Sawdust & Diamonds
Newsom Joanna Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

From the top of the flight
Of the wide, white stairs
Through the rest of my life
Do you wait for me there?

There's a bell in my ears
There's the wide, white roar
Drop a bell down the stairs
Hear it fall forevermore
Hear it fall, forevermore

Drop a bell off of the dock
Blot it out in the sea
Drowning mute as a rock;
And sounding mutiny

There's a light in the wings
Hits the system of strings
From the side, where they swing —
See the wires, the wires, the wires
And the articulation in our elbows and knees
Makes us buckle;
And we couple in endless increase
As the audience admires

And the little white dove
Made with love, made with love;
Made with glue, and a glove, and some pliers

Swings a low sickle arc, from its perch in the dark:
Settle down, settle down, my desire

And the moment I slept
I was swept up in a terrible tremor
Though no longer bereft
How I shook! And I couldn't remember
And then the furthermost shake drove a murthering stake in
And cleft me right down through my center
And I shouldn't say so
But I knew that it was then, or never

Push me back into a tree
Bind my buttons with salt
And fill my long ears with bees
Praying please, please, please
Oh, you ought not
No you ought not

And then the system of strings tugs on the tip of my wings
(Cut from cardboard and old magazines):
Makes me warble and rise, like a sparrow
And in the place where I stood
There is a circle of wood —
A cord or two — which you chop
And you stack in your barrow
And it is terribly good to carry water and chop wood
Streaked with soot, heavy-booted and wild-eyed;
As I crash through the rafters
And the ropes and the pulleys trail after
And the holiest belfry burns sky-high

And then the slow lip of fire moves
Across the prairie with precision
While, somewhere, with your pliers and glue
You make your first incision
And in a moment of almost-unbearable vision
Doubled over with the hunger of lions
Hold me close, cooed the dove
Who was stuffed, now, with sawdust and diamonds

I wanted to say: Why the long face?
Sparrow, perch and play songs of long face
Burro, buck and bray songs of long face!
Sing, I will swallow your sadness, and eat your cold clay
Just to lift your long face;
And though it may be madness, I will take to the grave
Your precious longface
And though our bones they may break, and our souls separate —
Why the long face?
And though our bodies recoil from the grip of the soil —
Why the long face?

And in the trough of the waves
Which are pawing like dogs
Pitch we, pale-faced and grave
As I write in my log

Then I hear a noise from the hull
Seven days out to sea
And it is that damnable bell!
And it tolls — well, I believe that it tolls
It tolls for me and It tolls for me!

And though my wrists and my waist seemed so easy to break
Still, my dear, I'd have walked you to the edge of the water
And they will recognize all the lines of your face
In the face of the daughter, of the daughter of my daughter

And darling, we will be fine; but what was yours and mine
Appears to me a sandcastle
That the gibbering wave takes
But if it's all just the same, then will you say my name;
Say my name in the morning, so that I know when the wave breaks

I wasn't born of a whistle
Or milked from a thistle at twilight
No; I was all horns and thorns
Sprung out fully formed, knock-kneed and upright

So enough of this terror
We deserve to know light
And grow evermore lighter and lighter
You would have seen me through
But I could not undo that desire

Oh, oh, oh, oh, oh, oh desire
Oh, oh, oh, oh, oh, oh desire
Oh, oh, oh, oh, oh, oh, oh, oh desire
Oh
Desire, desire, desire

From the top of the flight
Of the wide, white stairs




Through the rest of my life
Do you wait for me there?

Overall Meaning

The song "Sawdust & Diamonds" by Joanna Newsom is a poetic masterpiece with rich imagery and emotional depth. The lyrics explore themes of love, loss, and longing through vivid metaphors and haunting imagery. The song opens with the singer asking if their loved one will wait for them at the top of the stairs, symbolizing a journey through life towards a desired destination. The sound of a bell falling forevermore echoes through the song, representing the inevitability of passing time and the uncertainty of what the future holds.


The middle section of the song depicts the intricacy of the human body, with its system of strings and articulation of elbows and knees. The singer experiences a terrible tremor, which jolts them out of their reverie, and they are left shaken and disoriented. The imagery then shifts to bees buzzing in the singer's ears, and they plead for mercy. In the following section, the singer describes a sparrow made from cardboard and old magazines with strings attached to its wings. The sparrow rises and warbles with the pull of the strings, portraying the idea of being controlled or manipulated by external forces.


The song's final section explores the concept of desire and the fleeting nature of life. The singer mentions a sandcastle that the waves wash away, symbolizing the transience of human existence. They express a desire to be remembered through the generations and call out a name to be spoken in the morning as a reminder of their existence. The song ends with a repetition of the word "desire," echoing the human longing for connection and meaning in life.


Line by Line Meaning

From the top of the flight Of the wide, white stairs Through the rest of my life Do you wait for me there?
As time goes by, will you always be there for me?


There's a bell in my ears There's the wide, white roar Drop a bell down the stairs Hear it fall forevermore Hear it fall, forevermore
I hear a constant ringing in my ears, along with a loud, continuous noise that resembles the sound of a bell falling down a never-ending set of stairs.


Drop a bell off of the dock Blot it out in the sea Drowning mute as a rock; And sounding mutiny
If I were to drop a bell into the ocean, it would sink to the bottom and make no sound, possibly inciting a rebellion.


There's a light in the wings Hits the system of strings From the side, where they swing — See the wires, the wires, the wires And the articulation in our elbows and knees Makes us buckle; And we couple in endless increase As the audience admires
The lighting illuminates the stage, causing the strings and wires that hold us up to be evident. Even though it seems as if our knees and elbows will give in and make us fall, we stay upright and continue to connect with the audience.


And the little white dove Made with love, made with love; Made with glue, and a glove, and some pliers Swings a low sickle arc, from its perch in the dark: Settle down, settle down, my desire
The small bird, created with care and precision, swings gently through the air while urging me to calm down.


And the moment I slept I was swept up in a terrible tremor Though no longer bereft How I shook! And I couldn't remember And then the furthermost shake drove a murthering stake in And cleft me right down through my center And I shouldn't say so But I knew that it was then, or never
As soon as I fell asleep, an intense earthquake shook me to my core, leaving me unable to remember what had transpired. With one final, violent tremble, I was completely shattered.


Push me back into a tree Bind my buttons with salt And fill my long ears with bees Praying please, please, please Oh, you ought not No you ought not
If you are asking for something and I refuse, please do not force me into a tree or put salt on my wounds while bees swarm my ears; this is not the proper way to get what you want.


And then the system of strings tugs on the tip of my wings (Cut from cardboard and old magazines): Makes me warble and rise, like a sparrow And in the place where I stood There is a circle of wood — A cord or two — which you chop And you stack in your barrow And it is terribly good to carry water and chop wood Streaked with soot, heavy-booted and wild-eyed; As I crash through the rafters And the ropes and the pulleys trail after And the holiest belfry burns sky-high
The wires that hold me up are pulled, causing my cardboard-like wings to flap uncontrollably and making me rise, chirping like a bird. In the place where I was standing, there's a circle made of wood - a few cords that you chop and pile up in your cart. This work is hard, but fulfilling, and as I work, I am stained with soot and debris. Suddenly, I burst through the roof and the bell tower, creating a massive fire.


And then the slow lip of fire moves Across the prairie with precision While, somewhere, with your pliers and glue You make your first incision And in a moment of almost-unbearable vision Doubled over with the hunger of lions Hold me close, cooed the dove Who was stuffed, now, with sawdust and diamonds
As I watch the flames slowly spread throughout the area, you are somewhere cutting into something for the first time with pliers and glue. The moment is almost too much for me to bear, and I feel desperate like a lion. Although the bird was once real and alive, it now consists entirely of sawdust and diamonds.


I wanted to say: "Why the long face?" Sparrow, perch and play songs of long face Burro, buck and bray songs of long face! Sing, I will swallow your sadness, and eat your cold clay Just to lift your long face; And though it may be madness, I will take to the grave Your precious longface And though our bones they may break, and our souls separate — Why the long face? And though our bodies recoil from the grip of the soil — Why the long face?
I wished to say, "Why are you so sad?" Sparrow, sit in one place and sing melancholy songs about long faces. Burro, kick and shout about how sad you are! I swear I will consume your sadness and cold clay, simply to see a smile on your long face. Even though it may seem irrational, I will carry your longface with me to the grave. And even when our physical forms crumble and our souls diverge - why stay sad? Why have a long face?


And in the trough of the waves Which are pawing like dogs Pitch we, pale-faced and grave As I write in my log
As we ride the waves, which are relentless and boisterous, our faces turn pale and we are serious. Meanwhile, I am keeping a record of the events in my logbook.


Then I hear a noise from the hull Seven days out to sea And it is that damnable bell! And it tolls — well, I believe that it tolls It tolls for me and It tolls for me!
While seven days into our voyage, a sound emanates from the hull. The bell that has been haunting me is back, and it tolls for me - I'm certain of it!


And though my wrists and my waist seemed so easy to break Still, my dear, I'd have walked you to the edge of the water And they will recognize all the lines of your face In the face of the daughter, of the daughter of my daughter
Although it seemed like it would be simple to break my wrists or waist, I would have carried you to the water's edge no matter what. Your face's familiar lines will be recognized in our offspring's own children.


And darling, we will be fine; but what was yours and mine Appears to me a sandcastle That the gibbering wave takes But if it's all just the same, then will you say my name; Say my name in the morning, so that I know when the wave breaks
My love, we will be fine in the end, but everything that we ever cherished as ours has become like a sandcastle that the ocean's waves can whisk away with ease. But if it's all the same to you, will you still call me yours when I wake up and that day's waves crash down?


I wasn't born of a whistle Or milked from a thistle at twilight No; I was all horns and thorns Sprung out fully formed, knock-kneed and upright
I didn't come into existence by way of a whistle or from milk that had been drawn from a thistle at dusk. No, I came into this world fully formed, all horns and thorns, standing awkwardly with my legs bent in.


So enough of this terror We deserve to know light And grow evermore lighter and lighter You would have seen me through But I could not undo that desire Oh, oh, oh, oh, oh, oh desire Oh, oh, oh, oh, oh, oh desire Oh, oh, oh, oh, oh, oh, oh, oh desire Oh Desire, desire, desire
Enough of this fear - we should be able to revel in light and become lighter and lighter. You always would have protected me, but I couldn't ignore those yearnings within me. Desire, oh, desire, how it consumes me.




Lyrics © Sony/ATV Music Publishing LLC
Written by: JOANNA NEWSOM

Lyrics Licensed & Provided by LyricFind
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Most interesting comments from YouTube:

Sandra Saade

From the top of the flight
Of the wide white stairs
Through the rest of my life
Do you wait for me there?
There's a bell in my ears
There's a wide white roar
Drop a bell down the stairs
Hear it fall forever more
Hear it fall forever more
Drop a bell off of the dock
Blot it out in the sea
Drowning mute as a rock
And sounding mutiny
There's a light in the wings
Hits this system of strings
From the side while they swing;
See the wires, the wires, the wires
And the articulation
In our elbows and knees
Makes us buckle and we couple in endless increase
As the audience admires
And the little white dove
Made with love, made with love
Made with glue and a glove and some pliers
Swings a low sickle arc
From its perch in the dark
Settle down
Settle down
Settle down my desire
And the moment I slept
I was swept up in a terrible tremor
Though no longer bereft, how I shook
And I couldn't remember
And then the furthermost shake
Drove a murdering stake in
And cleft me right down through my center
And I shouldn't say so
But I know that it was then or never
Push me back into a tree
Bind my buttons with salt
Fill my long ears with bees
Braying 'please, please, please,
Oh you ought not!
No you ought not!'
And then the system of strings
Tugs on the tip of my wings
Cut from cardboard and old magazines
Makes me warble and rise like a sparrow
And in the place where I stood
There is a circle of wood
A cord or two, which you chop and you stack in your barrow
And it is terribly good
To carry water and chop wood
Streaked with soot, heavy booted and wild-eyed
As I crash through the rafters
And the ropes and the pulleys trail after
And the holiest belfry burns sky high
And then a slow lip of fire
Moves across the prairie with precision
While somewhere with your pliers and glue
You make your first incision
And in a moment of almost unbearable vision
Doubled over with the hunger of lions
'Hold me close', cooed the dove
Who was stuffed now with sawdust and diamonds
I wanted to say 'why the long face?'
Sparrow perch and play songs of long face
Burro buck and bray songs of long face
Sings 'I will swallow your sadness and eat your cold clay
Just to lift your long face
And though it may be madness, I will take to the grave
Your precious long face
And though our bones they may break and our souls separate
Why the long face?
And though our bodies recoil from the grip of the soil
Why the long face?'
In the trough of the waves
Which are pawing like dogs
Pitch we, pale-faced and grave
As I write in my log
Then I hear a noise from the hull
Seven days out to sea
And it is the damnable bell
And it tolls, well I believe, that it tolls
It tolls for me!
And it tolls for me!
And though my wrists and my waist
Seem so easy to break
Still my dear I'd have walked you to the edge of the water
And they will recognize
All the lines of your face
In the face of the daughter, of the daughter, of my daughter
And darling we will be fine
But what was yours and mine
Appears to me a sandcastle that the gibbering wave takes
But if it's all just the same
Then will you say my name
Say my name in the morning so that I know when the wave breaks
I wasn't born of a whistle
Or milked from a thistle at twilight
No, I was all horns and thorns
Sprung out fully formed, knock-kneed and upright
So enough of this terror we deserve to know light
And grow evermore lighter and lighter
You would have seen me through
But I could not undo that desire
Oh-oh, oh-oh-oh desire
Oh-oh, oh-oh-oh desire
Oh-oh, oh-oh-oh-oh-oh-oh desire
From the top of the flight
Of the wide white stairs
Through the rest of my life
Do you wait for me there?



rhinestone cowboi

And darling, we will be fine; but what was yours and mine
Appears to me a sandcastle
That the gibbering wave takes
But if it’s all just the same, then will you say my name;
Say my name in the morning, so that I know when the wave breaks

I wasn’t born of a whistle, or milked from a thistle at twilight
No; I was all horns and thorns, sprung out fully formed, knock-kneed and upright

So enough of this terror
We deserve to know light
And grow evermore lighter and lighter
You would have seen me through
But I could not undo that desire


EVERY SINGLE TIME 😭



meddle

http://www.alwaysontherun.net/joanna.htm

From the top of the flight
Of the wide, white stairs,
Through the rest of my life,
Do you wait for me there?

There's a bell in my ears.
There's the wide, white roar.
Drop a bell down the stairs.
Hear it fall forevermore.

Drop a bell off of the dock.
Blot it out in the sea.
Drowning mute as a rock;
Sounding mutiny.

There's a light in the wings, hits the system of strings,
From the side, where they swing—
See the wires, the wires, the wires.
And the articulation in our elbows and knees
Makes us buckle;
And we couple in endless increase
As the audience admires.

And the little white dove,
Made with love, made with love;
Made with glue, and a glove, and some pliers

Swings a low sickle arc, from its perch in the dark:
Settle down, settle down, my desire.

And the moment I slept, I was swept up in a terrible tremor.
Though no longer bereft, how I shook! And I couldn't remember.
and Then the furthermost shake drove a murthering stake in,
And cleft me right down through my centre.
And I shouldn't say so, but I know that it was then, or never.

Push me back into a tree.
Bind my buttons with salt.
Fill my long ears with bees
Praying please please please love
Oh, you ought not!
No you ought not!

Then the system of strings tugs at the tip of my wings
(cut from cardboard and old magazines):
Makes me warble and rise, like a sparrow.
And in the place where I stood, there is a circle of wood—
A cord or two—which you chop, and you stack in your barrow.
And it is terribly good to carry water and chop wood,
Streaked with soot, heavy-booted and wild-eyed;
As I crash through the rafters,
And the ropes and the pulleys trail after
And the holiest belfry burns sky-high.

And then the slow lip of fire moves across the prairie with precision,
While, somewhere, with your pliers and glue, you make your first incision.
And in a moment of almost-unbearable vision,
Doubled over with the hunger of lions,
Hold me close, cooed the dove,
Who was stuffed, now, with sawdust and diamonds.

I wanted to say: Why the long face.
Sparrow, perch and play songs of long face.
Burro, buck and bray songs of long face!
Sing, I will swallow your sadness, and eat your cold clay,
Just to lift your long face;
And though it may be madness, I will take to the grave
Your precious longface.
And though our bones they may break, and our souls separate—
Why the long face?
And though our bodies recoil from the grip of the soil—
Why the long face?

In the trough of the waves,
Which are pawing like dogs,
Pitch we, pale-faced and grave,
As I write in my log.

Then I hear a noise from the hull,
Seven days out to sea.
It is that damnable bell!
And it tolls—well, I believe that it tolls—for me.
It tolls for me.

Though my wrists and my waist seemed so easy to break,
Still, my dear, I'd have walked you to the edge of the water.
And they will recognize all of the lines of your face
In the face of the daughter of the daughter of my daughter.

Darling, we will be fine; but what was yours and mine
Appears to me a sandcastle
That the gibbering wave takes.
But if it's all just the same, then will you say my same;
Say my name in the morning, so I know when the wave breaks.

I wasn't born of a whistle, or milked from a thistle at twilight.
No; I was all horns and thorns, sprung out fully formed, knock-kneed and upright.

So: enough of this terror.
We deserve to know light,
And grow evermore lighter and lighter.
You would have seen me through,
But I could not undo that desire.

From the top of the flight
Of the wide, white stairs
Through the rest of my life
Do you wait for me there?

(from the website, briefly edited)



All comments from YouTube:

heartcenteredseedling

I was a teenager living in an abusive household. This is when I started to explore the vast expanse of the internet to escape my daily life which felt more and more like hell everyday, this is when I found this album. This music allowed me to escape into a mystical realm where I felt safe and held in beautiful sounds and emotive vocals carrying poetic lyricism. Music, a handful of books, some heart touching films, along with making (bad) art were the things that literally kept me hanging on. Thank you Joanna. Thank you creative muses. Thank you nature. Thanks strange realm of the internet for connecting it all. What a weird world. Sending love to anyone else whose life has been touched by this music.

Val A

much the same <3 much love to you

Jazmin

its been almost a year since i discovered Joanna Newsom from an instagram internet archive page. this was the first song i listened to, and i fell in love instantly. i still can’t understand why anyone would complain about her voice; it never had to grow on me, i just got it! she’s helped more than anyone could ever know. i’m so incredibly grateful

KDP

I use to have a job that took 10 minutes to drive to. For weeks i'd listen to this song every day on the way to work.

Sonya Zuniga

I once listened to this song onrepeat for an entire day at work when my boss was out. It was glorious.

louise

i wish i could express how completely beautiful this song is. i find new things to appreciate every time i listen to it and the lyrics are truly gorgeous. it's exactly like poetry but sung.

sóley wolfgangsdóttir

those lyrics are killing me, this song is like a hieronymus bosch-painting. what an artist she is!

N2BFW

Well said. This song is a masterpiece.

Jacob24FPS

On of the most well-written songs ever. This entire album is a masterpiece

UGSchoolboy

I've fallen asleep to this song every day for the past 3 weeks and I'm still not sick of it. Ys indeed.

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