Magic
Rayana Jay Lyrics

Oh no.
The singer is expressing concern or dismay about something.

Oh, Oh, Oh oh oh oh.
A verbalization of excitement or enjoyment, possibly in response to a previous event or emotion.

Baby, you got that
The singer is addressing someone, likely a romantic partner, and acknowledging a certain quality they possess.

Baby you got that
The artist repeats the acknowledgement of the quality the addressed person possesses.

I can't quite put my finger it
The artist is having difficulty articulating or describing a certain feeling or experience they are having.

But it's just so good
Despite the difficulty in explanation, the singer is expressing that the feeling or experience is incredibly positive and enjoyable.

Wanna spend all day, wanna linger on it
The singer is expressing a desire to continue experiencing this positive feeling or emotion for a long period of time, emphasizing its significance.

If I could I would
The artist expresses a sense of longing for the continuation and intensification of the positive feeling or emotion.

Get it together, I need a moment
The artist is expressing a need for composure or clarity in response to the overwhelming nature of the positive feeling or emotion.

Alright
An acknowledgement that the artist has regained their composure or clarity.

I need it forever, I really want it
The singer is expressing an intense desire for the continuation and permanence of the positive feeling or emotion.

You got that touch
The artist is addressing the person with the acknowledged quality and is referencing a specific aspect of that quality.

But baby it's too much, it's still not enough
Despite acknowledging the quality of the addressed person, the singer expresses a frustration that it is simultaneously overwhelming and insufficient in meeting their desired emotional or physical experience.

That touch
Reiteration of the specific aspect of the acknowledged quality.

When you brought that stuff, you know you left me stuck
The addressed person has done something that has caused the singer to become emotionally 'stuck' or invested in the moment.

But baby I know like you do
The artist is acknowledging that the addressed person is aware of their effect on them.

That you got that voodoo that I love
The specific quality that the addressed person possesses is likened to magical powers that the artist is infatuated with.

Baby you got that magic
Reiteration of the acknowledged quality with a specific term.

I can't make no sense of it
The singer is acknowledging a confusion or lack of understanding concerning the acknowledged quality and its effect on them.

But gotta have it
Despite the lack of understanding or confusion, the artist expresses a need to continue experiencing the acknowledged quality.

And if you couldn't tell
The artist is suggesting that the addressed person may not be aware of their effect on them.

You got me under your spell
The artist acknowledges that the addressed person has a powerful influence over them that they cannot resist or escape from.

Say "I thought magic wasn't real"
The singer is introducing a hypothetical dialogue in which someone expresses disbelief towards something that they are currently experiencing, perhaps in reference to the acknowledged quality.

(I thought magic wasn't real)
Reiteration of the hypothetical statement introduced in the previous line.

So explain how you made me feel
The singer is requesting an explanation for the powerful, unexplainable feeling or emotion that they are experiencing, perhaps in reference to the acknowledged quality.

(Explain how you made me feel)
Reiteration of the request for explanation introduced in the previous line.

When you say "let's get out of here"
The singer is referencing a specific moment or event in which the addressed person suggested leaving a certain location or situation.

(When you say let's get out of here)
Reiteration of the referenced moment or event introduced in the previous line.

Watch how fast we disappear
The artist is suggesting that the addressed person's influence makes them feel as though they have 'disappeared' or escaped from the current situation or location, emphasizing the power of the acknowledged quality.

You can call it whatever, baby
The singer is addressing or responding to the addressed person's potential interpretations or labels for the acknowledged quality.

Just don't say we're done
The singer is expressing a desire to continue the relationship or connection with the addressed person despite any potential issues or complications that may arise as a result of the acknowledged quality.

It might sound crazy, however baby
The artist is acknowledging that their experience or perspective may seem irrational or unlikely to others.

We're crazy in love
The artist is expressing a deep emotional connection and affection for the addressed person, acknowledging their unconventional and potentially irrational relationship.

Wherever, whenever baby
The artist is expressing a sense of loyalty and commitment to the addressed person, suggesting that they will always be there for them regardless of circumstance or location.

If it's time for a rendezvous, I know I can count on you
The singer is suggesting that they can always depend on the addressed person to connect with them or meet them in a certain location, emphasizing their loyalty and trust in the relationship.

Like one, two, three, hold up
The artist is using a counting metaphor to express surprise or excitement towards the addressed person's actions or qualities.

This thing that you're doing to me, you better slow up
The singer is expressing a sense of being overwhelmed or 'stuck' in response to the addressed person's actions or qualities and is asking them to slow down or consider their impact on them.

Whatever happened to me, if it happened to be
The singer is expressing a sense of uncertainty or confusion regarding the situation they are in or their emotional state.

Another trick up your sleeve, you better roll up
The singer is suggesting that the addressed person may have other 'tricks' or qualities that they have not yet revealed, emphasizing their intrigue and potential surprise from the relationship.

First trick I fell for you
The artist is acknowledging a specific quality or action that the addressed person possess that caused them to become emotionally invested or 'fall' for them.

(Uh, uh uh uh)
Vocalization that serves as a transitional element between lines.

Next time, you felt it too
The singer is suggesting that the addressed person also has invested feelings for them or is experiencing similar emotional reactions in response to their relationship.

(Uh, uh uh)
Vocalization that serves as a transitional element between lines.

Look, look, look, look
The artist is directing attention or emphasizing a point in response to a perceived disbelief or confusion from the addressed person.

One more time say
The artist is prompting the addressed person to repeat a statement or acknowledge a certain point of conversation.

"I thought magic wasn't real"
Reiteration of the hypothetical dialogue introduced earlier in the song.

(I thought magic wasn't real)
Reiteration of the hypothetical statement introduced in the previous line.

Then explain how you made me feel
Reiteration of the request for explanation introduced earlier in the song.

(Explain how you made me feel)
Reiteration of the request for explanation introduced in the previous line.

When you say "let's get out of here"
Reiteration of the referenced moment or event introduced earlier in the song.

(When you say let's get out of here)
Reiteration of the referenced moment or event introduced in the previous line.

Watch how fast we disappear
Reiteration of the line introduced earlier in the song.

(Watch how fast we disappear)
Reiteration of the line introduced in the previous line.

Yeah, yeah, yeah
A vocalization of agreement or excitement in response to a completed statement or action.