1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.
1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.
While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?
As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.
When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.
Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.
In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.
Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.
In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.
2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/
3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.
4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.
No One Gets Out of Her Alive
Pig Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The mutton and the ham
My tables broke not turning
My skin is crawling, burning
And though I stand for nothing
I will fall for anything
Tequilla...A little lime
A friend of the devil is a friend of mine
No one gets out of her alive
Absolved in absinths I
My crippled crew in carnage cry
For one more drink or surely die
Not steer my thouth the needles eye
And so the shit and shat on
Broken for the broken
And and satan begs to save us
As jesus cannot please us
Salvation turns to degradation
Fill the rig - feel the dig
Inebriate me one more time
For the friend of the devil is a friend of mine
On one gets out of her alive
On one gets out of her alive
My snake filled slut like little mouth
Spouts sticky stained pornography
To force my bruised and aching head
To suck both barrels and the lead
My sweet assassin sugerdog
Whose little tail wag this hog
And roll me over one more time
For the friend of the devil is a friend of mine
The lyrics of PIG's "No One Gets Out of Her Alive" are a dark commentary on addiction and self-destructive behaviors. The singer is indulging in excess, drinking tequila and absinthe, and seeking solace in the company of the devil. The line "I'm glutton dressed as glam" illustrates the idea that the singer is using glamour to hide the ugliness of their addiction. They are trapped in a cycle of degradation, seeking salvation but only finding temporary relief in their substance abuse.
The chorus "No one gets out of her alive" reinforces the idea that the singer is trapped in their addiction and that there is no escape. The repetition of this line emphasizes the desperation and hopelessness of the situation. The singer is also fixated on their mistress, a "snake-filled slut" with a "little mouth" who offers them temporary pleasure but ultimately leads to their downfall.
Overall, the lyrics of "No One Gets Out of Her Alive" are a powerful and raw depiction of addiction and its destructive effects on both the individual and those around them.
Line by Line Meaning
I'm glutton dressed as glam
I have an insatiable desire for excess and indulgence, disguised by a veneer of sophistication and style.
The mutton and the ham
I consume whatever I desire, without regard for nutritional value or consequence.
My tables broke not turning
My fortunes are not changing, despite my efforts and desires for wealth and success.
My skin is crawling, burning
I am uncomfortable and restless, plagued by my own inner demons and desires.
And though I stand for nothing
I have no particular beliefs or principles that guide my actions or decisions.
I will fall for anything
I am easily swayed or tempted, without the strength of character to resist temptation or stay true to my beliefs.
Tequilla...A little lime
I seek solace and escape in alcohol, and am willing to ingest whatever substances or mixers necessary to achieve that end.
A friend of the devil is a friend of mine
I am drawn to darkness and temptation, and find kinship with those who share that inclination.
No one gets out of her alive
Life is ultimately fatal for everyone, and we are all doomed to face the consequences of our choices and actions.
Absolved in absinths I
I seek a sense of absolution or release from my inner turmoil through the use of substances such as absinthe.
My crippled crew in carnage cry
Those around me are damaged and suffering, caught in the wake of my self-destructive behavior.
For one more drink or surely die
My addiction to alcohol has become so intense that I must consume it constantly, or face the possibility of death.
Not steer my thouth the needles eye
I am unable to navigate the path of righteousness or virtue, instead succumbing to the temptations of sin and indulgence.
And so the shit and shat on
My life has devolved into chaos and misery, with my actions and choices leading to negative consequences for myself and others.
Broken for the broken
I am a flawed and broken individual, drawn to others who share that sense of brokenness or woundedness.
And and satan begs to save us
I have become so mired in darkness and temptation that even Satan sees me as a lost cause, in need of salvation.
As Jesus cannot please us
I reject the idea of finding salvation or redemption through Jesus or other religious figures, preferring instead to indulge my desires and temptations.
Salvation turns to degradation
Even when I seek salvation or a way out of my darkness, those efforts ultimately lead to further degradation and misery.
Fill the rig - feel the dig
I seek to numb myself and escape reality through the use of intravenous drugs, leading to a temporary sense of euphoria before the inevitable crash.
Inebriate me one more time
I am desperate for the escape and release that alcohol provides, and am willing to keep indulging in it despite the negative consequences.
My snake filled slut like little mouth
I am drawn to those who embody temptation and darkness, such as a woman who is venomous and promiscuous.
Spouts sticky stained pornography
This woman embodies my desires and temptations, speaking words and actions that feed my lust and pleasure.
To force my bruised and aching head
My inner turmoil and pain leave me vulnerable and susceptible to temptation, and this woman preys upon that weakness.
To suck both barrels and the lead
I am willing to indulge in self-destructive behavior, even if it may end up killing me.
My sweet assassin sugerdog
I am drawn to those who are both beautiful and dangerous, such as a woman who embodies both sweetness and violence.
Whose little tail wag this hog
I am so caught up in my own desires and temptations that I am willing to be controlled by this woman, even if it leads me further down a path of self-destruction.
And roll me over one more time
I am willing to indulge in my desires and temptations, even if it means sacrificing my own well-being and safety.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
Johnny Begood
on Stage Slut
Hilarious schtz