From 1972 to 1973, Hagen enrolled in the crash-course performance program at The Central Studio for Light Music in East Berlin. Upon graduation, she joined the band Automobil (picture), which released a well-received album in Germany, including her first hit "Du hast den Farbfilm vergessen" in 1974.
After a concert for a West German labour union in 1976 her stepfather, Wolf Biermann, was forbidden to return to the GDR. Because of their protests against it her mother, Eva-Maria Hagen and Nina were thrown out of GDR in 1977, and followed Biermann to his hometown Hamburg.
Nina subsequently met West-Berlin photographer Jim Rakete (who also produced some bands he shot the cover-photos for - like "Nena" some years later). He brought Nina together with the politically left-wing band "Lokomotive Kreuzberg" (later known as "Spliff"): thus the "Nina Hagen Band" was born.
In 1978 The Nina Hagen Band released their self-titled debut album, which included titles like "TV-Glotzer" (a cover of "White Punks on Dope" by The Tubes) and "Auf'm Bahnhof Zoo".
According to reviewer Fritz Rumler, she thrusts herself into the music, aggressively, directly, furiously, roars in the most beautiful operatic alto, then, through shrieks and squeals, precipitates herself into luminous soprano heights... she parodies, satirises, and howls on stage like a dervish.
Nina Hagen's eccentricity led to big disputes in the band and during a subsequent European tour Hagen decided to leave the band, though she was still under contract to produce a second album in 1979. This LP, Unbehagen (in addition to the obvious pun on her name, in German this also means 'discomfort' or 'unease'), was eventually produced with the band recording their tracks in Berlin and Hagen recording the vocals in Los Angeles, California. It included the single "African Reggae"/"Wir leben immer... noch" (a cover of Lene Lovich's "Lucky Number"). The headless Nina Hagen Band soon developed a successful independent musical career as Spliff.
Meanwhile, Hagen's public persona was steadily creating an increasing media uproar and she became infamous for an appearance on an Austrian talk show called Club 2, in which she performed an explicit simulation of masturbation. She also acted with Dutch sex-drugs-and-rock-'n'-roll legend Herman Brood in the movie Cha Cha, along with Lene Lovich and various Dutch bands.
An European tour with a new band in 1980 was cancelled, she had a love affair with a 16 year old punk from Amsterdam called Noddy (www.noddyriot.co.uk) and sang a RHCP rapduet with him at the OneWorldPoetry festival at the MilkyWay and lived with him in New York and in the Bahamas.
In 1982 her first solo album NunSexMonkRock, a dissonant mix of punk, funk and opera, was a minor hit, and led to a world tour with the No Problem Orchestra.
In 1983 came the album Angstlos and a minor European tour. By this time, Hagen's public appearances were becoming even stranger; over the years they frequently included discussions of God, UFOs, her social and political beliefs, animal rights / vivisection and claims of alien sightings. The English version of Angstlos, 'Fearless', generated two major club hits in America , "Zarah" and the disco/punk/opera classic, "New York New York".
1985's 'Nina Hagen In Ekstasy' fared less well, but it did generate club hits with "Universal Radio" and a cover of "Spirit In The Sky", and it also featured her hardcore punk take on Frank Sinatra's "My Way", which had been one of her signature live tunes in previous years. Her contract with CBS over, she released the Punk Wedding EP independently in 1987, a celebration of her marriage to an 18-year old punk. It followed an independent 1986 one-off single with Lene Lovich, the anthemic "Don't Kill The Animals".
In 1989 Hagen released the album Nina Hagen which was backed up by another German tour. Now living in Paris with her daughter Cosma Shiva, in 1991 she toured Europe in support of her new album Street.
In 1992 Hagen became the host of a TV show on RTLplus. The following year she released Revolution Ballroom and two years later the German-language album Freud Euch appeared, recorded in English as Beehappy in 1996. Also in 1996, Hagen collaborated with electronic music composer Christopher Franke on "Alchemy of Love", the theme song for the Tenchi Universe movie Tenchi Muyo! in Love.
In 1998, Hagen became the host of a weekly science fiction show on the British Sci-Fi-Channel, in addition to embarking on another tour of Germany. In 1999, she released the devotional album Om Namah Shivay, which was distributed exclusively online. She also sang "Witness" on KMFDM's Adios.
Nina has a strong interest in various religions, but that is mainly driven by her urge to build a better world and her own colorful freedom within it.
In 2000, her song Schön ist die Welt became the official song of Expo 2000. The album The Return of the Mother was released in February 2001, accompanied by another German tour.
Hagen dubbed the voice of Sally in the German release of Tim Burton's The Nightmare Before Christmas and she also did some voice work in Hot Dogs by Michael Schoemann.
Hagen has been featured on many songs by other bands, for instance Oomph!'s song Fieber, a cover of Rammstein's "Seemann" with Apocalyptica and in 2008 appeared readily on psy-trance act S.U.N. Project's X Black Album, most notably on the fully vocal track We're In Space. She also sang the song "Garota de Berlim" with Brazilian singer Supla in her early years.
Her two children are Cosma Shiva and Otis.
URLs:
BEST archive for Nina Hagen pictures and stuff (regrettably just in German), incl. very old GDR pics like a beautiful one at the age of 18 and one shot by the "Stasi" (together with her stepfather Wolf Biermann - wiki)
L'amore
Nina Hagen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Where does love stay
Here and there we hope
That someone might remember
Love of the mind
Love of words
Let's live only for
Love that is in the heart
Bizarre love
Clandestine love
Let's live only for
Love of the divine
And join our hands
In one prayer
In this great "maya"
Om namah shivaya
The song "L'amore" by Nina Hagen is an ode to love in all its forms. The opening lines of the song are an invitation to speak about love, to ponder where it resides, and to hope that someone remembers it. The song seems to suggest that love is not just an emotion but also an idea and a way of life. Love, as presented in the song, is complex and multifaceted, encompassing the love of the mind and the love of words. Nina Hagen urges listeners to embrace love that is in the heart rather than just the superficial expressions of it.
The song moves on to explore different forms of love: bizarre love and clandestine love. There is a call to live only for the love of the divine and to join our hands in prayer. The final words of the song, "Om namah shivaya," a mantra in Hinduism, call for the destruction of ego and the embracing of union with the divine. The song is a reflection on the importance of love in all its forms for a meaningful and fulfilling life.
Line by Line Meaning
And let's speak of love
Let's elevate our conversation and focus on the topic of love.
Where does love stay
Where does love exist and how can we find it?
Here and there we hope
We have hope that love can be found in various places.
That someone might remember
We hope that someone will recall and cherish the love we share.
Love of the mind
Intellectual love that involves the mind and emotions.
Love of words
The expression of love through spoken or written words.
Let's live only for
Our sole purpose in life should be to focus on and embrace love.
Love that is in the heart
The kind of love that is felt deeply and genuinely.
Bizarre love
Unconventional, strange love that may be viewed as unusual.
Clandestine love
Love that must be kept secret and hidden.
Love of the divine
Love that is connected to a higher power or spirituality.
And join our hands
Let's join together in unity and love.
In one prayer
We will come together to express our love in the form of a unified prayer.
In this great 'maya'
In this ultimate illusion or reality of life.
Om namah shivaya
A powerful Hindu chant that represents the union of the individual self with the universal consciousness.
Contributed by Hailey D. Suggest a correction in the comments below.
@jimenezfrankestein2692
Exelent theme.nina..
@PaKo-qv2ki
Its me on Tablas
@darkmatterkitty
THANK YOU!!! This is one of the worlds most treasured collection of Nina creations!
@sergiobelmonte5209
❤💯