Patch is a name that has been used more than once.
(1)A dark-folk-r… Read Full Bio ↴Patch is a name that has been used more than once.
(1)A dark-folk-rock project formed in Cripple Creek, Virginia in 2011.
(2) A young Dutch producer, focusing on electronic music, branded patchstep, active 2016-present.
(3) Electronic Artist, Producer and Sound Sculptor, active 2010-2011.
(4) An Australian progressive rock band with an album in 1977.
(5) An American band with an album in 2003.
(6) A short lived, innovative rock band from Elk Rapids, Michigan (USA).
Patch (1) A dark-folk-rock project formed in Cripple Creek, Virginia in 2011. With a tendency toward the bittersweet and melancholy, Patch is comprised of guitar, accordion, bass, banjo, and drums. https://patchpatchpatch.bandcamp.com/
Patch (2) is a young musician and producer based in the Netherlands. Studying at the HKU, Hogeschool voor de Kunsten Utrecht, she is working on her style to launch a proper career in the industry. Her unique style of producing makes her so-called patchstep very recognizable. She hopes to open up the technical world of music production & educate the next generation.
Patch (3) was a founding member and driving force in the live electronica band Heavyweight Dub Champion which fused deep dub with intelligent hip-hop, crushed dance floors, and left a wake of fanatic fans and perplexed sound engineers. Every night on two soundboards Patch engineered 56 channels of music through numerous delays, filters, and fxs creating a heavy, high energy, and transcendent live show. As sonic alchemist and technical innovator he helped define what it meant to perform "Live P.A." by turning the soundboard into an instrument. H.D.C.+ has headlined and been a featured artist in major festivals, clubs, and underground gatherings throughout the U.S, Europe and Canada. They have shared billing with Amon Tobin, Tricky, Damien Marley, Steel Pulse, Marilyn Manson, Wu-Tang Clan, Sonic Youth and KRS One, to name a few. Through live shows and with their two albums Survival Guide and Rise of the Champion Nation Patch and Heavyweight have left a permanent evolutionary mark on dub-electronica and West Coast Bass culture.
In the fall of 2008 Patch left H.D.C.+ and has since been focusing on production work, collaborations, remix projects, and studying infrasonic communication. Patch contributed to Pitch Black's 2009 remix album Rhythm, Sound and Movement by bringing in heavy bass mutations and reinventing their track "Sonic Colonic." Earlier this year Dub/Junglist guru Dr. Israel brought Patch in to tweak and remix his live show. The two have since toured the west coast and B.C. and are plotting and scheming future studio releases. A number of collaboration and solo works from Patch will reveal themselves in the coming months.
January 2010 Patch released 1 degree C an instrumental album that travels from the rainforest floors of Borneo to the deep undersides of Antarctic icebergs. The pressures of increasing temperature and the shift of weather patterns are only just beginning to make their impact on the planet and society. '1 degree C' is a soundtrack to these unfolding events and a call to action.
Patch (4) was a studio project conceived by drummer/composer Peter Dawkins, who enlisted members of the band Spectrum to back him for the album The Star Suite in 1977.
Patch (5) released an album called The Perfect Disguise in 2003.
Patch (6), rose out of Elk Rapids, Michigan, in the late 90's. Gene Davis (drums), Chad Edwardson (guitar & vox) and Ben Price (bass) were the founding and only members of this unstoppable rock outfit. They released a casette tape title "Only Human" followed by "Jimmy Crack Corn" which was available in compact disc form. As the group graduated highschool, they disbanded. The band members all live successful lives in other areas and are content knowing they forever changed the face of Elk Rapids rock & roll.
There was also an American band more properly known as Jazzberry Patch
In 2005, bass players Dustin Price (brother of Ben) and Stu Ford united on stage for the first and only time, performing bass guitar duets of hits by artists such as Sublime, Ben Harper and Bob Marley. They called themselves Patch, in attempt to revive the defunct band from their hometown. Another factor in naming their duo was their complete and utter lack of creativity.
(1)A dark-folk-r… Read Full Bio ↴Patch is a name that has been used more than once.
(1)A dark-folk-rock project formed in Cripple Creek, Virginia in 2011.
(2) A young Dutch producer, focusing on electronic music, branded patchstep, active 2016-present.
(3) Electronic Artist, Producer and Sound Sculptor, active 2010-2011.
(4) An Australian progressive rock band with an album in 1977.
(5) An American band with an album in 2003.
(6) A short lived, innovative rock band from Elk Rapids, Michigan (USA).
Patch (1) A dark-folk-rock project formed in Cripple Creek, Virginia in 2011. With a tendency toward the bittersweet and melancholy, Patch is comprised of guitar, accordion, bass, banjo, and drums. https://patchpatchpatch.bandcamp.com/
Patch (2) is a young musician and producer based in the Netherlands. Studying at the HKU, Hogeschool voor de Kunsten Utrecht, she is working on her style to launch a proper career in the industry. Her unique style of producing makes her so-called patchstep very recognizable. She hopes to open up the technical world of music production & educate the next generation.
Patch (3) was a founding member and driving force in the live electronica band Heavyweight Dub Champion which fused deep dub with intelligent hip-hop, crushed dance floors, and left a wake of fanatic fans and perplexed sound engineers. Every night on two soundboards Patch engineered 56 channels of music through numerous delays, filters, and fxs creating a heavy, high energy, and transcendent live show. As sonic alchemist and technical innovator he helped define what it meant to perform "Live P.A." by turning the soundboard into an instrument. H.D.C.+ has headlined and been a featured artist in major festivals, clubs, and underground gatherings throughout the U.S, Europe and Canada. They have shared billing with Amon Tobin, Tricky, Damien Marley, Steel Pulse, Marilyn Manson, Wu-Tang Clan, Sonic Youth and KRS One, to name a few. Through live shows and with their two albums Survival Guide and Rise of the Champion Nation Patch and Heavyweight have left a permanent evolutionary mark on dub-electronica and West Coast Bass culture.
In the fall of 2008 Patch left H.D.C.+ and has since been focusing on production work, collaborations, remix projects, and studying infrasonic communication. Patch contributed to Pitch Black's 2009 remix album Rhythm, Sound and Movement by bringing in heavy bass mutations and reinventing their track "Sonic Colonic." Earlier this year Dub/Junglist guru Dr. Israel brought Patch in to tweak and remix his live show. The two have since toured the west coast and B.C. and are plotting and scheming future studio releases. A number of collaboration and solo works from Patch will reveal themselves in the coming months.
January 2010 Patch released 1 degree C an instrumental album that travels from the rainforest floors of Borneo to the deep undersides of Antarctic icebergs. The pressures of increasing temperature and the shift of weather patterns are only just beginning to make their impact on the planet and society. '1 degree C' is a soundtrack to these unfolding events and a call to action.
Patch (4) was a studio project conceived by drummer/composer Peter Dawkins, who enlisted members of the band Spectrum to back him for the album The Star Suite in 1977.
Patch (5) released an album called The Perfect Disguise in 2003.
Patch (6), rose out of Elk Rapids, Michigan, in the late 90's. Gene Davis (drums), Chad Edwardson (guitar & vox) and Ben Price (bass) were the founding and only members of this unstoppable rock outfit. They released a casette tape title "Only Human" followed by "Jimmy Crack Corn" which was available in compact disc form. As the group graduated highschool, they disbanded. The band members all live successful lives in other areas and are content knowing they forever changed the face of Elk Rapids rock & roll.
There was also an American band more properly known as Jazzberry Patch
In 2005, bass players Dustin Price (brother of Ben) and Stu Ford united on stage for the first and only time, performing bass guitar duets of hits by artists such as Sublime, Ben Harper and Bob Marley. They called themselves Patch, in attempt to revive the defunct band from their hometown. Another factor in naming their duo was their complete and utter lack of creativity.
Fire
Patch Lyrics
We have lyrics for these tracks by Patch:
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Zealisreal
For Hot Streak proc to be decent you are looking at mean minimum of 50% crit for fire Mage viability.
This is pretty easy to get, 23% from talents, 10% from raid buffs (your imp scorch and SP misery or Druid FF) so that’s 33%.
Intellect gives 1% crit per 166.6667 meaning you will gain 5-7% crit there, 38-40%.
Spirit, now here’s the big boy, with molten armour glyphed, 55% of your total spirit will convert to crit rating with a ~45.91 to 1% ratio, meaning 600 spirit would give 330 crit rating which is equal to ~7% crit.
Now we’re at 47% and that last 3 can easily come from gear, gems and enchants, which would easily get you close to 60%.
Hope this helps.
Scottejaye
FYI, I was testing mage non stop for about 11 hours total so if its in tier 5 in any of these clips its where i was swapping between all 3 specs when setting up. i assure you what it was tested with was the items shown on the wowhead image during the video. 2.5k was taken over 2.4 because it was what i was holding steady (would also explain why its only 2.4 most of the time in the video) Just thought i would save you commenting :P
Audio is a bit janky still trying to get settings right on this new mic/cam set up! Still working on it!
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Damien Beckham
What I remember from the prepatch back in the day was, the fights are so fast after prepatch, that mana will never be an issue. With the boss nerfs, and class buffs, everyone with mana issue, won't have an issue. The level 80 mana pool is so much larger that, the mana issues will also not be a problem at max level.
shatter
I think 1 big factor vs the boomkin will be how many buffs they will each get joining a raid. A boom gives 3% haste, 5% crit, 13% spell damage, and the mage will just return 5% crit debuff on target. So you're probably going to see mage very close to boomkin in practice.
Also worth adding you can get the 3% hit from frost tree if clear casting is worthless.
wylatron
I’ve been sharing every one of your prepatch vids in my guild discord, they’re just that good. Super solid info, lots of interesting bits, really enjoying them. Keep up the good work😊
Chris Phillips
I’m so sad to hear that about hunter. I’ve been PUMPING in dungeons as survival on uh the places that should not be named. Single target no other dps has been able to keep up. Granted it’s 5 man dungeons while leveling. So not expecting much. I figured with the amount of armor pen hunters will have in pre patch Mm would be massive
David
Fire mage kit comes together the best when you have 50.01% crit and then another big jump at 66.67% crit. Frostfire will also be better until you can have about 625 haste to go TTW fire. Don’t be surprised to see arcane still be the favorite spec until ToC when the T9 comes out.
lil whisperr
@astralfields seriously. discord is awesome in many many ways but nothing can beat having dedicated forums where everything is cataloged in a much better way. an endless live chat with hundreds to thousands of people blows
astralfields
@Zealisreal Scorch/Pyro does sound interesting, do you have any more info on that? I didn't find anything with a cursory google search. (Kinda sucks that everything happens on discord nowadays, no more forum posts to find...)
Zealisreal
Also don’t be surprised to see Scorch/Pyro as a new meta for the first few phases 😉
David
@GooF _tv I was just putting out copium for fire getting even stronger in wrath. It wasn’t a criticism of the video.