Murder by Death released its first studio album (Like the Exorcist, but More Breakdancing) in 2002, and has since released seven more studio albums. The band's current lineup consists of two founding members, Adam Turla and Sarah Balliet. Balliet plays cello for the band, an instrument that has been present consistently throughout the band's evolution. Murder by Death's 2012 album Bitter Drink, Bitter Moon reached #76 on the Billboard 200, making it the band's most successful release.
Murder by Death was formed in 2000 in Bloomington, Indiana, by guitarist Adam Turla, cellist Sarah Balliet, percussionist Alexander Schrodt, keyboardist Vincent Edwards, and bassist Matt Armstrong. One of the group's first shows was at the Channing-Murray Foundation's cafe The Red Herring in Urbana, Illinois, with former American Football drummer Steve Lamos' solo project DMS. After the show, the head of the TEAM AV record label with which Lamos was working offered to help Turla and his bandmates secure additional shows. Around the same time the band met Thursday vocalist, Geoff Rickly, when the two bands played on the same bill at a gig in their hometown of Bloomington. Rickly introduced the band, known at the time as Little Joe Gould, to his friend Alex Saavedra (owner of Eyeball Records), who also took an interest in the band. In 2001 the band self-released the eponymous Little Joe Gould EP and early the next year contributed the song "I'm Afraid of Who's Afraid of Virginia Woolf" to the TEAM AV compilation Foreign Nationals. A short time later the group changed their name to Murder By Death, which they felt better represented their sound.
Murder by Death plays a range of music including instrumentals, rock and alt.country. The band uses cello (with an electric cello for live shows) to create a gothic sound with occasional Western references.
The band often arranges themes such as whiskey and the Devil into concept albums. For example, the band's second album, Who Will Survive, and What Will Be Left of Them?, describes a story in which the Devil wages war against a small village in Mexico.
White Noise
Murder By Death Lyrics
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See me pass on the street
You'll find me in the garden
Trampled flowers 'neath my feet
The oceans'll seethe
And have no reprieve
For the weak
The creatures of the sea
Will make homes
Of the bones
That drift endlessly
(As far as the eye can see)
Meet me in the valley
See me pass on the street
You'll find me in the garden
Trampled flowers 'neath my feet
The mountains sink into the earth
And amidst the crumbling dirt
The stragglers clutch their young
As if there's something to be done
Or will it be just
Just this
Just
White noise, white light in the deep
Will they record
The descending of the hoarde
With a black box that contains
The echoes, the shouts, the strains
Of the last
Or will it be just
Just this
Just
White noise, white light in the deep
Meet me in the valley
See me pass on the street
You'll find me in the garden
Trampled flowers 'neath my feet
You've heard the stories of me
You know what I can do
I take the ember's of man's anger
And there's nothing I can't spin them into
You hear me whisper to you
I see you recognize my face
A familiar pulse
Calling out from the empty spaces
"Meet me in the valley"
The lyrics to Murder by Death's song White Noise speak to a sense of impending doom and the inevitability of death. The opening lines "Meet me in the valley, see me pass on the street" give the impression of a looming figure, possibly death, waiting to meet us in the darkness. The mention of "trampled flowers 'neath my feet" further solidifies this idea, as death figuratively tramples over the beauty of life.
The subsequent lines refer to a sense of chaos and destruction, as the oceans seethe and the creatures of the sea make homes out of bones that drift endlessly. There is a sense that the end is near, and that the weak and the damned are destined to perish. The final lines of the song question whether there will be any remembrance of this event, or if it will simply be forgotten as "just white noise, white light in the deep."
Overall, the lyrics of White Noise evoke a feeling of both fear and melancholy, building to a sense of acceptance of our own mortality.
Line by Line Meaning
Meet me in the valley
The singer is inviting someone to meet them in a certain place.
See me pass on the street
The person will also see the singer walk past them in the street.
You'll find me in the garden
The singer is likely to be found in a garden.
Trampled flowers 'neath my feet
The artist has stepped on some flowers in the garden, crushing them.
The oceans'll seethe
The oceans will boil, creating a violent and unstable environment.
And have no reprieve
The oceans will have no relief from this turmoil.
For the weak
Those who are vulnerable will suffer in this situation.
And the damned
Even those who are considered evil will be affected by this.
The creatures of the sea
Animals living in the ocean will be impacted.
Will make homes
These animals will use the remains of others to create a new home for themselves.
Of the bones
These homes will be made from the bones of creatures who have died.
That drift endlessly
The remains will continue to move throughout the ocean.
Meet me in the valley
The singer is repeating their earlier invitation to meet them in the valley.
See me pass on the street
The person will once again see the singer on the street.
You'll find me in the garden
The same garden from earlier is referenced again.
Trampled flowers 'neath my feet
The artist has again stepped on and flattened flowers in the garden.
The mountains sink into the earth
The mountains, which are usually stable, are crumbling and moving downward.
And amidst the crumbling dirt
During this process, dirt and debris is scattered everywhere.
The stragglers clutch their young
The few remaining individuals are desperately holding onto their loved ones.
As if there's something to be done
Despite their efforts, there is nothing anyone can do to stop this eventuality.
Or will it be just
The artist is questioning whether anything significant will happen.
Just this
Maybe everything will just end up being inconsequential.
Just
This word is repeated again to emphasize the idea.
White noise, white light in the deep
This line is possibly referring to the endless void of space and the emptiness that exists within it.
Will they record
The singer is questioning whether someone will document what is happening.
The descending of the hoarde
The singer is likely referring to the masses of living things as they head towards a deathly demise.
With a black box that contains
A reference to a recorder or storage device that can hold data.
The echoes, the shouts, the strains
This device would capture various sounds associated with the descent of the hoarde.
Of the last
The final moments and last sounds of those who are doomed.
Or will it be just
The singer is once again questioning whether anything significant will happen.
Just this
Again emphasizing the idea that there might not be anything of importance happening here.
Just
Another increased emphasis of the idea of nothingness.
White noise, white light in the deep
Yet another reference to the emptiness found in space and surrounding cosmos.
Meet me in the valley
The artist is inviting someone one more time to meet them in the valley.
See me pass on the street
The person will see the singer pass them on the street once again.
You'll find me in the garden
And of course the artist can still be found in the aforementioned garden.
Trampled flowers 'neath my feet
As expected the flowers in the garden have yet again been crushed beneath the singer's feet.
You've heard the stories of me
The singer is acknowledging the rumors and legends that people have heard about them.
You know what I can do
The singer is claiming that those rumors are true, and those who have heard them know what they are capable of.
I take the ember's of man's anger
The artist is suggesting that they use the anger in humans to ignite more extreme emotions and feelings.
And there's nothing I can't spin them into
The artist can manipulate these fiery emotions to such effective ends that they can create almost anything desired.
You hear me whisper to you
The singer is calling out to whomever will listen and hear their message.
I see you recognize my face
The singer has identified someone who understands their true identity and nature.
A familiar pulse
The artist exudes an energy or presence that others are familiar with and recognize as being common among their kind.
Calling out from the empty spaces
This phrase gives the impression of the artist calling out from unlikely or unexpected spaces.
Lyrics © Kobalt Music Publishing Ltd.
Written by: Adam Michael Turla, Dagan Thogerson, Matthew Taylor Armstrong, Sarah Jackson Balliet
Lyrics Licensed & Provided by LyricFind
Carla Sa
Meet me in the valley
See me pass on the street
You'll find me in the garden
Trampled flowers 'neath my feet
The oceans'll seethe
And have no reprieve
For the weak
And the damned
The creatures of the sea
Will make homes
Of the bones
That drift endlessly
(As far as the eye can see)
Meet me in the valley
See me pass on the street
You'll find me in the garden
Trampled flowers 'neath my feet
The mountains sink into the earth
And amidst the crumbling dirt
The stragglers clutch their young
As if there's something to be done
Or will it be just
Just this
Just
White noise, white light in the deep
Will they record
The descending of the hoarde
With a black box that contains
The echoes, the shouts, the strains
Of the last
Or will it be just
Just this
Just
White noise, white light in the deep
Meet me in the valley
See me pass on the street
You'll find me in the garden
Trampled flowers 'neath my feet
You've heard the stories of me
You know what I can do
I take the ember's of man's anger
And there's nothing I can't spin them into
You hear me whisper to you
I see you recognize my face
A familiar pulse
Calling out from the empty spaces
"Meet me in the valley"
Carla Sa
Meet me in the valley
See me pass on the street
You'll find me in the garden
Trampled flowers 'neath my feet
The oceans'll seethe
And have no reprieve
For the weak
And the damned
The creatures of the sea
Will make homes
Of the bones
That drift endlessly
(As far as the eye can see)
Meet me in the valley
See me pass on the street
You'll find me in the garden
Trampled flowers 'neath my feet
The mountains sink into the earth
And amidst the crumbling dirt
The stragglers clutch their young
As if there's something to be done
Or will it be just
Just this
Just
White noise, white light in the deep
Will they record
The descending of the hoarde
With a black box that contains
The echoes, the shouts, the strains
Of the last
Or will it be just
Just this
Just
White noise, white light in the deep
Meet me in the valley
See me pass on the street
You'll find me in the garden
Trampled flowers 'neath my feet
You've heard the stories of me
You know what I can do
I take the ember's of man's anger
And there's nothing I can't spin them into
You hear me whisper to you
I see you recognize my face
A familiar pulse
Calling out from the empty spaces
"Meet me in the valley"
Paul T.
One thing that separates Murder By Death from any other music I listen to, is that it's not typical of our generation. There is no repetitive, simple and dumbed down catchy line that turns my brain off. I have to listen to the song multiple times to ever really appreciate it, much like people had to do for Beethoven's symphonies hundreds of years ago.
Edgar Sopper
I actually love his deeper singing...they actually sound different from the innumerable high pitched post punk, emo, punk, experimental bands out there.
Marina Garcia
I went to a say anything show and didn't recognize any of the openers. I thought Murder by Death was gonna be some stupid ass "hardcore" band...they came on right before say anything did...needless to say I was PLEASANTLY surprised. I really love this band now, they're creative and original. The broad range of instruments drew me in off the bat, and I was set for life once I saw the accordian/keyboard player pull out a trumpet in their second song of the night. Keep it up, guys (and girl!), I l
Carla Sa
Wonderful! This isn´t only a perfect song, this is a portal...
xhomewreckerx
This band is unbelievable. So amazing.
Ross Casey
This is great, good to see more official MDB videos. I really wish they would have released some for Red Tooth and Claw, videos for the likes of Ash would have been great.
Andrea Ciribuco
Great video, fits perfectly with the song
Adrianne Faris
lovely song by a great under-rated band. very lovecraftian video
Ben Hetland
This is one of the coolest videos I've ever seen. Great artsy aspect to it .