Peter Green (born Peter Allen Greenbaum in London, England on 29 October 19… Read Full Bio ↴Peter Green (born Peter Allen Greenbaum in London, England on 29 October 1946; died 25 July 2020) was an influential blues guitarist and founder of Fleetwood Mac (with whom he was inducted into the Rock and Roll Hall of Fame in 1998) and Peter Green Splinter Group. In the late 1960s, Green fronted Fleetwood Mac when the band played a hard blues-rock sound, prior to the more pop/rock sound for which it became known by the 1970s. Rolling Stone ranked Green at number 58 in its list of the "100 Greatest Guitarists of All Time".
Green started off as a bass player in such bands as The Muskrats. Joining The Peter B's, led by Peter Bardens, later the frontman of Camel, (including drummer Mick Fleetwood) he switched to lead guitar and made his first recordings. He took over the lead guitar spot in John Mayall and the Blues Breakers in 1966 after the departure of Eric Clapton.
After recording on one Mayall album Peter left in 1967 to form Fleetwood Mac.
Green was the guiding force of Fleetwood Mac from 1967 to 1970 when he left for musical and personal reasons. Under Green's guidance, the Mac played a very gritty and authentic version of the electric blues popularized in bars on Chicago's south side. (They even did some fine recordings there--"Blues Jam in Chicago"--which saw release only after his tenure in the band had ended). A prolific song writer also, he penned such hits as Man of the World; Oh Well; Green Manalishi; Albatross and Black Magic Woman. Albatross reached number 1 in the UK charts, Black Magic Woman was also recorded by Santana on their Abraxas album.
From 1970 to 1974, Green played some sessions, and worked with several small bands, as well as releasing two solo singles and an album of extended jams, The End of the Game for Reprise. By the end of 1974, he had withdrawn from the music scene.
By 1979 Green was recording again for PVK records as a solo artist with the debut album In the Skies; 1980 Little Dreamer; 1981 Blue Guitar; 1981 Whatcha Gonna Do; 1981 White Sky; 1984 Kolors; 1987 Katmandu; 1988 Legend; 1992 One Woman Love;
Green again left the music world in 1984, and there followed a very difficult period in his life, which came to an end in the mid 90's, and coincided with renewed interest, partly generated by a biography written by Martin Celmins, and a tribute album recorded by Gary Moore.
Green formed a new group in 1995 with Nigel Watson called the Peter Green Splinter Group. Returning to form the group produced some of Peter’s best playing since leaving Fleetwood Mac. Albums include 1997 Splinter Group; 1998 Robert Johnson Songbook; 2002 Reaching For The Cold 100.
Green left The Splinter Group in 2003. Since then, he has played sporadically, appearing at a Lord's Taverner's benefit at The Royal Albert Hall, and doing some gigs with The British Blues All-Stars.
In February 2009, Green began playing and touring again, this time as Peter Green and Friends. In May 2009 he was the subject of the BBC Four documentary "Peter Green: Man of the World", produced by Henry Hadaway. Green and the band subsequently played a tour of Ireland, Germany and England. They went on to play several dates in Australia during March 2010, including the Byron Bay Bluesfest.
Green started off as a bass player in such bands as The Muskrats. Joining The Peter B's, led by Peter Bardens, later the frontman of Camel, (including drummer Mick Fleetwood) he switched to lead guitar and made his first recordings. He took over the lead guitar spot in John Mayall and the Blues Breakers in 1966 after the departure of Eric Clapton.
After recording on one Mayall album Peter left in 1967 to form Fleetwood Mac.
Green was the guiding force of Fleetwood Mac from 1967 to 1970 when he left for musical and personal reasons. Under Green's guidance, the Mac played a very gritty and authentic version of the electric blues popularized in bars on Chicago's south side. (They even did some fine recordings there--"Blues Jam in Chicago"--which saw release only after his tenure in the band had ended). A prolific song writer also, he penned such hits as Man of the World; Oh Well; Green Manalishi; Albatross and Black Magic Woman. Albatross reached number 1 in the UK charts, Black Magic Woman was also recorded by Santana on their Abraxas album.
From 1970 to 1974, Green played some sessions, and worked with several small bands, as well as releasing two solo singles and an album of extended jams, The End of the Game for Reprise. By the end of 1974, he had withdrawn from the music scene.
By 1979 Green was recording again for PVK records as a solo artist with the debut album In the Skies; 1980 Little Dreamer; 1981 Blue Guitar; 1981 Whatcha Gonna Do; 1981 White Sky; 1984 Kolors; 1987 Katmandu; 1988 Legend; 1992 One Woman Love;
Green again left the music world in 1984, and there followed a very difficult period in his life, which came to an end in the mid 90's, and coincided with renewed interest, partly generated by a biography written by Martin Celmins, and a tribute album recorded by Gary Moore.
Green formed a new group in 1995 with Nigel Watson called the Peter Green Splinter Group. Returning to form the group produced some of Peter’s best playing since leaving Fleetwood Mac. Albums include 1997 Splinter Group; 1998 Robert Johnson Songbook; 2002 Reaching For The Cold 100.
Green left The Splinter Group in 2003. Since then, he has played sporadically, appearing at a Lord's Taverner's benefit at The Royal Albert Hall, and doing some gigs with The British Blues All-Stars.
In February 2009, Green began playing and touring again, this time as Peter Green and Friends. In May 2009 he was the subject of the BBC Four documentary "Peter Green: Man of the World", produced by Henry Hadaway. Green and the band subsequently played a tour of Ireland, Germany and England. They went on to play several dates in Australia during March 2010, including the Byron Bay Bluesfest.
The Supernatural
Peter Green Lyrics
Jump to: Overall Meaning ↴
(Instrumental)
As the lyrics to Peter Green's song "The Supernatural" are completely instrumental, there are no words to interpret. Instead, the music itself becomes the focus of interpretation. The opening riff, with its haunting and otherworldly sounds, sets the tone for the entire track. The bluesy feel of the guitar combined with the jazzy rhythms of the drums and bass create a sound that is both mysterious and captivating. As the song progresses, it builds in intensity and complexity, with each musician showcasing their incredible talent and ability to improvise.
"The Supernatural" is a true masterclass in musical interpretation, as each listener can have a unique experience with the piece. Some may hear a sense of danger and foreboding, while others may feel a sense of wonder and enchantment. The beauty of this song is that it can evoke a multitude of emotions and meanings, making it a timeless classic that speaks to the power of music.
Lyrics © Warner/Chappell Music, Inc., Sony/ATV Music Publishing LLC
Written by: PETER ALAN GREEN
Lyrics Licensed & Provided by LyricFind
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@hodis8920
I had them all in Vinyl years ago, but after years of scratching it started to sound
like they had a popcorn maker as an instrument.
I have replaced all of my Mayall Blues Breakers in CD fashion.
Years ago they didn't have everybody's catalog available for purchase,
but now you can most of anything that sold this many copies.
The last one and hardest to get for me was the crusade album.
I liked Hard Road the best out of the first 4 or so that came out with Peter Green
but liked crusade a lot as well. Liked that song & tribute to" J B Lenoir is dead and it's hit me like a hammer blow "Love those horns on that.
Since you look about same age I decided to comment- do you live across the pond ? (Europe) I don't know why, I had a feeling you did.
If so have you ever heard the LoveSculpture "Blues Helping" with Dave Edmunds on guitar?
It came out at the end of 67 or early 68, and was recorded at
Abbey Road studio's & every song was done in 1 take. Id put that in my
top 10 White Blues Players all time best Albums
My name is Hoodis, but it is pronounced as "Who-This' but DIS instead of This
Give me a shout some time, I have a massive collection "Archives" would be
a better word. I'd say about 70% is blues, in many styles and forms.
@JohnnyGriton
When Peter Green plays you feel in the presence of greatness, it makes you humble, God keeps him
@nige-g
Thanks for those special early Fleetwood Mac years.
R.I.P. Peter 🎸
@jane---489
My grandpa is and was a huge fan of early Fleetwood Mac. He saw them live quite a few times and has lots of albums. I love them too,
I grew up listening to all his LP vinyl records of theirs. An absolutely beautifully gifted band ...
@joevomberg
One of the greatest instrumental rock pieces - we miss you, Peter! The world isn't the same without you.
@rogerwilliamson7161
Wahre Worte!
@beastmry
RIP to one of the greatest. What an incredible guitarist.
@joandenham2903
Peter ......Light, Love . Brilliance. May your journey go well ,brother .
@chiggsytube
Wait, whaaaaaaat? This 2020 man, enough!
@gabrielviolao
Our Green God.
@rogerwilliamson7161
Ein Genie!