way to say that
Robert Locke
The "Suspense" is real with this one.
jeremyjonson 23
Sus....
Fos Kuvol
@Sard Lorlade I highly recommend playing at 1.5x speed for the "OG experience"
Sard Lorlade
I came to this video just to confirm is not only me that hears the original "suspence" in this track :D