Obie Trice III was born and raised in Detroit, Michigan by his mother, along with three brothers. He is of African American and German descent. Trice was given a karaoke machine by his mother when he was eleven and he used it to rhyme over instrumentals from artists such as N.W.A. By the age of fourteen, he was attending rap battle spots around Detroit, notably including the Hip Hop Shop.
Obie Trice went by the name of Obie 1 during this time, but when he first met Proof, who was about to introduce him at the Hip Hop Shop, Proof asked him, "What's your name? Your real name, no gimmicks." He was then introduced as Obie Trice, and has kept his real name as his rap name. Trice was introduced to Eminem through D12 member Bizarre. Hot Rapper: Obie Trice. Rolling Stone. Accessed January 22, 2008. Later, Trice received a call from his manager informing him that he would be having dinner with Eminem, and later that night they went to a Kid Rock party.
Before first major release, early years on Shady Records
As an acquaintance of D12 member Bizarre, Obie was signed after a personal introduction to Eminem allowed him to impress the Detroit rap legend in-person. The general public were first introduced to Obie on D12's Devil's Night album on a skit. His one-line opener ("Obie Trice: Real name, no gimmicks" - taken from his song "Rap Name" and referring to the lack of a rap pseudonym) on Eminem's lead single; "Without Me", off the critically-acclaimed and commercially successful The Eminem Show increased public awareness of his name and slogan. Obie also appeared in the video for the song, body-slamming a dummy representing Moby. Appearances on DJ Green Lantern's official Shady Records Invasion mixtape series, allowed him to further his public recognition.
In 2002, Trice appeared in 8 Mile as one of the rappers in the Chin Tiki parking lot scene. Trice also has a featured appearance as Big Pimpin' in the Detroit made independent feature film Life Goes On, which will premiere at the Cannes International Film Festival in May 2006.
A short while before the first Invasion mixtape was released, he became involved in the Eminem-Benzino beef after being called out by Benzino with the line "Obie Trice/You's a buster" in a diss-track directed at Eminem and Shady Records. In response to Benzino, Obie released the track "Welcome to Detroit City" (a track over the beat from Cam'ron's song "Welcome to New York City") on the first Invasion mixtape. He also joined his label-mates in the highly publicised Ja Rule-50 Cent beef but never received a direct response from Ja Rule.
Cheers
His debut album Cheers was released on September 23, 2003 with its first single "Got Some Teeth" being well received on radio in a number of countries. He also released the songs "Don't Come Down" and "The Set Up". The album consists of 17 tracks with production from Eminem, Dr. Dre, Timbaland, Mike Elizondo, Emile, Fredwreck and Denaun Porter. Artists featuring on Cheers include Busta Rhymes, Eminem, Dr. Dre, Nate Dogg and D12 among others. The album was eventually certified platinum by the RIAA.
Second Rounds On Me
As of 2005 he has begun work on his second album, entitled 2nd Rounds On Me, which was expected later that year. Never making the 2005 calendar mark, Obie set sights on releasing it in 2006. Although the album will be released by Shady Records, it will feature a lineup primarily comprised of local Detroit rappers with decreased presence from Eminem and other Shady/Aftermath artists.
Shooting
On December 31, 2005, Trice was shot twice while driving on the Lodge Expressway by Wyoming Avenue in Detroit. One of the bullets entered his skull. Trice was able to drive off the expressway, where his girlfriend waved down police. He was taken to Providence Hospital and released later that day. Doctors are still contemplating whether or not to remove the bullet which entered his head, as it may be too dangerous to operate.
Leaving Shady Records, current situation
Obie Trice left Shady Records on June 26, 2008, because of a dispute because Interscope claimed they would not fund another Obie Trice CD. This news was first put into circulation by Hip-Hop blog Urban Lookout; a few days after they broke the news, a track (Giants) leaked confirming the rumor. Even though Obie has left Shady Records, Eminem's manager Paul Rosenberg says that Eminem and Obie are still close friends, and that Eminem will still work with Obie Trice on future projects.
Discography:
Cheers (2003) - Platinum
2nd Rounds On Me (2006) Released:August 15, 2006
Featured/Other songs:
"Doe Ray Me": D12 and Obie Trice
"Love Me": Eminem, 50 Cent and Obie Trice
"Drips": Eminem and Obie Trice
"Spend Some Time": Eminem, 50 Cent, Stat Quo and Obie Trice
"Adrenaline Rush": Obie Trice
"Fok de Macht": The Opposites and Obie Trice
"Loyalty": D12 and Obie Trice
"Doctor Doctor": Bizarre and Obie Trice
"72nd & Central": Proof, J-Hill and Obie Trice
"Stay Bout It": Obie Trice and Stat Quo
"Growing Up in the Hood": The Game and Obie Trice
"Hennessey": 2Pac and Obie Trice
"Drama Setter": Tony Yayo, Eminem, and Obie Trice
"It Has Been Said": Eminem, Diddy and Obie Trice
"War": Trick Trick and Obie Trice
"Hustler": 50 Cent and Obie Trice
"Get That Money": 50 Cent, Obie Trice, and Lloyd Banks
"Get That Money (remix)": 50 Cent, Obie Trice, Lloyd Banks, and Krondon
Ups & Downs
Obie Trice Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I've been up, and I've been down
And I had this world kick me around
But I bounce back, now take a look at me now
Say I don't trust them, I don't trust them hoes
I see my dreams in front of me unfold
And this crazy world is oh so cold
And to my seed, let the story be told
Yeah; they back-stab ya, with no malice
Rat bastards, grown men turn faggots
You could shake a nigga hand 'til your palm get calluses
Calculate grams with 'em, tally up math and he
Still turn around and leave you stiff, paralysis
If we was parallel this possibly wouldn't happen
It would just be a myth
And all that envious shit wouldn't exist
Since this stimulates some niggaz to spit
I let 'em smell the stench when a nigga's pushin the six
We could take it to that extent, wait a minute, let 'em vent
Vicious niggaz incubators, shit could made it then
Replace them with real gentlemen
These feminine faggots shouldn't have been on this planet
They send the niggaz upstate to they grandpappy's
Puttin nothin past these tattlin bastards
[Chorus]
There you got groupie chicks goin at him
Fabricatin what happened, just to platinum they clothes
It's a patter-n, they want you to man-handle 'em
'Til they ass exposed
Put you on the news, she a nuisance
It take two to tango but she don't think so
Hoes is abusive so I drink slow
I realize the future when I mingle
Hoes set you up, so rough they
Forget the hoe they were
They focus on false shit what didn't occur
Deceive detectives, statements are blurred
Reversin what virtually happened with her
Her don't trust
Baby we just had a burr
She willingly lift up her skirt, Your Honor
[Chorus]
Now see this industry's risky if you ain't 50
They don't mark your dollars
You see Interscope's iffy, if he sell less than
Multi-million dollar copies they drop him
See, Jimmy's watchin
If he, purchase my product
O might have options, show progress
Longest most y'all coppin
The nonsense is opposite of him
Props givin when the projects shows profit
This process is hard for most artists
If he ain't targetted as what's poppin
This is not O. Trice's problem
Real name, no gimmicks, get it regardless
Steel guard up, don't trust A&R's cause
If they knew music we'll be much farther
[Chorus]
Hoe, dust off and bust, the rest of us
Ha-ha ha ha ha ha-ha
Don't trust them, I don't trust them
Na-na na na
She lyin while you're cryin them tears
But I been schooled by these streets for years
I don't trust them, I don't trust them
Na-na na na, na-na na na, na-na na na
Na-na na na, na-na na na... [fades out]
The song "Ups & Downs" by Obie Trice is a reflection on the unpredictable journey of life. The chorus of the song highlights the artist's resilience in the face of adversity. Obie Trice has had his fair share of ups and downs in his career and personal life but he bounces back each time. The song also touches on the topic of trust and betrayal. The artist expresses his distrust for hoes and people who he believed have backstabbed him. He talks about the danger of trusting the wrong people and how betrayal can lead to paralysis.
The first verse of the song is a tirade against those who would betray someone for their own selfish interest. He draws attention to the fact that men can turn into "faggots" (a term used in the lyrics to describe a man who is weak or spineless) and backstab someone even after being very close. He warns against trusting such people and that these issues wouldn't exist if they were parallel.
The second verse talks about the danger of trusting hoes and the risk posed by the industry, especially for upcoming artists. Obie Trice talks about how groupie chicks can fabricate stories about a supposed encounter with an artist, which can lead to negative media coverage. He also talks about how he has been schooled by the streets and doesn't trust people easily. The song is a reflection of the artist's experience in life and career.
Line by Line Meaning
I've been up, and I've been down
I've experienced success and failure
And I had this world kick me around
The world has thrown obstacles at me
But I bounce back, now take a look at me now
I've overcome those obstacles and am now successful
Say I don't trust them, I don't trust them hoes
I don't trust women who use their sexuality to manipulate
I see my dreams in front of me unfold
I'm living my dream and achieving my goals
And this crazy world is oh so cold
The world can be harsh and unforgiving
And to my seed, let the story be told
I want my children to know my struggles and successes
Never did trust them, I don't trust them hoes
I've always been wary of manipulative women
Yeah; they back-stab ya, with no malice
They will betray you without feeling any guilt
Rat bastards, grown men turn faggots
Some men are cowardly and untrustworthy
You could shake a nigga hand 'til your palm get calluses
You could have a close and long-standing relationship that means nothing to them
Calculate grams with 'em, tally up math and he
You could even do illegal activities together
Still turn around and leave you stiff, paralysis
They will still betray you without remorse
If we were parallel this possibly wouldn't happen
If we had a mutual benefit relationship, this wouldn't occur
It would just be a myth
It wouldn't even be a possibility
And all that envious shit wouldn't exist
There would be no jealousy or envy between us
Since this stimulates some niggaz to spit
This issue of betrayal and distrust is something that inspires certain people to make music about it
I let 'em smell the stench when a nigga's pushin the six
I confront them about their untrustworthiness
We could take it to that extent, wait a minute, let 'em vent
I'm willing to discuss the issue with them and hear them out
Vicious niggaz incubators, shit could made it then
They are toxic and bring negativity wherever they go
Replace them with real gentlemen
They should be replaced with trustworthy individuals
These feminine faggots shouldn't have been on this planet
These untrustworthy individuals don't deserve to exist
They send the niggaz upstate to they grandpappy's
Their actions could lead to violence and imprisonment
Puttin nothin past these tattlin bastards
I won't put anything past these backstabbing individuals
Now see this industry's risky if you ain't 50
The music industry can be difficult to navigate if you're not already established
They don't mark your dollars
Record labels may not give you proper credit for your success
You see Interscope's iffy, if he sell less than
Interscope Records may not support you if your sales aren't high enough
Multi-million dollar copies they drop him
They may even cut ties completely if you don't meet their standards
See, Jimmy's watchin
Jimmy Iovine, the co-founder of Interscope Records, is watching carefully
If he, purchase my product
If he invests in my music
O might have options, show progress
I could have more opportunities and make progress
Longest most y'all coppin
People are usually buying my music
The nonsense is opposite of him
I don't engage in any nonsense or drama
Props givin when the projects shows profit
I receive recognition when my music is successful
This process is hard for most artists
The process of becoming successful in music is difficult for most people
If he ain't targetted as what's poppin
If I'm not seen as popular or relevant
This is not O. Trice's problem
That's not my problem
Real name, no gimmicks, get it regardless
I'm focused on making quality music and achieving success, even without any gimmicks or tricks
Steel guard up, don't trust A&R's cause
I'm protective of myself and don't trust people in the music industry
If they knew music we'll be much farther
If A&R representatives had a better understanding of music, we could achieve greater success together
Hoe, dust off and bust, the rest of us
Women who use their sexuality to manipulate should be ignored and avoided
Ha-ha ha ha ha ha-ha
Mocking those individuals
Don't trust them, I don't trust them
Reiterating the message of caution towards manipulative women
Na-na na na
Singing a nonsense phrase
She lyin while you're cryin them tears
That woman is lying while you're suffering
But I been schooled by these streets for years
I've learned from my experiences in the streets
I don't trust them, I don't trust them
Repeating the message once again
Na-na na na, na-na na na, na-na na na
Singing the same nonsense phrase again
Na-na na na, na-na na na
Repeating the phrase once more
Lyrics © BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Songtrust Ave
Written by: MAURICE ERNEST GIBB, ROBIN HUGH GIBB, BARRY ALAN GIBB, CORDOZAR BROADUS, WARRYN S. CAMPBELL
Lyrics Licensed & Provided by LyricFind
Paulo Cesar
Saudade desse cara na SHADY RECORD
Who is this?
Dope as always)
Mike
God damn... OBIE..!!!
b allen
flame..love my nicca o-trice
הערוץ הרשמי Shlomo_SLO Official
boom!