The band from Los Angeles, California, USA, a pared-down version of the theatrical troupe The Mystic Knights of the Oingo Boingo, released eight major albums and two live compilations, each containing songs that varied from fast-paced ska to soulful jazz to emotional rock to off-kilter pop.
Starting in 1980, Oingo Boingo spent their first three albums establishing themselves as a band with quirky, bizarre, sarcastic, and anti-conformist vocals, lyrics, and instrumentation, among other things lambasting "normal" society and politics for their many hypocrisies and encouraging people to think for themselves. The band made a change toward a different sound when frontman Danny Elfman recorded So-lo in collaboration with the band and a new label, beginning a trio of "new wave"-ish albums containing ballads and songs about life and mortality, including the famous Dead Man's Party. The band went on to record Dark at the End of the Tunnel, a change toward a sort of Boingo-esqe "spirituality", and finally recorded their last album: dark, guitar-driven, hornless, influenced by the Beatles and Pink Floyd, eponymous with the new band name Boingo.
Now mostly known for their frequent contribution to movie soundtracks (including their most successful song "Weird Science"), Oingo Boingo formally broke up in 1995 after their last Halloween live concert, the reason being that 'it was time.'
Throughout the years, the following joined Elfman and Bartek as members of Oingo Boingo:
Leon Schneiderman - baritone and alto saxophones, percussion, backing vocals
John 'Vatos' Hernandez - drums, percussion
Kerry Hatch - bass, bass synthesizer, percussion, backing vocals
Sam 'Sluggo' Phipps - tenor and soprano saxophones, clarinet, percussion, backing vocals, flute
Dale Turner - trumpet, trombone, percussion, guitar, backing vocals
Richard Gibbs - keyboards, synthesizer, trombone, percussion, backing vocals
John Avila - bass, bass synthesizer, percussion, accordion, backing vocals
Michael Bacich - keyboards, backing vocals
Carl Graves - keyboards, synthesizers, backing vocals, electronic percussion pad
Warren Fitzgerald - guitar
Doug Lacy (aka Doug Legacy) - percussion, trombone, accordion
Marc Mann - keyboards, samples
Aftermath
Since the band's dissolution, frontman Danny Elfman has continued to find success in his career writing film scores, particularly in collaboration with director Tim Burton; he almost exclusively employs Boingo guitarist Steve Bartek as orchestrator. His film scores have included Pee Wee's Big Adventure, Batman, Edward Scissorhands, Good Will Hunting, Men in Black, Sam Raimi's Spider-Man, Big Fish, and dozens more. Elfman also wrote the themes for more than a dozen TV series, including The Simpsons, Batman: The Animated Series, Desperate Housewives, Tales from the Crypt, and Sledge Hammer!.
Steve Bartek, besides working with Danny, has composed music for various TV shows, including Tales from the Crypt and Desperate Housewives, and movie scores, such as The Art of Travel, Meet the Deedles and Cabin Boy.
Vatos formed a concert show along with Sluggo, Bartek, and Avila in California. The concert show features performances of Oingo Boingo's most popular songs. This has led to speculation about a reunion. In early 2007, Danny Elfman said there would not be a reunion. He has irreversible hearing loss and is worried that playing live would exacerbate it. He stated that some members may also suffer from the condition.
The Oingo Boingo spirit is kept alive by tribute band Dead Man's Party, which performs regularly in Southern California - occasionally with original Boingos Steve Bartek, John Avila, and John Hernandez. Lead singer Robert Elfaizy sings quite impressive "Danny Elfman" vocals.
Other Projects
John Avila and Johnny "Vatos" Hernandez were two members of the trio Food For Feet. They also formed the rhythm section of Tito & Tarantula, a Los Angeles band fronted by Tito Larriva of The Plugz and the Cruzados. Avila and Hernandez also joined Larriva and guitarist Stevie Hufstetted in a one-off project band called Psychotic Aztecs. The Aztecs released one album on the Grita called Santa Sangre.
After the break-up, John Avila, guitarist Steve Bartek, drummer Johnny "Vatos" Hernandez, and saxophonist Sam Phipps (along with Doug Lacy and other musicians) formed a band called Doug & The Mystics. They recorded one album, New Hat, which included a cover of the Oingo Boingo song "Try to Believe," original songs, and covers of songs by Frank Zappa and other artists.
During the Halloween 2005 season, Johnny "Vatos" Hernandez put together a tribute to the band (and to Halloween itself), joined by former Oingo Boingo members Steve Bartek, John Avila, and Sam "Sluggo" Phipps which took place at the Grove of Anaheim. Standing in for Elfman was Bt4, a young man whom many fans call "the Danny byproduct." During the Halloween 2006 season, there were two Johnny Vatos Tribute to Halloween shows, one in Los Angeles and one in Orange County, with Vatos, Bartek, Avila, Phipps, Legacy, and Bt4 once again on vocals. "Vatos" has announced his intentions of hosting yet another concert along these lines in the 2007 Halloween season, this time at the House of Blues branches on the Sunset Strip and in Anaheim.
In 2005, John Avila, Johnny "Vatos" Hernandez, and Steve Bartek joined the list of performers on the soundtrack of the 2003 re-imagination of the classic sci-fi series, Battlestar Galactica. Richard Gibbs joined at this time as well, but is credited as both a performer and composer. Their performances can be heard in seasons two and three, and will likely be heard on subsequent seasons of the series as well.
Soundtrack Appearances
•The studio recording of "Goodbye, Goodbye" appears on the soundtrack to the 1982 film Fast Times at Ridgemont High. The song can only be found elsewhere on Boingo Alive and Best O' Boingo as a live recording.
•"Bachelor Party" and "Something Isn't Right" appear on the soundtrack to the 1984 film Bachelor Party. These songs can not be found on any Oingo Boingo albums. The soundtrack also includes "Who Do You Want To Be" from the album Good for Your Soul.
•In the 1984 John Hughes film Sixteen Candles, the character of Farmer Ted dances spastically to "Wild Sex (In The Working Class)" from the album Nothing To Fear.
•"Hold Me Back" and "Only A Lad" are featured during the opening and closing credits, respectively, of the 1984 film Surf II.
•"No One Lives Forever" can be heard during the bridge scene in the 1986 film The Texas Chainsaw Massacre 2.
•"Not My Slave" can be heard on the car radio during a scene in the 1986 film Something Wild.
•"Happy" appears on the soundtrack to the 1987 film Summer School. This song cannot be found on any Oingo Boingo albums.
•"Better Luck Next Time" appears on the soundtrack to the 1982 film The Last American Virgin. This song cannot be found on any Oingo Boingo albums.
•"Who Do You Want To Be" appears on the soundtrack to the 1987 film Teen Wolf Too.
•"Try To Believe" (performed by Oingo Boingo under the alias "Mosley and the B-Men") can be heard in the 1988 film Midnight Run, which was scored by Danny Elfman. This version of the song is different from the version on the album Dark at the End of the Tunnel.
•"Same Man I Was Before" can be heard in the 1988 film My Best Friend Is a Vampire.
•The studio version of "Winning Side" appears on the soundtrack to the 1989 film She's Out of Control.
•"Flesh 'N Blood" appears on the soundtrack to the 1989 film Ghostbusters II. A short snippet is played as background music during the film.
•"Skin" can be heard on the radio (though not performed by Oingo Boingo) during a scene in the 1990 Clive Barker film Nightbreed.
•Susanna Hoffs covered "We Close Our Eyes" for the soundtrack to the 1992 film Buffy the Vampire Slayer. The song can be heard during the closing credits.
•"No One Lives Forever" can be heard in the 1997 television film Casper: A Spirited Beginning.
•"Home Again" appeared in the John Hughes film Home Alone 3 in 1997.
•A slightly altered version of "Forbidden Zone" was the theme song to the animated television show Dilbert (1999).
•"Stay" can be heard in the director's cut of the 2001 film Donnie Darko.
•"Violent Love" can be heard in the 1990 film The Adventures of Ford Fairlane.
•"Capitalism" appears on the soundtrack to the 2005 film Enron: The Smartest Guys in the Room.
•"Dead Man's Party" can be heard during a costume party in the "Witch Hunt" (2006) episode of the television show NCIS.
•The live recording of "Who Do You Want To Be" (from the album Boingo Alive) appears on the soundtrack to the 2005 video game Tony Hawk's American Wasteland. It is also featured in the 2005 Nintendo DS version of Tony Hawk's American Sk8land.
•"Dead Man's Party" is a selectable song in the 2006 Xbox video game Dance Dance Revolution Ultramix 4.
•"Only A Lad" was featured in the 2007 video game Guitar Hero Encore: Rocks the '80s.
•"Weird Science" made an appearance in Beavis and Butthead as a music video. However, the duo disliked the song because Butthead believes that "this guy (Danny Elfman) thinks he's smart." Beavis disliked it because he said that "college music sucks." The duo decided to change the channel.
•"Home Again" can be heard at the end credits of the 1986 film Wisdom, written and directed by Emilio Estevez. The soundtrack to Wisdom is also the first all electronic film score that Danny Elfman created for the film.
•"Not My Slave" plays during the 1987 film Like Father Like Son starring Kirk Cameron.
•"Dead Man's Party" is also performed by Oingo Boingo in the movie back to school staring Rodney Dangerfield.
Change
Oingo Boingo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
If it does it's for the worse, seems it's just a modern curse
Sometimes when I take a peek outside of my little cage,
Everyone looks so asleep, will they die before they wake
And, hey. . . Don't you know? We're just products of our time and Hey . . .
What d'ya say? Show me yours, I'll show you mine
Better cute and better loud, better join up with the crowd
Keep up or be left behind, there's a dust storm in my mind
Seems I can't see straight these days, doesn't matter anyway
Hey . . . Don't you know? We're just products of our times and
Hey, what d'ya say? Show me yours, I'll show you mine
Hey, what d'ya say? Hey, what d'ya say? Please don't ever -
Oh God, here's that question now. The one that makes me go insane
I'd gladly tear my heart out if you never, never, never, never change
Do you want to change? Do you want to change right now?
Do you want to change . . . I like my stupid life, just the way it is
And I wouldn't even change it for a thousand flying pigs
And I like you just the way you are, I like your face just the way it is
And I wouldn't even change it for a herd of screaming kids
And I like you just the way you are, I like you though you may not like me back
I would dazzle you with brilliance, if I only had the knack
'Cause I like you just the way you are, I like this life just the way it is
And the castles all around me, have been melting now for years
And it kills my brain to think of all the time I wasted here
All the efforts, sweat, and broken hearts, the screaming and the tears
And I'm dreaming again . . . Floating in a pool of mud
Try to get back where I was and I don't really care
Got a little talking to, by the mirror in my room, and I don't really care . . .
Whispering voices from the dead, come from underneath my bed
And I don't really care . . .
I like my stupid life just the way it is
And the chaos that surrounds me like a flock of screaming pigs
And it hurts my brain to think of all the stupid things I've said
And if I could change the future I would change the past instead
And I'm dreaming again . . . and I'm dreaming again . . .
Baby - sometimes I worry about you
Sometimes you're so far away, tell me what to do
I say, Baby . . . sometimes I worry about you
Sometimes I just can't believe everything you do
I say, Baby . . . sometimes I worry about you
Every day I feel the same, don't you feel it too
I say, Baby . . . sometimes I worry about me
Seems I'm falling down a lot, in between the scenes
I say, Baby . . . sometimes I worry about me
Getting harder all the time, harder now to see
I say, Baby . . . sometimes I worry about me
Light another cigarette, have another dream
It's the same thing every day, nothing ever seems to change and I . . .
Do you really want to change?
Testaments and growing pains. Tranquilizers for the soul.
Nothing ventured, nothing gained - evolution's cruelest joke
Why is everyone upset? I once knew but I forget. Something happened,
Something strange, something it appears has changed
Hey . . . Don't you know? We're just products of our times
And hey, what d'ya say? Show me yours, I'll show you mine
Hey, what d'ya say? Hey, what d'ya say? Please don't ever -
Oh God, here's that question now, the one that makes me go insane
I'd gladly tear my heart out if you never, never, never, never change
The song "Change" by Oingo Boingo is a commentary on the idea that modern society has become stagnant, with no real changes happening, or if they do, it's for the worse. The singer feels trapped in his little cage, and when he looks out, everyone else seems asleep. He wonders if they will die before waking up to make any meaningful changes to their lives. The lyrics criticize the idea of conformity, of being part of the crowd and keeping up with everyone else to avoid being left behind. The singer also questions the idea of change itself, asking if anyone really wants to change, while at the same time expressing a sense of feeling trapped in his own life.
The chorus of the song speaks to the idea that humans are products of their times, shaped by the society they live in, and that change is something difficult to achieve. The last verse, however, speaks to a sense of hopelessness and resignation, as the singer admits he likes his own life the way it is, and wouldn't even change it for a thousand flying pigs. The song ends on a note of frustration and despair, as the singer feels trapped in a cycle of stagnation and conformity.
Line by Line Meaning
Don't you ever wonder why, nothing ever seems to change
The singer wonders why everything seems to be stagnant and unchanging.
If it does it's for the worse, seems it's just a modern curse
The singer believes that change usually leads to negative outcomes and that this is a common problem in contemporary times.
Sometimes when I take a peek outside of my little cage,
The singer is sometimes able to see beyond their own limitations and restrictions.
Everyone looks so asleep, will they die before they wake
From the singer's perspective, it appears that most people are simply going through the motions of life without any real awareness or engagement.
And, hey. . . Don't you know? We're just products of our time and Hey . . .
The singer acknowledges the influence that society has on shaping people's attitudes and behaviors.
What d'ya say? Show me yours, I'll show you mine
The singer is inviting others to be open and honest about their perspectives and experiences.
Better dumb and happy than smart and without any friends
The singer believes that it's more important to be content with simplicity than to be intelligent but lonely.
Better cute and better loud, better join up with the crowd
The singer suggests that conformity is preferable to standing out and being unique.
Keep up or be left behind, there's a dust storm in my mind
The singer feels trapped and overwhelmed by the pressures of society and their own thoughts.
Seems I can't see straight these days, doesn't matter anyway
The singer is feeling disconnected and unsure of their own perspective, but it doesn't seem to matter much to them.
Hey . . . Don't you know? We're just products of our times and
The singer reiterates that people are influenced by their environment and era.
Hey, what d'ya say? Show me yours, I'll show you mine
The singer continues to encourage others to be open and honest about their experiences.
Please don't ever - Oh God, here's that question now. The one that makes me go insane
The singer is afraid of the questions that force them to confront their own limitations and insecurities.
I'd gladly tear my heart out if you never, never, never, never change
The singer is so resistant to change that they would rather undergo extreme physical pain than face it.
Do you want to change? Do you want to change right now?
The singer is asking listeners to consider whether they are content with their current circumstances or if they want something different.
I like my stupid life, just the way it is
The singer is expressing contentment with their own life, regardless of how others might perceive it.
And I wouldn't even change it for a thousand flying pigs
The singer considers their own life to be so valuable that they wouldn't trade it for anything, even fantastical things that don't exist.
And I like you just the way you are, I like your face just the way it is
The singer affirms their preference for others just the way they are, without any need for change or improvement.
And the castles all around me, have been melting now for years
The singer is describing a loss of fantasy or idealism that they once had.
All the efforts, sweat, and broken hearts, the screaming and the tears
The singer reflects on the hardships they have experienced in life.
And I'm dreaming again . . . Floating in a pool of mud
The singer is experiencing a sense of disillusionment or hopelessness, despite still having dreams.
Try to get back where I was and I don't really care
The singer is apathetic about the prospect of returning to a previous state or mindset.
Whispering voices from the dead, come from underneath my bed
The singer is experiencing a sense of paranoia or unease, possibly due to their own thoughts or past experiences.
And the chaos that surrounds me like a flock of screaming pigs
The singer is describing their life as full of noise and confusion, like a chaotic scene.
And it hurts my brain to think of all the stupid things I've said
The singer feels regretful about past mistakes or errors in judgment.
And if I could change the future I would change the past instead
The singer wishes they could go back in time and make different choices or have different experiences.
Testaments and growing pains. Tranquilizers for the soul.
The singer is reflecting on the hardships of life and the various ways people try to cope with them.
Nothing ventured, nothing gained - evolution's cruelest joke
The singer is noting the irony that to make progress in life, one must take risks, which can be painful or difficult.
Why is everyone upset? I once knew but I forget. Something happened,
The singer is perplexed by the negative emotions of others and can't pinpoint the source.
Something strange, something it appears has changed
Despite the confusion, the singer senses that something has indeed shifted or transformed.
Please don't ever - Oh God, here's that question now, the one that makes me go insane
The singer is expressing anxiety and dread about being asked to change or to confront difficult questions.
I'd gladly tear my heart out if you never, never, never, never change
The singer reiterates their resistance to change, even at great personal cost.
Lyrics © Universal Music Publishing Group
Written by: DANIEL ELFMAN
Lyrics Licensed & Provided by LyricFind
Tom Kloser
deep in Changes, Twirling and Hum consummate the Kama Sutra n ritual of Introduction.
"Sorry about the beard, I don't have the power of Limboner under control just yet," says the crazy Hum.
"Oh, no problem."
Post coital cigarettes and chocolate soy milk later, Hum leaves understanding Warpig's take on geopolitics and world history better.
The Nyarlotep Nazis, the scape goat lords of history, make note of Earthling's current struggling s with the divided Sky and send Twirling and her friend, a Limbonian 🦉 who perches on her shoulder, Mouser, along.
Zombie Hitler, by way of Hamsterian chainmail, is now reconnected to Earth.
NumptyDumpty
Steve Bartek is the most unassuming looking guy ever, but at the same time the most amazing, inventive guitarist ever. Such an underrated musician. Love his work.
lyricia1996
Gorgeous. Love how he says for the people who "dropped" the song would be just about right. I watched this on mushrooms once... I'd have to say he must have meant the trippy sound plus the gigantic mirror-ball. I bet those ppl who were fryin' were going INSANE. lol. Love the whole concert, but this is one of the highlights for me. Bartek is in the ZONE.
musekic
Might be the only band in history who really meant it when they said it was a "farewell tour".
lyricia1996
Ahhh, memories!! Back in the day I watched this entire concert on DVD with amazing surround sound from start to finish--ON MUSHROOMS. It was an awesome experience, probably as close as you could get to having actually been there!!!
Freddy Hernandez
If anyone is wondering, my dad still occasionally plays drums in a dress and chases shiny rotating disco balls.Â
Meme Lor
Have you ever heard him scream like he did in Cry of the Vatos
SamTheHam
As he should.
Whatnoticus
as expected, what else to do but this?
Highland804
I can vouch for the truth of that.
DrumWild
Someone asked me for my autograph ten years ago. They thought that I was him. He's one of our true greats!