Ricardo Montaner (born as Hector Eduardo Reglero Montaner on September 8, 1… Read Full Bio ↴Ricardo Montaner (born as Hector Eduardo Reglero Montaner on September 8, 1957) is an Argentine-Venezuelan singer and songwriter. Starting his career in the early 80s, he has already released more than 15 albums with numerous successful singles and over 7 million record worldwide.
Montaner was born as Héctor Eduardo Reglero Montaner, in Valentín Alsina, Buenos Aires, Argentina. However, he moved to Venezuela when he was 6 years old. During his youth he performed in the church chorus in the city of Maracaibo. In 1983, he released his first album titled Cada Día. Although the album was not a great success, it was a start for Montaner's career. He describes this album:"as his own version of death metal"
It wasn't until 1987 when Montaner became widely popular in Venezuela with the singles "Yo Que Te Amé" and "Vamos a Dejarlo" belonging to his self-titled album.
The following year he came out with Ricardo Montaner 2 which featured hit songs like "Tan Enamorados" and "A Donde Va El Amor". At the same time, he acted in the popular soap opera Niña Bonita. This also became a tool to make his songs known to the rest of Latin America. He won 4 platinum albums in Argentina alone. His next two albums, Un Toque de Misterio and En el Último Lugar del Mundo, became classics of the popular music in Mexico, Central and South America with hits such as "La Cima del Cielo", "Me Va a Extrañar", "Déjame Llorar" and "Será".
By 1992 Ricardo decided to hit the Spanish Caribbean with Los Hijos del Sol, an album that contained songs like "Castillo Azul", "Honda" and "Piel Adentro". That year, he also recorded a duet with Michelle, which was the Latinamerican version for the Aladdin song "A Whole New World" titled "Un Mundo Ideal".
Although Montaner has written most of his songs he has worked closely with other great song writers in Latin America such as Pablo Manavello, Ilan Chester and Oscar Gómez. But in 1994, Ricardo Montaner wrote and produced all the songs in his album Una Mañana y un Camino, which became popular only years after his release due to the lack of promotion by his new record label EMI Latin, with which Ricardo would also release Viene del Alma in 1995, an Italian pop flavored album. Also in 1995 he teamed up with Yolandita Monge to establish a Guinness World Record for performing 3 concerts in different cities on the same day in Puerto Rico. This was only possible by air transportation via helicopter from stage to stage.
By 1997, Montaner was already a well established artist in the Spanish speaking music world and could give himself the luxury of experimenting with other styles of music, without forgetting the roots that had made him so popular a decade earlier. Working one more time with Pablo Manavello and with a new record company, Warner Music proved to be the promoter Ricardo was expecting for. Es Así brought Ricardo much popularity in the United States Spanish speaking areas and allowed Montaner to tour more than 17 countries in Latin America making him even more popular in Spain. Songs like "La Mujer de Mi Vida", "Para Llorar" and "Es Así" became very popular all around.
In 1999, Montaner recorded his best album ever with his past hits decorated with the strings of the London Metropolitan Orchestra. This proved to be very successful and sold over 1 million copies. Ricardo made another attempt in 2001 with Sueño Repetido that included the bolero style song "Bésame" arranged by Bebu Silvetti which became a hit all over the world. Future works with Juan Carlos Calderón, Kike Santander and Silvetti would be the key for Ricardo to move his songs and popularity to another level in 2002, 2003 and 2004.
2002's Suma (Bolero style songs) and 2003's Prohibido Olvidar (balada pop) had fair results in terms of sales and acceptance. "Si Tuviera Que Elegir" in Suma was written for his daughter. In 2003 he broke the record for the most concerts on a same tour in the theater of Bellas Artes in Puerto Rico. He sold out 18 concerts breaking his past record of 12, which also held it Yolandita Monge and Ricardo Arjona.
In 2004, he made another album with the London Metropolitan Orchestra named Con La London Metropolitan Orchestra Vol. 2 featuring his latest hits songs and two exclusive songs such as "Desesperado" and "Esta Escrito". In 2005, Montaner launched Todo y Nada which featured the songs "Cuando a mi Lado Estas" and "Nada". For this album he's already nominated in the Latin Grammys with album and song of the year for "Cuando a mi Lado Estas". "Amarte es mi Pecado" and "Heridas de Amor" are non-album songs that have been chosen to be the theme songs on two very popular Mexican soap operas and that much popular have become these songs.
In 2007, Ricardo released Las Mejores Canciones Del Mundo produced by Adrian Posse with the songs "Hoy Tengo Ganas De Ti", "Nostalgias (Argen Version)", "Échame A Mí La Culpa (Artista Invitado: Juanes)".
In 2008, he released Las Mejores Canciones Del Mundo II - Y Algunas Mías...! with the songs "Cuando Un Amigo Se Va", "Ansiedad", "Bésame (Featuring Pasión Vega)".
Ricardo Montaner has sold over 22 million albums, and keeps breaking records in arenas and theaters all over the world.
Montaner was born as Héctor Eduardo Reglero Montaner, in Valentín Alsina, Buenos Aires, Argentina. However, he moved to Venezuela when he was 6 years old. During his youth he performed in the church chorus in the city of Maracaibo. In 1983, he released his first album titled Cada Día. Although the album was not a great success, it was a start for Montaner's career. He describes this album:"as his own version of death metal"
It wasn't until 1987 when Montaner became widely popular in Venezuela with the singles "Yo Que Te Amé" and "Vamos a Dejarlo" belonging to his self-titled album.
The following year he came out with Ricardo Montaner 2 which featured hit songs like "Tan Enamorados" and "A Donde Va El Amor". At the same time, he acted in the popular soap opera Niña Bonita. This also became a tool to make his songs known to the rest of Latin America. He won 4 platinum albums in Argentina alone. His next two albums, Un Toque de Misterio and En el Último Lugar del Mundo, became classics of the popular music in Mexico, Central and South America with hits such as "La Cima del Cielo", "Me Va a Extrañar", "Déjame Llorar" and "Será".
By 1992 Ricardo decided to hit the Spanish Caribbean with Los Hijos del Sol, an album that contained songs like "Castillo Azul", "Honda" and "Piel Adentro". That year, he also recorded a duet with Michelle, which was the Latinamerican version for the Aladdin song "A Whole New World" titled "Un Mundo Ideal".
Although Montaner has written most of his songs he has worked closely with other great song writers in Latin America such as Pablo Manavello, Ilan Chester and Oscar Gómez. But in 1994, Ricardo Montaner wrote and produced all the songs in his album Una Mañana y un Camino, which became popular only years after his release due to the lack of promotion by his new record label EMI Latin, with which Ricardo would also release Viene del Alma in 1995, an Italian pop flavored album. Also in 1995 he teamed up with Yolandita Monge to establish a Guinness World Record for performing 3 concerts in different cities on the same day in Puerto Rico. This was only possible by air transportation via helicopter from stage to stage.
By 1997, Montaner was already a well established artist in the Spanish speaking music world and could give himself the luxury of experimenting with other styles of music, without forgetting the roots that had made him so popular a decade earlier. Working one more time with Pablo Manavello and with a new record company, Warner Music proved to be the promoter Ricardo was expecting for. Es Así brought Ricardo much popularity in the United States Spanish speaking areas and allowed Montaner to tour more than 17 countries in Latin America making him even more popular in Spain. Songs like "La Mujer de Mi Vida", "Para Llorar" and "Es Así" became very popular all around.
In 1999, Montaner recorded his best album ever with his past hits decorated with the strings of the London Metropolitan Orchestra. This proved to be very successful and sold over 1 million copies. Ricardo made another attempt in 2001 with Sueño Repetido that included the bolero style song "Bésame" arranged by Bebu Silvetti which became a hit all over the world. Future works with Juan Carlos Calderón, Kike Santander and Silvetti would be the key for Ricardo to move his songs and popularity to another level in 2002, 2003 and 2004.
2002's Suma (Bolero style songs) and 2003's Prohibido Olvidar (balada pop) had fair results in terms of sales and acceptance. "Si Tuviera Que Elegir" in Suma was written for his daughter. In 2003 he broke the record for the most concerts on a same tour in the theater of Bellas Artes in Puerto Rico. He sold out 18 concerts breaking his past record of 12, which also held it Yolandita Monge and Ricardo Arjona.
In 2004, he made another album with the London Metropolitan Orchestra named Con La London Metropolitan Orchestra Vol. 2 featuring his latest hits songs and two exclusive songs such as "Desesperado" and "Esta Escrito". In 2005, Montaner launched Todo y Nada which featured the songs "Cuando a mi Lado Estas" and "Nada". For this album he's already nominated in the Latin Grammys with album and song of the year for "Cuando a mi Lado Estas". "Amarte es mi Pecado" and "Heridas de Amor" are non-album songs that have been chosen to be the theme songs on two very popular Mexican soap operas and that much popular have become these songs.
In 2007, Ricardo released Las Mejores Canciones Del Mundo produced by Adrian Posse with the songs "Hoy Tengo Ganas De Ti", "Nostalgias (Argen Version)", "Échame A Mí La Culpa (Artista Invitado: Juanes)".
In 2008, he released Las Mejores Canciones Del Mundo II - Y Algunas Mías...! with the songs "Cuando Un Amigo Se Va", "Ansiedad", "Bésame (Featuring Pasión Vega)".
Ricardo Montaner has sold over 22 million albums, and keeps breaking records in arenas and theaters all over the world.
¿Qué Vas a Hacer?
Ricardo Montaner Lyrics
Jump to: Overall Meaning ↴
¿Qué vas a hacer ahora?
Que el tiempo no nos sobra
¿Qué vas a hacer mañana?
Si ya no hay mañana, si te quedas sola
¿Qué vas a hacer ahora?
Después de abrir la herida
¿Qué va a pasar después?
Cuando se vaya el tren y no haya más salida
Dime ahora ¿pa' qué nos sirve?
Darnos besos invisibles
Un amor es imposible
¿Pa' qué nos sirve, pa' qué nos sirve?
¿Qué vas a hacer?
Cuando el olvido esté de cumpleaños
Cuando no puedas hacernos más daño
Y nos miremos como dos extraños
¿Qué vas a hacer?
Cuando mi invierno sea primavera
Cuando me quieras y yo no te quiera
Cuando ni el perro esté esperando afuera
¿Qué vas a hacer?, ¿Prender la luz?
Más humo y más dolor en este cuarto gris
¿Qué vas a hacer?, ¿No fuiste tú?
Más frío y mal humor en esta tarde gris
¿Pa' qué nos sirve?
Darnos besos invisibles
Un amor es imposible
¿Pa' qué nos sirve, pa' qué nos sirve?
¿Qué vas a hacer?
Cuando el olvido esté de cumpleaños
Cuando no puedas hacernos más daño
Y nos miremos como dos extraños
¿Qué vas a hacer?
Cuando mi invierno sea primavera
Cuando me quieras y yo no te quiera
Cuando ni el perro esté esperando afuera
¿Qué vas a hacer ahora?
(¿Qué vas a hacer ahora?)
Cuando despiertes sola
Y yo no esté
¿Qué vas a hacer?
Solita, sola
Cuando despiertes
¿Qué vas a hacer?
Cuando mi invierno sea primavera
Cuando me quieras y yo no te quiera
Cuando ni el perro esté esperando afuera
¿Qué vas a hacer?
Cuando el olvido esté de cumpleaños
Cuando no puedas hacernos más daño
Y nos miremos como dos extraños
¿Qué vas a hacer?
Cuando mi invierno sea primavera
Cuando me quieras y yo no te quiera
Cuando ni el perro esté esperando afuera
Que el tiempo no nos sobra
¿Qué vas a hacer mañana?
Si ya no hay mañana, si te quedas sola
¿Qué vas a hacer ahora?
Después de abrir la herida
¿Qué va a pasar después?
Dime ahora ¿pa' qué nos sirve?
Darnos besos invisibles
Un amor es imposible
¿Pa' qué nos sirve, pa' qué nos sirve?
¿Qué vas a hacer?
Cuando el olvido esté de cumpleaños
Cuando no puedas hacernos más daño
Y nos miremos como dos extraños
¿Qué vas a hacer?
Cuando mi invierno sea primavera
Cuando me quieras y yo no te quiera
Cuando ni el perro esté esperando afuera
¿Qué vas a hacer?, ¿Prender la luz?
Más humo y más dolor en este cuarto gris
¿Qué vas a hacer?, ¿No fuiste tú?
Más frío y mal humor en esta tarde gris
¿Pa' qué nos sirve?
Darnos besos invisibles
Un amor es imposible
¿Pa' qué nos sirve, pa' qué nos sirve?
¿Qué vas a hacer?
Cuando el olvido esté de cumpleaños
Cuando no puedas hacernos más daño
Y nos miremos como dos extraños
¿Qué vas a hacer?
Cuando mi invierno sea primavera
Cuando me quieras y yo no te quiera
Cuando ni el perro esté esperando afuera
¿Qué vas a hacer ahora?
(¿Qué vas a hacer ahora?)
Cuando despiertes sola
Y yo no esté
¿Qué vas a hacer?
Solita, sola
Cuando despiertes
¿Qué vas a hacer?
Cuando mi invierno sea primavera
Cuando me quieras y yo no te quiera
Cuando ni el perro esté esperando afuera
¿Qué vas a hacer?
Cuando el olvido esté de cumpleaños
Cuando no puedas hacernos más daño
Y nos miremos como dos extraños
¿Qué vas a hacer?
Cuando mi invierno sea primavera
Cuando me quieras y yo no te quiera
Cuando ni el perro esté esperando afuera
The lyrics to Ricardo Montaner's song ¿Qué Vas a Hacer? are a poignant expression of heartbreak and uncertainty in a failing relationship. The opening lines "¿Qué vas a hacer ahora? / Que el tiempo no nos sobra" set the tone for the rest of the song, as the singer questions what their partner will do now that time is running out. As the song progresses, the singer imagines a future where they are no longer together and must face the painful aftermath of their separation. They anticipate a time when they will be "dos extraños" (two strangers) and wonder how they will cope.
The line "Un amor es imposible" (Love is impossible) is particularly powerful, as it acknowledges the fact that sometimes, no matter how much we want something to work out, it just can't. The singer seems resigned to this fact, but still holds onto hope that their partner will see the truth of the situation before it's too late.
The repetition of the question "¿Pa' qué nos sirve?" (What's the point?) underscores the theme of futility that runs through the song. Despite their efforts to salvage their relationship, the singer wonders whether it's all been for nothing.
Overall, ¿Qué Vas a Hacer? is a moving portrayal of the pain of lost love, and the uncertainty and doubt that can accompany a difficult break-up. With its emotional lyrics and haunting melody, it's a song that is sure to resonate with anyone who has experienced the end of a relationship.
Lyrics © Sony/ATV Music Publishing LLC
Written by: Ricardo Montaner, Marco Masis, Camilo Echeverry, Yasmil Marrufo
Lyrics Licensed & Provided by LyricFind
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@zeltzin9068
LETRA:
¿Qué vas a hacer ahora?
Que el tiempo no nos sobra
¿Qué vas a hacer mañana?
Si ya no hay mañana, si te quedas sola
¿Qué vas a hacer ahora, después de abrir la herida?
¿Qué va a pasar después, cuándo se vaya el tren?
¿Y no haya más salida?
¿Dime ahora pa' qué nos sirve, darnos besos invisibles?
Un amor así imposible
¿Pa' qué nos sirve?, ¿Pa' qué nos sirve?
¿Qué vas a hacer?
¿Cuando el olvido esté de cumpleaños?
¿Cuando no puedas hacernos más daño
Y nos miremos como dos extraños?
¿Qué vas a hacer?
¿Cuando mi invierno sea primavera?
¿Cuando me quieras y yo no te quiera?
¿Cuando ni el perro esté esperando afuera?
¿Qué vas a hacer?
¿Prender la luz?
Más humo y más dolor en este cuarto gris
¿Qué vas a hacer?
¿No fuiste tú?
Más frío y mal humor en esta tarde gris
¿Pa' qué nos sirve, darnos besos invisibles?
Un amor así imposible
¿Pa' qué nos sirve?, ¿Pa' qué nos sirve?
¿Qué vas a hacer?
¿Cuando el olvido esté de cumpleaños?
¿Cuando no puedas hacernos más daño
Y nos miremos como dos extraños?
¿Qué vas a hacer?
¿Cuando mi invierno sea primavera?
¿Cuando me quieras y yo no te quiera?
¿Cuando ni el perro esté esperando afuera?
¿Qué vas a hacer ahora? (¿Qué vas a hacer ahora?)
¿Cuándo despiertes sola y yo no esté?
¿Qué vas a hacer, solita, sola, cuando despiertes?
¿Qué vas a hacer?
¿Cuando mi invierno sea primavera?
¿Cuando me quieras y yo no te quiera?
¿Cuando ni el perro esté esperando afuera?
¿Qué vas a hacer?
¿Cuando el olvido esté de cumpleaños?
¿Cuando no puedas hacernos más daño
Y nos miremos como dos extraños?
¿Qué vas a hacer?
¿Cuando mi invierno sea primavera?
¿Cuando me quieras y yo no te quiera?
¿Cuando ni el perro esté esperando afuera?
@pilarvlogs8059
Nadie carga esa maleta con tanto estilo como usted Señor Montaner.
@day8077
Jajajajajaja si
@beatrizmary95
🙋 Síii !!! 💗 Te amooooo Ricardo Montaner 😍😍😘😘💕💕💕
@elizaponce8934
Jajajaj si XD
@scarletthuerta772
Jajaja jajaja 🤣🤣🤣🤣😂😂😂😂la verdad.
@jenniferflores9946
Barbie Rodriguez Literal 👌
@croysito
Solo Montaner puede traer a dos cantantes y decirles: no canten, solo actúen... Grande maestro
@josesalgado-xw6pp
literal solo el jajjaa
@ramitdecamelias4198
No creo LUIS MIGUEL en el video de la media vuelta tuvo a Juan Gabriel, Lola Beltrán, Amalia Mendoza, Katy Jurado, Pablo Montero, Carlos Monsiváis, Ofelia Medina y José Alfredo Jiménez (hijo) se reunieran para el video de Luis Miguel. Luis Miguel y Juan Gabriel en el video 'La media vuelta no fue el único ni el primero ni ciela😉
@JoseMRamos-fd8co
Leonel García "para empezar"
Otro referente😉