Serenade For Strings
Pyotr Ilyich Tchaikovsky Lyrics


We have lyrics for 'Serenade For Strings' by these artists:


Cincinnati Pops Orchestra Just hear those sleigh bells jingle-ing, ring-ting tingle-in…
London Symphony Orchestra. Conductor: George Richter Just hear those sleigh bells jingle-ing, ring-ting tingle-in…


We have lyrics for these tracks by Pyotr Ilyich Tchaikovsky:

1812 Overture Op. 49 Under that apple suckling tree, oh yeah, under that apple…
Once Upon a Dream I’m so good at ignoring that bitch Every good thing she’s…
Overture Captain Walker Didn't come home. His unborn child Will ne…



To Forget so soon Стой! Пока ещё не выключен свет Я хочу услышать ответ Скажи,…


The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Most interesting comment from YouTube:

ela

3:18 - vc, vc exchanging (melody sounds like Hans zimmer's line)_[C]
4:15 - repeat on 8va_p.8

11:28 - vn2, vc melody_[B]
11:47 - vn1, vc+cb exchaning is attractieve_[C]
12:13 - vc,cb sounds like Horn_p.25
13:40 - melody progression is step by step_[F]

14:36 - p4 harmony is fantasy



All comments from YouTube:

vanboaconstrictor

1. Pezzo in Forma di Sonatina 0:03
2. Valse 10:33
3. Elegia 14:36
4. Finale (Tema russo) 23:08

Alain Lejeune

Thank you !

Straw Hat Luffy

vanboaconstrictor There’s always one.

Primera Línea Eteeerna

Gracias, compadrito.

Hopeson Makokha

Thank you, your service is invaluable!

Hopeson Makokha

@Lorenzo Ryker okay mate;)

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Baptong Sesame

Out of many recordings of Tchaikovsky's Serenade for Strings, this one has the most romantic and passionate phrasing. It's slow at the right places, upbeat at the most appropriate timing and just magnificent to listen to. The audience were really lucky to listen to this wonderful rendition in person!!!

Melissa Moore

The most perfect I have ever heard; I can imagine that THIS is the way that the Divine delivered it!

Mark Morningstar

As far as recordings go, I agree completely! But for recreating how the composer intended this piece to sound, the venue has to be considered as part of the overall acoustics. This sets the tempo and pacing, depending on how long the hall reverberates. Since this piece wasn't intended to be a full orchestral performance in a concert hall, but within some palacial hall with tapestries, paintings and gold guilding. The group has to take time to let the hall quiet down before returning to the music (pacing), and it also can overwhelm the recording making everything layer over each other and not give much detail. Give this performance a listen in St. Petersburg, Russia:

https://www.youtube.com/watch?v=PAeXRJtxbrQ

Quite a different sound indeed! ;^)

PF Mafia

Take a listen to Leonard Bernstein's version too!

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