From 1972 on Raymond mixes candid observations on human behavior with his own, unique sense of humor. His songs are alternatively full of emotion and boisterous, dark and joyful, but are always powered by a sound base of rock'n roll and references to all four musical corners of the globe". They rightfully awarded him the title "His excellence of Belgian Pop".
Early Years
Born in a musical family (his father is Nico Gomez), Raymond starts performing with Johan Verminnen. In 1975 he says : "Like Lennon shouted "Twist and Shout", no one had ever made music before. We felt that as being extremely non-comformistic. So we also had long hair and jeans. It was Johan Verminnen who showed me the life in bars. He led me into the nightlife. That was necessary, 'cause my parents where Dutch people who lived an isolated life in Antwerp."
After somewhile as a musician backing up other people (e.g. with Della Bosiers), he forms his own band with Erik Van Neygen called Louisette. Already he gives Flanders some of its musical evergreens like 'Maria, Maria ik hou van jou" and "Zij houdt van Vrijen".
In an era of "Osmonds and Mud" Louisette fails to make it big. He reforms the group, this time as RvhG and Bien Servi, for which the lineup includes Jean-Marie Aerts (see TC Matic etc ..) and Jean Blaute (see Kate's Kennel, K's Choice ...).
Humo, more than 25 years later acknowledged the fact that "Je moest eens weten hoe gelukkig ik was" (you should know how happy I was) by Bien Servi was a masterpiece : "When Raymond was hungry and 22 and stayed in bed to keep himself warm he wrote a song called "you should know how happy I was". Classy! Only Randy Newman could have done better. When there was electricity in his apartment he would constantly put Newman's first record on the turntable. Maybe it wasn't that clear at the time, but nowadays it's crystal clear that this record is the best Dutch-speaking debut album of all times."
First Succes
"Nooit meer drinken" of 1977 is the first album on which he operates with his backing group, then called "The Millionaires", but later on renamed to e.a. "The Centimeters" and "de Vlaamse Mustafa's". He records "Meisjes" (girls) which becomes a huge hit and gains fame through his steamy live-reputation.
After the ironic hit "Vlaanderen boven" (Flanders on top) he also travels abroad to Holland with "Je veux de l'amour" (I want love) and makes appearances at the major Pinkpop & Torhout-Werchter festivals. He quits playing live after the successful single "cha cha cha".
"It was becoming too easy, and most of all : too much. Never time to take a break, never time to do something fresh. I had toured Belgium twice before my appearance at Pinkpop. After that I toured the country twice again, and then I had enough of it".
Van het Groenewoud takes a step back and starts writing music for films (e.g. "Brussels by night" from Marc Didden or "Sailor's don't cry" with Elsje Helewaut). He also produces some music for others (Employees, Kamagurka).
New Breaktrough
After a few "sabbatical years" he refocuses on his musical career again, but it's a different Raymond who has come back : deeper, more emotional and intimate, sometimes more painful and more romantic is his music. His comeback doesn't bring his popularity to the heights of the late seventies. For another minute of fame in the general public eye, he has to wait 'till 1990 with a compilation of his early work and a surprise hit "Liefde voor muziek" (the love for music), a gospel-ish song which makes it as a carnival-hit. Raymond is back just in time to make it as the godfather for a whole new generation of Dutch-singing artist who emerged in the 90's (Noordkaap, de Mens, Gorki)
More recently, he did a very successful -almost acoustic - concert tour through the theater halls of Belgium and Holland. A wonderful and intimistic report of this tour has been released as "De minister van Ruimtelijke Ordening".
Now that he has seen Abraham (has become 50), Raymond van het Groenewoud has been honoured with a book. This luxurious hardback (with a cover in pluch) entitled "Je veux de l'amour" contains an intro written by Boudewijn de Groot, a story of his career, a complete discography and more than 139 lyrics to the songs that have made him such a unique figure. Moreover, the book comes with a cd, that contains 10 songs recorded acoustically at home. (Btw : it sure are busy times for Raymond-collectors, as there was also a cd with live-songs on only 2,000 copies that was handed out to those present at the Valentine's Day-gig in February 2000 at the Ancienne Belgique).
In 2000, Raymond was also the author of the soundtrack for the very succesful film "Iedereen Beroemd" by Dominique Deruddere and the theme song "Lucky Manuelo" (which received an Oscar nomination for Foreign Language movie, but was beaten by "Crouching Tiger Hidden Dragon)
In 2001, Raymond released a CD with the title "Een jongen uit Schaarbeek" (a boy from Schaerbeek). The CD was recorded with César Janssens on drums again, and the young Thomas Vanelslander (Overflow) on guitar. Strangely enough, the production was done by Christine Verschorren, who also happens to be the current Ms. Van Het Groenewoud. The CD-release itself is for October 4th 2001, but there is already a track that gets lots of airplay, the single "Keineig (verliefd op haar)" (I'm so like totally in love with her).
One track on the album, the titlesong "Een jongen uit Schaarbeek" is being sung by Sarah Bettens, about which track he tells Humo "it's a lullaby for adults. It had to be sung by a woman. I had it so bad (lovesickness) that I wished I had someone who would sing for me softly, make me feel as if I was in the warm bath of a womb again".
Raymond fans also were pleased to find a Cd with newspaper De Morgen, with seven track - some old songs and two tracks from the new album, called "Water en Brood" (water & bread).
Respected Belgian Artist
In 2005, Raymond releases two more CD's: "Ballades" (Ballads) and "Mr. Raymond", which includes the protest song "Weg met Amerika", in which he denounces the USA imperailism and the commercialisation/americanisation of society. Touring around the country performing a mix of intimate songs and his well known hits, he reaches a big audience. He gets admired not only because of his great music, but also for he has his very own style and humour in the way he performes. Many Belgian young artists are inspired by his person, resulting among other tribute's in the project "Raymond en zijn jonge helden" ("Raymond and his young hero's") organisated by Poppunt.
Danielle
Raymond van het Groenewoud Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ik wist alles min of meer behalve
Dat ze al mijn vertrouwen heeft ontnomen
Ik ben de hofnar en ik buig zeer diep voor haar
Oh Danielle, laat me leven
Laat me horen van je stem
Raak me aan, t is om het even
Ik ben blij maar daarna ben ik weer triestig
En ik twijfel als ze even mediteert
Maar het goeie zou ik nooit willen missen
Zelfs al doet de rest me nog zodanig zeer
Oh Danielle, geef me kusjes
Laat de rest ver van ons weg
Geef me kans je vast te houden
Kijk me aan als ik wat zeg
Diep in de jungle woont een tijger
Had ik maar geen platen in m′n kast
Had zij maar geen mensen die zich moeiden
Wij zijn liefde, zij de last
Oh Danielle, laat me lachen
Laat me huilen binnenin
Kook een ei, ik zie je bezig
En ik weet dat ik dit wil
Ik wist niet dat mij dit zou overkomen
Maar een wens die ik niet kende is vervuld
Ik laat me gaan, ik laat al m'n tranen stromen
Ik ben leeg, maar ik word opnieuw ingevuld
Oh Danielle, grote liefde
Hier geknield neem ik je hand
K Neem je mee waar we leven
Waar we voelen, t is ons land
Oh Danielle, ik ben stuurloos
Maar ik trek het mij niet aan
Als ik klein bij jou mag liggen
Laat ik alles voor je staan
The lyrics of Raymond van het Groenewoud's song "Danielle" describe the singer's experience of unexpected and intense love. He confesses that he did not expect this to happen to him and that he now feels vulnerable and exposed because Danielle has taken away all of his trust. Despite his feelings of insecurity, the singer craves Danielle's affection and longs to hear her voice and feel her touch. He is willing to endure the emotional turmoil that comes with the relationship because he cannot bear to be without her.
The song also touches on the theme of jealousy and the fear of losing Danielle. The singer admits to feeling both happy and sad, and he becomes anxious when Danielle meditates. He knows that she is the source of much of his pain, but he cannot imagine his life without her. The singer also expresses a desire to protect their relationship from outsiders who may interfere or cause trouble.
Overall, the lyrics of "Danielle" express a complex array of emotions that arise from a love that is intense and unexpected, yet also fraught with uncertainty and insecurity.
Line by Line Meaning
Ik wist niet dat dit mij zou overkomen
I had no idea that this would happen to me
Ik wist alles min of meer behalve
I thought I knew everything except this
Dat ze al mijn vertrouwen heeft ontnomen
That she has taken away all my trust
Ik ben de hofnar en ik buig zeer diep voor haar
I am the court jester and I bow deeply to her
Oh Danielle, laat me leven
Oh Danielle, let me live
Laat me horen van je stem
Let me hear your voice
Raak me aan, t is om het even
Touch me, it doesn't matter what or where
Wat of waar als jij t maar bent
What or where, as long as it's you
Ik ben blij maar daarna ben ik weer triestig
I am happy, but then I become sad again
En ik twijfel als ze even mediteert
And I doubt when she meditates for a moment
Maar het goeie zou ik nooit willen missen
But I never want to miss the good things
Zelfs al doet de rest me nog zodanig zeer
Even if the rest still hurts me so much
Oh Danielle, geef me kusjes
Oh Danielle, give me kisses
Laat de rest ver van ons weg
Keep the rest far away from us
Geef me kans je vast te houden
Give me a chance to hold you
Kijk me aan als ik wat zeg
Look at me when I say something
Diep in de jungle woont een tijger
Deep in the jungle lives a tiger
Had ik maar geen platen in m′n kast
If only I didn't have records in my cabinet
Had zij maar geen mensen die zich moeiden
If only she didn't have people meddling in her life
Wij zijn liefde, zij de last
We are love, they are the burden
Oh Danielle, laat me lachen
Oh Danielle, let me laugh
Laat me huilen binnenin
Let me cry inside
Kook een ei, ik zie je bezig
Cook an egg, I see you busy
En ik weet dat ik dit wil
And I know that I want this
Ik wist niet dat mij dit zou overkomen
I had no idea that this would happen to me
Maar een wens die ik niet kende is vervuld
But a wish that I didn't know I had has been fulfilled
Ik laat me gaan, ik laat al m'n tranen stromen
I let go, I let all my tears flow
Ik ben leeg, maar ik word opnieuw ingevuld
I am empty, but I am being filled again
Oh Danielle, grote liefde
Oh Danielle, great love
Hier geknield neem ik je hand
Here kneeling, I take your hand
K Neem je mee waar we leven
I'll take you where we live
Waar we voelen, t is ons land
Where we feel, it's our land
Oh Danielle, ik ben stuurloos
Oh Danielle, I am directionless
Maar ik trek het mij niet aan
But I don't care
Als ik klein bij jou mag liggen
If I can lie small next to you
Laat ik alles voor je staan
I'll leave everything for you
Writer(s): Raymond Van Het Groenewoud
Contributed by Asher I. Suggest a correction in the comments below.