The group's original musical style was a mixture of Dirty South and G-Funk. Since then funk, soul, pop, electronic music, rock, spoken word poetry, jazz, and blues have been added to the group's musical palette. The duo consists of Atlanta native André "Andre 3000" Benjamin (formerly known as Dré) and Georgia-born Antwan "Big Boi" Patton.
Speakerboxxx/The Love Below is one of only four hip-hop albums to be certified Diamond in the U.S. for shipping over 10 million units. Along with Outkast's commercial success, they have maintained an experimental approach in their music and are widely praised for their originality and artistic content.
Benjamin and Patton met while attending Tri-Cities High School, a Visual and Performing Arts School. Benjamin's parents were divorced and he was living with his father. Meanwhile, Patton had to move with his four brothers and six sisters from Savannah to Atlanta. Benjamin and Patton eventually teamed up and were pursued by Organized Noize, a group of local producers who would later make hits for TLC. The duo initially wanted to be called "2 Shades Deep" or "The Misfits", but because those names were already taken they later decided to use "OutKast" based on finding "outcast" as synonym for "misfit" in a dictionary. OutKast, Organized Noize, and schoolmates Goodie Mob formed the nucleus of the Dungeon Family organization.
OutKast signed to LaFace Records in 1992, becoming the label's first hip hop act and making their first appearance on the remix of label mate TLC's "What About Your Friends". In 1993, they released their first single, "Player's Ball". The song's funky style, much of it accomplished with live instrumentation, was a hit with audiences. "Player's Ball" hit number-one on the Billboard Hot Rap Tracks chart.
Their debut album, Southernplayalisticadillacmuzik, was issued on April 26th, 1994. This initial effort is credited with laying the foundation for southern hip hop and is considered a classic by many hip hop aficionados. Every track on Southernplayalisticadillacmuzik was produced by Organized Noize and featured other members of the Dungeon Family. Follow-up singles included the title track and "Git Up Git Out", a politically charged collaboration with Goodie Mob that was later sampled by Macy Gray for her 1999 hit "Do Something." On this early material, both André and Big Boi contrast lyrical content reflecting the lifestyles of pimps and gangsters with politically conscious material commenting on the status of African Americans in the South. OutKast won Best New Rap Group at the Source Awards in 1995. In the same year, the group contributed "Benz or a Beamer" to the popular New Jersey Drive soundtrack.
ATLiens was OutKast's second album, released on August 27th, 1996. The album exhibited more self-consciousness, and further solidified OutKast as the flagship representatives of the 1st generation Dungeon Family and the Southern hip hop movement. The album helped the group earn more recognition among East Coast hip hop fans in the East and West coasts.
For this album, OutKast joined with partner David "Mr. DJ" Sheats to form the Earthtone III production company, which allowed the group to produce some of their own tracks. "ATLiens" was the group's second Top 40 single (following "Player's Ball" from their first album), and reflected the beginning of André's increasingly sober lifestyle: "No drugs or alcohol/so I can get the signal clear," he rhymes about himself. "Elevators (Me & You)," OutKast's first self-produced single, became the group's first Top 20 hit the same year.
OutKast's third album Aquemini was released on September 29, 1998 and also reached the number-two position on the Billboard 200 album chart in the United States; its title was a combination of the zodiac signs of Big Boi (an Aquarius) and André (a Gemini). The album was widely praised as possibly the group's best material to date: when reviewed by popular hip-hop publication The Source, it received the much-coveted "5 Mics" (out of five) rating.
Producing more material themselves, both Big Boi and André explored more eclectic subject matter, delving into sounds inspired by soul, trip hop, and electro music. The album featured production by Organized Noize and collaborations with Raekwon, funk pioneer and musical forebear George Clinton, and Goodie Mob.
In 1999, OutKast and LaFace Records were sued by Rosa Parks over the album's most successful radio single, which bore Parks' name as its title. The lawsuit alleged that the song misappropriated Parks' name, and also objected to some of the song's obscene language.
The song's lyrics were largely unrelated to Parks, save for a line in the chorus: "Ah ha, hush that fuss / Everybody move to the back of the bus". The song, which OutKast maintained was intended partly as homage, only refers to Parks as a metaphor: the purpose of the song's chorus is to imply that OutKast is overturning hip hop's old order, that people should make way for a new style and sound. The initial lawsuit was dismissed. Parks' representation hired lawyer Johnnie Cochran to appeal the decision in 2001, but the appeal was denied on First Amendment grounds. In 2003, the Supreme Court allowed Parks' lawyers to proceed with the lawsuit.
In 2004, the judge in the case appointed an impartial representative for Parks after her family expressed concerns that her caretakers and her lawyers were pursuing the case based on their own financial interest. Later that same year, the members of OutKast were dropped as co-defendants, and Parks' lawyers continued to seek action against LaFace and parent company BMG. In 2003 André told UK journalist Angus Batey that, following a Detroit concert in the midst of the legal battle, relatives of Parks had approached him and implied that the case was less to do with Rosa than with the lawyers. The suit was finally settled on April 14, 2005, with neither OutKast nor their label having to admit any wrongdoing. The group did, however, have to agree to perform some sort of tribute to Parks.
Originally titled "Sandbox", the pair's fourth album, "Stankonia", was released in October 2000 to excellent reviews. It debuted at number two on the Billboard 200 in the U.S., and would eventually be certified quadruple-platinum. Stankonia's first single was "B.O.B. (Bombs Over Baghdad)", a high-tempo jungle-influenced record. The second single, "Ms. Jackson," combined a pop hook with lyrics about divorce and relationship breakups, particularly André's breakup with singer Erykah Badu; the titular "Ms. Jackson" character being a doppelgänger for Badu's mother. It was at this time that André changed his stage name to the current "André 3000".
The single became their first pop hit, landing the number-one position on the Billboard Hot 100 chart, and the number-two position on the UK Singles Chart. The album's final single was the Organized Noize-produced "So Fresh, So Clean", featuring a credited guest appearance from regular guest vocalist and Organized Noize-member Sleepy Brown and garnered a remix featuring Snoop Dogg. All three singles' videos had heavy MTV2 airplay, and Outkast won two 2001 Grammy Awards, one for Best Rap Performance by a Duo or Group for "Ms. Jackson", and another for Stankonia as Best Rap Album.
During the recording of Stankonia, OutKast and Mr. DJ began producing tracks for the artists on their Aquemini Records imprint through Columbia, including Slimm Cutta Calhoun and Killer Mike, who made his debut on Stankonia's "Snappin' & Trappin."
Webzine Pitchforkmedia.com named Stankonia the 4th greatest album released between 2000 and 2004 in its 2005 feature. In 2009, B.O.B. was chosen as the number one song of the decade.
In December 2001, OutKast released a greatest hits album, Big Boi and Dre Present...OutKast, which also contained three new tracks. One of these new tracks was the single "The Whole World," which won a 2002 Grammy Award for Best Rap Performance by a Duo or Group. Killer Mike also was featured on the song, gaining some exposure among areas outside of his native Atlanta. The other two new songs were called "Funkin' Around" and "Movin' Cool (The After Party)"
The same year OutKast participated in the only Dungeon Family group album, Even in Darkness, along with Goodie Mob, Killer Mike, Sleepy Brown, Witchdoctor, and Backbone among others, and featuring Bubba Sparxxx, Shuga Luv and Mello. In 2002, the group and Killer Mike contributed the lead single "Land of a Million Drums" to the Scooby Doo soundtrack.
In September 2003, OutKast released a double album, Speakerboxxx/The Love Below. It is essentially two solo albums, one by each member, packaged as a single release under the OutKast banner; the two members also appear on each others' discs for a few songs apiece. Big Boi's Speakerboxxx is largely a funk and Dirty South blended party record; André 3000's The Love Below features only brief instances of hip hop, presenting instead elements found in funk, jazz, rock, electronic music, and R&B.
The album is also OutKast's biggest commercial success yet, having debuted on the Billboard 200 albums chart at number-one and stayed there for several weeks. The album eventually sold over five million copies, and, as double-album sales count double for Recording Industry Association of America certification, the album was certified diamond for 10 million units shipped in December 2004. Its latest certification, in May 2006, reaches 11 million copies in shipping.
The first two singles from the album(s), which were released nearly simultaneously, were Big Boi's "The Way You Move" and André 3000's "Hey Ya!" The video for "Hey Ya!" is based on The Beatles' landmark appearance on The Ed Sullivan Show. The video's storyline has "The Love Below"—a fictional band with all members, through the use of special effects, played by André—performing in London. "Hey Ya!" was the number one song on the very final weekend of American Top 40 with Casey Kasem. It was also number one a week later on the very first weekend of American Top 40 with Ryan Seacrest. The singles spent ten weeks at number one on the Hot 100 singles chart, with "Hey Ya!" spending nineteen weeks and "The Way You Move" briefly taking over in February 2004. These singles were seen as a breakthrough for the hip-hop industry, being among the first hip-hop songs to be widely played on adult contemporary radio stations.
OutKast's next official single was not released until the summer of 2004. "Roses", a track featuring both members from The Love Below half of the album, did not meet the level of success as either of its predecessors, but it became a modest-sized hit on urban radio and the American music video networks. The video for "Roses" is loosely based on the musical West Side Story and Grease. It featured sparring 1950s-style gangs, one representing Speakerboxxx, and one representing The Love Below, parodying the widespread arguing among critics and fans as to which half of the album was better and that the two members were estranged. The final singles were André 3000's "Prototype", which was paired with a science fiction-themed video about alien visitors, and Speakerboxxx's "Ghettomusick," which featured both members of OutKast and a sample from a song by Patti LaBelle, who also makes an appearance in the video.
Speakerboxxx/The Love Below won the Grammy Award for the 2004 Album of the Year, becoming only the second rap album to ever receive the honor (the first being The Miseducation of Lauryn Hill by Lauryn Hill in 1999). OutKast was one of the headlining acts at the show, and gave two performances: Big Boi performed "The Way You Move" during a medley with George Clinton & P-Funk and Robert Randolph and the Family Band, while André 3000 performed "Hey Ya!" as the show closed. In February 2004, André 3000's performance, which featured female dancers moving wildly around a green teepee in war paint and feathered headdresses, was criticized by the Native American Cultural Center, who called for a boycott of OutKast, Arista Records, NARAS, and of CBS, the broadcaster of the awards show. CBS later apologized.
Between OutKast albums, Big Boi and André 3000 ventured into film projects. André co-starred in John Singleton's action film Four Brothers and also had a part in Be Cool, while Big Boi took a featured role in the T.I. movie ATL. Both members also began working on a joint film, Idlewild, directed by OutKast music video director Bryan Barber. Idlewild, a Prohibition-era musical film set to a blues-influenced hip-hop soundtrack, was released on August 25, 2006 by Universal Pictures. The Idlewild soundtrack was released August 22, 2006. Its lead single, "Mighty 'O'", features both OutKast members, and was briefly played exclusively on local Atlanta radio stations before being issued as a single in May 2006. They released and shot the video for "Morris Brown" instead. A video for "Idlewild Blue (Don'tchu Worry About Me)" soon followed.
Aquemini Records folded in 2004, and Big Boi founded a new record label, Purple Ribbon Entertainment, to be distributed by Virgin Records. Among its first signees were Sleepy Brown, Bubba Sparxxx, and Killer Mike, Big Boi has released a group album/compilation, titled Big Boi Presents... The Purple Ribbon All-Stars - Got Purp? Vol. 2.
One album remains on the band's LaFace contract. It was originally planned as a ten-track release called 10 The Hard Way; shortly after Idlewild was released, the duo confirmed the album is still in the works, though both have begun new projects without releasing any new information on the album. Due to both Big Boi and André's interest in separate projects such as movies, TV (André's Class of 3000) and solo albums, rumors of a split have turned up frequently in the media. André denied those rumors in a phone interview with MTV News, stating that even though they do not feel like performing on stage together, OutKast is "still tight". In an August, 2006, interview with UK journalist Craig McLean, after emphasizing that they would not split, the pair looked beyond music and film careers, Big Boi suggesting he may consider running for the job of Mayor of Atlanta in the future.
In 2007, Andre 3000 confirmed a new OutKast album would be released, but said that he and Big Boi released solo records first, stating the group album is still possibly two years away. Big Boi's solo album will be released first in June/July of 2009, with the first single, "Royal Flush" (also featuring Andre 3000, essentially making it an OutKast song), planned to have been released on December 31, 2007, but was not released on the announced date. Big Boi announced on his MySpace that the release date for Sir Luscious Left Foot: The Son of Chico Dusty is now sometime in the summer of 2009.
On Nov 14, 2008, the Guardian reported that OutKast will release their follow-up to Idlewild in 2009 after Big Boi and Andre 3000 release their solo albums in the same year. As of August 2009, the albums have not yet been released.
Everlasting
OutKast Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Now sittin' in the bathtub listening to the Isley
Brothers and others outside my door want to despise me
Reminds me that everyone ain't cool the world is jealous
Never could understand when my momma use to tell us
"Don't take your food outside around your friends
Unless you got enough to feed the neighborhood"
The play has just began follow me now
Mood disturbed, Ray goes on to say they trying to get over
Like them niggas with the blinker on, I got my thinker on
So I'm like word, How every you want to act is fine
That is real as fishing raw I might be kissing God
But I'm still in the bathtub so if you got cattle you best be fasting
For 7 days and 7 nights we everlasting
? on a quest to get my class ring just from them fhite wolks
I will if it's the last thing
I do
Hook:
Everlasting
talking:
Yeah, slick knowhatI'msayin'? I'm gonna tell you like this. Just cause I
live the apartment don't mean you can keep puttin' notes under my
windshield I tell you shortie gonna bust your ass about that shit.
Big Boi:
Hey y'all hey y'all hey y'all hoes
Back up in this bitch rippin' tracks like I'm suppose
Tommy and Ralph Lauren don't like niggas to wear they clothes
Where your proof at? Who's that? Talking shit like those
Keepin' the rumors up, I wish I lived in a fuckin' cage
I ride the streets in Lexus all these hoes want to be saved
Go to college get a job because all you want to do is shake
I use to hit club niggas but I gave that shit a break
Just like Maaco, Waco, burn it to the ground
I bet you eatin' pork when your partners ain't around
Backdraft things are Shaft slapping these hoes
Just like he's suppose to, quote you
"Big Boi is the pimp ass nigga that formed you"
Like pottery, sloppily playin' hoes the lotteries
OutKast did the dirt and now you swear your shit is poppin' see You bit
beats, we makin' hits so give me your flag back
I'm living in the SWATS so you may call me Daddy Fatsack
Yeah you know what I'm sayin'? Like this. Everlasting
Hook
Big Boi:
One in a million men passing the J off in the culture
Don't y'all smoke a couple of pounds and get tore up y'all
And tear the devil headquarter down to the grizzound
Is how we hti house and puff a couple of good pounds
Of good weed, PeeWee, my nigga Little Beewee
We need a 50 box of Phillies and some bouncin' titties
From the magic the flame niggas too is sharin' sequals
Never payin' for no pussy
You can shake it you can keep it to your self hoe
Andre:
You left your morals at the door, when you steeped in crept in
Nigga this baby is at the beach so now you wondering
Why your nigga done bust you in the fore, head
Ain't no respect there so you just assed out like breech
Delivery slivery got you swung on these types of things
Go on from here to Bornhome to London
England, Wall Street to y'all street
Sometime I get bewildered and it throws a nigga like me off beat
But I'm back on it
Because we last forever sound good don't it?
Rattling in your trunks like Fambu and the component
Said that's it, man fuck that shit
On and on and on and I'm out
Hook
The lyrics to Outkast's song Everlasting depict the thoughts and experiences of the two members, Andre 3000 and Big Boi. Andre is sitting in the bathtub listening to music and reflecting on his mother's advice about sharing with others. He also talks about his mood being disturbed by people wanting to take advantage of him. The song then moves into Big Boi's verse, where he talks about people spreading rumors and wanting to be a pimp. He also discusses the culture of smoking and partying and his disdain for those who do not have morals or respect.
Overall, the song seems to be a commentary on the struggles of fame and success, and how it can attract jealousy and negativity. The theme of the song seems to be the importance of staying true to oneself and maintaining a strong sense of morals and values despite external pressures.
Line by Line Meaning
Now sittin' in the bathtub listening to the Isley
I am currently in the bath listening to music by the Isley Brothers, but outside people are jealous and trying to anger me.
Brothers and others outside my door want to despise me
People outside my door, whether they be friends or strangers, are showing envious and hateful behavior towards me.
Reminds me that everyone ain't cool the world is jealous
This situation is a reminder that not everyone in the world is kind and accepting, and many will feel jealous or resentful towards those who succeed or have something they don't.
Never could understand when my momma use to tell us
I never fully grasped why my mother would tell us not to take food outside unless we had enough to share with everyone in the neighborhood.
"Don't take your food outside around your friends
My mother warned us against bringing food outside to share with only our friends, as we should be prepared to provide for the whole community.
Unless you got enough to feed the neighborhood"
She emphasized that we should be considerate of others and not just our immediate circle of friends or family when it comes to sharing resources.
The play has just began follow me now
This is just the beginning of the story or event, and I invite you to come along with me.
Act 1 scene 2 the date 1/1/96 the time I don't know
This is the second scene of the first act, on the date of New Year's Day in 1996. I do not know the exact time of day.
Mood disturbed, Ray goes on to say they trying to get over
I am feeling uneasy or upset, and Ray (presumably a character in the story) continues to say that others are trying to take advantage or deceive us.
Like them niggas with the blinker on, I got my thinker on
I am being wary and cautious, like someone using their blinker on the road to indicate a turn. I am keeping my mind active and alert.
So I'm like word, How every you want to act is fine
I respond with agreement or affirmation, telling others that they can act however they choose around me.
That is real as fishin' raw I might be kissing God
My agreement is genuine and authentic, like the taste of freshly caught fish. I may even feel a spiritual connection in this moment.
But I'm still in the bathtub so if you got cattle just be fasting
Despite the seriousness of the situation, I am still relaxing in the bath. If someone has cattle, they should fast for seven days and seven nights to cleanse themselves.
For 7 days and 7 nights we everlasting
We will endure for a long time, perhaps even eternally, as a result of our trials and hardships.
? on a quest to get my class ring just from them fhite wolks
I am on a mission to retrieve my class ring from some white people.
I will if it's the last thing I do
I am determined to complete this quest, even if it is the last thing I do in my life.
Everlasting
The word repeats, emphasizing the idea of endurance, timelessness, and resilience.
Hey y'all hey y'all hey y'all hoes
Big Boi enters, greeting everyone in the room but insulting them at the same time by calling them "hoes".
Back up in this bitch rippin' tracks like I'm suppose
He is back in the recording studio, making music and performing to the best of his ability.
Tommy and Ralph Lauren don't like niggas to wear they clothes
The fashion brands Tommy Hilfiger and Ralph Lauren are intolerant of Black people wearing their clothing, perhaps due to racial prejudice or bias.
Where your proof at? Who's that? Talking shit like those
He demands evidence to support claims made by others against him, and challenges their identity and motives for speaking poorly about him.
Keepin' the rumors up, I wish I lived in a fuckin' cage
The rumors and negative talk about him persist, and he wishes he could seclude himself from it all in a cage or confined space.
I ride the streets in Lexus all these hoes want to be saved
He rides around in a luxury car, and despite being called "hoes" earlier, women are attracted to him and seek his help or affection.
Go to college get a job because all you want to do is shake
He advises others to go to college and get a job, as shaking (dancing suggestively) will not lead to success or financial stability.
I use to hit club niggas but I gave that shit a break
He used to get into fights at nightclubs, but he has since stopped and is trying to avoid such conflicts.
Just like Maaco, Waco, burn it to the ground
He references the auto painting company Maaco and the location Waco, possibly suggesting destruction or a lack of care in his life or community.
I bet you eatin' pork when your partners ain't around
He challenges someone else's actions, suggesting they eat pork (which is prohibited in some religions) when alone or away from others.
Backdraft things are Shaft slapping these hoes
He references the film Backdraft and the fictional character Shaft, potentially implying violent or aggressive behavior towards women.
Just like he's supposed to, quote you
He is fulfilling the role or expectations of Shaft, and he quotes someone else who agrees or supports him.
"Big Boi is the pimp ass nigga that formed you"
The quote praises Big Boi as a confident and influential figure who helped inspire or shape the person being referred to.
Like pottery, sloppily playin' hoes the lotteries
He compares his actions to the process of pottery-making, and also suggests that he is carelessly or roughly treating women like they are objects or prizes in a lottery.
OutKast did the dirt and now you swear your shit is poppin' see You bit
He claims that OutKast (including himself and Andre) did the hard work and paved the way for others to claim success, and anyone who copies their style or sound is merely copying and not original.
beats, we makin' hits so give me your flag back
They are creating popular music and earning recognition, and he demands that someone who is copying them return their own "flag" or image to them.
I'm living in the SWATS so you may call me Daddy Fatsack
He lives in the southwest Atlanta neighborhood known as "the SWATS", and refers to himself in a self-deprecating but humorous way as "Daddy Fatsack".
One in a million men passing the J off in the culture
He is one of the rare few men who are passing a joint (of marijuana) in the cultural or societal context in which he lives or works.
Don't y'all smoke a couple of pounds and get tore up y'all
He advises his peers not to smoke too much marijuana and become excessively intoxicated or high.
And tear the devil headquarter down to the grizzound
He calls for others to rebel against evil or corrupt forces, and to destroy or dismantle them completely.
Is how we hti house and puff a couple of good pounds
This is how they have fun and relax, by being in the house and smoking large amounts of marijuana.
Of good weed, PeeWee, my nigga Little Beewee
They are smoking marijuana that is of high quality, and they refer to each other using nicknames like PeeWee and Little Beewee.
We need a 50 box of Phillies and some bouncin' titties
He lists some of the things they desire or want, such as a 50-pack of cigar wraps and women with large, bouncing breasts.
From the magic the flame niggas too is sharin' sequals
He suggests that other people are also experiencing the same pleasures or effects of smoking marijuana, as if they are all connected by a "magical" flame.
Never payin' for no pussy
He declares that he does not pay money for sex or sexual favors.
You can shake it you can keep it to your self hoe
He is telling a woman that she can dance or be sexual on her own terms, but he will not pay for it or otherwise interfere.
You left your morals at the door when you steeped in crept in
He accuses someone else of being immoral or unethical in their behavior or actions, particularly when they entered a certain space or scenario.
Nigga this baby is at the beach so now you wondering
He references a baby being at the beach, possibly implying a sense of innocence or vulnerability that is now in a potentially dangerous situation.
Why your nigga done bust you in the fore, head
He suggests that someone else's boyfriend or male partner hit them in the forehead or face, perhaps due to tension or disagreement.
Ain't no respect there so you just assed out like breech
There is no respect or dignity in this situation, and the person in question is left feeling helpless or alone (like a breech birth).
Delivery slivery got you swung on these types of things
He observes that the way someone speaks or delivers words has caused others to become violent or aggressive against them.
Go on from here to Bornhome to London
He suggests that this type of problem or conflict is not unique to their local area, but can be found in other places like Birmingham or London.
England, Wall Street to y'all street
There are people and issues related to power, wealth, or status that can be found in places like England or Wall Street, as well as in everyday neighborhoods.
Sometime I get bewildered and it throws a nigga like me off beat
He becomes confused or disoriented by these types of problems or conflicts, and it disrupts his ability to stay focused or on track.
But I'm back on it
Despite the confusion or distraction, he is able to regain his focus and continue moving forward.
Because we last forever sound good don't it?
He repeats the concept of being everlasting or enduring, and asks if it sounds appealing or positive.
Rattling in your trunks like Fambu and the component
He relates this concept of endurance to the literal sound of a car's bass or subwoofer being loud enough to shake objects around it, like the car brand Fambu and its components.
Said that's it, man fuck that shit
He ends the song abruptly, possibly signaling his frustration or annoyance with the issues he has been discussing.
On and on and on and I'm out
He repeats the phrase multiple times, emphasizing that he has finished talking and is leaving or ending the song.
Lyrics © BMG Rights Management, Kobalt Music Publishing Ltd.
Written by: ANDRE BENJAMIN, ANTWAN PATTON, PATRICK BROWN, RAYMON MURRAY, RICO WADE
Lyrics Licensed & Provided by LyricFind
@MrSoprofound
Atliens changed my life...such a deep lyrical masterpiece! Andre and Bigboi just pierced my spirit with that one! Atliens will remain as a classic inside my whip...nowadays mainstream music from Atlanta is dumbed down..speaking of mainstream..what a dope track that is...!
@kenfreeman1027
WHEN U HEARD THIS ALBUM U KNEW AQUEMINI WAS COMING .. just like when u heard dynasty u knew blueprint was coming ..
@jacksol1
This isn’t on ATLiens tho, FYI. It’s on the ‘Nothing to Lose’ movie soundtrack. Check also another track by Outkast From ‘Higher Learning’ soundtrack called Phobia. One of their best songs ever, and not on any of their own released albums.
@kilmatik4192
JSol21 Phobia def sounds like a transition song between the first two Kast albums... Everlasting 100 sounds like it could have been on ATLiens... same with Rats and Roaches... my guess is that they were both recorded for ATLiens (they prob recorded almost 30 tracks for ATLiens) Throw Your Hands Up is another classic deep cut... along with Dez Only 1... check out their song with Monica if you never have... kind of post ATLiens era/ pre Aquemini
@kilmatik4192
JSol21 actually... going back to Rats and Roaches, the flow patterns are closest to In Due Time... so that’s like pre Aquemini era.
@rodneywarr5696
This joint is suspended in time lil dapp
@lukejabron5196
unbelievable production on this song.
@seancampbell1979
Andre 3000 has been the best lyracist for the last 20 years!
@anthonyfoster5740
Soooo underrated. That Nothing to Lose soundtrack was 🔥🔥
@adedamolaodutayo2757
Fact