Contributions to Psychic TV have included artists such as Coil, Current 93, Hafler Trio, The Cult, White Stains, Soft Cell, XKP, Master Musicians of Jajouka, Matthew Best, Daniel Simon Black, Bill Breeze, Hilmar Örn Hilmarsson, Derek Jarman, Fred Giannelli, John "Zoskia" Gosling, Timothy Leary, Rose McDowall, Stephen Kent, Vagina Dentata Organ, Andrew Weatherall, Z'ev, Zef Noi$e, and many others.
PTV can not be seen as regular band/group but more as a collective of musicans, artists, painters and others that made their contribution under the PTV umbrella. PTV had for many years their own record label Temple where they released music by PTV as well as Dave Ball (ex Soft Cell) and others. In many ways PTV followed in the same lane as Throbbing Gristle did, but did it into something more. The first years of PTV the music was experimental and sometimes noise. Later they changed their musical direction into electronica as well as techno.
Psychic TV is also responsible in part for the popularity of the acid house movement. Some will even argue that they played a huge part in starting the movement.
Terminus
Psychic TV Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
make patterns on the window. Body shifting on wood,
dog outside the door, flickering memories as trains
maneuver in the old men's eyes. Forever part of a sleep-
ing world, waiting for him to come. Lost dreams of
childhood forgotten like hope. These lives are grey
stones made for cemeteries, this time the victim is
desired, like misery. He stepped down from the train,
grinning, hard-on obvious in torn grey trousers
inherited from an earlier victim of the white horse.
Filing past the flowers and signs full of dreams,
light of night filtering where woof tiles slipped,
into that darkness. Each ritual makes demand, a hope-
less coil of expensive death affirming our exeistence.
The direction never changes, never falters. Along
those derelict lines lines to journey's end. Small hands
smear juice on flesh squeezing tight crinkling of
skin against worn eyes. There is no need of light.
Somewhere, in the secret cathedral, small movements,
the whole area covered in sheets of snow, pitted by
huts. He had no expectations, there was no reason,
breathing short as the text on the wall. Whenever the
dog moved, the night trembled, shimmering like water
moved by leaves in a forest. Marks of cold spray in
the dust, as in the future faded by choice. Our appetite
for miracles is not enough. Here, only animals
remain, immaculate, seduced by pain. Ending fear into
specters of welcome. Floor stained with patients. The
moment of least action. He moved like a rat in rubble
toward the sheets of snow, awake and empty, like an
old house, the place where all dreams meet. "He was
grinning before he jumped".
Las night the boy came. Open arms. Black hair.
Strong. Empty pale face. A volunteer. Unsure of why
he came. Seduced by pain. A faded painting. Waiting
for release, he blinked, looked up at the ceiling,
let out a tiny gasp praying for oblivion.
No engines anymoore. The machine engine's stopped. No
ghosts of death playing in the grass. Just simple, as
you would expect. No physical core. No smiles of love
from pitted carriages. Just an empty town. Derelict.
No way to identify. Sound playing across skin like
fingers. Just as ampty as flesh. What do you want?
Nothing in particular. No reason at all. Just a noise
of dreams at the door. Just as before. Did you see
that?
This is the place where all roads meet, the place
where all is the secret. The Place where time stands
still in the comfort of night and love becomes will
in the presence of light. I never want to leave. I
never want to leave. I never want to leave.
The lyrics of Psychic TV's song Terminus depict a haunting and surreal landscape where a figure, perhaps a traveler, arrives at a desolate town. The scenery is bleak and abandoned, and the memories of past victims of the "white horse" linger in the air. The singer seems haunted by his own past, and the lyrics suggest he is seduced by pain and longing for release. Throughout the song, there is a sense of waiting, of being stuck in a limbo state between life and death, where time stands still and dreams become muddled with reality. The lyrics end on a repetitive chant of "I never want to leave," which could suggest the singer's surrender to this purgatorial existence.
The song's lyrics are open to interpretation and could be read as a metaphor for mental illness or addiction, as the singer seems to be trapped in a cycle of pain and longing for release. The "white horse" could represent addiction, and the singer's arrival at the town could be seen as his descent into rock bottom. The lyrics "our appetite for miracles is not enough" could suggest the futility of seeking a cure or escape, as is often the case with addiction and mental illness.
Line by Line Meaning
Quiet and hooded, his eyes stared out, small hands
make patterns on the window.
The boy is alone, looking out the window and playing with his hands.
Body shifting on wood,
dog outside the door, flickering memories as trains
maneuver in the old men's eyes.
The boy is restless as memories of trains and a dog outside the door flicker in an old man's eyes.
Forever part of a sleep-
ing world, waiting for him to come. Lost dreams of
childhood forgotten like hope.
The boy feels trapped in a sleeping world, waiting for something or someone that will never come. His dreams of childhood are lost, along with any hope.
These lives are grey
stones made for cemeteries, this time the victim is
desired, like misery.
Life is gray and dull, and the only desire is for misery or to be a victim.
He stepped down from the train,
dust on road and clothes, across the way a boy was
grinning, hard-on obvious in torn grey trousers
inherited from an earlier victim of the white horse.
A man steps off a train with dirt on his clothes and sees a boy grinning with a noticeable erection in torn gray trousers, which he inherited from a previous victim of abuse.
Filing past the flowers and signs full of dreams,
light of night filtering where woof tiles slipped,
into that darkness.
A procession walks past flowers and signs full of dreams while the night's light filters through slipping tiles, leading them into the darkness.
Each ritual makes demand, a hope-
less coil of expensive death affirming our exeistence.
Every ritual demands something from us, but it is ultimately a hopeless and expensive way of affirming our existence.
The direction never changes, never falters. Along
those derelict lines lines to journey's end. Small hands
smear juice on flesh squeezing tight crinkling of
skin against worn eyes.
The direction and path to the end never change, even as the boy's small hands squeeze tight against wrinkled skin and make a mess on his face.
There is no need of light.
Somewhere, in the secret cathedral, small movements,
the whole area covered in sheets of snow, pitted by
huts.
Light is not needed in this secret cathedral where only small movements can be seen and everything is covered in snow and huts.
He had no expectations, there was no reason,
breathing short as the text on the wall. Whenever the
dog moved, the night trembled, shimmering like water
moved by leaves in a forest.
The man had no expectations and there was no reason for him being there, causing him to breathe rapidly. Whenever the dog moved, the night would tremble like leaves in a forest.
Marks of cold spray in
the dust, as in the future faded by choice. Our appetite
for miracles is not enough. Here, only animals
remain, immaculate, seduced by pain.
Marks of cold spray are left in the dust, symbolizing a future that is fading because of choices made. Our desire for miracles is not enough to change things. Here, only animals remain, lured by pain and purity.
Ending fear into
specters of welcome. Floor stained with patients. The
moment of least action. He moved like a rat in rubble
toward the sheets of snow, awake and empty, like an
old house, the place where all dreams meet.
Fear is transformed into an eerie welcome for spirits. The floor is stained with the blood of patients. There is a sense of inaction in that moment. The man moved like a rat in ruins towards the sheets of snow, feeling awake yet empty, like an old house where all dreams come to meet.
"He was
grinning before he jumped".
The boy had a grin on his face before he committed suicide by jumping.
Las night the boy came. Open arms. Black hair.
Strong. Empty pale face. A volunteer. Unsure of why
he came. Seduced by pain. A faded painting. Waiting
for release, he blinked, looked up at the ceiling,
let out a tiny gasp praying for oblivion.
The boy came last night with open arms, black hair, and a pale face. He was uncertain of why he came but was seduced by pain. He was waiting for release and finally let out a tiny gasp while praying for oblivion.
No engines anymoore.
The machine engine's stopped. No ghosts of death playing in the grass. Just simple, as
you would expect. No physical core. No smiles of love
from pitted carriages. Just an empty town. Derelict.
No way to identify. Sound playing across skin like
fingers. Just as ampty as flesh. What do you want?
Nothing in particular. No reason at all. Just a noise
of dreams at the door. Just as before. Did you see
that?
There are no engines left and the machine has stopped. There are no ghosts playing in the grass. It is a simple and empty town, lacking love and identity. A sound plays across skin like fingers, feeling as empty as flesh. There is no particular desire or reason, just a noise of dreams at the door. It feels like it has all happened before, but did you see it?
This is the place where all roads meet, the place
where all is the secret. The Place where time stands
still in the comfort of night and love becomes will
in the presence of light. I never want to leave. I
never want to leave. I never want to leave.
This is the place where all roads meet, where everything is a secret. Time stands still in the comfort of night and love becomes will in the presence of light. The artist never wants to leave this magical place.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
Joy
Quiet and hooded, his eyes stared out, small hands
make patterns on the window. Body shifting on wood,
dog outside the door, flickering memories as trains
maneuver in the old men's eyes. Forever part of a sleep-
ing world, waiting for him to come. Lost dreams of
childhood forgotten like hope. These lives are grey
stones made for cemeteries, this time the victim is
desired, like misery. He stepped down from the train,
dust on road and clothes, across the way a boy was
grinning, hard-on obvious in torn grey trousers
inherited from an earlier victim of the white horse.
Filing past the flowers and signs full of dreams,
light of night filtering where woof tiles slipped,
into that darkness. Each ritual makes demand, a hope-
less coil of expensive death affirming our exeistence.
The direction never changes, never falters. Along
those derelict lines lines to journey's end. Small hands
smear juice on flesh squeezing tight crinkling of
skin against worn eyes. There is no need of light.
Somewhere, in the secret cathedral, small movements,
the whole area covered in sheets of snow, pitted by
huts. He had no expectations, there was no reason,
breathing short as the text on the wall. Whenever the
dog moved, the night trembled, shimmering like water
moved by leaves in a forest. Marks of cold spray in
the dust, as in the future faded by choice. Our appetite
for miracles is not enough. Here, only animals
remain, immaculate, seduced by pain. Ending fear into
specters of welcome. Floor stained with patients. The
moment of least action. He moved like a rat in rubble
toward the sheets of snow, awake and empty, like an
old house, the place where all dreams meet. "He was
grinning before he jumped".
Las night the boy came. Open arms. Black hair.
Strong. Empty pale face. A volunteer. Unsure of why
he came. Seduced by pain. A faded painting. Waiting
for release, he blinked, looked up at the ceiling,
let out a tiny gasp praying for oblivion.
No engines anymoore. The machine engine's stopped. No
ghosts of death playing in the grass. Just simple, as
you would expect. No physical core. No smiles of love
from pitted carriages. Just an empty town. Derelict.
No way to identify. Sound playing across skin like
fingers. Just as ampty as flesh. What do you want?
Nothing in particular. No reason at all. Just a noise
of dreams at the door. Just as before. Did you see
that?
This is the place where all roads meet, the place
where all is the secret. The Place where time stands
still in the comfort of night and love becomes will
in the presence of light. I never want to leave. I
never want to leave. I never want to leave.
Read more: Psychic Tv - Terminus - Xtul Lyrics | MetroLyrics
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