The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey (all from Australia), guitarist George Vjestica (United Kingdom), keyboardist/percussionist Toby Dammit (United States) and drummers Thomas Wydler (Switzerland) and Jim Sclavunos (United States). The band has released sixteen studio albums and completed numerous international tours, and has been considered "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward".
The band was founded in 1983 following the demise of Cave and Harvey's former group the Birthday Party, the members of which met at a boarding school in Victoria. By the release of their fifth studio album Tender Prey in 1988, they shifted from post-punk towards an experimental alternative rock sound, later incorporating various influences throughout their career. For example, the 2008 album Dig, Lazarus, Dig!!! and the side-project Grinderman were strongly influenced by garage rock. Synthesizers and minimal guitar work feature prominently on Push the Sky Away (2013), recorded after Harvey's departure from the band in 2009.
The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us."[8]
Cave and guitarist Kid Congo Powers during the band's 1986 tour.
An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einstürzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood,[9] although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond.[10] In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983.
Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album.[citation needed] The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed.[citation needed] They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September–October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984.
Sugar Sugar Sugar
Nick Cave & The Bad Seeds Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
That man is bad
The road he drives you down
Oh sugar, it's a drag
The road it twists
The road is crossed
It's down that road
Sugar, Sugar, Sugar
He will drive ya on
Until the city of right
Becomes the city of wrong
Man, that stretch is far
You'll slip and slide
That stretch will find you
Gagged and tied
Sugar, Sugar, Sugar
That assembly of sin
Like a lamb to a knife
You followed him in
He will laugh
And hang your sheets to see
The tokens of your virginity
You'll be his queen for the night
But in the morning you'll wake
With the lords and high ladies
Of the bottom of the lake
Sugar sugar
Honey you're so sweet
But beside you baby
Nothing can complete
Sugar, Sugar, Sugar
Honey you're so sweet
But beside you baby
A bad man sleeps
You better pray, baby
Pray baby, pray baby
You better pray
You better pray, baby
Pray baby, pray baby
You better pray
You better pray, baby
Pray baby, pray baby
You better pray (honey)
You better pray, baby
Pray baby, pray baby
You better pray
And get down on your knees and pray
Come on, come on, come on, come on, come on
Come on, come on, come on, come on
Come on, come on, come on, come on, come on
Sugar, Sugar, Sugar
That man is bad
And that's the bottom baby
Coming right up ahead
You can smell his fear
All his fucking love
As he wipes his mouth
On your altar cloth
Sugar, Sugar, Sugar
Try to understand
I'm an angel of god
I'm your guardian
He smells your innocence
Like a dog he comes
And like all the dogs he is
I shot him down
Sugar, Sugar, Sugar
I can't explain
Must I kill that cocksucker
Everyday?
You better pray, baby
Pray baby, pray baby
You better pray
You better pray, baby
Pray baby, pray baby
You better pray
You better pray, baby
Pray baby, pray baby
You better pray (you better pray-pray)
You better pray, baby
Pray baby, pray baby
You better pray
('Cause your daddy he ain't far away)
You better pray, baby
Pray baby, pray baby
You better pray (your daddy he ain't far away)
You better pray, baby
Pray baby, pray baby
You better pray (your daddy come to take you away)
You better pray, baby
Pray baby, pray baby
Get down on your knees, and pray
You better pray, baby
Pray baby, pray baby
You better pray (your daddy he ain't far away)
You better pray, baby
Pray baby, pray baby
You better pray (yeah baby, you're tender prey)
You better pray, baby
Pray baby, pray baby
You better pray ('cause yeah baby, you're tender prey)
You better pray, baby
Pray baby, pray baby
You better pray
The lyrics of "Sugar Sugar Sugar" by Nick Cave & The Bad Seeds are about the dangerous and seductive nature of a man, who lures young girls down a dangerous path. The song describes how this man leads you down a road that twists and turns, causing you to get lost. The singer warns against following this man, who will make the city of right become the city of wrong. He is a bad man who will leave you gagged and tied, while he hangs your sheets as tokens of your virginity.
However, the ultimate resolution of the lyrics comes in the form of the singer revealing himself to be an angel of God, who shoots the man down because he smells the innocence of the girls. The singer urges the listener to pray and protect themselves from this bad man, whose fear and love they can smell as he wipes his mouth on your altar cloth. The repetition of the phrase "you better pray" emphasizes the importance of seeking divine protection against the evils that lurk in the world.
Overall, the song paints a vivid picture of the dangers that young women face in relationships with men who are charming but possess ill intentions. The lyrics urge the listener to resist and avoid these men or risk getting lost down a dangerous path.
Line by Line Meaning
Sugar, Sugar, Sugar
This song is about the dangers of a man luring girls down a dark path through manipulation.
That man is bad
The singer recognizes how bad the man is who is leading the girls down the dangerous path.
The road he drives you down
This metaphorical road leads girls into danger and harms.
Oh sugar, it's a drag
This line emphasizes how difficult and emotional the experience of being lured down a dangerous path can be.
The road it twists
The path is not straight or clear, making it difficult to see what's ahead.
The road is crossed
The path is intersected with other paths, adding more confusion and choices to the mix.
It's down that road
This is the path that the girls go down towards danger.
A lot of little girls go lost
Many girls fall into the trap set forth by the manipulative man and are lost to the dangerous path.
He will drive ya on
The manipulative man will continue to lead girls down the dangerous path.
Until the city of right
This emphasizes how wrong and dangerous the path is, leading away from what's right.
Becomes the city of wrong
The further the girls go down the path, the more wrong and dangerous it becomes.
Man, that stretch is far
The path is long and arduous, making it even more difficult for the girls to escape.
You'll slip and slide
The path is slippery and uncertain, increasing the likelihood of girls falling into the trap.
That stretch will find you
The path is always present and can find girls even when they think they've escaped it.
Gagged and tied
This line highlights how dangerous and violent the path can become, leading to girls being physically bound and helpless.
That assembly of sin
The manipulative man and his dangerous path are akin to an assembly of sin, something that should be avoided.
Like a lamb to a knife
This analogy compares the girls to innocent lambs being led to the slaughter by the manipulative man.
You followed him in
The girls willingly follow the manipulative man down the dangerous path, unaware of the danger ahead.
He will laugh
The manipulative man takes pleasure in the harm he causes to the girls.
And hang your sheets to see
This creepy image shows how the man collects and displays tokens of the girls he's lured down the path, as trophies of his conquests.
The tokens of your virginity
The man takes pride in taking away the innocence and virginity of the girls he harms.
You'll be his queen for the night
The manipulative man will tempt girls with a false sense of power and control, making them feel like queens, but just for one night.
But in the morning you'll wake
After the night is over, the girls will wake up and realize the harm they've been subjected to.
With the lords and high ladies
This refers to the dangerous underworld that the girls have unknowingly become a part of.
Of the bottom of the lake
The dark, grim imagery of the bottom of a lake further emphasizes the danger and hopelessness of the situation.
Sugar sugar
This repetitive line adds emphasis and reinforces the luring and addictive nature of the path the girls are going down.
Honey you're so sweet
The manipulative man will use sweet talk and false kindness to lure girls in.
But beside you baby
Nothing else can compare to the false sense of control and power that the manipulative man offers the girls.
Nothing can complete
The man convinces the girls that they won't find anything else that compares to what he's offering them.
This song is about the dangers of a man luring girls down a dark path through manipulation.
This line repeats the overall message to drive it home and make it clear.
You better pray, baby
The singer is urging the girls to pray and ask for help.
Pray baby, pray baby
This repetitive line reinforces the urgency of the situation and the need for help.
Your daddy he ain't far away
This line adds a sense of protection and hope that the girls might have someone watching out for them.
Get down on your knees, and pray
This is a call to action for the girls to actively pray and seek help.
You better pray ('cause your daddy come to take you away)
This line is both a warning and a call for hope, as the girls' fathers or protectors may come to take them away from the harm and danger.
I'm an angel of god
The artist sees themselves as a savior or protector sent by God to help the girls.
He smells your innocence
The manipulative man preys on the girls' innocence and purity to lure them in.
Like a dog he comes
This analogy paints the manipulative man as animalistic and predatory, much like a dog hunting prey.
And like all the dogs he is
This line reinforces the predatory nature of the manipulative man's actions.
I shot him down
The artist takes action against the manipulative man, putting a stop to his harmful actions.
I can't explain
The harm and danger the manipulative man poses is difficult to explain or understand.
Must I kill that cocksucker everyday?
The singer recognizes that the manipulative man poses a constant threat and ponders the difficult choice of whether to keep taking action against him.
Yeah baby, you're tender prey
This line further emphasizes the vulnerability and innocence of the girls being targeted by the manipulative man.
'Cause yeah baby, you're tender prey
This line is repeated to further emphasize and drive home the message that the girls are in danger and need help.
Lyrics © BMG Rights Management, Mute Song Limited
Written by: Michael Harvey, Nicholas Cave
Lyrics Licensed & Provided by LyricFind