Kent has a background as a guitar player in several black metal bands. Since 2012 he has produced electronic music inspired by cyberpunk culture and with inspiration from movies like Akira, Ghost In The Shell and The Running Man. He uses a variety of software synths in his productions, such as the emulators of old vintage synths like the OB-X or the CS-80. Since his debut EP Night Driving Avenger he has released four full-length albums, the latest of which is The Uncanny Valley on the Blood Music label, and has performed several live shows. Several of his tracks were featured in the 2012 game Hotline Miami and its 2015 sequel Hotline Miami 2: Wrong Number. Perturbator's EP Sexualizer was released in part to officially release the song "Miami Disco" and as a way to thank the developers of Hotline Miami. The success of the Hotline Miami games resulted in a greater amount of exposure to a mainstream audience.
Perturbator released his fourth full-length album The Uncanny Valley on May 6, 2016 through Blood Music on a range of formats including Digibook CD, vinyl, and cassette tape. The album was met with generally positive reviews, with MetalSucks and Bloody Disgusting both writing in praise of it. Some versions of the album also included a bonus EP, with Kent writing that "The first three songs complement the themes covered within The Uncanny Valley, and the final track—'VERS/US'—is a demo from The Uncanny Valley writing sessions that fits the mood and atmosphere of the album but didn't quite make it into the final cut." Bloody Disgusting gave the album 5/5 and wrote that The Uncanny Valley "is sure to not only please fans of the genre but also win over newcomers."
Kent became interested in music in part due to the influence of his parents, who are journalists and rock music critics. His parents were themselves musicians and had a tech trance band when they were young, which influenced Kent to take an interest in synthesizers.
Kent also has a side project called L'Enfant De La Forêt
http://perturbator.bandcamp.com/
https://soundcloud.com/perturbator
https://www.facebook.com/Perturbator
http://www.discogs.com/artist/Perturbator
Vile World
Perturbator Lyrics
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But some of them are insert a little more subtle.
There is often times a cut that goes from behind the ear all the way down to the throat.
Another area that's obvious in this kind of ritualistic carvings would be the pentagram or the inverted pentagram on the right and the left side of the upper chest.
This often times is a signature of the high priest.
The lyrics to Perturbator's song "Vile World" appear to depict a gruesome and macabre subject matter related to satanic killings and ritualistic murders. The lines suggest that when investigating such homicides, there are certain recognizable and ritualistic markings left on the victims' bodies. These markings serve as evidence and clues for identifying the nature of the crime.
The lyrics mention two distinct types of ritualistic carvings. The first is a deep cut that starts from behind the ear and runs all the way down to the throat. This particular carving perhaps symbolizes the act of silencing the victim or severing their vocal cords, as it directly affects the throat and voice.
The second type of marking mentioned is the presence of pentagrams or inverted pentagrams on both sides of the upper chest. These symbols are associated with satanic rituals and are often seen as a signature or a mark of authority of the high priest involved in the ritual. The use of these symbols indicates a more subtle and cryptic aspect of the murders, suggesting a deeper level of involvement and organization within the satanic cult or group responsible for the killings.
Overall, the lyrics of "Vile World" shed light on the methods and symbolism connected to satanic killings, emphasizing the sinister nature of the crimes and the ritualistic practices associated with them.
Line by Line Meaning
In investigating homicides there are some very obvious ritualistic markings that will appear on a body that is the result of satanic killings.
When looking into murders, there are clear signs of rituals present on the victims' bodies, indicating that these acts were committed as part of satanic practices.
But some of them are insert a little more subtle.
However, some of these signs are more discreet and not immediately noticeable.
There is often times a cut that goes from behind the ear all the way down to the throat.
Frequently, there is an incision starting from the back of the ear, extending down to the throat.
Another area that's obvious in this kind of ritualistic carvings would be the pentagram or the inverted pentagram on the right and the left side of the upper chest.
Another notable indication of these ritualistic acts would be the presence of pentagrams or inverted pentagrams carved on both sides of the upper chest.
This often times is a signature of the high priest.
This particular marking is often seen as a signature left by the high priest involved in these rituals.
Contributed by Julian J. Suggest a correction in the comments below.
Luke East
3:00 to 4:10 is some of his best work. The harmonies are on point here.
Lossossin
this is some Hans Zimmer level, i think
L. Maudy
Belongs to a climax of a dystopian film, like Bladerunner
Mao Mendoza
Reminds me the end of Welcome To Nocturne City
Alma Sakic
smooth as butter
Alejandro
Chills down my spine
pelA
This track is so underrated...
oa
@jose medina uohhhhhh
Dennis Emanuele
Still listening🎧
Noah Callahan
This imo is better than any track on uncanny valley. so dope so dark...