Their style can be defined as deconstructed-rapped-20's-synth-protest hip hop.
James Blunt
Odezenne Lyrics
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Fume-un fume-un
James Blunt
James Blunt
Fume-un fume-un
James Blunt
Fume-un fume-un
James Blunt
James Blunt
Fume-un fume-un
James Blunt
Tu dors avec l′ennemi
Encore avec l'ennemi
L′oreiller le vénéneux,
L'amour est le bienvenu
Tu pars avec mes ennuis
Encore avec tes ennuis
Oublier c'est généreux,
L′amour est le bienvenu
La lune est au rendez-vous
Sa chute "elle rend rien" du tout
Voler c′est contagieux,
L'amour est le bienvenu
James Blunt
C′est pas la mort qui arrive c'est l′amour
James Blunt
C'est pas la mort qui arrive c′est l'amour
James Blunt
C'est pas la mort qui arrive c′est l′amour
James Blunt
C'est pas la mort qui arrive c′est l'amour
James Blunt
Fume-un fume-un
James Blunt
James Blunt
Fume-un fume-un
James Blunt
Tout ça pour un paradis!
Tout ça pour un paradis!
Les bons comptes les bons amis,
L′amour est le bienvenu
Tu roules tu roules la beuh
Donne-moi donne-moi un peu
Les sourires sont dangereux,
L'amour est le bienvenu
La mer la, mer elle est bleue
Ça brûle, ça brûle le feu
Numéro, numéro deux,
L′amour est le bienvenu
James Blunt
C'est pas la mort qui arrive c'est l′amour
James Blunt
C′est pas la mort qui arrive c'est l′amour
James Blunt
C'est pas la mort qui arrive c′est l'amour
James Blunt
C′est pas la mort qui arrive c'est l'amour
James Blunt
James Blunt
Malade est la mélodie
La pièce elle est noire ici
Ô ma vie, Ô ma vie
L′amour est le bienvenu
Tes lèvres mes lèvres c′est vieux
S'en aller sans aller mieux
Ménage ménage à deux,
L′amour est le bienvenu
Ce que j'ai pris je l′ai pris
Le temps de se dire Adieu
L'amour est déjà connu,
La mort est la bienvenue.
James Blunt
C′est pas la mort qui arrive c'est l'amour
James Blunt
C′est pas la mort qui arrive c′est l'amour
James Blunt
C′est pas la mort qui arrive c'est l′amour
James Blunt
C'est pas la mort qui arrive c′est l'amour
James Blunt
James Blunt
James Blunt
Fume-un fume-un
James Blunt
James Blunt
Fume-un fume-un
James Blunt
James Blunt
Fume-un fume-un
James Blunt
James Blunt
Fume-un fume-un
James Blunt
James Blunt
Fume-un fume-un
James Blunt
The song "James Blunt" by Odezenne is a complex and thought-provoking commentary on love and addiction. The repetitive use of the name "James Blunt" as a sort of mantra seems to represent the cycle of addiction and the way in which a person can become consumed by it, obsessively fixating on their drug of choice. This is further reinforced by the phrase "fume-un fume-un," which can be translated to "smoke, smoke."
The lyrics also touch on the idea of sleeping with the enemy, both literally and metaphorically. The idea of the "venomous pillow" implies a poisonous and destructive relationship, while the repetition of "encore avec l'ennemi" (still with the enemy) suggests a cycle that is hard to break. The line "oublier c'est généreux" (to forget is generous) is particularly poignant, as it seems to suggest that the only way to escape this cycle of addiction and destructive relationships is through forgetfulness, which requires an act of generosity towards oneself.
The chorus, which states "C'est pas la mort qui arrive c'est l'amour" (it's not death that's coming, it's love), provides a glimmer of hope in an otherwise bleak picture. Love is presented as a powerful force, one that can rival addiction and provide a way out of destructive cycles. However, the final line of the song (La mort est la bienvenue - death is welcome) adds a darker note, hinting that the singer has perhaps already accepted his fate and is resigned to the destructive cycle.
Overall, "James Blunt" is a deeply introspective song that explores the complexity of addiction, relationships, and the pursuit of love.
Line by Line Meaning
James Blunt
The repetition of the name 'James Blunt' suggests that the singer is stuck in a cycle of negative thoughts or behavior.
Fume-un fume-un
This repetition of 'fume-un' suggests that the singer is angry or frustrated.
Tu dors avec l′ennemi
The singer is accusing someone of sleeping with the enemy, perhaps suggesting a partner who is not trustworthy.
Encore avec l'ennemi
The repetition of 'encore' suggests that this is an ongoing problem or pattern.
L′oreiller le vénéneux,
The pillow is described as 'venomous,' which may suggest that sleeping with this person is toxic.
L'amour est le bienvenu
Despite the negative feelings expressed in the previous lines, the singer still welcomes love.
Tu pars avec mes ennuis
The singer accuses someone of taking their problems with them when they leave.
Encore avec tes ennuis
The repetition of 'encore' suggests this is an ongoing issue.
Oublier c'est généreux,
Forgetting is seen as a generous act, perhaps suggesting that the artist is willing to forgive.
La lune est au rendez-vous
The moon is present or anticipated, which could suggest a romantic context.
Sa chute "elle rend rien" du tout
The fall of the moon doesn't result in anything, which could suggest that the romantic encounter doesn't lead to anything meaningful.
Voler c′est contagieux,
Stealing is contagious, which could suggest that negative behavior is spreading.
Tout ça pour un paradis!
This line might suggest that people are going to great lengths for something that may not even exist or may not be worth it.
Les bons comptes les bons amis,
This saying means that good bookkeeping leads to good relationships, which could suggest trust issues or tensions between people.
Tu roules tu roules la beuh
The singer is accusing someone of rolling (or smoking) marijuana.
Donne-moi donne-moi un peu
The artist is asking for some of the marijuana.
Les sourires sont dangereux,
Smiling is dangerous, which could suggest that people are pretending to be happy or that something bad is about to happen.
La mer la, mer elle est bleue
The sea is blue, which could suggest that things might appear calm or pleasant on the surface.
Ça brûle, ça brûle le feu
Fire (or passion) burns, which could suggest that intense emotions are involved.
Numéro, numéro deux,
This line could mean that the artist is going to the bathroom or doing drugs.
Malade est la mélodie
The melody is sick or unwell, which could suggest that things are not as they should be musically or emotionally.
La pièce elle est noire ici
The room is dark, which could suggest that the artist is in a negative or dangerous environment.
Ô ma vie, Ô ma vie
The singer is addressing their life with a sense of reverence or urgency.
Tes lèvres mes lèvres c′est vieux
Kissing has become old or familiar between the artist and their partner.
S'en aller sans aller mieux
Leaving without feeling better, which could suggest that the relationship is not helping either person.
Ménage ménage à deux,
This line might suggest that a relationship requires work from both partners.
Ce que j'ai pris je l′ai pris
The singer has taken what they have taken, which could suggest a sense of ownership or responsibility.
Le temps de se dire Adieu
The time has come to say goodbye.
La mort est la bienvenue.
The line 'La mort est la bienvenue' suggests that the artist is tired of living or dealing with their current situation.
Writer(s): Alix Caillet, Jacques Cormary, Mattia Lucchini
Contributed by Muhammad S. Suggest a correction in the comments below.