F.H.H
RJD2 Lyrics
{chorus}
Keep tryin' to keep it real by keepin' it raw
While half of y'all still be keepin' it flaw
And all the real heads scream 'Fuck hip hop!'
Until this mediocre bullshit stops
Drug fiends let me show you the route
Who's that motherfucker still keepin the dope in the house?
It's Mota mouth. who? it's Mota mouth baby, it's Mota mouth
Whenever I write, I put myself out of place from other cats
I smother tracks with raw shit, niggas aren't able to bite
What I bring to the table is height
Then I easily superceed, niggas need what I got
Reason I'm hot, there's no other raw season of pot
While most motherfuckers follow the guidelines and hit by 101
Jakki the Mota mouth decides to have fun
Not following rules, swallowing crews
Son I toss cats off the stage, often I slay their soft raps
To all you fake dictionary MCs, get off that
Half of y'all don't understand your own rhymes and soft batch
They straight at open mics, we put them out on the street
Take away their dope beat, let 'em rhyme and they weak
And the mic can be a decieving device
Muffle your rhymes so they ain't clear and concise
Have niggas thinking you nice
With battle I'll crack all your gear and all your wack raps
You can't be saved by your babbling or your backpack
Doing it for the love is great but you fake
And putting your shit out is a mistake nobody wants to make
{chorus}
Keep tryin' to keep it real by keepin' it raw
While half of y'all still be keepin' it flaw
And all the real heads scream 'Fuck hip hop!'
Until this mediocre bullshit stops
Drug fiends let me show you the route
Who's that motherfucker still keepin the dope in the house?
It's Mota mouth. who? it's Mota mouth baby, it's Mota mouth
Hate when I go to open mics and I see everybody clapping
For some clown they don't understand
Yet everybody acting like he dope because they believe he's hip hop
y'all convincing me that most of y'all are brainwashed
Dug in old hip-hop history
Some cats are crap without their tracks 'cause they weak
I wish a nigga would say he listen to me for the beats
Some got the nerve to say they dope when they spit
When even they family got a tape and they won't open the shit
I got a big mouth and I ain't scared to use it
One person's key style allows everyone to abuse it
So what the fuckk is your definition of underground?
Depressing beats and bleak cats who love the sound
Well I ain't part of that, I'm tired of rapper's garbage
I'm the part of the underground who only feels the raw shit
And I can take a nigga out regardless
You can bring your hardest artists and I'll make 'em heartless
Some say they lyrically this, or lyrically that
Throwing lyrical in every rap and they lyrically wack
And many cats rhyme over tracks nobody fiends for
Don't fuck around with me, if you can only fuck with keyboards
Just 'cause lazy niggas use recognisable material
Don't mean the dope samples are not original
'Cause a producer with skill can lace tracks
Keyboard beats aren't that original, lets face facts
That shit was overused in the G-funk era
Don't give me that excuse, real MCs want better
You rhyme over enough shit, most get away with murder
Like kids who think they words rhyme 'cause they the suffix
Must bitch niggas be fragile with facts
You bragging 'bout who you battled, but who you battled was crap
What you angry for, and acting all tense
If you innocent be cool, only the guilty's catching offense
{chorus}
Keep tryin' to keep it real by keepin' it raw
While half of y'all still be keepin' it flaw
And all the real heads scream 'Fuck hip hop!'
Until this mediocre bullshit stops
Drug fiends let me show you the route
Who's that motherfucker still keepin the dope in the house?
It's Mota mouth. who? it's Mota mouth baby, it's Mota mouth
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
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RJD2 is Ramble John Krohn, a hip-hop producer. RJD2 was born in Eugene, Oregon, and raised in Columbus, Ohio. Until recently, he was part of the Definitive Jux label and produced tracks for many of its artists, as well as having a solo career. In 2006, RJ "ditched hip-hop" for the indie-rock label XL, releasing The Third Hand in March 2007.
From 1998 to 1999, he saw success blossom as DJ/producer for the Columbus-based group the Megahertz, with two twelve-inch singles on Bobbito Garcia's legendary NY label, Fondle 'Em Records. Read Full BioRJD2 is Ramble John Krohn, a hip-hop producer. RJD2 was born in Eugene, Oregon, and raised in Columbus, Ohio. Until recently, he was part of the Definitive Jux label and produced tracks for many of its artists, as well as having a solo career. In 2006, RJ "ditched hip-hop" for the indie-rock label XL, releasing The Third Hand in March 2007.
From 1998 to 1999, he saw success blossom as DJ/producer for the Columbus-based group the Megahertz, with two twelve-inch singles on Bobbito Garcia's legendary NY label, Fondle 'Em Records. This explosive entrance to the underground hip-hop scene gave way to shows from Europe to Japan, not to mention garnering mention in Vibe magazine's "History of Hip-Hop" historical volume. Opening doors outside of the east coast, the MHz went on to appear on the Bay Area's ABB records compilation, Always Bigger and Better, Volume 1. Their contribution (entitled "This Year") was voted best track on the ABB website, while competing against major label heavyweights such as Dilated Peoples and Defari.
In 2000, the praise only continued for RJD2, producing Copywrite's debut single "Holier Than Thou" on Rawkus Records. The work certainly didn't stop there; spring of 2001 was RJD2's formal introduction to hip-hop as a solo artist on Def Jux Presents, a compilation showcasing the roster of his record label, Definitive Jux Records. Having to hold his own next to NYC underground legends such as Company Flow, Cannibal Ox, and Aesop Rock, RJD2 did no less. That summer he followed up this string of releases with his own twelve inch entitled June, which featured fellow MHz member Copywrite laying down two incredible book-end verses. Melding the hip-hop tradition of raw, gritty samples with a more classical approach to song structure, he has concocted a style of production that pleases the most discerning hip-hop scholar without compromising that old dance floor aesthetic.
2002 saw RJD2 release the critically acclaimed debut Dead Ringer, which not only solidified his spot as one of the underground's top producers, but also caught the ears of Grammy-man ?uestlove of The Roots who called the album one of his favorites of the year. Not to mention even landing the track Ghost Writer in a Saturn ad, with juggling solo ventures, producing rappers, and DeeJaying, the man is certainly in the hot seat at the moment. It has been said by many legendary producers that the ultimate goal is to move a crowd-not just to dance, but sometimes also to feel and think. In this vein, RJD2 is only continuing a time-honored tradition.
In 2003, RJD2 released The Horror, and the landmark Since We Last Spoke in 2004. A track from his 2006 release Magnificent City Instrumentals, "A Beautiful Mine," is the theme song of the AMC television drama Mad Men.
In 2007, RJD2 released The Third Hand which, if nothing else, showcased his ability to evolve beyond the hip-hop genre. Around this same time RJ created a compilation album with fellow underground DJ's Mick Boogie and DJ Flash for their A.B.B. compadres Little Brother entitled AND JUSTUS FOR ALL.
In 2010, RJD2 released The Colossus on his own label, RJ's Electrical Connections. The album could be described as RJD2's meshing of Since We Last Spoke's grittier tracks with The Third Hand's Moby-esque pop. The album contains a variety of recording methods, with most songs featuring an amalgam of sampled, programmed, and recorded sounds.
RJD2 has participated in numerous collaborations with artists such as Aceyalone, Ric Ocasek, and Goapele. RJD2 is also part of the group Soul Position with Blueprint. They have released two full length studio albums, 8 Million Stories and Things Go Better with RJ and Al.
From 1998 to 1999, he saw success blossom as DJ/producer for the Columbus-based group the Megahertz, with two twelve-inch singles on Bobbito Garcia's legendary NY label, Fondle 'Em Records. Read Full BioRJD2 is Ramble John Krohn, a hip-hop producer. RJD2 was born in Eugene, Oregon, and raised in Columbus, Ohio. Until recently, he was part of the Definitive Jux label and produced tracks for many of its artists, as well as having a solo career. In 2006, RJ "ditched hip-hop" for the indie-rock label XL, releasing The Third Hand in March 2007.
From 1998 to 1999, he saw success blossom as DJ/producer for the Columbus-based group the Megahertz, with two twelve-inch singles on Bobbito Garcia's legendary NY label, Fondle 'Em Records. This explosive entrance to the underground hip-hop scene gave way to shows from Europe to Japan, not to mention garnering mention in Vibe magazine's "History of Hip-Hop" historical volume. Opening doors outside of the east coast, the MHz went on to appear on the Bay Area's ABB records compilation, Always Bigger and Better, Volume 1. Their contribution (entitled "This Year") was voted best track on the ABB website, while competing against major label heavyweights such as Dilated Peoples and Defari.
In 2000, the praise only continued for RJD2, producing Copywrite's debut single "Holier Than Thou" on Rawkus Records. The work certainly didn't stop there; spring of 2001 was RJD2's formal introduction to hip-hop as a solo artist on Def Jux Presents, a compilation showcasing the roster of his record label, Definitive Jux Records. Having to hold his own next to NYC underground legends such as Company Flow, Cannibal Ox, and Aesop Rock, RJD2 did no less. That summer he followed up this string of releases with his own twelve inch entitled June, which featured fellow MHz member Copywrite laying down two incredible book-end verses. Melding the hip-hop tradition of raw, gritty samples with a more classical approach to song structure, he has concocted a style of production that pleases the most discerning hip-hop scholar without compromising that old dance floor aesthetic.
2002 saw RJD2 release the critically acclaimed debut Dead Ringer, which not only solidified his spot as one of the underground's top producers, but also caught the ears of Grammy-man ?uestlove of The Roots who called the album one of his favorites of the year. Not to mention even landing the track Ghost Writer in a Saturn ad, with juggling solo ventures, producing rappers, and DeeJaying, the man is certainly in the hot seat at the moment. It has been said by many legendary producers that the ultimate goal is to move a crowd-not just to dance, but sometimes also to feel and think. In this vein, RJD2 is only continuing a time-honored tradition.
In 2003, RJD2 released The Horror, and the landmark Since We Last Spoke in 2004. A track from his 2006 release Magnificent City Instrumentals, "A Beautiful Mine," is the theme song of the AMC television drama Mad Men.
In 2007, RJD2 released The Third Hand which, if nothing else, showcased his ability to evolve beyond the hip-hop genre. Around this same time RJ created a compilation album with fellow underground DJ's Mick Boogie and DJ Flash for their A.B.B. compadres Little Brother entitled AND JUSTUS FOR ALL.
In 2010, RJD2 released The Colossus on his own label, RJ's Electrical Connections. The album could be described as RJD2's meshing of Since We Last Spoke's grittier tracks with The Third Hand's Moby-esque pop. The album contains a variety of recording methods, with most songs featuring an amalgam of sampled, programmed, and recorded sounds.
RJD2 has participated in numerous collaborations with artists such as Aceyalone, Ric Ocasek, and Goapele. RJD2 is also part of the group Soul Position with Blueprint. They have released two full length studio albums, 8 Million Stories and Things Go Better with RJ and Al.
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LVhasAIDS
jakki da moutamouth is one of the illest! Have you heard the Table Scraps by MhZ album that put rjd2 on the map???? Im here for jakki he's me favorite rapper
Ian R
Wow took me way too long to figure out what F.H.H. stands for
M.T AXSENT
Shit back when I got the first listen... y'all the type of heads that he dissin ...
California Combatives Club 209
Cody Khaos i work at an arcade it I listen to this 8 hours a day it's the one song that doesn't annoy me
California Combatives Club 209
Me too man
Cody Khaos
Ian R lol, same here bro. I never heard this version till today. I never even knew it existed. I've only heard the instrumental on Pandora till now.
flatlinersyeah
he doesn't, he complains about shit programmed rather than sampled beats and says he wants good ones.
oli scale
600 views? WTF
A2theD1
Classic
L'indie Gamer
Instrumental version is amazing But with Lyrics, it's awesome *-*