There are multiple bands named Popol Vuh: 1) A krautrock band from Germany.… Read Full Bio ↴There are multiple bands named Popol Vuh: 1) A krautrock band from Germany. 2) A progressive rock band from Norway later renamed Popol Ace.
1) Popol Vuh was a proto-ambient / experimental / krautrock band from Germany founded by Florian Fricke in 1970 together with Holger Trulzsch (percussion) and Frank Fiedler (electronics). Other important members during the next two decades included Conny Veit, Daniel Fichelscher and Robert Eliscu.
It began with an electronic approach as heard on first album "Affenstunde", inspired by the invention of the Moog synthesizer. This continued for only one more album, "In den Gärten Pharaos", before Fricke largely abandoned electronic instruments in favour of piano-led compositions from 1972's "Hosianna Mantra" forward. This album also marked the start of exploring overtly religious themes rather than a more generally spiritual feeling within the music. The group evolved to include all kinds of instruments: wind, percussion and strings, electric and acoustic alike, combined to convey a mystical aura that made their music spiritual and introspective.
Popul Vuh influenced many other bands from Europe with their uniquely soft but elaborate instrumentations, that took inspiration from Tibet, Africa, and Precolombian America. They created dream-like soundscapes along with psychedelic walls of sound, and are considered by some to be precursors of contemporary world music, as well of new age music and ambient.
The band contributed soundtracks to the films of Werner Herzog, including "Nosferatu", "Aguirre, the Wrath of God", "Fitzcarraldo", and "The Enigma of Kaspar Hauser", in which Fricke appeared.
Florian Fricke died in Munich on December 29, 2001, and the group disbanded.
In October 2003 Klaus Schulze wrote "Florian was and remains to be an important forerunner of contemporary ethnic and religious music. He chose electronic music and his big Moog to free himself from the restraints of traditional music, but soon discovered that he didn't get a lot out of it and opted for the acoustic path instead. Here, he went on to create a new world, which Werner Herzog loves so much, transforming the thought patterns of electronic music into the language of acoustic ethno music."
2) Popol Vuh is one of the most infuential progressive rock bands from Norway. The band was formed in 1971, but had to change their name in 1975 because of a conflict with the German Popol Vuh. They later renamed themselves Popol Ace.
1) Popol Vuh was a proto-ambient / experimental / krautrock band from Germany founded by Florian Fricke in 1970 together with Holger Trulzsch (percussion) and Frank Fiedler (electronics). Other important members during the next two decades included Conny Veit, Daniel Fichelscher and Robert Eliscu.
It began with an electronic approach as heard on first album "Affenstunde", inspired by the invention of the Moog synthesizer. This continued for only one more album, "In den Gärten Pharaos", before Fricke largely abandoned electronic instruments in favour of piano-led compositions from 1972's "Hosianna Mantra" forward. This album also marked the start of exploring overtly religious themes rather than a more generally spiritual feeling within the music. The group evolved to include all kinds of instruments: wind, percussion and strings, electric and acoustic alike, combined to convey a mystical aura that made their music spiritual and introspective.
Popul Vuh influenced many other bands from Europe with their uniquely soft but elaborate instrumentations, that took inspiration from Tibet, Africa, and Precolombian America. They created dream-like soundscapes along with psychedelic walls of sound, and are considered by some to be precursors of contemporary world music, as well of new age music and ambient.
The band contributed soundtracks to the films of Werner Herzog, including "Nosferatu", "Aguirre, the Wrath of God", "Fitzcarraldo", and "The Enigma of Kaspar Hauser", in which Fricke appeared.
Florian Fricke died in Munich on December 29, 2001, and the group disbanded.
In October 2003 Klaus Schulze wrote "Florian was and remains to be an important forerunner of contemporary ethnic and religious music. He chose electronic music and his big Moog to free himself from the restraints of traditional music, but soon discovered that he didn't get a lot out of it and opted for the acoustic path instead. Here, he went on to create a new world, which Werner Herzog loves so much, transforming the thought patterns of electronic music into the language of acoustic ethno music."
2) Popol Vuh is one of the most infuential progressive rock bands from Norway. The band was formed in 1971, but had to change their name in 1975 because of a conflict with the German Popol Vuh. They later renamed themselves Popol Ace.
Brüder Des Schattens
Popol Vuh Lyrics
We have lyrics for these tracks by Popol Vuh:
Queen Of All Queens Blond haired baby-doll glamour-girl long and tall, blue-eyed…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@revzob
popol vuh music is always unbelievably beautiful...simply a masterpiece
@doceunodoceuno
Los primeros minutos del film, con el viaje al castillo y esta banda sonora son bellísimos... insuperables.
@marijocuevas5258
El tiempo es un abismo profundo como mil noches. Siglos van y vienen; la muerte no es lo peor
Es más cruel no poder morir
@shanste1
Revelation 1:18
“I am he that liveth, and was dead; and, behold, I am alive for evermore, Amen; and have the keys of hell and of death.”
@jorgejoaquinlopezmendoza9624
Buena respuesta obtenida del film. Saludos.
@permaveg
Wonderful piece from Popul Vuh that went superbly with Herzog's 'Nosferatu', Werner Herzog was friends with Popul Vuh and the German 'Krautrock' scene.
The original 'Nosferatu' was a classic but Herzog's version was equally spellbinding, people like Herzog and Florian Fricke were and still are geniuses in my opinion.
@HartmutJagerArt
It is a matter of individual choice of course - but for me Herzog's 'Nosferatu' is far better - if not even superior ! -
@BushyHairedStranger
Herzog captured the elements needed to create a film that personified the very supernatural qualities of its lead character. Few artists can conduct a work so impressive that it lives within a timeless divinity, wholly spiritual. Death softly folds the hand of god across his heart, this mourning specter whose charge takes lives into shadow suffers deeply within the infinite.
@hihihi686868
The most beautiful music I've ever heard!
@michadobrowolski5734
Jedna z najlepszych jego piosenek....