from Brazil's Northeast, highlighting the less regarded feminine
influences of the outback's popular culture.
Born in Sao Paulo, the composer and musician has gathered a vast array
of rhythmical, poetical structures, canons and voice dialogues from
the grassroot music of the Northeast. Her songs are inspired by
the Maracatu Rural, the Coco and the Cavalo Marinho, amongst others,
and reveal the richness of these traditions, exposing an authentic
repertoire made up of her own compositions, young and old composers
as well as songs that are now in the public domain.
Listening to Renata Rosa is a groundbreaking trip into the timeless
world of the Caboclos, the Native Indians and the Africans of Brazil.
Renata Rosa's performance intertwines the best of the Northeast music
with its dances. The power within the chant is a physical consequence
of the dance, and in some songs the stage ground actually becomes
a percussion instrument, as it is stomped by the artists. Renata plays
the "rabeca" (the traditional brazilian fiddle), alongside her
musicians, Seu Luis Paixao, a native master of this traditional fiddle,
a "viola" (a rare kind of acoustic guitar), 2 percussionists and
a bass guitar.
Renata has just released an outstanding debut album "Zunido da Mata",
produced by Mestre Ambrosio's musicians. After touring and teaching
her art in Italy, USA and Canada, Renata Rosa and band is now ready
to hit international roads, opening new horizons for Brazilian music.
Ms Rosa will teach the Samba de Coco, which is a variation of the Coco.
The origin of Coco lays on the meeting between the native Brazilian
culture and the central African culture, which came with the slaves to
the Northeast of Brazil and involves the circular dance that sights
the ground. The dance has a variety of steps, which the function is
the percussion and are connect to the poetry. Traditionally, the dance
is connected to the construction of houses made by clay and straw. The
owner of the house calls the people of the community to do the Coco
inside the house on the clay floor. While everyone is dancing, singing
and making percussion sounds with their feet, the clay is flattened to
ground level. Renata's workshop will work with the circular dance and
the relationship between the dance, the feet percussion and the poetic
aspects of the music.
Renata Rosa, musician, singer, poet and researcher, was born in
Sao Paulo, Brazil, in 1973. She is part of the "Maracatu de Baque
Solto Estrela de Ouro de Aliança", as Dama do Cacho, one of the
responsibles for the evolution of the maracatu - a traditional carnival
parade from the State of Pernambuco (NE), in which dance, improvised
poetry and music are included. "Maracatu" aggregates elements from
black, indigenous and iberic culture. She also conducts the Boi
da Gurita Seca group, in which she improvises poetry following
the musical and poetic tradition of the "maracatu rural".
She develops research on cultural manifestations of the people from
northeast. Some of her studies are focused on "coco", work chants
and traditional catholic chants such as "Benditos" - which are
performed during the traditional catholic parades - and "excelencia
chants" - chants to prepare the deads' soul to the encounter with
God, usually performed during death-watches.
Renata Rosa has been providing workshops in many Festivals and
Centers: Cleveland Museum of Art (Ohio) , Cathedral St John
the Divine (NY), Festival de Inverno de Garanhuns, (PE), Teatro
Arraial (Recife) , Studio Casa de Pedra (Rio de Janeiro),etc.
Me leva
Renata Rosa Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Encontrei você
Eu fui no mato apanhar flores
Encontrei você
Me leva, me leva
Me leva, me leva
Foi quando o breu tingiu a mata
Foi quando o breu tingiu a mata
De eu me perder
Me leva, me leva
Me leva, me leva
No meio do véu do rodopio
eu pude, então, lhe ver
No meio do véu do rodopio
eu pude, então, lhe ver
Me leva, me leva
Me leva, me leva
Foi cadência que a folha mostrou
Foi cadência que a folha mostrou
Me leva, me leva
Me leva, me leva
Eu fui no mato apanhar flores
Encontrei você
Eu fui no mato apanhar flores
Encontrei você
Me leva, me leva
Me leva, me leva
Foi quando o breu tingiu a mata
De eu me perder
Foi quando o breu tingiu a mata
De eu me perder
Me leva, me leva
Me leva, me leva
No meio do véu do rodopio
eu pude, então, lhe ver
No meio do véu do rodopio
eu pude, então, lhe ver
Me leva, me leva
Me leva, me leva
Foi cadência que a folha mostrou
Foi cadência que a folha mostrou
Me leva, me leva
Me leva, me leva
The lyrics of Renata Rosa's song Me leva describe a journey into the wilderness, where the singer went to pick flowers and unexpectedly found someone special. The chorus, "Me leva" (take me), is repeated throughout the song, perhaps indicating a desire for the companion to guide her or take her away from the overwhelming sense of being lost in the darkness of the forest. The verses that follow, including "Foi quando o breu tingiu a mata" (It was when the darkness dyed the forest), describe the fear and disorientation that come with losing one's way in nature. However, the presence of this newfound companion brings a sense of comfort and hope.
The final lines, "Foi cadência que a folha mostrou" (It was rhythm that the leaf showed), introduce a musical element to the narrative. This, combined with the repetition of the chorus and the phrasing of the verses, creates a mesmerizing, trance-like quality to the song, suggesting that it is less about a literal journey and more about a transformative experience. The song may be interpreted as an allegory for finding love or spirituality amid chaos and confusion.
Overall, the beauty and simplicity of the lyrics, along with the hypnotic melody and vocals, make Renata Rosa's Me leva a haunting and evocative piece.
Line by Line Meaning
Eu fui no mato apanhar flores
I went to the forest to pick flowers
Encontrei você
I found you
Me leva, me leva
Take me, take me
Foi quando o breu tingiu a mata
It was when the darkness colored the forest
De eu me perder
That I got lost
No meio do véu do rodopio
In the midst of the spinning veil
eu pude, então, lhe ver
I could then see you
Foi cadência que a folha mostrou
It was the rhythm that the leaf showed
Contributed by Sophia M. Suggest a correction in the comments below.
Paloma Carolina
Eu fui no mato apanhar flores
Encontrei você
Me leva, me leva
Foi quando o breu tingiu a mata
De eu me perder
Me leva, me leva
No meio do véu do rodopio
eu pude, então, lhe ver
Me leva, me leva
Foi cadência que a folha mostrou
Foi cadência que a folha mostrou
Me leva, me leva
Eu fui no mato apanhar flores
Paloma Carolina
Eu fui no mato apanhar flores
Encontrei você
Me leva, me leva
Foi quando o breu tingiu a mata
De eu me perder
Me leva, me leva
No meio do véu do rodopio
eu pude, então, lhe ver
Me leva, me leva
Foi cadência que a folha mostrou
Foi cadência que a folha mostrou
Me leva, me leva
Eu fui no mato apanhar flores
maxmusad
Linda canção!!! Me traz uma sensação boa como às de uma nostalgia dos tempos da infância que eu tive, com canções assim do folclore nordestino. Linda sua voz Renata Rosa!!! Abraços...
Portal Marrocos
Que maravilha de musica. Saudaçoes ao Brasil desde o deserto do Saara Marrocos
Doly Doly
Aí que lindo é a cultura Brasileira! ❤️😍
Luyde Barros
Renata Rosa, querida! Você é a voz do meu amanhecer 💓💓💓 O sol vai surgindo e suas músicas tocando no meu celular 🙏🏽🙌🏽 Que dom! Que nosso senhor abençoe a ti sempre!!
Marinalva Maria de oliveira
Música linda
Lore. Dana
Luyde amei sua ideia 🥰
Renata toca no meu espírito de um jeito tão lindo 🌞
Arkbal Sá Peixoto
Muito bom mesmo. Ainda há salvação para a música brasileira.
Silvio Torres
Renata Rosa, parabéns, que trabalho maravilhoso você faz pelo Brasil. É um orgulho saber que artistas como você mantêm a essência de um Brasil profundo e autêntico. Obrigado pela postagem. Você é demais! Um abraço deste "minerim"!
Caroline Lima
Música maravilhosa. Voz maravilhosa. Amei. <3 Me faz pensar nas minhas raízes nordestinas, na minha família e em todo o orgulho que sinto por ser filha também do nordeste.