Marion Bandy was born and grew up in Meridian, Mississippi, hometown of the country singer Jimmie Rodgers. He later stated: "My grandfather worked on the railroads with Jimmie Rodgers. He was the boss of the railway yard in Meridian and Jimmie Rodgers worked for him. He said that he played his guitar all the time between work."
He was nicknamed Moe by his father when he was a child. The Bandy family moved to San Antonio, Texas when Moe was six. His mother played piano and sang. Bandy was taught to play the guitar by his father who had a country band called the Mission City Playboys, but made little use of the ability until he was in his teens. His father's wish that Moe also play the fiddle never materialized.
He made some appearances with the Mission City Playboys but generally during his high school years he showed little interest in music and a great deal of interest in rodeos. He tried bronco-busting and bull riding and by the time he was 16, both he and his brother Mike were competing in rodeos all over Texas.
In 1962, tired of the bruises and fractured bones, he began to pursue a career in country music. He assembled a band that he called Moe And The Mavericks and found work playing small beer joints, honky-tonks, and clubs over a wide area around San Antonio. When he was young he tried to sound like Hank Williams and George Jones - "I even had my hair cut short like his."
Although work was plentiful, the pay was poor and during the day he worked for his father as a sheet metal worker, a job that lasted for 12 years, during which time he made a few recordings for various small labels. In 1964, he had his first single, "Lonely Girl", on the San Antonio based Satin label, but it made little impression. He did manage to get his band a residency on a local television program called Country Corner and in this capacity, he provided backing for several touring stars.
In 1973, he went solo when record producer Ray Baker, who had listened to his demos, suggested that he come to Nashville, Tennessee. Moe Bandy obtained a loan and recorded a song called "I Just Started Hatin' Cheatin' Songs Today". Initially released on Footprint Records with a limited pressing of 500 copies, it soon came to the attention of the Atlanta-based GRC label. In March 1974, it entered the US country chart, eventually peaking at number 17. Other minor hits followed, including "It Was Always So Easy To Find An Unhappy Woman (Till I Started Looking For Mine)" and "Don't Anyone Make Love At Home Anymore".
In 1975, a song written by his friend Lefty Frizzell and Whitey Shaffer gave him a number 7 country hit, firmly establishing his reputation. "Bandy The Rodeo Clown" was to become not only one of his own favorites but also one of his most popular recordings. (Shaffer was greatly amused by the way Bandy pronounced woman as "woh-min", and began to send him songs with the "woh-min" in them.)
Bandy sang in a simple style that extracted the utmost from his songs of lost love, sadness, and life. Although by no means a Hank Williams sound-alike, his method of putting across his honky-tonk songs showed the distinct influence of Williams. He met with immediate success at Columbia Records with Paul Craft's "Hank Williams, You Wrote My Life" and quickly added further hits, including "Here I Am Drunk Again".
From 1977 through 1979, he was a country chart regular with singles such as "I'm Sorry For You, My Friend" (the song Williams had written for their mutual friend Lefty Frizzell), "Cowboys Ain't Supposed To Cry", "That's What Makes The Jukebox Play", and a duet with Janie Fricke, "It's A Cheating Situation".
In 1979, he achieved his first solo number 1 with "I Cheated Me Right Out of You".
That same year, in 1979, Bandy joined forces with Joe Stampley and recorded a tongue in cheek novelty single: "Just Good Ol' Boys". The song went on to top the country chart and it led to a continuation of their partnership. The duo, commonly known as "Moe and Joe", had more novelty hits between 1979 and 1985, including "Holding The Bag", "Tell Ole I Ain't Here", and "Hey Joe (Hey Moe)". In 1984, they ran into copyright problems with their parody of the then-current Boy George/Culture Club phenomenon: "Where's The Dress" used the guitar-riff introduction from Culture Club's hit "Karma Chameleon".
During the 1980s, Bandy maintained a steady line of solo successes, including "Yesterday Once More", "Rodeo Romeo", "She's Not Really Cheatin' (She's Just Gettin' Even)", and "Till I'm Too Old To Die Young".
Bandy also registered duet successes with Judy Bailey ("Following The Feeling") and Becky Hobbs ("Let's Get Over Them Together"). Over the years, he maintained a touring schedule estimated at 250 to 300 days a year and appeared on numerous network television shows. In later years, he cut back considerably on his schedule. He was never a regular Grand Ole Opry member, but has made guest appearances from time to time.
Bandy summed up his music when he said, "I really think my songs are about life. There's cheating, drinking and divorcing going on everywhere and that's what hardcore country music is all about." He added: "If I'd done all the things I sing about, I'd be dead."
Critics reviewing some of his later recordings wrote that it was strange that at a time when more artists were actually recording his type of music, some of his recordings were spoiled by string and/or choir arrangements, and advised that an immediate return to his roots was necessary. Bandy opened his popular Americana Theatre in Branson, Missouri in 1991 and performs frequently there.
Moe, along with his brother, Mike Bandy, a six time NFR bull riding qualifier, were inducted into the Texas Rodeo Cowboy Hall of Fame in 2007.
The Wild Side Of Life
Moe Bandy Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You asked me not to call you on the phone
There's something I've been waiting for to tell you
So I wrote it in the words of this song
You never knew there were honky tonk angels
Or you might have known I'd never make a wife
You walked out on the only one who ever loved you
Now the glamor of the good life always lead me
To the places where the wild liquor flows
I tried to be your one and only angel
But I'm not that kind of angel, heaven knows
I cried so hard the day you went and left me
'Cause some things you said, they cut me like a knife
What you wanted was another kind of angel
And you should be back to the wild side of life
No, well, I guess I'm just a honky tonk angel
I might have known I'd never make a wife
Well, you left the only one who ever loved you
And I'm back here on the wild side of life
I'm only a honky tonk angel
I might have known I'd never make a wife
You walked out on the only one who ever loved you
And you left me here on the wild side of life
The lyrics of Moe Bandy's "The Wild Side of Life" depict the singer's heartbreak after his lover leaves him for a life of glamour and luxury. The singer notes how his lover never knew about the "honky tonk angels," or the women he associated with in the past who were always drawn to the wild side of life rather than settling down. Despite the singer's efforts to be a faithful partner, he recognizes that he is not the kind of angel his lover wanted, and he mourns the loss of their relationship.
Throughout the song, the singer conveys his pain through references to cutting remarks and his tears. He recognizes that he can only be considered a "honky tonk angel," not a proper wife, and laments the fact that his lover had to leave the only person to ever love her. The use of the word "angel" also serves as a reminder of the religious themes in country music and instills a sense of longing for spiritual redemption. Ultimately, the song portrays the singer's deep hurt and a longing to return to the passionate, wild life that he once knew.
Line by Line Meaning
Well, you wouldn't read my letters if I wrote you
You ignored my attempts to communicate with you through letters
You asked me not to call you on the phone
You requested that I did not call you on the phone
There's something I've been waiting for to tell you
I have been keeping information from you that I have wanted to disclose
So I wrote it in the words of this song
I have revealed the information I wanted to disclose through this song
You never knew there were honky tonk angels
You were not aware of the existence of honky tonk angels
Or you might have known I'd never make a wife
If you knew about honky tonk angels, you would have realized that I would not be suitable for marriage
You walked out on the only one who ever loved you
You left the only person who truly cared for you
So I went back to the wild side of life
In response to your departure, I returned to my previous wild and carefree lifestyle
Now the glamor of the good life always lead me
I am often tempted by the allure of a luxurious lifestyle
To the places where the wild liquor flows
I am drawn to environments where alcohol and revelry are prevalent
I tried to be your one and only angel
I attempted to become the only angel in your life
But I'm not that kind of angel, heaven knows
However, I am not the type of angel that you were searching for
I cried so hard the day you went and left me
I experienced intense emotional distress on the day that you abandoned me
'Cause some things you said, they cut me like a knife
The hurtful things you said to me caused me significant pain
What you wanted was another kind of angel
You desired a different type of companion in your life
And you should be back to the wild side of life
Therefore, you belong in the wild and carefree lifestyle that you desire
No, well, I guess I'm just a honky tonk angel
In the end, I am simply a honky tonk angel
I might have known I'd never make a wife
I should have realized that I was never going to be suitable for marriage
Well, you left the only one who ever loved you
You abandoned the only person who truly cared for you
And you left me here on the wild side of life
As a result of your departure, I am still living my wild and carefree lifestyle
Lyrics © Warner Chappell Music, Inc.
Written by: Buddy Guy
Lyrics Licensed & Provided by LyricFind