1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.
1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.
While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?
As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.
When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.
Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.
In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.
Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.
In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.
2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/
3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.
4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.
Whore
Pig Lyrics
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Smoke and torn flags.
Dragging off cigarettes of human skin.
Eyes like cracked eggshells empty as life.
Her index fingers drip mothers milk like hypodermic needles.
She stumbles through my veins high on ash
And dry semen fiending for love.
The lyrics of "Trojan Whore" by Pig Destroyer are a reflection of the atrocities of war and their impact on individuals. The half-darkness refers to the state of limbo these individuals are caught in, with no clear path to safety. The dress of shrapnel, torn flags, and cigarettes from human skin create a chilling image of the aftermath of violent conflict. The image of the singer's eyes as cracked eggshells is indicative of the psychological and emotional trauma they've suffered. The line, "Her index fingers drip mothers milk like hypodermic needles" refers to the desperation of war and the need for nurturing, even from someone who might do harm. The line, "She stumbles through my veins high on ash and dry semen fiending for love" is a disturbing and difficult line that conveys the desperation that those in war experience. The ash and dry semen seem to represent a loss of hope and a need for connection, even if it is not healthy.
The singer in the song is a Trojan Horse, a term used to describe a person or thing that appears to be useful but is actually harmful. The character is symbolic of the destruction and violence that war brings, and the impact it has on individual lives. The song highlights the psychological toll that war takes on individuals, who often have no choice but to fight. It's a sobering reminder of the pain caused by war, and the need to prevent it from happening.
Line by Line Meaning
Half in darkness she stands in a dress of shrapnel
She is stuck in a difficult situation, represented by the shrapnel dress, and only partially aware of her surroundings.
Smoke and torn flags.
The smoke indicates destruction and chaos, while the torn flags represent the fragility of society and patriotism.
Dragging off cigarettes of human skin.
Taking pleasure in hurting and indulging in the flesh of others.
Eyes like cracked eggshells empty as life.
Her eyes are devoid of emotion or empathy.
Her index fingers drip mothers milk like hypodermic needles.
She has the power to manipulate and control others, using a maternal image as a disguise for her malicious intentions.
She stumbles through my veins high on ash
She is a part of the singer's life, making him feel consumed and helpless.
And dry semen fiending for love.
Her craving for affection and attention is portrayed as a pathetic and unhealthy addiction.
Lyrics © DOMINO PUBLISHING COMPANY
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