As a member of The Weavers, Seeger had a string of hits, including a 1949 recording of Leadbelly's "Goodnight Irene" that topped the charts for 13 weeks in 1950. He was formerly a member of the Communist Party of the United States of America and was a major contributor to folk and protest music in the 1950s and the 1960s.
Perhaps best known today as the author or co-author of the songs Where Have All the Flowers Gone, If I Had a Hammer, and Turn, Turn, Turn, songs that have been recorded by many artists both in and outside the folk revival movement and which are still sung all over the world. Flowers was a hit recording for The Kingston Trio (1962), Marlene Dietrich, who recorded it in English, German and French (1962), and Johnny Rivers (1965). "If I Had a Hammer" was a hit for Peter, Paul & Mary (1962) and Trini Lopez (1963), while The Byrds popularized "Turn, Turn, Turn" in the mid-1960s.
Early work
Seeger dropped out of Harvard (where he had been studying journalism) in 1939, and he took a job in Washington, D.C. at the Archive of American Folk Song in the Library of Congress. In that capacity, he met and was influenced by many important musicians such as Woody Guthrie and Leadbelly. He met Woody at a "Grapes of Wrath" migrant workers concert on March 3, 1940 and the two thereafter began a musical collaboration.
In 1948, Seeger wrote the first version of his now-classic How to Play the Five-String Banjo, a book that many banjo players credit with starting them off on the instrument. He went on to invent the Long Neck or Seeger banjo. This instrument is three frets longer than a typical banjo, and slightly longer than a bass guitar at 25 Frets, and is tuned a minor third lower than the normal 5-string banjo.
As a self-described "split tenor" (between an alto and a tenor), he was a founding member of the folk groups the Almanac Singers with Woody Guthrie and the Weavers with Lee Hays, Ronnie Gilbert and Fred Hellerman. The Weavers had major hits in the early 1950s, before being blacklisted in the McCarthy Era.
On August 18, 1955, Pete was subpoenaed to testify before the House Un-American Activities Committee (HUAC) where he refused to name personal and political associations stating it would violate his First Amendment rights... "I am not going to answer any questions as to my association, my philosophical or religious beliefs or my political beliefs, or how I voted in any election, or any of these private affairs. I think these are very improper questions for any American to be asked, especially under such compulsion as this." Seeger's refusal to testify led to a March 26, 1957 indictment for contempt of Congress; for some years, he had to keep the federal government apprised of where he was going any time he left the Southern District of New York. He was convicted in a jury trial in March 1961, and sentenced to a year in jail, but in May 1962 an appeals court ruled the indictment to be flawed and overturned his conviction.
Seeger started a solo career in 1958, and is known for songs such as "Where Have All the Flowers Gone?," "If I Had a Hammer" (co-written with Lee Hays), "Turn, Turn, Turn," adapted from the Book of Ecclesiastes, and "We Shall Overcome" (based on a spiritual and later became the unofficial anthem for the civil rights movement). Seeger became influential in the 1960s folk revival centered in Greenwich Village. He helped found Broadside Magazine and Sing Out!. He was strongly associated with Moses Asch and Folkways Records. To describe the new crop of folk singers, many of whom were politically minded in their songs, he coined the phrase "Woody's children", alluding to his former bandmate Woody Guthrie, who by this time had become a legendary figure. He has often sung and is associated with the song "Joe Hill".
In the mid-sixties he hosted a regional folk music TV show called Rainbow Quest which featured folk musicians playing traditional folk music. Among his guests were Johnny Cash, June Carter, Mississippi John Hurt, Buffy Sainte-Marie, Roscoe Holcomb, The Stanley Brothers, Doc Watson, Tom Paxton, Judy Collins, Richard Fariña and Mimi Fariña, and many others. Thirty-eight hour-long programs were recorded at new UHF station WNJU's Newark studios in 1965 and 1966, produced by Seeger and his wife Toshi with Sholom Rubinstein.
An early advocate of Bob Dylan, Seeger was supposedly incensed over the distorted electric sound Dylan brought into the 1965 Newport Folk Festival, especially with the inability to clearly hear the lyrics. There are many conflicting versions of exactly what ensued, some claiming that he actually tried to disconnect the equipment. He is often cited as one of the main opponents to Dylan at Newport 1965, but claimed in 2005:
"There are reports of me being anti-him going electric at the '65 Newport Folk festival, but that's wrong. I was the MC that night. He was singing 'Maggie's Farm' and you couldn't understand a word because the mic was distorting his voice. I ran to the mixing desk and said, 'Fix the sound, it's terrible!' The guy said 'No, that's how they want it.' And I did say that if I had an axe I'd cut the cable! But I wanted to hear the words. I didn't mind him going electric.
Later work
Seeger achieved some notoriety in 1967 and 1968 for his song "Waist Deep in the Big Muddy", about a captain—a "big fool"—who drowned while leading a platoon on maneuvers in Louisiana during World War II. Seeger performed the song on the Smothers Brothers Comedy Hour after some arguments with CBS about whether the song's lyrics were objectionable. Although the song was cut from the Smothers Brothers show in September 1967, Seeger returned in January 1968 and sang the entire song. It was clearly an allegory about the U.S. under the leadership of Lyndon Johnson which was in over its head in the Vietnam War.
Another slight against Lyndon Johnson can be heard in his singing of Len Chandler's seemingly juvenile song, "Beans in My Ears" from his 1966 album Dangerous Songs!? in which he accuses "Mrs. Jay's little son Alby" (Alby Jay is meant to sound like LBJ) of having beans in his ears, or of not listening to the people.
In 1998 a double-CD tribute album was released - "Where Have All the Flowers Gone: the Songs of Pete Seeger". It contained contributions from Bonnie Raitt, Jackson Browne, Ani DiFranco, Billy Bragg, Eliza Carthy, Bruce Springsteen, Roger McGuinn, Judy Collins, Indigo Girls, Dick Gaughan, Martin Simpson, Odetta and others.
Pete Seeger still performed occasionally in public until his death, and for a number of years appeared at the National Storytelling Festival in Jonesborough Tennessee to tell stories, mostly children's stories such as Abiyoyo. He performed at MerleFest April 27-30, 2006 in Wilkesboro, NC.
On March 16, 2007, the 88-year old Pete Seeger performed with his siblings Mike Seeger and Peggy Seeger, and other Seeger family members at the Library of Congress in Washington, D.C., where he had been employed as a folk song archivist 67 years earlier.
In April 2006, Bruce Springsteen released a collection of songs associated with Seeger or in Seeger's folk tradition, We Shall Overcome: The Seeger Sessions. Bruce Springsteen performed a series of concerts based on those sessions, to sellout crowds. Springsteen had previously recorded one Seeger favorite, "We Shall Overcome," on the 1998 "Where Have All the Flowers Gone" tribute album.
Seeger lived in the hamlet of Dutchess Junction in the Town of Fishkill, NY and remained very politically active in the Hudson Valley Region of New York, especially in the near-by City of Beacon, NY. He and Toshi purchased their land in 1949, and lived there first in a trailer, then in a log cabin they built themselves, and eventually in a larger house. Seeger joined the Community Church (a church practicing Unitarian Universalism), is considered a famous Unitarian Universalist, and often performed at functions for the Unitarian Universalist Association.
Seeger died in 2014 of natural causes.
Awards
Seeger has been the recipient of many awards and recognitions throughout his career, including:
A Grammy Lifetime Achievement Award (1993)
The National Medal of Arts from the National Endowment for the Arts (1994)
Kennedy Center Lifetime Achievement Honor (1994)
The Harvard Arts Medal (1996)
Induction into the Rock and Roll Hall of Fame (1996)
Grammy Award for Best Traditional Folk Album of 1996 for his record "Pete" (1997)
Blow The Man Down
Pete Seeger Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
To me way, hey, blow the man down
A pretty young damsel I chanced for to meet
Give me some time to blow the man down
She was round in the counter and bluff in the bow
So I took in all sail and cried, "Way enough now"
I hailed her in English, she answered me clear
So I tailed her my flipper and took her in tow
And yard arm to yard arm, away we did go
But as we were a going she said unto me
"There's a spankin' full rigger just ready for sea"
That spankin' full rigger to New York was bound
She was very well mannered and very well found
But as soon as that packet was clear of the bar
The mate knocked me down with the end of a spar
As soon as that packet was out on the sea
It was devilish hard treatment of every degree
So I give you fair warning before we belay
Don't never take heed of what pretty girls say
The lyrics to Pete Seeger's "Blow the Man Down" tell the story of a sailor who meets a young woman while walking down Paradise Street. He describes her as "round in the counter and bluff in the bow," which is a nautical term meaning she has a full figure in the back and a full chest in the front. He decides to accompany her, tailing her flipper and taking her in tow as they sail yard arm to yard arm. However, she warns him of a Spankin' full rigger that is ready for sea and heading to New York. The sailor joins this ship but quickly learns that it is not as well-mannered as advertised. The crew treats him harshly, and he tells the audience not to listen to pretty women's good advice.
The lyrics of "Blow the Man Down" can be interpreted in many ways. On the surface, it seems to be a cautionary tale of the dangers of following pretty women's advice. The sailor is lured in by the young damsel's charm and companionship, only to be betrayed when he joins the other ship. The song can also be seen as a commentary on the harshness of life at sea. The sailor faces brutal treatment on the second ship, which suggests that the life of a sailor is not as romantic as it is often made out to be. Finally, the song can be interpreted as a celebration of independence and adventure. The sailor is free to roam and explore new places, but he must also be careful not to fall prey to those who would exploit him.
Line by Line Meaning
As I was out walkin' down paradise street
While I was strolling leisurely on Paradise Street
To me way, hey, blow the man down
Singing blow the man down in a rhythmic way
A pretty young damsel I chanced for to meet
I met a beautiful young woman by chance
Give me some time to blow the man down
Allow me to sing a bit of blow the man down
She was round in the counter and bluff in the bow
She had a curvy figure and her front was prominent
So I took in all sail and cried, "Way enough now"
I stopped and exclaimed, "That's enough for now"
I hailed her in English, she answered me clear
I spoke to her in English and she responded clearly
"I'm from the Black Arrow, bound to the Shakespeare"
She replied, "I'm from the ship Black Arrow, heading towards the Shakespeare"
So I tailed her my flipper and took her in tow
I offered her my hand and escorted her
And yard arm to yard arm, away we did go
We went side by side, departed as friends
But as we were a going she said unto me
As we were leaving, she told me
"There's a spankin' full rigger just ready for sea"
"There's a really nice ship that's about to depart"
That spankin' full rigger to New York was bound
That ship heading towards New York was well-equipped
She was very well mannered and very well found
The ship was very well maintained and equipped
But as soon as that packet was clear of the bar
As soon as the ship left the bay
The mate knocked me down with the end of a spar
The ship's officer hit me with a wooden beam
As soon as that packet was out on the sea
Once the ship was on the open sea
It was devilish hard treatment of every degree
The crew was harsh and cruel to every extent
So I give you fair warning before we belay
So here's a warning before we stop
Don't never take heed of what pretty girls say
Never trust a pretty girl's words blindly
Contributed by Audrey O. Suggest a correction in the comments below.