Illmatic was a critically acclaimed bestseller and is widely considered one of the greatest rap albums of all time. He married R&B singer Kelis in 2005, they have one son together, and she filed for divorce on the 29th of April 2009. Nas was also a part of hip hop supergroup The Firm, which released one album.
In the years following the release of Illmatic, Nas pursued a more commercial direction, which resulted in wider success but decreased artistic credibility among critics and hip-hop purists. Furthermore, Nas' increased commercial success was accompanied by stylistic changes that fostered accusations of "selling out". Nevertheless, the LP Stillmatic is often credited for restoring Nas' credibility among fans. Since the success of Stillmatic, Nas continues to maintain a high profile within the hip hop community, and has pursued a decidedly progressive and personal aesthetic. While Nas' current artistic direction differs greatly from his most successful work, it has ensured that he remains one of the most respected and acclaimed contemporary rappers.
1973β1992: Childhood and early career
Nas was born in Brooklyn, New York, as the elder of Olu Dara and Fannie Ann Jones's two children; his brother Jabari (nicknamed "Jungle" because he was born in the Congo) is the younger of the two. The family lived for a time in Brooklyn, before moving to Queensbridge, the largest public housing project in the United States. Olu Dara left the household in 1986, when Nas was 13, and Ann Jones raised her two boys on her own. Nas dropped out of school in the eighth grade and began selling drugs on the streets of New York. He educated himself, reading about African culture and civilization, the Qur'an, the Bible and the Five Percent Nation. He also studied the origin of hip hop music, taping records that played on his local radio station. As a child, Nas had wanted to be an instrumentalist (at the age of three, Nas played his father's trumpet on the step of their Brooklyn home) and also a comic book artist. Shortly after his parents separated, Nas began to write short stories as he immersed himself deeper into hip-hop culture.
By his preteen years, he had settled on pursuing a career as a rapper, and as a teenager enlisted his best friend and upstairs neighbor Willie "Ill Will" Graham as his DJ. Nas first went by the nickname Kid Wave before adopting his more commonly known alias of Nasty Nas. Nas and Graham soon met hip-hop producer and Flushing Queens resident Large Professor, who introduced Nas to his group, Main Source. In 1991, Nas made his on-record debut with a verse on "Live at the BBQ", from Main Source's LP Breaking Atoms. Despite the substantial buzz for Nas in the underground scene, the rapper was rejected by major labels and was not signed to a recording deal. Nas and Graham continued to work together, but their partnership was cut short when Graham was shot and killed by a gunman in Queensbridge on May 23, 1992.
1992β1995: The recording and release of Illmatic
In mid-1992, Nas was approached by MC Serch of 3rd Bass, who became his manager and secured Nas a record deal with Columbia Records the same year. Nas made his solo debut on the single "Halftime" from Serch's soundtrack for the film Zebrahead. The single increased the buzz surrounding Nas and when MC Serchβs solo album is released later in the year, Nasβ standout appearance on "Back To The Grill" only intensified interest in his upcoming album, amid immense anticipation. Hailed as the second coming of Rakim, his rhyming skills attracted a significant amount of attention within the hip-hop community. However, many were concerned that Columbia, being a major label, would try to dilute his New York based style.
In 1994, Nas' debut album, Illmatic was finally released. Critically acclaimed and widely regarded as one of the premier rap albums ever created, Illmatic featured lyrics that portrayed stunning visual imagery and production courtesy of several producers . The album featured production from Large Professor, Pete Rock, Q-Tip (of A Tribe Called Quest) and DJ Premier, as well as guest appearances from Nas' friend AZ and his father Olu Dara on the song "Life's a Bitch", Illmatic was immediately hailed as a masterpiece by critics, and is still highly regarded as one of the definitive hip-hop albums of all time. Notable songs on the album included "NY State of Mind" (produced by Premier), "The World Is Yours" (produced by Pete Rock), "One Love" (produced by Q-Tip) and "It Ain't Hard To Tell" (produced by Large Professor and featuring a sample of "Human Nature" by Michael Jackson). However, due in part to extensive bootlegging, the record sales fell below expectations.
Following Illmatic, Nas appeared on AZ's Doe Or Die album, and collaborated with his Queensbridge-associates, Mobb Deep, on their album, The Infamous. One notable achievement during this period was Nas' verse on "Verbal Intercourse" on Raekwon's Only Built 4 Cuban Linx. After this appearance, Nas received a Source Quotable as he had the distinction of being the only non-Wu-Tang Clan member to be featured on one of the group's solo albums.
1996β1998: From It Was Written to The Firm
Columbia began to press Nas to work towards more commercial topics like the rapper The Notorious B.I.G., who had become successful by releasing street singles that still retained pop-friendly appeal. Nas traded manager MC Serch for Steve Stoute, and began preparation for his second LP, It Was Written, consciously working towards a crossover-oriented sound. It Was Written, chiefly produced by Poke and Tone of Trackmasters Entertainment, was released during the summer of 1996. Two singles, "If I Ruled The World (Imagine That)" (featuring Lauryn Hill of The Fugees) and "Street Dreams" (a remix features R. Kelly) were instant hits. These songs were promoted by big-budget music videos directed by Hype Williams, making Nas a common name among mainstream hip-hop. Other notable tracks on the album included "The Message" and "I Gave You Power," which tells a story from the perspective of a gun. It Was Written also featured the debut of The Firm, a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega. The album also introduced Nas's Mafioso-inspired character "Nas Escobar", who lived more of a Scarface/Casino-esque lifestyle. On the other hand, Illmatic, which, while having numerous references to Tony Montana and the theatrical hit featuring Al Pacino, was more about Nas' life as a teenager in the projects, hustling and smoking marijuana.
The Firm signed to Dr. Dre's Aftermath Entertainment label, and began working on their debut album. Halfway through the production of the album, Cormega was fired from the group by Steve Stoute, who had unsuccessfully attempted to force Cormega to sign a deal with his management company. Cormega therefore became one of Nas' most vocal opponents, releasing a number of underground hip-hop singles dissing Nas, Stoute, and Nature, who was Cormega's replacement in The Firm. The Firm's The Album was finally released in 1997 to mixed reviews and lackluster sales and the members of the supergroup went their separate ways.
At about this time, Nas became a spokesperson for the Willie Esco urban clothing line, but had no other connection with the clothing line. He stopped promoting Willie Esco in 2000, dissatisfied with the company's operations. During the same period, Nas co-wrote and starred in Hype Williams' 1998 feature film Belly, which also featured DMX, Taral Hicks, and T-Boz of TLC among its cast.
1998β2000: I Am... to Nastradamus
In 1998, Nas began work on a double album to be entitled I Am...The Autobiography, which he intended as the middle ground between the extremes of Illmatic and It Was Written. The album was completed in early 1999, and a music video was shot for its lead single, Nas Is Like, produced by DJ Premier and featuring vocal samples from "It Ain't Hard to Tell". However, much of the LP was leaked in MP3 format onto the Internet, and Nas and Stoute quickly recorded enough substitute material to constitute a single-disc release.
The second single for I Am was "Hate Me Now," featuring Sean "Puffy" Combs (now "Diddy"), was used as an example by Nas' critics for moving towards commercial themes. Hype Williams shot an allegorical video for the single, which featured Nas and Puffy being crucified in a manner similar to Jesus; After the video was completed, Combs, a Catholic, requested his crucifixion scene be edited out of the video. However, the unedited copy of the "Hate Me Now" video made its way to MTV, and was premiered on April 15, 1999 on TRL. A furious Combs and his bodyguards allegedly made their way into Steve Stoute's office and assaulted him, at one point apparently hitting Stoute over the head with a champagne bottle. Stoute pressed charges, but he and Combs settled out-of-court that June.
Columbia had scheduled to release the pirated material from I Am under the title Nastradamus during the latter half of 1999, but, at the last minute, decided Nas should record an entirely new album for release. Nastradamus was therefore rushed to meet a November release date. Though critics were not kind to the album, it did result in a minor hit, the Timbaland-produced "You Owe Me," featuring R&B singer Ginuwine. The only pirated track from I Am... to make it onto Nastradamus was "Project Windows," featuring Ronald Isley. A number of the other bootlegged tracks later made their way onto The Lost Tapes, a collection of underground Nas songs that was released by Columbia in September 2002. The collection saw decent sales and received glowing reviews.
2000β2001: The Nas vs. Jay-Z rivalry and Stillmatic
The highly publicized rivalry between Nas and Jay-Z began as a rivalry between Nas and Jay-Z's protege, Memphis Bleek. On his debut album Coming of Age, Bleek made a song entitled "Memphis Bleek Is", which was similar in concept to Nas' single "Nas is Like". On the same album, Bleek recorded "What You Think Of That" featuring Bleek's mentor Jay-Z, which contains the refrain, "I'ma ball 'til I fall/what you think of that?". In retaliation, "Nastradamus", the title track from Nas' second 1999 album, featured a reference to "What You Think Of That". The lyrics state, "You wanna ball till you fall, I can help you with that/You want beef? I could let a slug melt in your hat." Memphis Bleek perceived the reference on "Nastradamus" as a diss, and therefore dissed Nas on the lead single for his The Understanding LP, My Mind Right".
QB's Finest was a compilation album that featured Nas and a number of other rappers from Queensbridge, including Mobb Deep, Nature, Littles, The Bravehearts (which included Nas' younger brother Jungle among its members), and Cormega, who had briefly reconciled with Nas. The album also featured guest appearances from Queensbridge hip-hop legends Roxanne Shante, MC Shan, and Marley Marl. Shan and Marley Marl both appeared on the lead single "Da Bridge 2001", which was based on Shan & Marl's 1986 recording "The Bridge". "Da Bridge 2001" also featured a response from Nas to Memphis Bleek, in which Nas called out most of the Roc-A-Fella Records roster, including Bleek, Damon Dash, Beanie Sigel, and Jay-Z.
Jay-Z responded to Nas' songs with an onstage swipe during the 2001 Hot 97 Summer Jam concert in New York City, when he premiered his song "Takeover." Initially, the song was to only be a Mobb Deep diss, only including one line about Nas near the end. Nevertheless, Nas recorded the "Stillmatic Freestyle," an underground single which sampled Rakim and Eric B.'s "Paid in Full" beat, and attacked Jay-Z and his Roc-A-Fella label. On his 2001 album, The Blueprint, Jay-Z rewrote "Takeover," dedicating half of the song to dissing Nas, claiming that he had a "...one hot album every ten year average" record (referring to Illmatic) that his flow was weak, and that he had fabricated his past as a hustler.
Nas responded with "Ether", the track begins with gunshots and a repeated, slowed-down sample of Tupac rapping "Fuck Jay-Z." (taken from Tupac's "Fuck Friends") In "Ether," Nas accuses Jay-Z of stealing ("biting") lyrics from The Notorious B.I.G. and brown-nosing Nas and other rappers for fame. Ether was included on Nas' fifth studio album, Stillmatic, released in December 2001. Stillmatic managed to be not only a critically-acclaimed comeback album, but a commercial success as well, albeit not on the level of It Was Written and I Am...; the album debutted at #7 on the Billboard album charts and featured the singles "Got Ur Self A..." and "One Mic." In terms of commercial success, Jay's The Blueprint was certified double-platinum, while Stillmatic went platinum.
Jay-Z responded to "Ether" with a freestyle entitled "Supa Ugly." going into detail about how he had sex with Carmen Bryan, the mother of Nas' daughter Destiny. Nas dismissed the track by claiming that he was no longer with Bryan during the time the affair took place. In a recent interview, however, New York radio station Hot 97 settled the battle taking votes comparing "Ether" and "Supa Ugly," and Nas won with 58% while Jay-Z got 42% of the votes. By 2005, the two rappers had eventually ended their feud without violence or animosity. During Jay-Z's I Declare War - Power House concert, Jay-Z announced to the crowd, "It's bigger than 'I Declare War'. Let's go, Esco!" Nas then joined Jay-Z onstage, and the two then performed "Dead Presidents" together, which Jay-Z had sampled from Nas' song "The World is Yours."
2002βPresent: From God's Son to Street's Disciple and beyond
In December 2002, Nas released the God's Son album. and its lead single, "Made You Look". The album debuted at #18 on the Billboard charts despite widespread internet bootlegging. Time Magazine named his album best hip-hop album of the year. Vibe Magazine gave it 4 stars and The Source gave it 4 mics. The second single, the inspirational "I Can", which reworked elements from Beethoven's "Fur Elise", became Nas' biggest hit to date during the spring and summer of 2003, garnering substantial radio airplay on urban, rhythmic, and top 40 radio stations, as well as on the MTV and VH1 music video networks. God's Son also includes several songs dedicated to memory of Nas' mother, who died of cancer in 2002. In 2003, Nas was featured on the Korn song "Play Me", from KoΠ―n's Take a Look in the Mirror LP.
Nas released his seventh studio album, the critically acclaimed double-disc Street's Disciple, on November 30, 2004. The album's first singles were "Thief's Theme" and "Bridging the Gap", which features his father Olu Dara on vocals. The album also includes "These are Our Heroes", which accuses prominent sports stars and actors such as Kobe Bryant, Lenny Henry, Tiger Woods, and Cuba Gooding, Jr. of neglecting their heritage and background in favour of white values. The videos for "Bridging the Gap" and "Just A Moment" received moderate airplay on MTV and BET. Although the album went platinum, its commercial profile was relatively low compared to the rapper's previous releases.
Nas was featured on Kanye West's album Late Registration on a song titled "We Major". West said the song was Jay-Z's favorite on the album, but West was unable to get Jay-Z to record a vocal for the final mix of the song. He also appeared on Damian Marley's song "Road to Zion" (which also featured newcomer The Game in the video, widening Nas' still growing universally appreciated raps) and several other songs such as "Death Anniversary" and "It Wasn't You" (featuring Lauryn Hill). In addition, Nas was most recently married to the R&B singer Kelis, who is mostly known for her work internationally, but nonetheless released great hits in the U.S. The couple wed on Jan. 8, 2005 in Atlanta, GA, after a two-year engagement.
During this time, Nas announced that his next album would be entirely self-produced and feature no other rappers, and would be titled Nasir, and later that the project would feature other producers after all and would be called Nasdaq: Dow Jones. Neither of these albums ever materialized.
At a free concert in Central Park, New York, Nas made a statement regarding the quality of 50 Cent's music. "this is the real shit, not that 50 Cent shit!" In response, 50 Cent included a stab at Nas by speaking negatively of his wife Kelis on his single "Piggy Bank," implying that Kelis was promiscuous and calling Nas a "sucker for love." Nas was quoted as saying that he feels no obligation to retaliate, remarking "[50 has] got a good five to six more albums before I can really respond to him." Nas eventually decided to retaliate, and in July 2005 released "Don't Body Ya Self (MC Burial)", a song which taunts 50 Cent and his G-Unit crew, stating that 50 was "a sucka for death if I'm a sucka for love." However, despite all of this, Nas still claims to "have a lot of love towards 50," claiming 50 didn't understand his moves when they both were together at Columbia Records.
In January 2006, Nas signed a label deal with Jay-Z's Def Jam, further emphasizing the Jay-Z/Nas truce and raising expectations for a collaboration even higher. His album due in fall of 2006 will come out in a joint deal with this imprint and Columbia Records. He recently announced to MTV News that his album is to be named, "Hip Hop is Dead...the N," the N being a play on the word the "end." The title is supposed to reflect what some would term the current low quality of rap music. The highly anticipated album is due out in December 19th, 2006.
Musical style and Technique
Nas has long been famed for his creativity and storytelling prowess, which has earned him acclaim from both the hip-hop community and critics. In his early stages, from his first appearance on the Main Source's Breaking Atoms and throughout the recording of Illmatic, he was perhaps best known for his street-oriented topics, complex lyrical schemes (which often incorporated multi-syllabic internal rhymes), and witty phrasing and imagery. As he progressed and matured, Nas began to branch out into different subjects and developed a richer voice and slower rapping technique.
Following Illmatic's release, Nas developed a penchant for hyper-visual storytelling and topical creativity. For instance, "Undying Love" (featured on I Am...) is a tale of his wife's betrayal told in first person, "Rewind" (featured on Stillmatic) is a narrative in which a story is recited backwards, while on "I Gave You Power" (featured on It Was Written), Nas assumes the role of a gun who recounts brutal tales of murder and violence. Over the years Nas' style has changed significantly. In contrast to his previous work, Nasβ most recent material is distinctively socially aware and often politically inflammatory. Songs such as "I Can" (featured on God's Son) convey moral messages of black youth empowerment, while "These Are Our Heroes (Coon Picnic)" accuses several African-American celebrities of being Uncle Toms. Furthermore, controversial songs such as "My Country" and "A Message to the Feds (Fuck The Police II)" (which are featured on Stillmatic and Street's Disciple, respectively) question the conduct of the American government. Nas' views in his lyrics throughout his career have made references to Islam and the Five Percent Nation..
I Do It For Hip Hop
Nas Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I do it for hip-hop
Now this is what they call poetry in motion
My soul bleeds on the paper, heart screams with emotion
This my daily devotion, the verses stay deeper then the ocean
So hip-hop you owe me a promotion
Yeah I do a little boasting and bragging
'Cause I'm Still the Champ in the south
'Cause rappers get in the booth and I keep dragging them out
For they fire at these pink slips I'm handing them out
'Cause this is theater of the mind
Considerate a sign of whats to come next
My moneys just fine bank filled with dumb checks
Terrorist threat flow, proceed to drop bombs like Mr. Funk flex
But I don't do it for the money, I do it from the heart
I do it with the beatbox, I did it from the start
I do it for the DJ's, I do it for the chart's
The fan gel flow, Luda do it 'cause it's art
I do it for the fans, I do it on command
I do it for the front row, I do it for the stands
I spit it for the hood, I do it for the block
And since nine years old, I did it for hip-hop!
I don't do it for the cars and the fancy drops
I do it for hip-hop, I do it for hip-hop, I do it for hip-hop
And I don't do it for the chains and the flashing rocks
I do it for hip-hop, I do it for hip-hop, I do it for hip-hop
Uh they say I'm so low key, I'm socially awkward
Only niggas who really know me, who I talk with
They smile in the light, hate in the dark
You call it beef, to me, it's just a fuckin walk in the park
Cause you are who you are when nobody's lookin
That's who you are, so when the cash and the cars is gone
The day after tomorrow, don't be askin to borrow
Ski mask it hard, like the way you rap in your bars
I can ride on you and whoever, devise new endeavors
I'm as live as a hive full of predators
Twenty thousand different species of bees
Some have poisonous stings, some just pollen their leaves
It's like rap, some just buzz, some will attack
Compromise their own life in fact
Sixteen years since my first sixteen
Pardon the rest of my niggas, but I'm the best who's ever did it!
(I don't do for the cars and the fancy drops)
Uh, I do it for hip-hop
Yeah, I do it for hip-hop
Uh (I do it for hip-hop)
(And I don't do for the chains and the flashin' rocks)
Why we do it kid? I do it for hip-hop
Yeah, I do it for hip-hop
Uh, I do it for hip-hop
Hip-hop, started out in the park
We used to do it to avoid the Narcs
I used to do it so the homeboy Clark
Can get the fuck off my back while I knocked off these packs
I used to rap to impress my friends
To pass the time while I was gettin' it in
Just so happens, I'm so illegal with the pen
They ain't want me doin' anything illegal again
I lost a lot of dogs to these streets
I got Grammy Awards on these beats
Thank God for Kool Herc
Without your shit I probably would've got murked
Shout out to Grandmaster Flash and to Caz
And even Jaz bum-ass
Hip-hop helped me wash my rocks
These other rappers couldn't wash my socks
That's why I took the number one slot
The realest shit in rap comes from my voice box
Lord knows when I was on my clock
I prolly never woulda stopped, thank God for hip-hop
I don't do for the cars and the fancy drops
(Uh, I do it for hip-hop)
(I do it for hip-hop)
I do it for hip-hop
And I don't do for the chains and the flashin' rocks
(Come on, I do it for hip-hop)
(I do it for hip-hop)
(I do it for hip-hop)
I don't do it for them cars and the fancy drops
I do it for hip-hop
I do it for hip-hop
I do it for hip-hop
And I don't it for the chains and the flashin' rocks
I do it for hip-hop
I do it for hip-hop
I do it for hip-hop
The song "I Do It For Hip Hop" by Nas ft. Jay-Z is about the different motivations and inspirations that drive rappers to create music for the love of the genre. Ludacris, K-Atomic, Nas, and Jay-Z all share their personal reasons as to why they make music and what drives them to continue their craft. Ludacris talks about how he uses his music to convey deep emotions, using his verses as a daily devotion that is deeper than the ocean, as he seeks to promote hip hop artistry to new heights. He also boasts about being the best rapper in the south, by dragging out other rappers who try to challenge him, and handing them pink slips.
K-Atomic, on the other hand, sees hip hop as a means to create social change, educating the youth on the importance of making good choices, and cleaning up the game from fakes and those who are only after fame. He also refuses to flop or fake to gain popularity or material possessions, as he is motivated solely by his love for the genre. Both Ludacris and K-Atomic, along with Nas and Jay-Z, openly express that they do not create music for the fame, money or material possessions, hence they reject the chains, flashing rocks, and fancy cars.
Overall, the song "I Do It For Hip Hop" is a tribute to the genre, celebrating hip hop's power as art, education, and a catalyst for social change. The song drills down the message that real hip hop is about musicians using their creativity to make great music and share a positive message, while rejecting fake trends, false promises, and shallow motives often associated with mainstream media.
Line by Line Meaning
Now this is what they call poetry in motion
The singer is describing their rap style as poetic and speaks of their passion for hip hop.
My soul bleeds on the paper, heart screams with emotion
The singer pours all their emotions into their music creating a powerful and meaningful expression of themselves.
This my daily devotion, the verses stay deeper than the ocean
The singer is devoted to creating deeply emotional, expressive lyrics that are timeless and impactful.
So hip hop you owe me a promotion
The artist feels that their work in hip hop is deserving of recognition and promotion.
What's all the commotion and nagging about?
The artist is questioning why there is negativity and criticism around their work in hip hop.
Cuz Im Still the Champ in the south
The singer is confident in their stature as one of the best rappers in the southern states.
Cuz rappers get in the booth and I keep dragging them out
The singer is asserting their dominance as a rapper by taking down other rappers in the recording studio.
For they fire at these pink slips im handing them out
The artist is willing to give other rappers pink slips (termination notices) if they don't measure up to the quality of their work.
Cuz this is theatre of the mind
The artist compares hip hop to a form of theater where the listener can imagine and visualize the lyrics in their head.
Considerate a sign of whats to come next
The artist is hinting that what they're doing in hip hop is just the beginning of something even greater.
My money's just fine bank filled with dumb checks
The singer doesn't do hip hop for the financial gain but they still have plenty of money in the bank.
Terrorist threat flow, proceed to drop bombs like mr.pump flex
The artist has a unique and powerful rap flow and is capable of dropping amazing verses like explosives.
But I don't do it for the money, I do it from the heart
The singer is emphasizing that their work in hip hop is fueled by their passion and love for the genre, not financial gain.
I do it with the beatbox, I did it from the start
The singer has always loved hip hop and has been involved in it from a young age, even using their own beatboxing skills in their music.
I do it for the DJ's, I do it for the chart's
The singer respects and appreciates the role of DJs in hip hop culture and seeks to create music that resonates with audiences and climbs the charts.
The fan gel flow, luda do it cuz it's art
The artist is proud of their distinctive, fan-facing flow and considers their work in hip hop to be art.
I do it for the fans, I do it on command
The artist takes pride in creating music that their fans love and respects their support by fulfilling their musical requests.
I do it for the front row, I do it for the stands
The singer aims to create music that resonates with audiences both near and far, from those in the front row to those in the stands at a venue.
I spit it for the hood, I do it for the block
The singer seeks to create music that speaks to and represents their community and neighborhood, known as the hood or block.
It's Nine Years old, I did it for HIP HOP!
The artist has been proud to be a part of hip hop culture for many years and will continue to create music for the genre they love.
I do it for HIP HOP...
Throughout the song, the artist emphasizes that their work in hip hop is driven by their passion and love for the genre above all else.
And I don't do it for the cars and the fancy drops
The artist is not motivated by the allure of material possessions, like luxury cars and expensive jewelry.
And I don't do it for the chains and the flashing rocks
The singer is not motivated by the allure of material possessions, like expensive jewelry and other flashy trinkets.
I do it for HIP HOP... I do it for HIP HOP...
The artist reiterates that their work in hip hop is grounded in their deep love and dedication to the genre throughout the song.
I do it for HIP HOP and never ever stop
The singer is committed to creating music in the hip hop genre for as long as they can.
Till I get copped, popped, or arrested and locked up
The singer is willing to face the consequences of creating their music, even if it means getting arrested or imprisoned.
Not for the lowrider with the chrome T-Top
The singer is not motivated by the allure of material possessions, like a lowrider with a chrome T-Top.
Not for the money that can cop any shop
The artist is not motivated by the financial gain that comes from their work in hip hop.
Not for any Hot Mamas, But nonstop change like obama
The artist is not motivated by the prospect of attracting women, but rather driven to create positive change in hip hop culture akin to Barack Obama's political legacy.
No need for drama yo I do it for my soul
The singer's motivation for creating music in the hip hop genre is purely based on their passion for it, without wanting to engage in drama or conflict with others.
To hold and control what I can and that's the goal
The singer is focused on creating music to maintain a sense of control in their life and as a way of achieving their goals.
To puncture a hole in the bag and leak the movement
The artist aims to disrupt the status quo in hip hop culture and start a new movement by creating music that challenges the norm.
Improvement that's the destination, provin the obligation
The artist seeks to improve the quality of hip hop music and culture, acknowledging their obligation to their genre and community.
Changing the population, making the situation
The artist intends to create wide-reaching change within hip hop culture and change the situation for the better.
Better now then ever, n' vow to educating
The singer is committed to creating music that educates their audience and improves the state of hip hop culture.
The hood to good choices and getting a place in
The artist seeks to inspire people from their community to make positive choices and create opportunity for themselves within their society.
Society with the things we facing, while they hating
While others may criticize and oppose the singer's work in hip hop, they remain committed to creating music that addresses relevant societal issues.
We racing to like the masons all the way to the top
The singer is making a comparison to the Freemasons, who ascend through ranks to reach the highest level of recognition, as they strive to reach the pinnacle of success in hip hop culture.
Cleaning up the game from the same damn thing
The singer is committed to creating music that challenges the norms of hip hop culture and creates greater diversity and variation within the genre.
Cats faking and acting lame just to attract fame
The artist is critical of rappers who create inauthentic and insincere music in their quest for fame and success within hip hop culture.
But lyrically we react and blast them with words not gats
The artist believes that the true power of hip hop lies in the quality of lyrics, not in violent or aggressive behavior.
We (w)rap words around them like an island on a map
The singer is comparing the way good hip hop lyrics envelop and dominate their audience to how an island is surrounded and enveloped by water on a map.
As I put on my fitted cap, I think about the music
The singer is reflecting on their commitment to hip hop culture as they prepare to write and create music.
And why we do it and how we do use it
The artist is considering the purpose and value of their work in hip hop and how they can best utilize the genre to achieve their goals.
To be a nuisance to the common mind
The artist seeks to challenge and disrupt conventional ways of thinking through their work in hip hop.
And it's time for the whole world to see me with a blinding shine
The artist is confident in their abilities as a rapper and seeks to achieve global recognition and success within hip hop culture.
Lyrics Β© Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Christopher Bridges, Shawn Carter, Wyatt Coleman, Youtha(dj Nabs) Fowler, Nasir Jones
Lyrics Licensed & Provided by LyricFind
@muztaggainz5145
I do it for hip-hop
I do it for hip-hop
Now this is what they call poetry in motion
My soul bleeds on the paper, heart screams with emotion
This my daily devotion, the verses stay deeper then the ocean
So hip-hop you owe me a promotion
Yeah I do a little boasting and bragging
Whats all the commotion and nagging about?
'Cause I'm Still the Champ in the south
'Cause rappers get in the booth and I keep dragging them out
For they fire at these pink slips I'm handing them out
'Cause this is theater of the mind
Considerate a sign of whats to come next
My moneys just fine bank filled with dumb checks
Terrorist threat flow, proceed to drop bombs like Mr. Funk flex
But I don't do it for the money, I do it from the heart
I do it with the beatbox, I did it from the start
I do it for the DJ's, I do it for the chart's
The fan gel flow, Luda do it 'cause it's art
I do it for the fans, I do it on command
I do it for the front row, I do it for the stands
I spit it for the hood, I do it for the block
And since nine years old, I did it for hip-hop!
I don't do it for the cars and the fancy drops
I do it for hip-hop, I do it for hip-hop, I do it for hip-hop
And I don't do it for the chains and the flashing rocks
I do it for hip-hop, I do it for hip-hop, I do it for hip-hop
Uh they say I'm so low key, I'm socially awkward
Only niggas who really know me, who I talk with
They smile in the light, hate in the dark
You call it beef, to me, it's just a fuckin walk in the park
Cause you are who you are when nobody's lookin
That's who you are, so when the cash and the cars is gone
The day after tomorrow, don't be askin to borrow
Ski mask it hard, like the way you rap in your bars
I can ride on you and whoever, devise new endeavors
I'm as live as a hive full of predators
Twenty thousand different species of bees
Some have poisonous stings, some just pollen their leaves
It's like rap, some just buzz, some will attack
Compromise their own life in fact
Sixteen years since my first sixteen
Pardon the rest of my niggas, but I'm the best who's ever did it!
Uh, I do it for hip-hop
Yeah, I do it for hip-hop
Uh (I do it for hip-hop)
(And I don't do for the chains and the flashin' rocks)
Why we do it kid? I do it for hip-hop
Yeah, I do it for hip-hop
Uh, I do it for hip-hop
Hip-hop, started out in the park
We used to do it to avoid the Narcs
I used to do it so the homeboy Clark
Can get the fuck off my back while I knocked off these packs
I used to rap to impress my friends
To pass the time while I was gettin' it in
Just so happens, I'm so illegal with the pen
They ain't want me doin' anything illegal again
I lost a lot of dogs to these streets
I got Grammy Awards on these beats
Thank God for Kool Herc
Without your shit I probably would've got murked
Shout out to Grandmaster Flash and to Caz
And even Jaz bum-ass
Hip-hop helped me wash my rocks
These other rappers couldn't wash my socks
That's why I took the number one slot
The realest shit in rap comes from my voice box
Lord knows when I was on my clock
I prolly never woulda stopped, thank God for hip-hop
I don't do for the cars and the fancy drops
(Uh, I do it for hip-hop)
(I do it for hip-hop)
I do it for hip-hop
And I don't do for the chains and the flashin' rocks
(Come on, I do it for hip-hop)
(I do it for hip-hop)
(I do it for hip-hop)
I don't do it for them cars and the fancy drops
I do it for hip-hop
I do it for hip-hop
I do it for hip-hop
And I don't it for the chains and the flashin' rocks
I do it for hip-hop
I do it for hip-hop
I do it for hip-hop
@sdrice2007
Luda brought the passion
Nas brought the lyricism
Jay-Z brought the swag
@LIBERATIONUNIT
Accurate
@sdrice2007
@LIBERATION UNIT
Much thanks. They all deserve respect!
@lorenzoburton3974
I agree βπΏ
@trentyates418
Couldnβt agree with you more
@Notmyhandler
Yeah, jayz brought the βSecretly We Are Gayβ SWAG
@MPPharaoh
Yβall canβt tell me Luda ainβt kill this shit π₯π₯π₯ He held his own if you ask me.
@stanmuturi6934
Luda def Killed this
@Karl671
Yes
@darthtroller
Shout out to Ludacris for getting both of Jay and Nas spitting on the same track