Their biggest commercial and critical success came with 1990's Jordan: The Comeback (one of two albums produced by Thomas Dolby), which was a hit in the UK and nominated for a BRIT award. The band also had a UK Top 10 hit with their 1988 song The King of Rock 'n' Roll.
Perhaps their finest album, Steve McQueen (originally released in June 1985) was re-released in August 2007 as a 2-CD deluxe edition, with a bonus disc of eight acoustic reinterpretations of some of the original tracks. Of the release, the record company said: "Digitally remastered by original producer Thomas Dolby, the album is sounding even better than ever. As if that weren't enough it is complemented here with a second disc containing eight sublime acoustic versions, which have been specially re-recorded for this release by Paddy McAloon."
Steve McQueen was released in the US under the title Two Wheels Good following pressure from the late actor's estate.
Prefab Sprout released Let's Change the World With Music - The Blueprint in 2009 on the Kitchenware Records label (website). See also Sprout Trivia below.
Discography:
Lions In My Own Garden (Exit Someone) / Radio Love - Feb 25, 1982 (their first record, released on their own label Candle)
The Devil Has All the Best Tunes / Walk On - Oct 1983 (Kitchenware) (feat. Wendy Smith and Fiona Attwood)
Swoon - Mar 1984
Steve McQueen aka Two Wheels Good (US) - Jun 1985
From Langley Park to Memphis - Mar 1988
Protest Songs - Jun 1989
Jordan: The Comeback - Aug 1990
The Best of Prefab Sprout: A Life of Surprises - Jul 1992 (compilation; exit Conti hereafter)
Andromeda Heights - May 1997
38 Carat Collection (disc 1) - Oct 1999 (compilation)
38 Carat Collection (disc 2) - Oct 1999 (compilation)
The Gunman And Other Stories - Jun 18, 2001 (sans Smith)
Chronology of Bandmembers:
Paddy McAloon (born Patrick Joseph McAloon, Jun 7, 1957, Durham); vocals / guitars / keyboards
Martin McAloon (born Jan 4, 1962, Durham); bass guitar
Michael Salmon; drums / percussion
Wendy Smith (born May 31, 1963, Middlesbrough); vocals / guitars / keyboards
Neil Conti (born Feb 12, 1959, Luton); drums / percussion
Fiona Attwood (Chester-le-Street); backing vocals
Sprout Trivia:
Paddy conceived the name "Prefab Sprout" when he was just 14 back in 1972, he revealed in an interview with French magazine BEST. It was his attempt at creating an unusual name like groups that were popular at the time (eg Tyrannosaurus Rex, Moby Grape, Grand Funk Railroad, etc.).
The band has had as many as 11 drummers (including Paddy McAloon himself on programmed percussion!) in its lineup. Of these, Conti was the most closely identified with the group. (source: http://www.browningmcintosh.com/plocktonwest/sproutfacts.html)
Paddy had apparently conceived of an album named Let's Change The World With Music (the working title of the band's forthcoming album, due February 2009) as far back as the early 1990's:
"I actually wrote a Gulf War album called Let's Change The World With Music, and I've got a couple of beauties, but there are right and wrong times to do things, and it came after another album I wrote which is much lighter... it's called Billy Midnight, very romantic. So the Gulf War album was a more serious response to that. I keep junking things all the time." - NME June 20, 1992 (source: http://www.browningmcintosh.com/plocktonwest/sprout_misc.html)
"And I have an album called Let's Change The World With Music; lots of songs about music, playing on that horrible thing where you listen to a song like "We Are The World" and the sentiment is great but it's such a cliché that it sticks in your throat. It plays on that edge between that kind of thing and real sincerity." - NME April 15, 1995 (source: http://www.browningmcintosh.com/plocktonwest/sprout_misc.html)
"Look, since 1990 I've written what I think of as my best music. You can hear some of it on Andromeda Heights. But I have also - in detailed demo form - an album called Let's Change The World With Music. It was written as the follow up to Jordan." - BEST magazine (France) July 1997 (source: http://www.browningmcintosh.com/plocktonwest/sprout_misc.html)
Meet The New Mozart
Prefab Sprout Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
he's in the bed where commerce
sleeps with art;
who can blame him?
No pauper's grave this time round
will claim him.
Only days before he died
'I know one day I will see
a less heartbreaking century.'
'I'll form a band, and play some dates,
reject the music God dictates.
All I write may not last,
hell it may be manure,
but I'll endure,
not burn out fast.'
Meet the new Mozart,
the comeback of the Salzburg wizard.
Meet the new Mozart,
he's in the bed where commerce
sleeps with art;
who can blame him?
No pauper's grave this time round
will claim him.
So much for the divine spark,
it flared then left me in the dark.
Next time I won't be so pure
dreaming big, dying poor.
Next time round, not so bright,
I'll swap a molten core, a starburst for,
candlelight.
Meet the new Mozart,
the comeback of the Salzburg wizard.
Meet the new Mozart,
he's in the bed where commerce
sleeps with art;
who can blame him?
No pauper's grave this time round
will claim him.
Meet the new Mozart,
who can blame him?
No pauper's grave this time round
will claim him.
The song "Meet the New Mozart" by Prefab Sprout is a tribute to the late Wolfgang Amadeus Mozart, yet it goes beyond just revering the famous composer's legacy. The lyrics paint a picture of a modern-day artist, the titular "new Mozart," who is unafraid to reject the expectations imposed on him by society and to follow a unique path in creating his music. The song highlights the tension between the worlds of art and commerce, seen in the line where the new Mozart is "in the bed where commerce sleeps with art." Although the original Mozart died in poverty, the new Mozart is predicted to achieve commercial success and avoid a "pauper's grave."
The song also reveals a contrast between the original Mozart's tragic fate and the new Mozart's determination to succeed without compromising his artistic integrity. The original Mozart is quoted as saying that he hoped to "see a less heartbreaking century," while the new Mozart declares that although not all his music may be successful, he will "endure, not burn out fast." This demonstrates the new Mozart's belief that he can shape his own destiny, in contrast to the original Mozart who was helpless against his circumstances.
Overall, "Meet the New Mozart" advocates for artistic independence and the pursuit of one's own vision, paralleling Mozart's legacy and paving the way for a new generation of creative thinkers.
Line by Line Meaning
Meet the new Mozart,
Introducing the new musical prodigy
he's in the bed where commerce
sleeps with art;
He is where business and creativity coexist
who can blame him?
Who could fault him for being successful?
No pauper's grave this time round
will claim him.
He will not suffer the same fate as his predecessor
Only days before he died
the Salzburg wonder, prophesised;
'I know one day I will see
a less heartbreaking century.'
Mozart predicted a brighter future for music
'I'll form a band, and play some dates,
reject the music God dictates.
All I write may not last,
hell it may be manure,
but I'll endure,
not burn out fast.'
The new Mozart plans to make his own music and persist
Meet the new Mozart,
the comeback of the Salzburg wizard.
Announcing the return of the Salzburg master
So much for the divine spark,
it flared then left me in the dark.
Next time I won't be so pure
dreaming big, dying poor.
Mozart lamented his past struggles and vows to be more practical in the future
Next time round, not so bright,
I'll swap a molten core, a starburst for,
candlelight.
The new Mozart plans to take a different approach to his music
Meet the new Mozart,
who can blame him?
No pauper's grave this time round
will claim him.
Reiterating the success and avoidance of tragedy for the new Mozart
Contributed by Charlie G. Suggest a correction in the comments below.