Bohemian Rhapsody
Queen Lyrics
Mama, just killed a man
Put a gun against his head
Pulled my trigger, now he's dead
Mama, life had just begun
But now I've gone and thrown it all away
Mama, ooh
Didn't mean to make you cry
If I'm not back again this time tomorrow
Carry on, carry on
Too late, my time has come
Sends shivers down my spine
Body's aching all the time
Goodbye everybody, I've got to go
Gotta leave you all behind and face the truth
Mama, ooh
I don't want to die
I sometimes wish I'd never been born at all
Lyrics © Publishing Test Account, Sony/ATV Music Publishing LLC, Tratore
Written by: Freddie Mercury
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
"Bohemian Rhapsody" is a song written by Freddie Mercury and originally recorded by the band Queen for their 1975 album A Night at the Opera.
The song is in the style of a stream-of-consciousness nightmare, and has unusual musical structure for popular music (it has no chorus, instead consisting of seemingly disjointed sections including operatic segments, an a cappella and a hard rock part) which works beyond the range of this reviewer. Despite this, it was released as a single and became a huge commercial success. Read Full Bio"Bohemian Rhapsody" is a song written by Freddie Mercury and originally recorded by the band Queen for their 1975 album A Night at the Opera.
The song is in the style of a stream-of-consciousness nightmare, and has unusual musical structure for popular music (it has no chorus, instead consisting of seemingly disjointed sections including operatic segments, an a cappella and a hard rock part) which works beyond the range of this reviewer. Despite this, it was released as a single and became a huge commercial success.
Bohemian Rhapsody is widely hailed as Queen's "magnum opus", and it marked a decisive point in the band's career and set them on the way to become one of the world's most popular music groups. The single was accompanied by a groundbreaking music video (then termed a "promotional video") which helped establish the visual language of the modern music video.
A truncated version of the song was included in all Queen's subsequent live concert performances (as the band could not recreate the middle section live, because of the many overdubbed voices) and still enjoys great popularity around the world.
In January 1976, Freddie Mercury was interviewed by Sounds regarding the writing process of the song.:
"I'm going to shatter some illusions, it was just one of those pieces I wrote for the album: just writing my batch of songs. In its early stages I almost rejected it, but then it grew. We started deciding on a single about halfway through. There were a few contenders - we were thinking of 'The Prophet's Song' at one point - but then 'Bohemian Rhapsody' seemed the one. There was a time when the others wanted to chop it around a bit, but I refused. If it was going to be released, it would be in its entirety. We knew it was very risky, but we had so much confidence in that song - I did anyway. I felt, underneath it all, that if it was successful it would earn a lot of respect. People were all going, You're joking, they'll never play it, you'll only hear the first few bars and then they'll fade it out. We had numerous rows. EMI were shocked - A six-minute single? You must be joking! The same in America - Oh, you just got away with it in Britain."
In a 1982 interview with On The Record, Queen guitarist Brian May discussed the song's vocal harmonies, and creating the now famous solo.
Interviewer: Who came up with the idea for the vocal harmonies used in "Bohemian Rhapsody"?
Brian May: We always were keen on that kind of thing. That was something which we wanted to do from the beginning. We wanted to be a group that could do the heaviness of hard rock, but also have harmonies swooping around all over the place. We thought there was some real power and emotion in that combination.
Interviewer: Was the first solo in that song very difficult for you?
Brian May: No, that was pretty much off the cuff, except I think I had plenty of time to think about that one. I remember playing along with it in the studio for a while when other things were being done. I knew what kind of melody I wanted to play.
John Deacon spoke about the song in a 1977 interview: "When we finished the album, the Night at the Opera album, that was the track on it that we thought we were gonna release as a single in England first. And when we released it in England we didn't necessarily think it'd be released in America, cause we know even over here, you know, the AM tastes are even more (hesitates) stricter. Anyway we did have thoughts about even in England, perhaps editing it down at all, but we listened to it over and over again and there was no way we could edit it. We tried a few ideas, but if you edited it, you always lost some part of the song, so we had to leave it all in. And luckily it took off anyway."
The song is in the style of a stream-of-consciousness nightmare, and has unusual musical structure for popular music (it has no chorus, instead consisting of seemingly disjointed sections including operatic segments, an a cappella and a hard rock part) which works beyond the range of this reviewer. Despite this, it was released as a single and became a huge commercial success. Read Full Bio"Bohemian Rhapsody" is a song written by Freddie Mercury and originally recorded by the band Queen for their 1975 album A Night at the Opera.
The song is in the style of a stream-of-consciousness nightmare, and has unusual musical structure for popular music (it has no chorus, instead consisting of seemingly disjointed sections including operatic segments, an a cappella and a hard rock part) which works beyond the range of this reviewer. Despite this, it was released as a single and became a huge commercial success.
Bohemian Rhapsody is widely hailed as Queen's "magnum opus", and it marked a decisive point in the band's career and set them on the way to become one of the world's most popular music groups. The single was accompanied by a groundbreaking music video (then termed a "promotional video") which helped establish the visual language of the modern music video.
A truncated version of the song was included in all Queen's subsequent live concert performances (as the band could not recreate the middle section live, because of the many overdubbed voices) and still enjoys great popularity around the world.
In January 1976, Freddie Mercury was interviewed by Sounds regarding the writing process of the song.:
"I'm going to shatter some illusions, it was just one of those pieces I wrote for the album: just writing my batch of songs. In its early stages I almost rejected it, but then it grew. We started deciding on a single about halfway through. There were a few contenders - we were thinking of 'The Prophet's Song' at one point - but then 'Bohemian Rhapsody' seemed the one. There was a time when the others wanted to chop it around a bit, but I refused. If it was going to be released, it would be in its entirety. We knew it was very risky, but we had so much confidence in that song - I did anyway. I felt, underneath it all, that if it was successful it would earn a lot of respect. People were all going, You're joking, they'll never play it, you'll only hear the first few bars and then they'll fade it out. We had numerous rows. EMI were shocked - A six-minute single? You must be joking! The same in America - Oh, you just got away with it in Britain."
In a 1982 interview with On The Record, Queen guitarist Brian May discussed the song's vocal harmonies, and creating the now famous solo.
Interviewer: Who came up with the idea for the vocal harmonies used in "Bohemian Rhapsody"?
Brian May: We always were keen on that kind of thing. That was something which we wanted to do from the beginning. We wanted to be a group that could do the heaviness of hard rock, but also have harmonies swooping around all over the place. We thought there was some real power and emotion in that combination.
Interviewer: Was the first solo in that song very difficult for you?
Brian May: No, that was pretty much off the cuff, except I think I had plenty of time to think about that one. I remember playing along with it in the studio for a while when other things were being done. I knew what kind of melody I wanted to play.
John Deacon spoke about the song in a 1977 interview: "When we finished the album, the Night at the Opera album, that was the track on it that we thought we were gonna release as a single in England first. And when we released it in England we didn't necessarily think it'd be released in America, cause we know even over here, you know, the AM tastes are even more (hesitates) stricter. Anyway we did have thoughts about even in England, perhaps editing it down at all, but we listened to it over and over again and there was no way we could edit it. We tried a few ideas, but if you edited it, you always lost some part of the song, so we had to leave it all in. And luckily it took off anyway."
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Boss Perrito Pro
Lyrics:
Is this the real life?
Is this just fantasy?
Caught in a landside,
No escape from reality
Open your eyes,
Look up to the skies and see,
I'm just a poor boy, I need no sympathy,
Because I'm easy come, easy go,
Little high, little low,
Any way the wind blows doesn't really matter to
Me, to me
Mamaaa,
Just killed a man,
Put a gun against his head, pulled my trigger,
Now he's dead
Mamaaa, life had just begun,
But now I've gone and thrown it all away
Mama, oooh,
Didn't mean to make you cry,
If I'm not back again this time tomorrow,
Carry on, carry on as if nothing really matters
Too late, my time has come,
Sends shivers down my spine, body's aching all
The time
Goodbye, everybody, I've got to go,
Gotta leave you all behind and face the truth
Mama, oooh
I don't want to die,
I sometimes wish I'd never been born at all.
I see a little silhouetto of a man,
Scaramouch, Scaramouch, will you do the Fandango!
Thunderbolts and lightning, very, very frightening me
Galileo, Galileo
Galileo, Galileo
Galileo, Figaro - magnificoo
I'm just a poor boy nobody loves me
He's just a poor boy from a poor family,
Spare him his life from this monstrosity
Easy come, easy go, will you let me go
Bismillah! No, we will not let you go
(Let him go!) Bismillah! We will not let you go
(Let him go!) Bismillah! We will not let you go
(Let me go) Will not let you go
(Let me go)(Never) Never let you go
(Let me go) (Never) let you go (Let me go) Ah
No, no, no, no, no, no, no
Oh mama mia, mama mia, mama mia, let me go
Beelzebub has a devil put aside for me, for me,
For meee
So you think you can stop me and spit in my eye
So you think you can love me and leave me to die
Oh, baby, can't do this to me, baby,
Just gotta get out, just gotta get right outta here
Nothing really matters, Anyone can see,
Nothing really matters,
Nothing really matters to me
Any way the wind blows...
Luis
[Intro]
Is this the real life? Is this just fantasy?
Caught in a landslide, no escape from reality
Open your eyes, look up to the skies and see
I'm just a poor boy, I need no sympathy
Because I'm easy come, easy go, little high, little low
Any way the wind blows doesn't really matter to me, to me
[Verse 1]
Mama, just killed a man
Put a gun against his head, pulled my trigger, now he's dead
Mama, life had just begun
But now I've gone and thrown it all away
Mama, ooh, didn't mean to make you cry
If I'm not back again this time tomorrow
Carry on, carry on as if nothing really matters
[Verse 2]
Too late, my time has come
Sends shivers down my spine, body's aching all the time
Goodbye, everybody, I've got to go
Gotta leave you all behind and face the truth
Mama, ooh (Any way the wind blows)
I don't wanna die
I sometimes wish I'd never been born at all
[Guitar Solo]
[Verse 3]
I see a little silhouetto of a man
Scaramouche, Scaramouche, will you do the Fandango?
Thunderbolt and lightning, very, very frightening me
(Galileo) Galileo, (Galileo) Galileo, Galileo Figaro magnifico
But I'm just a poor boy, nobody loves me
He's just a poor boy from a poor family
Spare him his life from this monstrosity
Easy come, easy go, will you let me go?
Bismillah! No, we will not let you go
(Let him go) Bismillah! We will not let you go
(Let him go) Bismillah! We will not let you go
(Let me go) Will not let you go
(Let me go) Will not let you go
(Never, never, never, never let me go) Ah
No, no, no, no, no, no, no
(Oh, mamma mia, mamma mia) Mamma mia, let me go
Beelzebub has a devil put aside for me, for me, for me!
[Verse 4]
So you think you can stone me and spit in my eye?
So you think you can love me and leave me to die?
Oh, baby, can't do this to me, baby!
Just gotta get out, just gotta get right outta here
[Outro]
(Ooh)
(Ooh, yeah, ooh, yeah)
Nothing really matters, anyone can see
Nothing really matters
Nothing really matters to me
Any way the wind blows
Queen Official
Thank you to all our fans across the World for helping us hit ONE BILLION VIEWS. Comment down below your favorite memory of Queen ❤️
a black screen
I wasn’t born when this came out but its a masterpiece
Naufal Keandre Rizqulloh
yissssss
Ayan i Play
Freddie🙏
Gabriel Silva
Cú com pão 🍞🍞🍞🍞🍞🍞🍞🍞🍞🍞
Johnny Peel
500th comment
rose
“Six minutes is forever”
“If you think six minutes is forever id pity your wife” - freddie mercury
Hann81 Jamnow
@eserey p
The World
The video is 5:59
KennethYes
Fellas, it's a reference