The name Raimundos is derived from one of their greatest influences, the Ramones.
The band was formed in the late 80s by Rodolfo Abrantes (vocals), Digão (guitars), Canisso (bass) and Fred (drums). After doing some demo tapes, they released their first record by Banguela Records:
Raimundos (1994).
Raimundos became popular among the younger audience because of their "weird" appearance and their funny and sarcastic lyrics, full of profanity and slang. They broke into MTV Brazil, making their first hits "Selim" and "Puteiro em João Pessoa".
Lavô tá Novo was released in 1995, and became the most successful act of those days. "I Saw Your Saying (That You Say that You Saw)", one of the hit singles of their records, dealt with a fictitious meeting with Madonna. Other singles like "Esporrei na Manivela" and "Eu Quero Ver o Oco" easily appeared on radios and MTV.
It was followed by Cesta Básica (1996), a rarities album and then Lapadas do Povo (1997). "Lapadas" was heavier than the previous albums, changing the usual "forrocore" style of the band. "Andar na Pedra" became the most known music of the album.
Só no Forévis (1999) became the most sold album of the band, and made Raimundos known by audiences other than the ones which usually patronized them. "Mulher de Fases", "A Mais Pedida", "Me Lambe" e "Aquela" went to the top positions of the charts and MTV. The name of the album was a "spoof" on popular Brazilian music styles (including the members of the band dressed as a "pagode" group).
The last record with the original line-up was MTV ao Vivo, a live album recorded for MTV, with all their hits and some covers. The album included a cover of "20 e Poucos Anos", from brazilian popular artist Fábio Jr.. The song became the theme of MTV's reality show "20 e Poucos Anos" ([loosely translated as 20 something] the Brazilian version of "The Real World"). The song was recorded in studio.
2001 saw the dismissal of Rodolfo from the band. Converted into an Evangelical Christian, he decided to quit the band because his life wouldn't fit anymore with the band itself. He formed in the same year Rodox, a christian rock/hardcore band, like Raimundos, but with more "christian-like" messages in the songs. The remaining members released Éramos 4 (translated as "we used to be 4") in the same year.
The name was directly related to Rodolfo being gone from the band. It included 13 Ramones covers and "Sanidade", song originally recorded in the earlier times of the band, featuring Digão in the vocals. Some people say that the song was included there as an "answer" to Rodolfo.
In the same year, Digão decided to definitely assume the vocals and call Marquinho, who was in the underground band Peter Perfeito. In 2002 the new formation released Kavookavala. Putting into the sound more hardcore influences, the album wasn't so successful as the others, but the reputation of the band wouldn't be damaged. Canisso left the band in 2002, saying that he was tired of being with the band. Alf, vocalist of Rumbora, was brought in to be the bassist.
The last release of the band was an independent EP .Qq cOisAh EP, in 2005. The band still tours around Brazil, showing their hits and new songs, apart from the fact of some fans being more attuned with the original and most famous line-up of the band.
Bodies
Raimundos Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
She just had an abortion
She was a case of insanity
Her name was Pauline, she lived in a tree
She was a no-one who killed her baby
She sent her letters from the country
She was an animal
She was a bloddy disgrace
Body - I'm not an animal
Dragged on a table in a factory
Illegitimate place to be
In a package in a laboratory
Dying little baby - Screaming
Runny, Screaming, fucking bloddy mess
Not an animal - It's an abortion
Body - I'm not an animal
Mummy - I'm an abortion
Throbbing Squirm
Gurgling, bloody mess
Another discharge
Another loss in protein
Another throbbing squirm
Ahhh!
Fuck this and fuck that
Fuck it all and fuck the fucking brat
She don't want a baby who looks like that
I don't want a baby who looks like that
Body - I'm not an animal
Body - An Abortion!
Body - I'm not an animal
Body - I'm not an animal
An Amimal!
I'm not an animal
I'm not an animal, an animal
I'm not an animal
I ain't no animal
I'm not a body
I'm not an animal, an animal
I ain't no animal
I'm not an animal
I'm not an animal - Mummy!
Uh!
The Raimundos song "Bodies" is a controversial track that highlights the difficult and emotional topic of abortion. The lyrics describe the story of Pauline, a mentally unstable woman who had an abortion and sent letters about it from the countryside. The song delves into the brutal nature of the abortion process as the baby is described as a "throbbing squirm" and a "gurgling, bloody mess."
The lyrics also reveal the societal pressure to have a "perfect" baby, as the woman and the singer both express their desire to not have a baby that looks a certain way. The repetition of "I'm not an animal" shows the emotional and moral struggle the singer feels about the abortion, as they try to distance themselves from the harsh reality of the act.
Line by Line Meaning
She was a girl from Birmingham
The woman who had the abortion is described as a girl from Birmingham.
She just had an abortion
The woman recently had an abortion.
She was a case of insanity
The woman who had the abortion was labeled as insane by society.
Her name was Pauline, she lived in a tree
The woman's name was Pauline and she was homeless and lived in a tree.
She was a no-one who killed her baby
The woman who had the abortion was seen as insignificant by society, despite her actions having a significant impact on her life.
She sent her letters from the country
The woman wrote letters to someone while she was in the countryside.
She was an animal
The woman was dehumanized and seen as equivalent to an animal by society.
She was a bloody disgrace
Society saw the woman's actions as shameful and a disgrace.
Body - I'm not an animal
The person singing is not just a body or an animal but a human being.
Dragged on a table in a factory
The fetus was not treated with respect and was instead roughly handled in a clinical environment.
Illegitimate place to be
The place where the fetus was being handled and disposed of was not considered legitimate or acceptable by the person singing.
In a package in a laboratory
The fetus was being treated like any other object in a laboratory, rather than with the reverence and respect that would be given to a human being.
Dying little baby - Screaming
The fetus was in pain and distress during the abortion process.
Runny, Screaming, fucking bloody mess
The aftermath of the abortion was messy and traumatic for all involved.
Not an animal - It's an abortion
The singer is emphasizing that the fetus is not just an animal or a collection of cells, but something that was deliberately aborted.
Body - I'm not an animal
The person singing repeats that they are not just a body or an animal, but a human with value and dignity.
Mummy - I'm an abortion
The fetus is referring to the woman who had the abortion, calling her 'Mummy' and emphasizing its own humanity despite its untimely end.
Throbbing Squirm
The fetus is described in visceral and unsettling terms as a 'throbbing squirm.'
Gurgling, bloody mess
The singer again emphasizes the traumatic nature of the aftermath of the abortion, and highlights the gruesome nature of the remains of the fetus.
Another discharge
The artist is describing another abortion, or perhaps the same woman having another abortion.
Another loss in protein
The artist is referring to the fetus as nothing more than a source of protein, further dehumanizing it.
Another throbbing squirm
The artist repeats the earlier description of the fetus as a 'throbbing squirm,' emphasizing its humanity and vulnerability.
Ahhh!
The singer's exclamation adds to the overall sense of horror and shock of the lyrics.
Fuck this and fuck that
The artist is exasperated and angry with the situation, cursing as a way of expressing their frustration.
Fuck it all and fuck the fucking brat
The singer is angry at the idea of having a child, and uses crude language as a way of expressing that anger.
She don't want a baby who looks like that
The woman who had the abortion did not want to have a child with certain characteristics.
I don't want a baby who looks like that
The singer also does not want to have a child with certain characteristics.
Body - I'm not an animal
The singer repeats the idea that they are not just a body or an animal, but a human being with inherent worth and dignity.
Body - An Abortion!
The artist views their body as nothing more than the site of an abortion, a traumatic and emotionally charged event.
Body - I'm not an animal
Once again, the singer emphasizes their humanity and inherent worth.
Body - I'm not an animal
The singer continues to affirm their identity as a human being, not just a body or an animal.
An Animal!
The artist is describing their perception of how society views them: as an animal rather than a human being.
I'm not an animal
The artist repeats their assertion that they are not an animal, but rather a human being.
I'm not an animal, an animal
The artist once again emphasizes the difference between themself and an animal.
I'm not an animal
The singer repeats their assertion that they are not an animal.
I ain't no animal
Using slang, the artist again emphasizes that they are not an animal.
I'm not a body
The singer is emphasizing the idea that they are more than just a physical form, but rather a multifaceted human being.
I'm not an animal, an animal
Once again, the singer is asserting that they are not equivalent to an animal.
I ain't no animal
Using colloquial language, the singer is emphasizing that they should not be treated like an animal.
I'm not an animal
The artist's repetition of this line throughout the song shows that it is a core belief and identity for them.
Mummy!
The final exclamation serves to humanize the fetus and emphasize the emotional impact of the abortion on all involved.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@ccorneuss1
Eu ia morrer sem saber que esse cover existia, muito foda
@jefersonsantos1782
Raimundos Rodolfo era monstro vocal.
@barbarafagundes1019
Amo essa banda!!! Pra sempreee
@alexdesouza7138
Um daqueles covers que chegam a rivalizar com a original ! Muito foda !
@patriciaregina5604
Show de bola não deixa nada a desejar perfeito 👏
@CarlosAlberto-yc1qv
Cover Mto Bom
@WagnersRS
QUE SOM DO CARALHO. PUTA QUE PARIU!!!!!
@arthurpietrafesabernardi5103
Caralho que versão foda !!!!!
@franciscomendonca2494
Por isso meu profundo respeito ao rodolfo e os raimundo por terem feito esse cover do caralho da maior banda do mundo e da musica mais punk dos Pistols. É uma musica anti Aborto. Há algo mais punk do que isso dentro da cultura pop?? Phodam- se!
@lelacrisveras
Melhor que o original 😃