Rhinestoned says it all. No other word, real or invented for the occasion, sums up as well where Pam Tillis stands now.
She is, after all, a superstar as well as a survivor. A child of Music City royalty and a former rebel, she was determined to find her own way as a singer and songwriter — and she succeeded. A CMA Female Vocalist of the Year, she has written songs for some of the top singers in and beyond Nashville, including more than a few of her own hits.
She knows what it's like to break the platinum barrier, to top the singles charts time and again, to bask in an ovation at her induction as a member of the Opry or play in the intimate hush of the Bluebird Café. She has bathed in the lights of Broadway, posed for glamour magazine spreads, sung ballads in Bay Area bistros, batted wicked one-liners back to Tom Bergeron on Hollywood Squares, even made cameos in movies.
But no matter where she wandered, Pam Tillis never lost her connection to country music — even when country began to lose touch with itself. Trends came and went, and though she rolled easily with the tides and drew something from every new twist, she was aware that changes come with a cost, even as the business side of country flourished.
Her response was to insist on writing and cutting songs that spoke from the soul, rather than the boardrooms and focus groups of the country music industry. The results have been records that emanate an almost painful beauty, as did her 2002 release, the critically acclaimed It's All Relative (a tribute to her father, the great Mel Tillis).
"What I'm doing is country — but not necessarily the kind that you hear on the airwaves these days," Tillis explains, one drizzly afternoon over coffee, not far from Music Row. "Now, I admire a lot of this music; after all, I've sung rock, pop, R&B, and jazz, so I'm hardly a purist. But what I'm hearing now sounds often more like pop than country to me. And I just seriously felt called by that old different drummer to something a little bit more like the country I remember from my formative years, the country music of my youth." It's also something Tillis' fans and friends clamor for as she encounters them out on the road.
With It's All Relative, which she affectionately calls "the Dad album," Tillis produced one of the most memorable discs to have come out of Nashville in years, largely because of her refusal to conform to expectations. Combing through her father's catalog, she chose songs that had an especially timeless quality, with built-in resistance to the whims of the market. It was a bold statement; more than that, it set the stage for the even more assertive statement that Rhinestoned would make.
"Pam had reached a point where doing a record every year or two wasn't as important as taking the time to make something that had more meaning," says Matt Spicher, who co-produced Rhinestoned with Tillis and Gary Nicholson. "So she decided to embrace the momentum she had established with the Dad record."
"That was the first record I ever made where I wasn't concerned about having to come up with three singles," Pam points out.
"The labels understood that from the beginning," Matt says.
"They said they did," she clarifies.
And that's one reason why Rhinestoned marks the first album to be released on Stellar Cat, Pam's own imprint. With total creative control, she let her heart lead the way toward material that she could perform honestly and emotionally. "This is an A&R-free zone," she says, smiling. "But it is, first of all, real country. It's a bookend to the Dad album, except it has all new songs. It's like a bridge between the present and the past."
How past is this particular past? "If you look at my record collection circa 1974," Pam answers, "you'd see Emmylou, Gram Parsons, Waylon Jennings, Don Williams, Linda Ronstadt, and Neil Young. Flying Burrito Brothers — hippie country I call it — that was some of the best music that ever came out of this town. Maybe it wasn't happening on country radio at the time but it sold record and built careers. It was the vibrant scene on the fringes of country, which was very cool — just as it is today."
The Rhinestoned sessions started in 2004. Pam and Matt whittled 20 songs down to ten, which they cut and set aside, like bottles of wine allowed to mature. A few months later they repeated the process. And then, after reflecting for a while on what she had accomplished, Pam decided something wasn't right. She talked about it with her trusted friend and writing partner Gary Nicholson and reached a critical decision.
"It needed to be more country " she sums up. "I played what we had for Gary, brought him into the picture, and suddenly it felt like we weren't wandering in the woods anymore. Then when I found the song "Band in the Window," suddenly I could see and hear the whole project in my mind right down to the t-shirts, Tillis laughs.
With that, the final round of recording began. All of it, aside from backing vocals, was cut the old-fashioned way: live, just the way those bands still play in the windows along Lower Broadway. Many of Pam's performances were actually guide vocals, laid down in real time with the instrumental tracks but too strong in the end to throw away. Overdubs and fixes were kept to a bare minimum.
The rollicking reverence she brings to "Band in the Window," the affection that radiates between her and John Anderson on "Life Sure Has Changed Us Around," the goofball humor of "Crazy By Myself," the insight of her recitation on "Bettin' Money on Love": All of the up-tempo moments on Rhinestoned emit a sense of freedom that's impossible for Pam to suppress or for any listener to miss.
Even the ballads and deeper performances — the languorous sway of "Something Burning Out," the wounded wisdom of "Train Without a Whistle," the almost whispered yearning of "Someone Somewhere Tonight," and the recklessness of "Down by the Water" — carry a quality that's become sadly unfamiliar in much of today's music.
It's that feeling of delight that comes from singing exactly what you were meant to sing at that moment. It's almost like a kind of ecstasy, which goes a long way when delivered by the incomparable Pam Tillis, without compromise or apology.
You might call it joy, but there's a better word than that for this state of creative exhilaration.
We'd call it Rhinestoned.
Tennessee Nights
Pam Tillis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Whipoorwills call from high on the hill
Deep shadows fall as I wait for you by the window
Soon you'll be here drawing me near to you again
These Tennessee nights roll on like the river,
So gentle and slow, with you by my side
These Tennessee nights will go on forever
I hear the wind whisper low through the hollow
Calling my name, the way you did then
I close my eyes and I lay my head on the pillow
Soon you'll be here, in peaceful dreams with me again
These Tennessee nights roll on like a river,
So gentle and slow, with you by my side
These Tennessee nights will go on forever
Cause here in my heart you'll always be mine
Here in my heart, you'll always be mine
The lyrics to Pam Tillis's song Tennessee Nights is a testament to long-lasting love and the memories that are missed when a loved one is away. The opening verse of the song is reflective of loss and longing. The singer, in solitude, observes the natural world around them, and though they recognize the beauty, they are focused on their current state of being. The gentle wind, the accompanying whippoorwills' song, and the deep shadows that come with the evening only serve to heighten their sense of loneliness. Nonetheless, they wait by the window, hoping to catch a glimpse of their beloved.
In the chorus, the singer reminisces about the beauty of Tennessee Nights, which they experience with their loved one. Nights that felt like a gentle and slow-moving river while they were with their beloved. The lyrics suggest that the singer feels that this kind of love is everlasting and unchanging, and whether or not they are together, the love will endure.
The second verse describes the vicarious experiences that the singer is having through the natural world they encounter. They hear the sound of wind whispering, and it seems as if the wind is calling their name, the same way their loved one did. The singer falls asleep, still wrapped in memories of their past love, and dreams of being with their partner again.
Line by Line Meaning
Somebodies gone, a wind stirs the willows
In the peaceful Tennessee night, I feel the absence of a loved one and the stirrings of nature around me
Whipoorwills call from high on the hill
The haunting call of a bird echoes through the night and adds to the stillness I feel
Deep shadows fall as I wait for you by the window
As I wait for your return, the darkness outside reminds me of the depth of my longing and anticipation
Soon you'll be here drawing me near to you again
I eagerly await your arrival, knowing that being with you will bring me comfort and joy once again
These Tennessee nights roll on like the river,
The passage of time is marked by the gentle flow of a nearby river, reminding me of the inevitable and constant nature of change
So gentle and slow, with you by my side
When I am with you, time seems to slow down and I am able to appreciate each moment for what it is
These Tennessee nights will go on forever
Even though time will pass and things may change, the memories of these nights and our love will endure
Cause here in my heart you'll always be mine
Regardless of what the future may bring, my love for you will remain constant and unwavering in my heart
I hear the wind whisper low through the hollow
As the wind rustles through the surrounding trees, I feel a sense of connection to nature and the world around me
Calling my name, the way you did then
In the stillness, I remember the sound of your voice calling my name and I am comforted by the memory
I close my eyes and I lay my head on the pillow
As I prepare for sleep, I am filled with gratitude for the love and warmth that surrounds me
Soon you'll be here, in peaceful dreams with me again
As I drift off to sleep, I know that in my dreams, you will be with me once again, bringing me comfort and joy
Here in my heart, you'll always be mine
No matter where life may take us, my love for you will forever be a part of who I am
Lyrics © Warner Chappell Music, Inc.
Written by: JAN BUCKINGHAM, SHAWNA HARRINGTON-BURKHART
Lyrics Licensed & Provided by LyricFind