After recording their debut single "Ode to a Forgetful Mind" in 1988, P.M. Dawn released their first album Of the Heart, of the Soul and of the Cross: The Utopian Experience in 1991 to critical acclaim. It achieved immediate commercial success because of its single "Set Adrift on Memory Bliss". Their 1993 follow-up The Bliss Album...? was also praised by critics and featured the hit singles "I'd Die Without You" and "Looking Through Patient Eyes". P.M. Dawn continued to receive strong reviews, but sold poorly with their subsequent albums Jesus Wept (1995) and Dearest Christian, I'm So Very Sorry for Bringing You Here. Love, Dad (1998).
The Cordes brothers' father died of pneumonia when they were children. Further family tragedy occurred when their baby brother, Duncan, drowned at the age of two. The two elder brothers were raised by their mother and their stepfather George Brown, a founding member of Kool & the Gang.
Prince Be began DJing parties and composing songs in ninth grade. Within a few years, he had determined to make a demo tape of some of those pieces with the $600 he had set aside from his after school job as a security guard at a homeless shelter. By then, he and his brother were putting in studio time as P.M. Dawn.
They first approached Tommy Boy Records, the rap music subsidiary of Warner Brothers, with their demo, but they were told that they were too much like alternative hip-hoppers De La Soul, and not hardcore or ghetto, and were turned away. Eventually, Warlock, an independent record label, issued a debut single, "Ode to a Forgetful Mind", in 1989, but it went unnoticed.
The record label that released the single in the United Kingdom, Gee Street Records, found greater success. Gee Street mixed and marketed the song so that it earned considerable attention from music reviewers, and P.M. Dawn found themselves courted not just by Gee Street's head, Jon Baker, but also by most of the major UK record labels. Gee Street brought the brothers to London in 1990 to record tracks for an album; however, the label found itself facing bankruptcy during the recording. The entire Gee Street operation, along with P.M. Dawn's recording contract, was sold to the highest bidder, Island Records. Island issued a few more singles in the United Kingdom before releasing their debut album, Of the Heart, of the Soul and of the Cross: The Utopian Experience.
Of the Heart, of the Soul and of the Cross featured the international hit "Set Adrift on Memory Bliss", which sampled the Spandau Ballet song "True", and featured a cameo by Spandau Ballet singer Tony Hadley in the music video of the song. "Set Adrift on Memory Bliss" hit #1 the week of November 30, 1991, and holds the distinction of being the first #1 song on the Billboard Hot 100 chart following the introduction of Nielsen SoundScan to the chart. The song also reached #3 in the United Kingdom. "Paper Doll", which was one of the early singles Island released in the United Kingdom, was released in the US as a follow-up to "Set Adrift on Memory Bliss", and peaked at #28 in early 1992. "Paper Doll" is said well over 100 times in the song, which makes it second only to MC Hammer's "Pray", which holds the record for the most times a title is repeated in a US Top 40 hit (147).
With the success of their debut album, the band parted company with their manager Nick Hemmings and embarked on a world tour. During this world tour, a statement Prince Be made in Details magazine led Boogie Down Productions' KRS-One and his crew to storm the stage during a P.M. Dawn concert, forcing the group off the stage and performing three BDP classics. To warrant this reaction from KRS-One, Prince B had asked, "KRS-One wants to be a teacher, but a teacher of what?" Defending his motives to USA Today's James T. Jones IV, KRS-One remarked, "I answered his question. 'A teacher of what?' I'm a teacher of respect."
In 1992, P.M. Dawn appeared on the Red Hot Organization's compilation CD Red Hot + Dance, contributing the Richie Rich Mix of "Set Adrift on Memory Bliss". The album, featuring George Michael and Madonna among others, was meant to raise money and awareness in support of the AIDS epidemic.
Before releasing their follow-up album, The Bliss Album…? (Vibrations of Love and Anger and the Ponderance of Life and Existence), P.M. Dawn contributed the single "I'd Die Without You" to the 1992 Eddie Murphy comedy Boomerang and its soundtrack. This #2 pop hit was also included on The Bliss Album…?, as was the Billboard #2 pop hit "Looking Through Patient Eyes".
"Looking Through Patient Eyes" featured backing vocals by Cathy Dennis and sampled George Michael's hit "Father Figure". The music video for the song was shot in a church, and featured Christian images throughout — most notably, Prince Be wore a T-shirt with "Thank you, Jesus" written across it in black lettering.
The Bliss Album…? featured the Boy George duet "More Than Likely" and a cover of The Beatles' "Norwegian Wood (This Bird Has Flown)". The album also included "So On and So On," which led to a 1999 sampling lawsuit. In the lawsuit Batiste v. Island Records, Inc., Paul and Michael Batiste claimed that P.M. Dawn's song "So On and So On" used unauthorized samples from David Batiste & The Gladiators' "Funky Soul". The fifth Circuit Federal Appellate Court found that the Batistes point to no evidence in the record demonstrating that consumers were confused or deceived by either the use of a digital sample of "Funky Soul" in "So On and So On", or the attribution to David Batiste as a co-author of the track. The Batistes' claim that Paul and Michael Batiste were improperly excluded from the liner notes accompanying the album also failed to suggest that consumers were confused, especially because the liner notes do credit the name of the band in which both Paul and Michael Batiste performed. Though Island Records won the lawsuit, the song was removed from subsequent releases of The Bliss Album and is no longer available for purchase in their publishing catalog.
P.M. Dawn contributed a cover of "You Got Me Floatin'" to the 1993 compilation album Stone Free: A Tribute to Jimi Hendrix. Artists ranging from Pat Metheny to Eric Clapton to Ice-T's Body Count were included.
Their 1995 album Jesus Wept was unable to attain the success of their first two albums. The album's highest charting single was "Downtown Venus", which contained a sample of Deep Purple's "Hush", and reached #48 on the Billboard chart. Also, in 1995, P.M. Dawn was credited with the remix of White Zombie's "Blood, Milk and Sky" (Miss September Mix) on the Supersexy Swingin' Sounds compilation album. In 1996, P.M. Dawn contributed "Non-Fiction Burning" to the AIDS benefit album Red Hot + Rio produced by the Red Hot Organization. In 1998, Prince Be contributed the tracks "Perfect for You" and "Gotta Be...Movin' on Up" to the Marlon Wayans and David Spade comedy Senseless, followed later in the year by P.M. Dawn's fourth album, Dearest Christian, I'm So Very Sorry for Bringing You Here. Love, Dad. It was less successful again, with the album's single, "Being So Not for You (I Had No Right)" being a minor chart hit.
In the same year, Jarret Cordes (DJ Minutemix) was accused of sexually abusing a 14-year old relative and was subsequently arrested in Burlington County. The girl is said to have been a "close relative".
In 2000, they released the compilation, The Best of P.M. Dawn. Through their website, they also began selling a mail-order-only album called Fucked Music on December 1, 2000. This was paired with a bonus CD, Unreleased Vol. 1, and a T-shirt.
Prince Be suffered a massive stroke in early 2005 that left him paralyzed on the left side of his body. Undeterred, P.M. Dawn appeared on NBC's Hit Me, Baby, One More Time, performing "Set Adrift on Memory Bliss", and covered Puddle of Mudd's "Blurry". Despite the fact that Prince Be was still suffering the effects of this stroke, they beat Animotion, Missing Persons, Juice Newton and Shannon to claim the $20,000 charitable prize, which they contributed to the Juvenile Diabetes Research Foundation, as Prince Be was a diabetic.
Following their appearance on Hit Me, Baby, One More Time, Minutemix was terminated for misconduct. This led to the introduction of the Cordes brothers' paternal first cousin, Gregory Lewis Carr II, known by his stage name Doc. G (also known as 'Dr. Giggles' or 'Blissboy #2'.)
On May 15, 2010, Prince Be's 40th birthday, Doc. G performed in Manila before an audience of 50,000 people and dedicated the performance to Guru of Gang Starr and Francis M.
On June 17, 2016, Prince Be died of renal disease at the age of 46.
Doc. G continues to perform and record music under the P.M. Dawn name. On April 6, 2018, Doc.G announced K-R.O.K. as a new member of P.M. Dawn.
To Love Me More
P.M. Dawn Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
To the corners of your mind
Be it time or place or space of love.
I think you know, I think you know
Whatever magnifies you.
My heart won't let it go so,
Whatever the barriers,
Whatever the forces are.
I know that they don't matter,
But they do
And that's why
[Chorus]
I find it so hard for me to tell you
I want you to love me more
I find it so hard for me to tell you
I want you to love me more
I find it so hard for me to tell you
I want you to love me more
I find it so hard for me to tell you
I want you, to love me more
If you could see what I see
When I rest my eyes on you.
Be it people words or anything
I think they know, I think they know
If its you its you and only you
'Cause my emotions run my life.
So, wherever the rainbows go,
Wherever the teardrops are
I bet they feel the love I get from you
And that's why
[Chorus]
It's funny you should say
I dream you all this time
'Cause all the time, I think I do
It's funny you should say
You see the love. I push to your heart
I sure hope its in your nature
To love me more to love me more
To love me more to love me more
The lyrics of P.M. Dawn's song "To Love Me More" are filled with poetic language that draws upon the universal struggles of relationships. The song speaks of the difficulties that come with expressing one's desire for more love and attention from a partner. The opening lines reference a mental escape, a desire to run away with someone to unknown and unexplored corners. The singer acknowledges the draw of this escape, but they cannot let go of the emotions that bind them to their current situation. They confess, "My heart won't let it go, so," suggesting a deeply ingrained attachment that they cannot ignore, no matter how tempting the idea of a grand love affair may be.
The singer then shifts their focus to the idea of magnification, stating, "Whatever magnifies you." This line suggests that the singer can see their partner is significant and important, but they may not be getting the level of love and attention that they need in return. They go on to express that barriers and outside forces may be working against them, but they know that these things do not truly matter. Despite this knowledge, the singer is confronted with a difficulty in expressing their desire for more love: "I find it so hard for me to tell you, I want you to love me more." These repeated lines are the central theme of the song, emphasizing the struggle to communicate and be vulnerable with a partner.
The chorus repeats the line, "I want you to love me more" four times, reaffirming that the singer needs more love and affection from their partner. The second verse solidifies this need, emphasizing that the singer's emotions govern their life and connect them deeply with their partner. The featured lines, "If it's you, it's you and only you" reveal that their partner holds a unique and important role in their life, while "my emotions run my life" reinforces the depth of feeling that the singer possesses. They suggest that love is found in the most commonplace things, and this appreciation spreads like rainbows and teardrops. Still, the central difficulty of communication remains, prompting the singer to renew their plea, "To love me more, to love me more."
Overall, P.M. Dawn's "To Love Me More" is a poignant meditation on the difficulty of expressing one's needs in a relationship. With evocative imagery and emotional honesty, the song highlights the often-unseen struggles of commitment and vulnerability.
Line by Line Meaning
When you run away with someone
When you choose to escape with another person
To the corners of your mind
To a distant, hidden mental space
Be it time or place or space of love.
Whether it's the past, present, or future place of love
I think you know, I think you know
I believe you're aware
Whatever magnifies you.
Anything that enhances you
My heart won't let it go so,
My emotions won't allow me to forget it
Whatever the barriers,
Regardless of the obstacles
Whatever the forces are.
Regardless of what's trying to pull us apart
I know that they don't matter,
I understand those things aren't significant
But they do
But their impact is still felt
And that's why
That's the reason
If you could see what I see
If you had my perspective
When I rest my eyes on you.
When I look at you
Be it people words or anything
Regardless of what others may say or do
I think they know, I think they know
I believe they are aware
If it's you it's you and only you
If it's love, it's only for you
'Cause my emotions run my life.
Because my feelings control me
So, wherever the rainbows go,
Wherever beauty can be found
Wherever the teardrops are
Even in moments of sadness
I bet they feel the love I get from you
I trust that they can sense the affection you give me
And that's why
That's the reason
It's funny you should say
It's interesting that you mention
I dream you all this time
I've been thinking about you constantly
'Cause all the time, I think I do
Because I feel like that's all I do
You see the love. I push to your heart
You witness the affection that emanates from me
I sure hope it's in your nature
I really hope that's one of your qualities
To love me more to love me more
To increase your love for me even more
To love me more to love me more
To continue to love me more and more
Lyrics © Universal Music Publishing Group, THE ROYALTY NETWORK INC.
Written by: ATTRELL STEPHEN JR. CORDES
Lyrics Licensed & Provided by LyricFind