The band formed in London in 1970 after May and Taylor's former band Smile split after having released an album and single. Freddie replaced lead vocalist Tim Staffell, after the latter's departure from the original trio.
There was much deliberation as to what the band's name would be. May and Taylor had settled upon the Grand Dance, derived from a C.S. Lewis Trilogy of books Out Of The Silent Planet.
Ultimately, the band went with Queen, a name that was entirely Freddie's. Originally Roger and, especially, Brian did not like the name, though Mercury would eventually persuade them both that it was "right" for the band.
"Years ago I thought up the name Queen... It's just a name, but it's very regal, and it sounds splendid. It's a strong name, very universal and immediate. It had a lot of visual potential and was open to all sorts of interpretations. I was certainly aware of the gay connotations, but that was just one facet of it. "
- Freddie Mercury.
Queen went through several bass players before a young electronics major by the name of John Deacon arrived on the scene in January of 1971.
"Until John, it had been exploding bass player syndrome. If they musically worked they'd look all wrong, and if they felt all right they couldn't play. - Brian May.
This quite shy guy turned up with his immaculate Rickenbacker bass and immaculate amplifier, plugged in, and as soon as he started playing we realized it was right." - Brian May.
Later that year, the band was secured recording time at the newly built De Lane Lea studio, and used the opportunity to record several songs that would later appear on their debut album - Liar, Keep Yourself Alive, Jesus, and The Night Comes Down. The demo reel was passed around from producer to producer with little success, until a staff member of Trident records by the name of Roy Thomas Baker was introduced to the band by fellow Trident producer John Anthony. Baker dropped in to watch the band at work and, clearly liking what he heard, recommended Queen to his superiors.
It was eventually agreed upon that the fledgling band could record at Trident studios, though after already-established artists had finished their work, such as the likes of Elton John and David Bowie. Relegated to the wee hours of the morning to record the remaining tracks of their first album, the band nonetheless stuck it out until they reached their ultimate goal of "perfection".
Queen's self-titled debut album was released in 1973 and received little attention from the general public. They quickly followed it a year later with a second album, "Queen II" which also failed to generate much interest from music fans in Britain, despite the success of the album's single, Seven Seas of Rhye, which would reach #10 on the charts after the band's mimed appearance on Top of the Pops.
The band's second album was recorded with a higher budget than the first, and the band threw everything they had into recording it. Queen II was somewhat of a "concept album", split into "White Side" vs. "Black Side".
As was in their nature, the band pressed onward after the mediocre success of their first two albums, immersing themselves in a world-wide tour to promote Queen II. Queen played in America for the first time, as a support act for Mott the Hoople.
Sheer Heart Attack would be released later that year, focusing more on being accessible to listeners, than the grand and complex ideas of the previous two albums. The recording of their third album was met with some hardships, as May fell victim to a series of illnesses brought on by an infected inoculation, required for the band's rigorous touring schedule.
Sheer Heart Attack brought even more success for the band, with May's Now I'm Here and the song that would be the band's "turning point", the Mercury-penned Killer Queen, the latter of which would reach #2 on the UK charts.
During this time, the band began developing a huge following in Japan and witnessed their popularity for themselves when they visited the country, mainly in 1975, to promote their fourth and most famous album "A Night At The Opera", featuring the epic "Bohemian Rhapsody".
Queen's popularity grew steadily through the latter half of the 70s as they released hit album after hit album, reaching its peak in the mid-80s after their "Live Aid" appearance, and continuing into the early 90s before Mercury's untimely death on 24th November 1991. The official cause of death was bronchial pneumonia resulting from AIDS.
Over the course of their 30 year career, the band did sound tracks for two films ("Flash Gordon" and "Highlander"), released a string of live and studio albums, and had many many fans across the world.
In 1995, 4 years after Mercury's death, the band released the album "Made In Heaven". This album saw the surviving band members in the studio completing or reworking unused vocals, unreleased variations of Freddie solo material (a Queen version of "I Was Born To Love You" for example), and tracks where Brian and Roger added lyrics to flesh out a song ("Mother Love").
Queen have been on indefinite hiatus since 1997, when John Deacon decided to retire.
Several "Queen + ..." projects have been developed in the following years, a few of them mere remixes with no artistic involvement from the band. In 1999, a "Greatest Hits III" album was released. This featured, among others, "Queen + Wyclef Jean" on a rap version of "Another One Bites the Dust", a live version of "Somebody to Love" performed by George Michael, and a live version of "The Show Must Go On" performed live in 1997 with Elton John.
Brian May and Roger Taylor have performed together as Queen on several occasions (award ceremonies, charity concerts, and the like), sharing vocals with various guest singers. They have also recorded several covers of Queen's hits with guest vocalists, including "We Will Rock You" (first with Five and later Britney Spears, Beyonce, John Farnham and P!nk) and "We Are the Champions" (with Robbie Williams).
On the 14th of May 2002 the Queen musical 'We Will Rock You' opened in the Dominion theatre in London's 'West End'. A Musical about young people in the distant future who aren't allowed to listen to music not generated by computers. Various Queen songs are used in the story, played by a live band. This live band was supported by Brian May and Roger Taylor on the premiere evening.
At the end of 2004, May and Taylor announced that they would reunite and return to touring in 2005, with Paul Rodgers (founder and former lead singer of Free and Bad Company). Brian May's website also stated that Rodgers would be 'featured with' Queen as 'Queen + Paul Rodgers', not replacing Mercury. The retired John Deacon would not be participating.
Between 2005 and 2006 Queen + Paul Rodgers embarked on a world tour, the first leg in Europe and the second, Japan and then the US in 2006. On 15 August 2006, Brian May confirmed through his website and fan club that Queen + Paul Rodgers would begin producing their first studio album beginning in October, to be recorded at a "secret location". The album, titled The Cosmos Rocks, was released in Europe on 12 September 2008 and in the United States on 28 October 2008. Following the album the band again embarked on a tour through Europe, opening on Kharkiv's Freedom Square in front of 350,000 Ukrainian fans. The show in Ukraine was later released on DVD.
Queen and Paul Rodgers officially split up without animosity on 12 May 2009. Rodgers did not rule out the possibility of working together again.
Since 2012, Queen has been touring with Adam Lambert as the frontman.
More information about Queen + Paul Rodgers can be found on their last.fm page.
Official website: www.queenonline.com
Discography:
1.- Queen (1973)
2.- Queen II (1974)
3.- Sheer Heart Attack (1974)
4.- A Night at the Opera (1975)
5.- A Day at the Races (1976)
6.- News of the World (1977)
7.- Jazz (1978)
8.- The Game (1980)
9.- Flash Gordon (1980)
10.- Hot Space (1982)
11.- The Works (1984)
12.- A Kind of Magic (1986)
13.- The Miracle (1989)
14.- Innuendo (1991)
15.- Made in Heaven (1995)
Heart Be Still
Queen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I cut my life away from you.
I remember happiness.
I see the evil in your eyes.
I see the beauty in a modern world.
Destruction.
I see shades of red blanketing your skies.
I'm still dripping still shedding these tears.
I still taste the bitterness, one million reasons to die Remember the times that we had.
The depths of forgotten.
Forget your past.
Look to the future.
Drowning in my sleep.
This is a fucking nightmare.
I hope the regret burns into my hands.
So I know what I've lost, I blame myself for our past.
I still remember happiness.
I'm still dripping with this blood.
I'm still shedding these tears.
I see the evil in your eyes I still dream about you.
I still die without you.
Still dreaming still dying.
Still sleeping while still standing.
The lyrics to Queen's song Heart Be Still seem to explore the concept of loss and the various emotions associated with it. The opening lines, "Slowly watching these dreams all die. I cut my life away from you," suggest a gradual realization of the loss of dreams and aspirations, possibly due to a separation or a breakup. The phrase "I cut my life away from you" implies an intentional disconnection from someone or something that was once a big part of the singer's life.
The next lines, "I remember happiness. I see the evil in your eyes," indicate that the singer has conflicting feelings about the past relationship. They recall happy times but also perceive something negative in the eyes of the person they're addressing. The phrase "I see the beauty in a modern world. Destruction" seems to express the idea that despite the world being beautiful, it's also capable of destruction and devastation.
The rest of the lyrics continue to explore the singer's emotions, including sadness, bitterness, regret, and the desire to move on ("Forget your past. Look to the future"). The use of the phrase "still dripping, still shedding these tears" suggests a prolonged grieving process or an inability to let go of the past.
Line by Line Meaning
Slowly watching these dreams all die.
The singer is witnessing their hopes and aspirations crumble away before their eyes, diminishing slowly.
I cut my life away from you.
The singer chose to end their relationship with someone important in their life and has moved on.
I remember happiness.
The singer reminisces about a time in their life when they felt pure joy and contentment.
I see the evil in your eyes.
The artist perceives malice or wrong intentions within someone else's gaze.
I see the beauty in a modern world.
Despite witnessing negativity, the artist still recognizes the splendor and allure of the contemporary era.
Destruction.
A single word encapsulating the concept of devastation or ruin.
I see shades of red blanketing your skies.
The singer observes the prevalence of conflict, danger or hostility in someone else's surroundings or life.
I'm still dripping still shedding these tears.
The artist is crying and hurting over some unresolved trauma or pain.
For what reason I don't know.
Despite feeling emotional, the artist is unsure about the cause of their feelings.
I still taste the bitterness, one million reasons to die.
The artist is still tormented by negative recollections from the past, to the point that they are overwhelmed and don't see any hope for the future.
Remember the times that we had.
The singer urges someone to recall a time when they shared positive experiences or memories together.
The depths of forgotten.
Referring to things that have long been left behind or lost in the past, or mental states of being forgotten or forgotten about.
Forget your past.
The singer advises someone to move on from whatever is causing their distress and to leave their past behind them.
Look to the future.
The singer advocates for a more optimistic outlook, encouraging others to focus on what can be achieved or experienced going forward.
Drowning in my sleep.
A metaphor for feeling overwhelmed and suffocated by one's own thoughts, even while asleep or unconscious.
This is a fucking nightmare.
The artist feels consumed by a distressing or horrifying experience, likening it to a terrible dream.
I hope the regret burns into my hands.
The artist desires to experience significant emotional and physical pain as a way to understand the magnitude of their mistakes or shortcomings.
So I know what I've lost, I blame myself for our past.
The singer takes responsibility for the failure and dissolution of their relationship, acknowledging their role in the situation.
I still remember happiness.
The singer recalls a time of joy and contentment, suggesting that they have not completely given up hope for similar experiences in the future.
I'm still dripping with this blood.
The artist refers to a physical injury, possibly self-inflicted, which continues to bleed or express itself in some way.
I'm still shedding these tears.
The artist is still emotionally distraught, and their coping mechanisms might be self-destructive or ineffective in alleviating their distress.
I see the evil in your eyes
The artist perceives malice or wrong intentions within someone else's gaze.
I still dream about you.
The singer has visions of someone they have a connection with, possibly representing unresolved emotional ties or longing for reconciliation.
I still die without you.
The artist feels incomplete or unfulfilled without someone they care about, suggesting that they may not have moved on entirely.
Still dreaming still dying.
The singer is experiencing persistent pain or unresolved issues, suggesting that they are stuck in a cycle of distress or sadness.
Still sleeping while still standing.
The singer feels tired or drained, possibly from emotional exhaustion, even while still appearing functional or presentable to others.
Lyrics © WORDS & MUSIC A DIV OF BIG DEAL MUSIC LLC
Written by: Jona Weinhofen, JOSEF PETERS, KEVIN CAMERON, MICHAEL CRAFTER, Sean Kennedy
Lyrics Licensed & Provided by LyricFind
@septemberrain3197
Baby, my heart is breaking
And there's no hope, no hope inside
The sky is an ocean of darkness
No one, no one, no one to hold me
In the lonely night
Tell me, how can I
Oh, how can I forget you, oh
How can I go to sleep
When I know that I love you
I love you and always will
(Heart be still) oh, heart be still
(Heart be still) heart be still
(Heart be still) heart keep still now
(Heart be still) oh, yes, baby
(When you) when you're lonely
(Are lonely) oh, oh (and feeling)
And you're feeling so blue
(Think of) I want you to think it over
(The true love) baby, just think it over
(I gave to you) oh, think about
All the love that I gave to you
(You know you don't have to be alone)
Oh, no, you'll never, never have to be alone
(My arms) my arms are waiting, yeah
(Come home) come back home, baby
(Home) come back home, baby
Oh, oh, my arms are waiting
(Heart) oh, heart keep still be now
(Heart be still) maybe, maybe
You'll come backs some day
(Heart) heart keep still, yeah
(Heart be still) listen here, baby
Let me tell you something
(Heart) if you ever need me
(Heart be still) oh, if you ever want me
(Heart) you know the way, baby
(Heart be still) I ask you to now
(Heart, heart be still) baby, baby..
@Nina-oi1qk
I can actually hear Freddie's voice in the background vocal. It was very nice of Fred to produce this album for his friend. He was so incredibly generous. Thats the one thing everyone says about him.
@daffodilyellow2430
I just cannot hear Freddie's voice in this. Time stamp?
@lovelovely4708
Very well said nina, awesome song, by the phenomenal freddie mercury and the talented mr straker
@freddiesnewoldgirlfriend
1.05,1.06
@flora3177
FREDDIE ❤
@flora3177
Vivat Freddie!!! Forever!!!
Freddie helped Staker a lot.
Freddie was also a producer for Staker. And in this song, Freddie sings in the choir
@jussaraluizacorreia2695
Não foi apenas Freddie quem amou a voz do Peter,desde a prima vez que ouvi eu parei num tempo mui distante do nosso.Amei
@venitabanerjee
Its no wonder ...generous Freddie loved his friends amazing voice & produced this song with him !!! ....Peter is a fabulous singer ...one of the best voices ...in control ...I love all his songs
@sobelieveable
Peter Straker is an absolute one off - brilliant singer and performer. I was lucky to work with him - a privilege.
@libusaszaboova7981
Peter Strake je úžasný spevák ale na Fredieho nemá....